Angels Over Elsinore

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by Clive James


  It left me with pursed lips and shaking head,

  Surprised they even bothered

  And full of pity for the royal children

  Deceived by their bonanza every Christmas –

  A wampum headband set with amethysts,

  A solid silver tomahawk –

  Into equating workmanship with wealth.

  Full of boutiques that try to do the same,

  The Strand Arcade is still there,

  Commendably preserved if over-polished,

  But the train is gone for good –

  Except where, in my mind,

  Forever turning back and yet forever

  Continuing its tour d’horizon

  Of a world threatened by a race of giants,

  It snickers behind the glass

  I stained with the acid of my fingertips.

  Grace Cossington Smith’s Harbour Bridge

  Grace Cossington Smith, Grace Cossington Smith,

  Your name is yet one to be conjuring with.

  You painted the Bridge well before it was finished

  And still the excitement remains undiminished,

  Your patchwork of pigments enhancing its myth.

  Grace Cossington Smith, Grace Cossington Smith,

  Your skill was the essence, the fulcrum and pith

  Of all that we love about classical art

  Embracing the modern and making it part

  Of the total adventure that starts in the heart.

  Crace Cossington Smith, Grace Cossington Smith,

  Your moniker honours your kin and your kith.

  The studies you made of the Bridge uncompleted

  Add up to a triumph that can’t be repeated:

  The lattice-work elements reach for each other

  Like Damon and Pythias, brother to brother,

  Imprinting the sky with the future before it

  Was certain, and you were the one who foresaw it.

  The polychrome grains of our grey megalith –

  You put them together, Grace Cossington Smith.

  Belated Homage to Derek Walcott

  You made me think last night. Your lines about

  How people on those islands you evoke

  As easily as blowing smoke

  Could not look down from high ground to the sea,

  Or even see a cargo ship, without

  Fear of the worst, reminded me –

  Reminded me I still need the reminder –

  That my own ships and oceans linked a kinder

  Imperium. Though free for generations

  The crime’s descendants are not free of that –

  The open water is for drowning in.

  Embarked now for the erstwhile ruling nations,

  The migrant’s back still hears the spitting cat.

  He looks up through the grille at the least grin

  Of condescension. Railway station porters

  With one impatient word rape teenage daughters –

  Terror invades perception when it gives

  That tinge of death to where your verse most lives,

  In the lost luxuriance

  Of how you, growing up, were made to feel

  By history that your childhood was unreal

  Because the actual so usurped romance

  That even the sweet white of breaking waves –

  Their stately bridal veils of spray –

  Looked startling as the bones of broken slaves:

  Unsleeping infrastructure of the trance

  The tourist brochures lovingly display,

  Taking your time out of their time away.

  You made me think last night, but not today.

  Today I found out that a girl I know

  Was bailed up by two little boys in hoods

  Who claimed their hidden knives were not for show.

  She made a weapon of her front-door key.

  They took off. No doubt short of worldly goods

  Through no fault of their own, they make me long

  To see them kicked and whipped. Don’t get me wrong:

  Where she lives, there are whites the same age worse.

  But let’s not kid ourselves. Race is a curse,

  And at a time like this it curses me.

  To put it bluntly, I don’t think at all.

  Terror invades perception:

  Reaction, ruled by what we first recall,

  Enrols an ethnic type without exception

  Among the threats to life, as it must do

  Even for you. Tell me that isn’t so.

  Hand on your heart and say it isn’t true.

  You made me think last night. How can I know

  Your deepest wish is not for me to go

  To Hell? Should I pretend I understand

  What it feels like, before the burning sand

  And scalding water teach me how to die

  Day in, day out, under that pretty sky?

  Before I, too, can hear in the surf’s roar

  The landlady’s slammed door,

  Can see the lynch mob strutting with the gulls

  Gathered among the hulls

  Of yachts whose owners don’t just patronise

  A raw colonial, but spurn my hand

  And still would if it held the Nobel Prize –

  Proof of my right to land

  Having sailed so far, and, stranger yet, survived

  A setting out from which so few arrived,

  And fewer still thrived, on the further shore?

  I know: I should have thought of this before.

  When We Were Kids

  When we were kids we fought in the mock battle

  With Ned Kelly cap guns and we opened the cold bottle

  Of Shelley’s lemonade with a Scout belt buckle.

  We cracked the passion fruit and sipped the honeysuckle.

  When we were kids we lit the Thundercracker

  Under the fruit tin and we sucked the all day sucker.

  We opened the shoe box to watch the silk-worms spinning

  Cocoons of cirrus with oriental cunning.

  When we were kids we were sun-burned to a frazzle.

  The beach was a griddle, you could hear us spit and sizzle.

  We slept face down when our backs came out in blisters.

  Teachers were famous for throwing blackboard dusters.

