Serials to Graphic Novels

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Serials to Graphic Novels Page 35

by Catherine J Golden


  ———. The Miser’s Daughter: A Tale. 1842. Illus. George Cruikshank. London: Parry and Co., 1848. Print.

  ———. Rookwood: A Romance. Illus. George Cruikshank. London: John Macrone, 1836. Print.

  ———. The Tower of London: A Historical Romance. Illus. George Cruikshank. London: Richard Bentley, 1840. Print.

  Alcott, Louisa May. Little Women or Meg, Jo, Beth, and Amy. 1868, 1869. Illus. Frank T. Merrill. Boston: Little, Brown, and Co., 1880. Print.

  ———. Little Women or Meg, Jo, Beth, and Amy. 1868, 1869. Illus. Jessie Willcox Smith. Boston: Little, Brown, and Co., 1922. Print.

  Allingham, Philip V. “The Discovery of Jingle in the Fleet.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 7 July 2013. .

  ———. “George Du Maurier: Illustrator and Novelist.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 7 July 2013. .

  ———. Hardy’s Illustrated Fiction, 1870–1900. Saarbrücken, Ger.: Lambert Academic Publishing, 2011. Print.

  ———. “Ignorance and Want.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 8 Nov. 2014. .

  ———. “Illustrations by James Mahoney for Charles Dickens’s Works.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 1 June 2015. .

  ———. “Mrs. Bardell faints in Mr. Pickwick’s arms.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 18 Sept. 2014. .

  ———. “‘Reading the Pictures, Visualizing the Text’: Illustrations in Dickens from Pickwick to the Household Edition, 1836 to 1870, Phiz to Fred Barnard.” In Reading Victorian Illustration, 1855–1875. Ed. Paul Goldman and Simon Cooke. Surrey, UK: Ashgate Publishing Ltd., 2012. 159–78. Print.

  ———. “Sir Hubert Von Herkomer, R. A. (1849–1914).” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 27 Oct. 2014. .

  ———. “Standing before the dressing-glass was a middle-aged lady in yellow curl-papers, busily engaged in brushing what ladies call their ‘back hair.’” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 8 Oct. 2014. .

  ———. “Why do Hardy’s novels often have illustrations in periodical but not book form?” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 14 Oct. 2014. .

  ———. “Working Class and Upper-Middle Class Worlds Collide: Charlie Hexam and Bradley Headstone visit Mortimer Lightwood and Eugene Wrayburn in their chambers.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 12 Oct. 2014. .

  Allingham, Philip, and Chris Louttit. “The Illustrators of the Household Edition of the Works of Charles Dickens (22 vols., 1871–79).” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 8 Oct. 2014. .

  Allingham, William. The Music Master. 1855. New York: Arno Press, 1967. Print.

  Altick, Richard. The English Common Reader: A Social History of the Mass Reading Public, 1800–1900. Chicago: U of Chicago P, 1957. Print.

  Anonymous. Review of The Pickwick Papers. Examiner 15 (July 1837): 421–22. Print.

  Archibald, Diana C. Domesticity, Imperialism, and Emigration in the Victorian Novel. Columbia, MO: U of Missouri P, 2002. Print.

  ———. “‘Of All the Horrors … the Foulest and Most Cruel’: Sensation and Dickens’s Oliver Twist.” In Victorian Sensations: Essays on a Scandalous Genre. Ed. Kimberly Harrison and Richard Fantina. Columbus, OH: Ohio State UP, 2006. 53–63. Print.

  Austen, Jane. Pride and Prejudice. 1813. Pref. George Sainstsbury. Illus. Hugh Thomson. New York: Dover, 2005. Print.

  Banham, Rob. “The Industrialization of the Book 1800–1970.” In A Companion to the History of the Book. Ed. Simon Eliot and Jonathan Rose. London: Blackwell, 2007. 273–90. Print.

