Wings of Fire

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by Charles Todd


  It was four o’clock in the afternoon before Rutledge was ready to leave for Cornwall. But the days are still long in July, and the warmth of the sun was soothing. In the trenches during the Great War he’d hated the hot days of summer, when the smells of urine and corpses and unwashed bodies overwhelmed the senses and sickened the mind. You cursed the Germans for making you stand in your own stink, never mind that they were standing in the lines smelling their own. One sergeant, who swore he’d never bathed at home in Wales, laughed at the raw replacements who gagged and puked, calling them sodding poufs for their sensitive noses. Blankets, coats, shirts, trousers, socks, they all were unspeakable in summer, and worse in winter when the wool never dried. Hamish chuckled. “Missing it, are ye?” “No,” Rutledge said tiredly, “unable to forget.” “Aye,” Hamish answered with relish from the dark corners of his mind, “that’s the game, man, you can’t run from it.”

  The doctors at the clinic had told him that it was natural for him to hear the voice of Corporal MacLeod, shot by a firing squad just before the shelling that buried the salient, smothering men and mud and corpses alike with such force that that it had taken hours to dig out the barely living— Rutledge among them. He’d suffered several wounds, shell-shock, and severe claustrophobia, but the doctors at the aid station had pronounced it fatigue, given him twenty-four hours to sleep it off, patched him up, and sent him back to the lines. Experienced officers were in short supply. He couldn’t remember much about the year after that, only Ham-ish’s voice keeping him at his post—harrying, tormenting, haunting him until he was sure that others must have heard it too. He’d lived in agony at the thought of seeing the owner of that voice in the dark of the night or a star shell burst or among the rotting corpses that sometimes twitched from the maggots inside them. Somehow he must have carried out his duties well enough—no one reported him, and his men left him alone, too exhausted and worried and frightened themselves to care about anything except survival, and the dreaded next offensive. A long war ...

  The road to Salisbury was not busy. And in the air flowing through the motorcar, sweet scents of wildflowers and ripening corn and the early haying followed him through the countryside. It would have been faster by train but he hated the small compartments, crammed cheek by jowl with other people while his heart pounded with fear and the palms of his hands were damp with the sweat of being hemmed in and unable to fight his way out.

  Finding an inn twenty miles beyond Salisbury, he stopped for the night, ate a dinner of baked mutton and potatoes, with green beans on the side, and slept ill in the small, airless, low-ceilinged room he’d been given. The next day he picked up a line of squalls along the Devon border, riding the winds over the coast and disputing with the sunshine for dominance. Twice he nearly missed his turning as the rains poured down, and half an hour later the roadsides steamed as the sun broke through again. Hamish kept up a running commentary as they drove through villages that brimmed with life, waysides still thick with late wildflowers, and tiny, isolated cottages with thatched roofs or rampantly blooming gardens. So different, so different from the devastation in France. Sometimes small herds of dairy cows being driven down the road from one field to another blocked his path, or fat gray geese waddling between rain puddles and village ponds, or carts pulled by patient horses, in no hurry to be anywhere, the drivers turning to stare with intent interest at his motorcar. Between the deep hedgerows he was often the only human being in sight, although birds darted in and out and butterflies danced across the bonnet. The peace spread through him, soothing.

  It was late in the evening when he reached Borcombe, tucked into a deep valley that ran down to the sea below a long headland. The rain had stopped, but heavy clouds still obscured the sky, and lights from houses and a busy pub already glistened across the wet pavements though the time was only a little after nine. It was a smallish village, and he quickly found the house he was looking for on the corner of Butcher’s Lane, home of Constable Dawlish. Pulling up before the white picket gate, he opened the door and got out stiffly, taking a moment to stretch his tired legs and massage aching shoulders. Then the door was opening at the top of the stone steps and a man in shirtsleeves was staring out.

  “Inspector Rutledge?”

  “Yes.” He opened the gate and went up the short, flagstone walk. “Constable Dawlish?”

  They shook hands on the threshold and Dawlish ushered him into a small, warm room off the entry hall. “Let me take your coat, sir. A bit cool for July, isn’t it? It’s the rain, I expect. Have you had any dinner?”