  When we were kids we dive-bombed from the tower.

  We floated in the inner tube, we bowled the rubber tyre.

  From torn balloons we blew the cherry bubble.

  Blowing up Frenchies could get you into trouble.

  When we were kids we played at cock-a-lorum.

  Gutter to gutter the boys ran harum-scarum.

  The girls ran slower and their arms and legs looked funny.

  You weren’t supposed to drink your school milk in the dunny.

  When we were kids the licorice came in cables.

  We traded Hubba-Bubba bubblegum for marbles.

  A new connie-agate was a flower trapped in crystal

  Worth just one go with a genuine air pistol.

  When we were kids we threw the cigarette cards

  Against the wall and we lined the Grenadier Guards

  Up on the carpet and you couldn’t touch the trifle

  Your Aunt Marge made to go in the church raffle.

  When we were kids we hunted the cicada.

  The pet cockatoo bit like a barracuda.

  We were secret agents and fluent in pig Latin.

  Gutsing on mulberries made our lips shine like black satin.

  When we were kids we caught the Christmas beetle.

  Its brittle wings were gold-green like the wattle.

  Our mothers made bouquets from frangipani.

  Hard to pronounce, a pink musk-stick cost a penny.

  When we were kids we climbed peppercorns and willows.

  We startled the stingrays when we waded in the shallows.

  We mined the sand dunes in search
of buried treasure,

  And all this news pleased our parents beyond measure.

  When we were kids the pus would wet the needle

  When you dug out splinters and a piss was called a piddle.

  The scabs on your knees would itch when they were ready

  To be picked off your self-renewing body.

  When we were kids a year would last forever.

  Then we grew up and were told it was all over.

  Now we are old and the memories returning

  Are like the last stars that fade before the morning.

  Only Divine

  Always the Gods learned more from humankind

  Than vice versa. So it was bound to be:

  It takes a troubled heart to make a mind.

  Stuck with their beautiful stupidity,

  The Gods were peeved to find themselves outclassed

  Even in pleasure, which was their best thing.

  Sky-walking Zeus, the Bright One, was aghast

  To find that men could laugh and weep and sing

  For love, instead of merely chasing tail

  The way he did when he came down to earth:

  Driving his lightning bolt in like a nail,

  Shouting the place down with unsubtle mirth.

  Sometimes he stole earth-men’s identities.

  His acrobatics in a borrowed face

  Drew some applause for their raw power to please

  But none at all for foreplay, tact or grace.

  By Jove! By Jupiter! He heard the names

  Men gave him change. The world grew less impressed

  Than he was with his simple fun and games,

  The gold medallions on his hairy chest.

  Back in the clouds, he brooded for as long

  As Gods can. If he couldn’t have the tears

  Of mortals, he could copy a love song.

  To learn one took him several hundred years,

  But time, like sorrow, doesn’t count up there.

  He got quite good at it, and now he sings

  Sinatra standards that sound pretty fair

  Against a backing track complete with strings.

  Virgin Minerva, born out of his brain

  To stave off Vulcan with a single slap,

  Borrowed more fetching versions of disdain

  Better designed to milk the thunderclap

  Of lust. Her heavenly suitors pay for shoes

  She might wear only once, or not at all.

  Pretending they know how it feels to lose,

  Prospective lovers, outside in the hall,

  Compare TAG Heuer watches while they scuff

  Their Gucci loafers on the marble floor.

  In love, real men have taught them, things get rough:

  A show of grief might get you through her door.

  Inside, she lies back on her Zsa-Zsa pink

  Chaise-longue while Aphrodite dishes dirt.

  Feigning to taste the whisky sours they drink,

  They smile as if a memory could hurt.

  Does Atlas need those Terminator shades?

  Poseidon’s wet-suit, what good does it do?

  Is gold-crowned Phoebe on her roller blades

  Really as cute as when the world was new?

  And here comes Hera in her Britney kit,

  And there goes Hermes on his superbike.

  The stuff they have! You wouldn’t credit it,

  And all top of the range. What are they like?

  Like us, without the creativity

  Stirred by the guilt that hangs around our necks.

  Their only care the void of their carefree

  Millennia of unprotected sex,

  Uncomprehendingly they quote our books.

  Their gull-wing sports cars and their Gulfstream jets,

  The bling-bling wasted on their perfect looks –

  It’s all ours. Gleaming as their long sun sets,

  The Gods are gaudy tatters of a plan

  Hatched by our ancestors to render fate

  More bearable. They end as they began,

  Belittled in our thoughts that made them great.

  Lock Me Away

  In the NHS psychiatric test

  For classifying the mentally ill

  You have to spell ‘world’ backwards.

  Since I heard this, I can’t stop doing it.

  The first time I tried pronouncing the results

  I got a sudden flaring picture

  Of Danny La Rue in short pants

  With his mouth full of marshmallows.