  Barham, Richard Harris. The Ingoldsby Legends, or Mirth and Marvels. Illus. George Cruikshank, John Leech, and John Tenniel. London: Richard Bentley, 1855. Print.

  ———. The Ingoldsby Legends, or Mirth and Marvels. Illus. George Cruikshank, John Leech, and John Tenniel. London: Richard Bentley, 1864. Print.

  Barker, Juliet R. V., ed. The Brontës: A Life in Letters. New York: Overlook P, 2002. Print.

  ———, ed. The Brontës: Selected Poems. London: J. M. Dent, 1993. Print.

  Barker, Matthew Henry. The Old Sailor’s Jolly Boat, Laden with Tales, Yarns, Scraps, Fragments, etc., to Please All Hands. 1844. Illus. George and Robert Cruikshank. London: Willoughby, n.d. Print.

  Beckett, Gilbert à. “To Correspondents.” Figaro in London 154 (Saturday, 15 Nov. 1834): 184. Print.

  Beer, Gillian. “‘Alice’ in Time.” Modern Language Review 106.4 (Oct. 2011): xxvii–xxxviii. Print.

  Bender, Hy, ed. The Sandman Companion. New York: DC Comics, 1999. Print.

  Bendis, Brian Michael. Fwd. to Fagin the Jew. 2003. By Will Eisner. Milwaukee: Dark Horse, 2013. 1–2. Print.

  Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” 1936. In Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969. 217–51. Print.

  Bentley, Nicholas. The Victorian Scene, 1837–1901. London: Jarrold, 1968. Print.

  Bentley’s Miscellany. Vols. 1–14. London: Richard Bentley, 1837–43. Print.

  Bermejo, Lee, adapt. Batman: Noël. Artwork by the author. Fwd. Jim Lee. New York: DC Comics, 2011. Print.

  Bettley, James. The Art of the Book: From Medieval Manuscript to Graphic Novel. London: V&A Publications, 2001. Print.

  Bewick, Thomas. History of British Birds. 1797, 1804. 2 vols. Newcastle: Edward Walker, 1804.

  Billi, Mirella. “Dickens as Sensation Novelist.” In Dickens: The Craft of Fiction and the Challenges of Reading. Ed. Rossana Bonadei, Clotilde de Stasio, Carlo Pagetti, and Alessandro Vescovi. Milan, It.: Unicopli, 2000. 176–84. Print.

  Bland, David. A History of Book Illustration: The Illuminated Manuscript and the Printed Book. 1958. Berkeley and Los Angeles: U of California P, 1974. Print.

  “Boz’s Oliver Twist.” Spectator 11 (24 Nov. 1838): 1114–16. Print.

  Briggs, Asa. Victorian Things. Chicago: U of Chicago P, 1989. Print.

  Bristow, Joseph. “‘Dirty Pleasure’: Trilby’s Filth.” In Filth: Dirt, Disgust, and Modern Life. Ed. William A. Cohen and Ryan Johnson. Minneapolis: U of Minnesota P, 2005. 155–81. Print.

  Brontë, Anne. The Tenant of Wildfell Hall. 1848. Ed. Herbert Rosengarten. New York: Oxford UP, 2008. Print.

  Brontë, Charlotte. Jane Eyre. 1847. Ed. Richard J. Dunn. 3rd ed. New York: Norton, 2001. Print.

  Brontë, Emily. Wuthering Heights. 1847. Ed. Linda H. Peterson. Boston: St. Martin’s, 1992. Print.

  Buchanan-Brown, John. The Book Illustrations of George Cruikshank. London: David and Charles; Rutland, VT: Charles E. Tuttle Co., 1980. Print.

  ———. Early Victorian Illustrated Books: Britain, France and Germany. London: British Library Board, 2005. Print.

  Burlingham, Cynthia. “Picturing Childhood: Illustrated Children’s Books from University of California Collections, 1550–1990.” Web. 10 July 2013. .

