The Magyar didn't seem very happy about this but he didn't have much choice. Before he got out Jim made him turn the car round and face it down the path. If there was any monkey business, Jim explained, he would put on the headlights and shoot him along the beam, not once, but several times, and not in the legs. The Magyar began his walk. He had nearly reached the hut when the whole area was floodlit: the hut, the path and a large space around. Then a number of things happened at once. Jim didn't see everything because he was busy turning the car. He saw four men fall out of the trees, and, so far as he could work out, one of them sandbagged the Magyar. Shooting started but none of the four paid it any attention, they were standing back while somebody took photographs. The shooting seemed to be directed at the clear sky behind the floodlights. It was very theatrical. Flares exploded, Very lights went up, even tracer, and as Jim raced the Fiat down the track he had the impression of leaving a military tattoo at its climax. He was almost clear - he really felt he was clear - when from the woods to his right someone opened up with a machine-gun at close quarters. The first burst shot off a back wheel and turned the car over. He saw the wheel fly over the bonnet as the car took to the ditch on the left. The ditch might have been ten foot deep but the snow let him down kindly. The car didn't burn so he lay behind it and waited, facing across the track hoping to get a shot at the machine-gunner. The next burst came from behind him and threw him up against the car. The woods must have been crawling with troops. He knew that he had been hit twice. Both shots caught him in the right shoulder and it seemed amazing to him, as he lay there watching the tattoo, that they hadn't taken off the arm. A klaxon sounded, maybe two or three. An ambulance rolled down the track and there was still enough shooting to frighten the game for years. The ambulance reminded him of those old Hollywood fire engines, it was so upright. A whole mock battle was taking place, yet the ambulance boys stood gazing at him without a care in the world. He was losing consciousness as he heard a second car arrive, and men's voices, and more photographs were taken, this time of the right man. Someone gave orders but he couldn't tell what they were because they were given in Russian. His one thought, as they dumped him on the stretcher and the lights went out, concerned going back to London. He imagined himself in the St James's flat, with the coloured charts and the sheaf of notes, sitting in the armchair and explaining to Control how in their old age the two of them had walked into the biggest sucker's punch in the history of the trade. His only consolation was that they had sandbagged the Magyar, but looking back Jim wished very much he'd broken his neck for him: it was a thing he could have managed very easily, and without compunction.
CHAPTER THIRTY-TWO
The describing of pain was to Jim an indulgence to be dispensed with. To Smiley, his stoicism had something awesome about it, the more so because he seemed unaware of it. The gaps in his story came mainly where he passed out, he explained. The ambulance drove him, so far as he could fathom, further north. He guessed this from the trees when they opened the door to let the doctor in: the snow was heaviest when he looked back. The surface was good and he guessed they were on the road to Hradec. The doctor gave him an injection; he came round in a prison hospital with barred windows high up, and three men watching him. He came round again after the operation in a different cell with no windows at all, and he thought probably the first questioning took place there, about seventy-two hours after they'd patched him up, but time was already a problem and of course they'd taken away his watch.
They moved him a lot. Either to different rooms, depending on what they were going to do with him, or to other prisons depending on who was questioning him. Sometimes they just moved to keep him awake, walking him down cell corridors at night. He was also moved in lorries, and once by a Czech transport plane, but he was trussed for the flight and hooded, and passed out very soon after they took off. The interrogation which followed this flight was very long. Otherwise he had little sense of progression from one questioning to another and thinking didn't get it any straighter for him, rather the reverse. The thing that was still strongest in his memory was the plan of campaign he formed while he waited for the first interrogation to begin. He knew silence would be impossible and that for his own sanity, or survival, there had to be a dialogue, and at the end of it they had to think he had told them what he knew, all he knew. Lying in hospital he prepared his mind into lines of defence behind which, if he was lucky, he could fall back stage by stage until he had given the impression of total defeat. His forward line, he reckoned, and his most expendable, was the bare bones of Operation Testify. It was anyone's guess whether Stevcek was a plant, or had been betrayed. But whichever was the case, one thing was certain: the Czechs knew more about Stevcek than Jim did. His first concession therefore would be the Stevcek story, since they had it already; but he would make them work for it. First he would deny everything and stick to his cover. After a fight he would admit to being a British spy and give his workname Ellis so that if they published it, the Circus would at least know he was alive and trying. He had little doubt that the elaborate trap and the photographs augured a lot of ballyhoo. After that, in accordance with his understanding with Control, he would describe the operation as his own show, mounted without the consent of his superiors and calculated to win him favour. And he would bury, as deep as they could go and deeper, all thoughts of a spy inside the Circus.
'No mole,' said Jim, to the black outlines of the Quantocks. 'No meeting with Control, no service flat in St James's.'
'No Tinker, Tailor.'
His second line of defence would be Max. He proposed at first to deny that he had brought a legman at all. Then he might say he had brought one but he didn't know his name. Then, because everyone likes a name, he would give them one: the wrong one first, then the right one. By that time Max must be clear, or underground, or caught.
