“Bless me!” cried Adams, “I have certainly lost it; I can never have spent it. Sir, as I am a Christian, I had a whole half-guinea in my pocket this morning, and have not now a single halfpenny of it left. Sure the devil must have taken it from me!”—“Sir,” answered the priest smiling, “you need make no excuses; if you are not willing to lend me the money I am contented.”—“Sir,” cries Adams, “if I had the greatest sum in the world—aye, if I had ten pounds about me—I would bestow it all to rescue any Christian from distress. I am more vexed at my loss on your account than my own. Was ever anything so unlucky? Because I have no money in my pocket I shall be suspected to be no Christian.”—“I am more unlucky,” quoth the other, “if you are as generous as you say; for really a crown would have made me happy, and conveyed me in plenty to the place I am going, which is not above twenty miles off, and where I can arrive by to-morrow night. I assure you I am not accustomed to travel pennyless. I am but just arrived in England; and we were forced by a storm in our passage to throw all we had overboard. I don’t suspect but this fellow will take my word for the trifle I owe him; but I hate to appear so mean as to confess myself without a shilling to such people; for these, and indeed too many others, know little difference in their estimation between a beggar and a thief.” However, he thought he should deal better with the host that evening than the next morning: he therefore resolved to set out immediately, notwithstanding the darkness; and accordingly, as soon as the host returned, he communicated to him the situation of his affairs; upon which the host, scratching his head, answered, “Why I do not know, master; if it be so, and you have no money, I must trust, I think, though I had rather always have ready money if I could; but, marry, you look like so honest a gentleman that I don’t fear your paying me if it was twenty times as much.” The priest made no reply, but, taking leave of him and Adams as fast as he could, not without confusion, and perhaps with some distrust of Adams’s sincerity, departed.
He was no sooner gone than the host fell a shaking his head, and declared, if he had suspected the fellow had no money, he would not have drawn him a single drop of drink, saying he despaired of ever seeing his face again, for that he looked like a confounded rogue. “Rabbit the fellow,” cries he, “I thought, by his talking so much about riches, that he had a hundred pounds at least in his pocket.” Adams chid him for his suspicions, which, he said, were not becoming a Christian; and then, without reflecting on his loss, or considering how he himself should depart in the morning, he retired to a very homely bed, as his companions had before; however, health and fatigue gave them a sweeter repose than is often in the power of velvet and down to bestow.
CHAPTER IX.
CONTAINING AS SURPRISING AND BLOODY ADVENTURES AS CAN BE FOUND IN THIS OR PERHAPS ANY OTHER AUTHENTIC HISTORY.
IT WAS ALMOST morning when Joseph Andrews, whose eyes the thoughts of his dear Fanny had opened, as he lay fondly meditating on that lovely creature, heard a violent knocking at the door over which he lay. He presently jumped out of bed, and, opening the window, was asked if there were no travellers in the house? and presently, by another voice, if two men and a young woman had not taken up their lodgings there that night? Though he knew not the voices, he began to entertain a suspicion of the truth—for indeed he had received some information from one of the servants of the squire’s house of his design—and answered in the negative. One of the servants, who knew the host well, called out to him by his name just as he had opened another window, and asked him the same question; to which he answered in the affirmative. O ho! said another, have we found you? and ordered the host to come down and open the door. Fanny, who was as wakeful as Joseph, no sooner heard all this than she leaped from her bed, and, hastily putting on her gown and petticoats, ran as fast as possible to Joseph’s room, who then was almost drest. He immediately let her in, and, embracing her with the most passionate tenderness, bid her fear nothing, for he would die in her defence. “Is that a reason why I should not fear,” says she, “when I should lose what is dearer to me than the whole world?” Joseph, then kissing her hand, said, he could almost thank the occasion which had extorted from her a tenderness she would never indulge him with before. He then ran and waked his bedfellow Adams, who was yet fast asleep, notwithstanding many calls from Joseph; but was no sooner made sensible of their danger than he leaped from his bed, without considering the presence of Fanny, who hastily turned her face from him, and enjoyed a double benefit from the dark, which, as it would have prevented any offence to an innocence less pure, or a modesty less delicate, so it concealed even those blushes which were raised in her.