  Burne-Jones, Edward. “Essay on The Newcomes.” Oxford and Cambridge Magazine 1.1 (Jan. 1856): 50–61. Print.

  Burrows, Alex, adapt. The Picture of Dorian Gray. By Osc
ar Wilde. Artwork Lisa K. Weber. In Graphic Classics: Oscar Wilde. Ed. Tom Pomplun. Mount Horeb, WI: Graphic Classics (Eureka), 2009. 4-49. Print.

  Burstein, Mark. Introd. to Alice in Comicland. Ed. Craig Yoe. San Diego: IDW Publishing, 2014. Print.

  Buss, Robert. Dickens’s Dream. ca. 1875. Charles Dickens Museum, London. Watercolor painting.

  Butler, Nancy, adapt. Pride and Prejudice. By Jane Austen. Artwork Hugo Petrus. New York: Marvel, 2010. Print.

  Campbell, Hayley. “Neil Gaiman on Collaboration.” Ideas Tap, 7 Sept. 2014. Web. 3 Nov. 2014. .

  Carlyle, Thomas. On Heroes, Hero-Worship, and the Heroic in History. London: James Fraser, 1841. Print.

  Carroll, Lewis. Alice’s Adventures Under Ground. 1864. Illus. by the author. Introd. Martin Gardner. New York: Dover, 1965. Print.

  ———. Alice’s Adventures in Wonderland. Illus. John Tenniel. London: Macmillan, 1866; New York: Knopf, 1984. Print.

  ———. The Annotated Alice: Alice’s Adventures in Wonderland and Through the Looking-Glass. 1865, 1872. Ed. Martin Gardner. Illus. John Tenniel. New York: Norton, 2000. Print.

  Cerrito, Joann, ed. Nineteenth-Century Literature Criticism. Vol. 37. Detroit, MI: Gale Research Group, 1993. Print.

  Chanoinat, Phillippe, adapt. Oliver Twist. By Charles Dickens. Artwork David Cerquiera. San Diego, CA: IDW Publishing, 2009. Print.

  Chesterton, G. K. Charles Dickens. New York: Dodd Mead and Co., 1906. Print.

  Cleere, Eileen. Avuncularism: Capitalism, Patriarchy, and Nineteenth-Century English Culture. Stanford: Stanford UP, 2004. Print.

  Cody, David. “Morris and the Kelmscott Press.” Web. 25 March 2015. .

  Cohen, Deborah. Household Gods: The British and Their Possessions. New Haven: Yale UP, 2006. Print.

  Cohen, Jane R. Charles Dickens and His Original Illustrators. Columbus, OH: Ohio State UP, 1980. Print.

  Cohen, Morton N., ed. The Letters of Lewis Carroll. 2 vols. London: Macmillan and Co., Ltd., 1979. Print.

  Collins, Philip, ed. Dickens: The Critical Heritage. London: Routledge and Kegan Paul, 1971. Print.

  Colvin, Peter. “Muhammad Ali Pasha, the Great Exhibition of 1851, and the School of Oriental and African Studies Library.” Libraries & Culture 33.3 (Orientalist Libraries and Orientalism) (Summer 1998): 249–59. Print.

  Combe, William. The Second Tour of Doctor Syntax, in Search of Consolation: A Poem. Illus. Thomas Rowlandson. London: R. Ackermann, 1820. Print.

  Cooke, Simon. “Arthur Hughes as Illustrator.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 23 Oct. 2014. .

  ———. “Dante Gabriel Rossetti as an Illustrator.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 7 Oct. 2014. .

  Cooke, Simon, and Paul Goldman, eds. George Du Maurier: Illustrator, Author, Critic Beyond Svengali. Ashgate: Surrey, UK and Burlington, VT, 2016. Print.

  Corzine, Amy, adapt. Jane Eyre: The Graphic Novel. Original Text. By Charlotte Brontë. Artwork John M. Burns. Litchborough, UK: Classical Comics, Ltd., 2008. Print.