  “Yes, thank you. But I could do with some tea.”

  “Kettle’s on the boil now, sir.” Dawlish gestured to the dark red horsehair sofa. “You’ll be comfortable over there. And I’ve got all the papers about the case in the folder on the table beside you. Inspector Harvey is sorry he can’t be here, but he had to go along to Plymouth. There’s a man there, fits the description of one we’ve been looking for. Talked three widows out of their savings.”

  “We’ll manage well enough without Harvey at this stage,” Rutledge replied, taking Dawlish’s measure. He was tall and thin, a young man with old eyes. “On the Somme, were you?” he asked, hazarding a guess.

  “Part of the time. I was over there three years. Felt like thirty.”

  “Yes. It did.”

  Mrs. Dawlish, small and plump, came in with a tray of tea, thick sandwiches, and dainty cakes. She smiled shyly at Rutledge as she set the tray on a second table by the hearth but well within reach of the sofa, and said, “Help yourself, Inspector. There’s plenty more in the kitchen.” And then she whisked herself out of the room, the perfect policeman’s wife.

  “I’ll read these reports tonight,” Rutledge said as he took the cup Dawlish poured. “First, I’d rather hear your own point of view.”

  Dawlish sat down and frowned earnestly at the cup in his hands. “Well, to tell the truth, I don’t see murder anywhere in this affair. Two suicides and an accident. That’s how it seemed to me. And to Inspector Harvey as well. There was no note with the suicides, but I was there, I saw the bodies, and you’d have a hard time, Inspector, setting up a murder to appear a suicide so fine as that. The bodies, the room, their faces. We don’t know why they decided to kill themselves, that’s right enough. But Miss Olivia Marlowe, she’d been a cripple and must have suffered something fierce from it. The housekeeper said she had many a bad night. And Mr. Nicholas Cheney, he’d done naught else but care for her all his life. Except for the war, of course—he was gassed at Ypres, and sent home. I suppose he felt there was nothing left to him if she went first. Too late, to his way of thinking, to start again. With his damaged lungs. Or maybe he wouldn’t have wanted to. Some people are like that, they’re content with what they know, however bad it is, and fear what they don’t know, however good it might turn out. He was young, younger than she was by four years, he could have married, had a family of his own. But I’m wandering from the facts—”

  Rutledge shook his head. “No, no, I want to hear. You knew these people, after all. And you saw the bodies.”

  Relieved that the gaunt man from London wasn’t pushing to have his own way, willy-nilly, Dawlish nodded. “Well, then, I accepted what I saw for what it seemed. There was no reason to do otherwise, and you can’t make up a case for murder when there’s no cause, no evidence to base it on. So the family was notified, they came and buried their brother and sister. It was as simple as that. But then they were clearing out the house to ready it for the market—and it’s a handsome house, they’ll sell it easy, even out here in the middle of nowhere. There was money made on the war, and a lot of it wants to be respectable money now.” There was no bitterness in the quiet voice, and only a hint of irony that those who had done the fighting weren’t the ones who had made their fortunes from it.

  “The house might bring in enough to kill for?” “Possibly, though it’ll require a good deal of work to bring it up to being a showplace again. They’ll have to cons
ider that in setting the price. And whatever they do get, it has to be split among the surviving family. It took more than a fortnight to clear out the house—just of personal belongings and the like. They’d all stayed to do that, except Mr. Cormac, who’d had to return to the City part of the time but was back that last weekend. At any rate, that last day when they were leaving, Mr. Stephen, the youngest, went head over heels down the stairs and broke his neck. But there was no one who could have been responsible for that, as far as we can tell. They were all outside at the time; he called out the window and said he was on his way down. And the next thing you knew, he’d fallen. Mr. Cormac went in to see what was keeping him, and set up a shout at once. No time to push him, no time to do more than find him, from what the others said. It’s a long sweep of stairs, the treads worn, and he went down with enough force to bruise the body. So he wasn’t dead to begin with and then just tossed over a banister. Besides, he’d called down, every one of them heard him.” He finished his first sandwich and reached for another. “Dr. Hawkins said he may have been hurrying, and with his bad foot—from the war—just missed his step. The others were that upset they’d been so impatient with him.” “And they are? These others?”