Adams had soon put on all his clothes but his breeches, which, in the hurry, he forgot; however, they were pretty well supplied by the length of his other garments; and now, the house-door being opened, the captain, the poet, the player, and three servants, came in. The captain told the host that two fellows, who were in his house, had run away with a young woman, and desired to know in which room she lay. The host, who presently believed the story, directed them, and instantly the captain and poet, jostling one another, ran up. The poet, who was the nimblest, entering the chamber first, searched the bed, and every other part, but to no purpose; the bird was flown, as the impatient reader, who might otherwise have been in pain for her, was before advertised. They then inquired where the men lay, and were approaching the chamber, when Joseph roared out, in a loud voice, that he would shoot the first man who offered to attack the door. The captain inquired what fire-arms they had; to which the host answered, he believed they had none; nay, he was almost convinced of it, for he had heard one ask the other in the evening what they should have done if they had been overtaken, when they had no arms; to which the other answered, they would have defended themselves with their sticks as long as they were able, and God would assist a just cause. This satisfied the captain, but not the poet, who prudently retreated down-stairs, saying, it was his business to record great actions, and not to do them. The captain was no sooner well satisfied that there were no fire-arms than, bidding defiance to gunpowder, and swearing he loved the smell of it, he ordered the servants to follow him, and, marching boldly up, immediately attempted to force the door, which the servants soon helped him to accomplish. When it was opened, they discovered the enemy drawn up three deep; Adams in the front, and Fanny in the rear. The captain told Adams that if they would go all back to the house again they should be civilly treated; but unless they consented he had orders to carry the young lady with him, whom there was great reason to believe they had stolen from her parents; for, notwithstanding her disguise, her air, which she could not conceal, sufficiently discovered her birth to be infinitely superior to theirs. Fanny, bursting into tears, solemnly assured him he was mistaken; that she was a poor helpless foundling, and had no relation in the world which she knew of; and, throwing herself on her knees, begged that he would not attempt to take her from her friends, who, she was convinced, would die before they would lose her; which Adams confirmed with words not far from amounting to an oath. The captain swore he had no leisure to talk, and, bidding them thank themselves for what happened, he ordered the servants to fall on, at the same time endeavouring to pass by Adams, in order to lay hold on Fanny; but the parson, interrupting him, received a blow from one of them, which, without considering whence it came, he returned to the captain, and gave him so dexterous a knock in that part of the stomach which is vulgarly called the pit, that he staggered some paces backwards. The captain, who was not accustomed to this kind of play, and who wisely apprehended the consequence of such another blow, two of them seeming to him equal to a thrust through the body, drew forth his hanger, as Adams approached him, and was levelling a blow at his head which would probably have silenced the preacher for ever, had not Joseph in that instant lifted up a certain huge stone pot of the chamber with one hand, which six beaux could not have lifted with both, and discharged it, together with the contents, full in the captain’s face. The uplifted hanger dropped from his hand,
and he fell prostrated on the floor with a lumpish noise, and his halfpence rattled in his pocket; the red liquor which his veins contained, and the white liquor which the pot contained, ran in one stream down his face and his clothes. Nor had Adams quite escaped, some of the water having in its passage shed its honours on his head, and began to trickle down the wrinkles or rather furrows of his cheeks, when one of the servants, snatching a mop out of a pail of water, which had already done its duty in washing the house, pushed it in the parson’s face; yet could not he bear him down, for the. parson, wresting the mop from the fellow with one hand, with the other brought his enemy as low as the earth, having given him a stroke over that part of the face where, in some men of pleasure, the natural and artificial noses are conjoined.
Hitherto, Fortune seemed to incline the victory on the travellers’ side, when, according to her custom, she began to show the fickleness of her disposition; for now the host, entering the field, or rather chamber of battle, flew directly at Joseph, and, darting his head into his stomach (for he was a stout fellow and an expert boxer), almost staggered him: but Joseph stepping one leg back, did with his left hand so chuck him under the chin that he reeled. The youth was pursuing his blow with his right hand when he received from one of the servants such a stroke with a cudgel on his temples, that it instantly deprived him of sense, and he measured his length on the ground.
Fanny rent the air with her cries, and Adams was coming to the assistance of Joseph; but the two serving-men and the host now fell on him, and soon subdued him, though he fought like a madman, and looked so black with the impressions he had received from the mop, that Don Quixote would certainly have taken him for an enchanted Moor. But now follows the most tragical part; for the captain was risen again, and, seeing Joseph on the floor, and Adams secured, he instantly laid hold on Fanny, and, with the assistance of the poet and player, who, hearing the battle was over, were now come up, dragged her, crying and tearing her hair, from the sight of her Joseph, and, with a perfect deafness to all her entreaties, carried her down-stairs by violence, and fastened her on the player’s horse; and the captain, mounting his own, and leading that on which this poor miserable wretch was, departed, without any more consideration of her cries than a butcher hath of those of a lamb; for indeed his thoughts were entertained only with the degree of favour which he promised himself from the squire on the success of this adventure.
The servants, who were ordered to secure Adams and Joseph as safe as possible, that the squire might receive no interruption to his design on poor Fanny, immediately, by the poet’s advice, tied Adams to one of the bed-posts, as they did Joseph on the other side, as soon as they could bring him to himself; and then, leaving them together, back to back, and desiring the host not to set them at liberty, nor to go near them, till he had further orders, they departed towards their master; but happened to take a different road from that which the captain had fallen into.