  Coutts, Henry T. Library Jokes and Jottings: A Collection of Stories Partly Wise but Mostly Otherwise. London: Grafton and Co., 1914. Print.

  Cruikshank, George. The Artist and the Author: A Statement of Facts. London: Hodgson and Co, 1872. Print.

  ———. The Bottle. In Eight Plates. London: David Bogue, 1847. Print

  ———. The Drunkard’s Children, A Sequel to The Bottle. In Eight Plates. London: David Bogue, 1848. Print.

  ———. Illustrations of Time. London: Published by the Artist, 1827. Print.

  ———. My Sketch Book. London: Published for the Artist by Charles Tilt, 1834. Print.

  ———. Points of Humour. London: C. Baldwyn, 1823–24. Print.

  Dalziel, George, and Edward Dalziel. The Brothers Dalziel: A Record of Fifty Years Work in Conjunction with Many of the Most Distinguished Artists of the Period 1840–1890. London: Methuen and Co., 1901. Print.

  Darton, Harvey. Children’s Books in England. 1982. 3rd ed. Rev. by Brian Alderson. New Castle, DE: Oak Knoll, 1999; London: British Library, 1999. Print.

  The Database of Mid-Victorian Illustration at Cardiff University. Web. 19 Sept. 2014. .

  Dauvillier, Loïc, adapt. Oliver Twist. By Charles Dickens. Artwork Olivier Deloye. New York: Papercutz, 2012. Print.

  David, Beverly R., and Ray Sapirstein. “Illustrators and Illustrations in Mark Twain’s First American Editions.” In The Adventures of Tom Sawyer. By Mark Twain. Ed. Shelley Fisher Fishkin. New York: Oxford UP, 1996. 20–23. Print.

  ———. “Reading the Illustrations in Huckleberry Finn.” In Adventures of Huckleberry Finn. By Mark Twain. Ed. Shelley Fisher Fishkin. New York: Oxford UP, 1996. 33–40. Print.

  “David Copperfield by Charles Dickens Prefaces, (1850 and 1869).” Web. 21 Dec. 2014. .

  Dickens, Charles. A Christmas Carol. 1841. Introd. G. K. Chesterton. Boston: Charles E. Lauriat Co., n.d. Print.

  ———. David Copperfield. 1850. Ed. Jerome H. Buckley. Illus. Hablot Knight Browne. New York: Norton, 1990. Print.

  ———. David Copperfield. 1850. Illus. Fred Barnard. Household Edition. London: Chapman and Hall, 1872. Print.

  ———. Dombey and Son. 1848. Illus. Hablot Knight Browne. London: Chapman and Hall, 1905. Print.

  ———. Dombey and Son. 1848. World’s Classics. Ed Alan Horsman. Oxford: Oxford UP, 1982. Print.

  ———. Hard Times. 1854. New York: Dover, 2001. Print.

  ———. Little Dorrit. 1857. Ed. Alan Horsman. New York: Oxford UP, 1982. Print.

  ———. The Mystery of Edwin Drood. Illus. Luke Fildes. London: Chapman and Hall, 1870. Print.

  ———. “Oliver Twist.” Bentley’s Miscellany. Illus. George Cruikshank. Vols. 1–5. Feb. 1837–Apr. 1839. Print.

  ———. Oliver Twist. 1838. Ed. Kathleen Tillotson. Illus. George Cruikshank. New York: Oxford UP, 1982. Print.

  ———. Oliver Twist. 1838. Ed. Kathleen Tillotson. Introd. and notes Stephen Gill. Illus. George Cruikshank. World’s Classics. New York: Oxford UP, 1999. Print.

  ———. Oliver Twist. 1838. Ed. Kathleen Tillotson. Illus. George Cruikshank. Oxford: Clarendon Press, 1966. Print.