  He was giving his initial and surname

  To a new schoolteacher.

  Now every time I read the Guardian

  I find its columns populated

  By a thousand mumbling drag queens.

  Why, though, do I never think

  Of a French film composer

  (Georges Delerue, pupil of

  Darius Milhaud, composed the waltz

  In Hiroshima, Mon Amour)

  Identifying himself to a policeman

  After being beaten up?

  But can I truly say I never think of it

  After I’ve just thought of it?

  Maybe I’m going stun:

  Dam, dab and dangerous to wonk.

  You realise this ward you’ve led me into

  Spelled backwards is the cloudy draw

  Of the ghost-riders in the sky?

  Listen to this palindrome

  And tell me that it’s not my ticket out.

  Able was I ere I saw Elba.

  Do you know who I am, Dr Larue?

  Bigger than a Man

  Bigger than a man, the wedding tackle

  Of the male blue whale is a reminder

  There can be potent spouses who stay true.

  As he nuzzles up behind her

  He gives hard evidence that he is always keen,

  And when they have lain face to face awhile

  Like two blimps that have seen The Blue Lagoon,

  He brings the Sunday papers up to bed.

  With a whole globe of ocean for a boudoir

  Their pillow talk has not been much recorded,

  But there have been some transcripts:

  ‘Baweeng bok eeng,’ he sings, and she:

  ‘Baweeng chock. Eeng bawok eeng chunk.’

  Some experts think that ‘eeng’ must mean ‘again’:

  She asks for more of what he always gives.

  Well, that would fit, as his impressive member

  Lodges in her blancmange-lined sleeping bag.

  There are no blue whale marriage guidance counsellors

  Except perhaps one, seen alone near Cape Town.

  She sang ‘eeng’, always with a plangent cadence.

  She sang ‘eeng’ only. ‘Eeng eeng. Eeng eeng eeng.’

  Publisher’s Party

  (for Posy Simmonds)

  Young ladies beautiful as novelists

  Were handing out the nibbles and the drinks.

  Butch writers with bald heads and hairy wrists

  Exchanged raised eyebrows, nudges, knowing winks,

  Hints broader than their beams.

  The tall dark knockout who prowled like a lynx

  With the chicken satay cooled the optimists –

  Her polite smile said as if and in your dreams.

  One writer never sought her violet eyes.

  He concentrated on the parquet floor.

  Ungainly yet of no impressive size,

  Lacking in social skills, licensed to bore,

  He was the kind of bloke

  A girl like her would normally ignore,

  Unless, of course, he’d won the Booker Prize.

  Alas, he had. I can’t think of a joke –

  Only of how she lingered there until

  He woke up to the full force of her looks;

  Of how we rippled with a jealous thrill,

  All those of us who’d also written books

  Out of an inn
er need;

  And now a panel-game of hacks and crooks

  Had staked him out for her to stalk and kill –

  As if the man could write, and she could read.

  They live in Docklands now: a top-floor flat

  They can see France from. Yes, they live there, too:

  A house in the Dordogne. Stuff like that

  I honestly don’t care about, do you?

  But then I see her face

  Beside his in the papers. Strange, but true –

  Blind chance that picked his fame out of a hat

  Had perfect vision when it gave him grace.

  My new book’s hopeless and I’m getting fat.

  Literary Lunch

  Reciting poetry by those you prize –

  Auden, MacNeice, Yeats, Stevens, Charlotte Mew –

  I trust my memory and watch your eyes

  To see if you know I am wooing you

  With all these stolen goods. Of course you do.

  Across the table, you know every line

  Does service for a kiss or a caress.

  Words taken out of other mouths, in mine

  Are a laying on of hands in formal dress,

  And your awareness measures my success

  While marking out its limits. You may smile

  For pleasure, confident my love is pure:

  What would have been an exercise in guile

  When I was young and strong, is now for sure

  Raised safely to the plane of literature,

  Where you may take it as a compliment

  Unmixed with any claims to more delight

  Than your attention. Such was my intent

  This morning, as I planned what to recite

  Just so you might remember me tonight,

  When you are with the man who has no need

  Of any words but his, or even those:

  The only poem that he cares to read

  Is open there before him. How it flows

  He feels, and how it starts and ends he knows.

  At School with Reg Gasnier

  Gasnier had soft hands that the ball stuck to

  And a body swerve off either foot

  That just happened, you couldn’t see him think.

  He wasn’t really knock-kneed

  But he looked that way when he ran,

  With his studded ankles flailing sideways

  Like the hubcaps of a war chariot.

  At tackling practice we went at him in despair

  And either missed or fell stunned,

  Our foreheads dotted with bleeding sprig-marks.

  So glorious were his deeds

  That the testimonials at school assembly

  On the day after the match

  Went on like passages from Homer.

 

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