CHAPTER X.
A DISCOURSE BETWEEN THE POET AND THE PLAYER; OF NO OTHER USE IN THIS HISTORY BUT TO DIVERT THE READER.
BEFORE WE PROCEED any farther in this tragedy we shall leave Mr Joseph and Mr Adams to themselves, and imitate the wise conductors of the stage, who in the midst of a grave action entertain you with some excellent piece of satire or humour called a dance. Which piece, indeed, is therefore danced, and not spoke, as it is delivered to the audience by persons whose thinking faculty is by most people held to lie in their heels; and to whom, as well as heroes, who think with their hands, Nature hath only given heads for the sake of conformity, and as they are of no use in dancing, to hang their hats on.
The poet, addressing the player, proceeded thus, “As I was saying” (for they had been at this discourse all the time of the engagement above-stairs), “the reason you have no good new plays is evident; it is from your discouragement of authors. Gentlemen will not write, sir, they will not write, without the expectation of fame or profit, or perhaps both. Plays are like trees, which will not grow without nourishment; but, like mushrooms, they shoot up spontaneously, as it were, in a rich soil. The muses, like vines, may be pruned, but not with a hatchet. The town, like a peevish child, knows not what it desires, and is always best pleased with a rattle. A farce-writer hath indeed some chance for success: but they have lost all taste for the sublime. Though I believe one reason of their depravity is the badness of the actors. If a man writes like an angel, sir, those fellows know not how to give a sentiment utterance.” —“Not so fast,” says the player: “the modern actors are as good at least as their authors, nay, they come nearer their illustrious predecessors; and I expect a Booth on the stage again, sooner than a Shakspeare or an Otway; and indeed I may turn your observation against you, and with truth say, that the reason no authors are encouraged is because we have no good new plays.”—“I have not affirmed the contrary,” said the poet; “but I am surprised you grow so warm; you cannot imagine yourself interested in this dispute; I hope you have a better opinion of my taste than to apprehend I squinted at yourself. No, sir, if we had six such actors as you, we should soon rival the Bettertons and Sandfords of former times; for, without a compliment to you, I think it impossible for any one to have excelled you in most of your parts. Nay, it is solemn truth, and I have heard many, and all great judges, express as much; and, you will pardon me if I tell you, I think every time I have seen you lately you have constantly acquired some new excellence, like a snowball. You have deceived me in my estimation of perfection, and have outdone what I thought inimitable.”—“You are as little interested,” answered the player, “in what I have said of other poets; for d—n me if there are not manly strokes, aye, whole scenes, in your last tragedy, which at least equal Shakspeare. There is a delicacy of sentiment, a dignity of expression in it, which I will own many of our gentlemen did not do adequate justice to. To confess the truth, they are bad enough, and I pity an author who is present at the murder of his works.”—“Nay, it is but seldom that it can happen,” returned the poet; “the works of most modern authors, like dead-born children, cannot be murdered. It is such wretched half-begotten, half-writ, lifeless, spiritless, low, grovelling stuff, that I almost pity the actor who is obliged to get it by heart, which must be almost as difficult to remember as words in a language you don’t understand.”—“I am sure,” said the player, “if the sentences have little meaning when they are writ, when they are spoken they have less. I know scarce one who ever lays an emphasis right, and much less adapts his action to his character. I have seen a tender lover in an attitude of fighting with his mistress, and a brave hero suing to his enemy with his sword in his hand. I don’t care to abuse my profession, but rot me if in my heart I am not inclined to the poet’s side.”—“It is rather generous in you than just,” said the poet; “and, though I hate to speak ill of any person’s production,—nay, I never do it, nor will,—but yet, to do justice to the actors, what could Booth or Betterton have made of such horrible stuff as Fenton’s Mariamne, Frowde’s Philotas, or Mallet’s Eurydice; or those low, dirty, last-dying-speeches, which a fellow in the city of Wapping, your Dillo or Lillo, what was his name, called tragedies?”—“Very well,” says the player; “and pray what do you think of such fellows as Quin and Delane, or that face-making puppy young Cibber, that ill-looked dog Macklin, or that saucy slut Mrs Clive? What work would they make with your Shakspears, Otways, and Lees? How would those harmonious lines of the last come from their tongues?—
“‘——No more; for I disdain
All pomp when thou art by: far be the noise
Of kings and crowns from us, whose gentle souls
Our kinder fates have steer’d another way.
Free as the forest birds we’ll pair together,
Without rememb’ring who our fathers were:
Fly to the arbours, grots, and flow‘ry meads;
There in soft murmurs interchange our souls;
Together drink the crystal of the stream,
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