  “It’s a complicated family, sir. There’s Cormac FitzHugh, now, he’s very well thought of in the City. He was there. He’s Mr. Brian FitzHugh’s son, born in Ireland before Mr. Brian married Miss Rosamund. Miss Susannah was there, she’s twin sister to the man who fell. Miss Susannah and Mr. Stephen were Mr. Brian’s children by Miss Rosamund, you see. And Miss Susannah’s husband, Daniel Hargrove, was there. And of course Miss Rachel, she’s a cousin on the Marlowe side of the family. Miss Olivia’s cousin, to be exact. Miss Olivia’s father was a Marlowe. Miss Rosamund, Miss Olivia’s mother, was married three times, and had two children by each of her husbands. But they’re all gone now except for Miss Susannah. She’s the last of the lot. Marlowe, Cheney, or FitzHugh.”

  “This Rosamund, the mother—and stepmother—of all these children—”

  “Rosamund Trevelyan, sir, whose family has owned the Hall since time out of mind. Her father’s only child. A lovely lady, sir, quite a beauty in her day. There’s a fine portrait of her up at the house, if they haven’t taken it away yet. If ever a woman deserved to be happy, it was that one. But sorrow seemed to be her lot. Still, to her dying day, nobody ever heard a harsh word from her. At her services, the rector spoke of the ‘light within,’ and she had that.” He smiled wistfully. “So few people do.”

  “She’s—in one way or another—the key to this family, then. And to the house.”

  “Aye, that’s true enough. Miss Rachel, now, she was Miss Rosamund’s first husband’s mece. Captain Marlowe, that was, Olivia’s father. Miss Rachel has been in and out of the house all her life. Mr. Hargrove, Miss Susannah’s husband, first came here when he was going on twelve, I’d say. Miss Rosamund had a string of race horses, most of them Irish bred, and more than a few bought from the Hargrove stables. Fine animals, they were, won dozens of prizes. As a lad I won more than a bob or two betting on them myself.”

  “Who inherited the house when Rosamund died?”

  “The house belonged to old Adrian Trevelyan, like I said. Miss Olivia’s grandfather. He left it to her, not her mother— no reflection on Miss Rosamund, you understand, but he wasn’t best pleased with her choice of third husband, and there’re some who say he left the house to Miss Olivia to keep it out of FitzHugh hands. Not to speak of the fact that Miss Olivia was a cripple and it was more likely that she’d have need of a home, unmarried and not apt to be. Í doubt anyone in the family—and certainly no one in the village— knew she was to become a famous poet.”

  “Poet? Olivia Marlowe?”

  “Aye. O. A. Manning, she was known as. I’ve never read any of her poems. Well, not much in my line, poetry. But the wife has, and she tells me it was very pretty.”

  Pretty, thought Rutledge, was an understatement for O. A. Manning’s work. Haunting, lyrical, with undercurrents of dark humor at times, and subtle contrasts that caught people and emotions with such precision that lines stayed with you long afterward, like personal memories. She’d written about the war too, and he’d read some of those poems in the trenches, marveling that anyone could have captured so clearly what men felt out there in the bloody shambles of France. Could have found the courage to put it into words. He hadn’t known then that O. A. Manning was a woman.

  But of course the Wings of Fire poems were different, and perhaps it was those that Dawlish’s wife knew. Love poems, and unlike the poems Shakespeare had written to his dark lady, these were light and warmth and beauty intermingled with such passion that they sang in the heart as you read them. Wings of Fire had touched him in a way that few things had.

  Hamish growled, his voice a low rumble in the back of Rutledge’s mind. “Thought of your Jean, did you, as you read those lines? She’s no’ worthy of that kind of love! My Fiona was. She gave me the book before I took the troop train to London. They found it in my pocket, wet with my blood, when they dug out my corpse.”

  Nearly choking on his tea, Rutledge coughed and said, “Leaving the suicides for the moment, none of the four at the house that last day had anything to gain from killing Stephen FitzHugh?”