  ———. Oliver Twist. 1838. Illus. James Mahoney. Household Edition. London: Chapman and Hall, 1871. Print.

  ———. Our Mutual Friend. Illus. Marcus Stone. 2 vols. London: Chapman and Hall, 1865. Print.

  ———. Our Mutual Friend. 1865. Ed. Stephen Gill. London: Penguin, 1976. Print.

  ———. The Pickwick Papers. 1837. The Works of Charles Dickens. Vol. 7. New York and Boston: Books, Inc., n.d. Print.

  ———. The Posthumous Papers of the Pickwick Club. 1837. Ed. James Kinsley. Illus. Robert Seymour and Hablot Knight Browne. New York: Oxford UP, 1986. Print.

  ———. The Posthumous Papers of the Pickwick Club. Illus. Robert Seymour and Hablot Knight Browne. London: Chapman and Hall, 1837. Print.

  ———. Sketches by Boz. 1836. Ed. Dennis Walder. Illus. George Cruikshank. New York: Penguin, 1996. Print.

  ———. “To R. H. Horne.” 8 Feb. 1840. In Dickens: The Critical Heritage. Ed. Philip Collins. London: Routledge and Kegan Paul, 1971. 45. Print.

  Dickerson, Vanessa D. “Supernatural Fiction.” In Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. New York: Garland, 1988. 773–74. Print.

  Dillard, R. H. W. Introd. to Treasure Island. By Robert Louis Stevenson. New York: Signet, 1998. vi–xv. Print.

  “Dispossession: A Graphic Novel.” The Trollope Jupiter, 4 July 2014. Web. 3 Nov. 2014. aldigate/>.

  Doll, Jen. “200 Years of Pride and Prejudice Book Design.” The Wire, 25 January 2013. Web. 13 Nov. 2014. .

  Dow, Gillian, and Katie Halsey. “Jane Austen’s Reading: The Chawton Years.” Persuasions Online 30.2 (Spring 2010). Web. 20 Dec. 2014. .

  Du Maurier, Daphne, ed. The Young George Du Maurier: A Selection of His Letters, 1860–67. Westport, CT: Greenwood Press, 1969. Print.

  Du Maurier, George. “The Illustrating of Books from the Serious Artist’s Point of View.” The Magazine of Art (Aug.–Sept. 1890): 1: 349–53; 2: 371–75. Print.

  ———. “The Martian.” Harper’s New Monthly Magazine. Illus. by the author. Oct. 1896–July 1897. Print.

  ———. The Martian. Illus. by the author. New York: Harper and Brothers Publishers, 1897. Print.

  ———. “Peter Ibbetson.” Harper’s New Monthly Magazine. Illus. by the author. June–Nov. 1891. Print.

  ———. Peter Ibbetson. Illus. by the author. New York: Harper and Brothers Publishers, 1891. Print.

  ———. “Trilby.” Harper’s New Monthly Magazine. Illus. by the author. Jan.–Aug. 1894. Print.

  ———. Trilby. Illus. by the author. New York: Harper and Brothers Publishers, 1894. Print.

  Dunn, Richard J. “Out of the Picture?: Branwell Brontë and Jane Eyre.” In The Brontës in the World of the Arts. Ed. Sandra Hagan and Juliette Wells. London: Ashgate, 2008. 30–44. Print.

  Egan, Pierce. Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq. and his elegant friend Corinthian Tom, accompanied by Bob Logic, The Oxonian, in their Rambles and Sprees through the Metropolis. Illus. George and Robert Cruikshank. London: Sherwood, Neely and Jones, 1821. Print.

  Egg, Augustus. Past and Present, Nos. 1–3. 1858. Tate Britain. Oil paint on canvas.

  Eisner, Will. Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. New York: Norton, 2008. Print.

  ———. A Contract with God, and Other Tenement Stories. 1978. Artwork by the author. Reprint. New York: Norton, 2006.

 

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