  “As to Mr. Cormac FitzHugh, nothing. He has no rights in the house. Miss Rachel and Mr. and Mrs. Hargrove will receive a larger share of the sale now, but we looked into that. Their finances are in order, and there’s no reason to think they needed the extra money.”

  ‘‘Where money’s concerned, people will do strange things. All right, I think you’ve told me all I need to hear for the moment. Where am I staying?”

  “I’ve put you at The Three Bells, sir. Not far from the church. You can’t miss it.”

  “Thank Mrs. Dawlish for the tea.” Rutledge collected the papers on the table and added a good night. It was raining again, and he dashed to his car, reaching it and climbing inside just as a wind-driven downpour swept over the headland and rattled against the picket fence like distant machine gun fire.

  “Do ye think it was witchcraft that made yon woman write as she did?” Hamish asked, still intrigued with Olivia Marlowe. “She knew the war too well, man! It’s unnatural!”

  “It wasn’t witchcraft, it was genius,” he answered before he could stop himself. It was a habit too hard to break, responding to Hamish.

  Rutledge got out as the squall passed, started the engine, and drove too fast though the slanting rain. The inn came up before he expected it, and he nearly skidded as he came to a splashing stop in front of it. Beyond it he could see the spire of the church rising like a spear against the backdrop of storm clouds and wind-tossed trees.

  “With your luck, you’d survive the car crash. And live in a chair for the rest of your days, with no one but me for company,” Hamish pointed out, and Rutledge swore.

  The inn was small, sway-backed gray stone under a dark slate roof that seemed to be slowly pushing the whole building deeper into the earth from sheer weight. He was expected, and the landlord gave him a room overlooking a small cultivated enclosure in the back, more a tangle of overgrown roses and rhododendron than anything that could be dignified by the name of ‘‘garden.” He unpacked with swift efficiency and in ten minutes was abed and asleep.

  He was never afraid to sleep. Hamish couldn’t follow him there.

  But Jean could.

  In the darkness, hours later, the wind shifted, and the sea’s breath drifted in the half-open window, bringing with it the softness of summer. Rutledge stirred, turned over, and began to dream of the woman he’d loved—and who’d wanted no part of the shattered remnants of the man she’d promised to marry. Jean, who in her own way haunted him too.

  She touched his arm, and led him down a path he remembered, and for a time he thought it was real, that she was there beside him, her hand warm in his, her laughter silvery in the stillness, her skirts brushing lightly against him, and nothing had changed ...
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  Breakfast was hearty the next morning, the innkeeper inquisitive. Rutledge parried his questions and left after his second cup of coffee. Out on the street, he turned and looked at the sky, a habit drilled into him by war, when the direction of the wind could mean the difference between a gas attack and none. He thought it was going to be a fair, warmish day, in spite of the mists that twisted like wraiths around chimney tops and trees, and he decided to walk. There had been a set of keys in the folder Constable Dawlish had given him, and a sketchy map. It gave no indication of distances. A countryman’s map.

  It was very early, and although a few people were already in their gardens getting a jump on the day, the streets were still quiet. A smallish village with only one main road coming in, passing the church, and running downhill between the shops to catch up again with the tiny River Bor close to where it met the sea. Houses jostled each other as they spilled down the valley, sometimes roof to porch or separated by lanes and rock gardens. A glimmer of water at the bottom of the road marked the sea, he thought, though it was just as likely to be the little river.

  The ironmonger was busy setting out barrels and a plow or two, the sounds of children’s laughter floated from somewhere, and there was an elderly woman limping down the other side of the street. He crossed over and stopped her.

  Closer to, she was truly a crone, bent with age, gray hair bundled into an untidy bun at the back of her neck, a black shawl that was so old it was nearly gray over her shoulders, and a gnarled cane that seemed to be no more than an exten-tion of the gnarled hand that held it.

  “Please—” he began, not wanting to startle her.

  But she looked at him with sharp, watery eyes that seemed to see him—and through him.

  “Stranger in Borcombe, are ye?” she demanded, looking him up and down. “If you’re wanting the constable, he’ll not be about for another twenty minutes at best.”

 

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