Now came in Jim's imagination a succession of less strongly held positions: recent scalphunter operations, Circus tittle-tattle, anything to make his interrogators think he was broken and talking free and that this was all he had, they had passed the last trench. He would rack his memory for back scalphunter cases, and if necessary he would give them the names of one or two Soviet and satellite officials who had recently been turned or burned; of others who in the past had made a one-time sale of assets and, since they had not defected, might now be considered to be in line for burning or a second bite. He would throw them any bone he could think of, sell them if necessary the entire Brixton stable. And all this would be the smokescreen to disguise what seemed to Jim to be his most vulnerable intelligence, since they would certainly expect him to possess it: the identity of members of the Czech end of the Aggravate and Plato networks.
'Landkron, Krieglova, Bilova, the Pribyls,' said Jim.
Why did he choose the same order for their names? Smiley wondered.
For a long time Jim had no responsibility for these networks. Years earlier, before he took over Brixton, he had helped establish them, recruited some of the founder members; since then a lot had happened to them in the hands of Bland and Haydon of which he knew nothing. But he was certain that he still knew enough to blow them both sky high. And what worried him most was the fear that Control, or Bill, or Percy Alleline, or whoever had the final say these days, would be too greedy, or too slow, to evacuate the networks by the time Jim, under forms of duress he could only guess at, had no alternative but to break completely.
'So that's the joke,' said Jim, with no humour whatever. 'They couldn't have cared less about the networks. They asked me half a dozen questions about Aggravate then lost interest. They knew damn well that Testify wasn't my private brainchild and they knew all about Control buying the Stevcek pass in Vienna. They began exactly where I wanted to end: with the briefing in St James's. They didn't ask me about a legman, they weren't interested in who had driven me to the rendezvous with the Magyar. All they wanted to talk about was Control's rotten-apple theory.'
One word, thought Smiley again, it m
ight be just one word. He said: 'Did they actually know the St James's address?'
'They knew the brand of the bloody sherry, man.'
'And the charts?' asked Smiley quickly. 'The music case?'
'No.' He added: 'Not at first. No.'
Thinking inside out, Steed-Asprey used to call it. They knew because the mole Gerald had told them, thought Smiley. The mole knew what the housekeepers had succeeded in getting out of old MacFadean. The Circus conducts its postmortem: Karla has the benefit of its findings in time to use them on Jim.
'So I suppose by now you were beginning to think Control was right: there was a mole,' said Smiley.
Jim and Smiley were leaning on a wooden gate. The ground sloped sharply away from them in a long sweep of bracken and fields. Below them lay another village, a bay and a thin ribbon of moonlit sea.
'They went straight to the heart of it. "Why did Control go it alone? What did he hope to achieve?" "His comeback," I said. So they laugh: "With tinpot information about military emplacements in the area of Brno? That wouldn't even buy him a square meal in his club." "Maybe he was losing his grip," I said. If Control was losing his grip, they said, who was stamping on his fingers? Alleline, I said, that was the buzz; Alleline and Control were in competition to provide intelligence. But in Brixton we only got the rumours, I said. "And what is Alleline producing that Control is not producing?" "I don't know." "But you just said that Alleline and Control are in competition to provide intelligence." "It's rumour. I don't know." Back to the cooler.'
Time, said Jim, at this stage lost him completely. He lived either in the darkness of the hood, or in the white light of the cells. There was no night or day, and to make it even more weird they kept the noises going most of the time.
They were working him on the production-line principle, he explained: no sleep, relays of questions, a lot of disorientation, a lot of muscle, till the interrogation became to him a slow race between going a bit dotty, as he called it, and breaking completely. Naturally, he hoped he'd go dotty but that wasn't something you could decide for yourself, because they had a way of bringing you back. A lot of the muscle was done electrically.
'So we start again. New tack. "Stevcek was an important general. If he asked for a senior British officer, he could expect him to be properly informed about all aspects of his career. Are you telling us you did not inform yourself?" "I'm saying I got my information from Control." "Did you read Stevcek's dossier at the Circus?" "No." "Did Control?" "I don't know." "What conclusions did Control draw from Stevcek's second appointment in Moscow? Did Control speak to you about Stevcek's role in the Warsaw Pact Liaison Committee?" "No." They stuck to that question and I suppose I stuck to my answer because after a few more no's they got a bit crazy. They seemed to lose patience. When I passed out they hosed me down and had another crack.'
Movement, said Jim. His narrative had become oddly jerky. Cells, corridors, car... at the airport, VIP treatment and a mauling before the aeroplane... on the flight, dropped off to sleep and was punished for it: 'Came round in a cell again, smaller, no paint on the walls. Sometimes I thought I was in Russia. I worked out by the stars that we had flown east. Sometimes I was in Sarratt, back on the interrogation resistance course.'
For a couple of days they let him alone. Head was muzzy. He kept hearing the shooting in the forest and he saw the tattoo again, and when finally the big session started, the one he remembered as the marathon, he had the disadvantage of feeling half defeated when he went in.
'Matter of health much as anything,' he explained, very tense now.
'We could make a break if you wanted,' Smiley said, but where Jim was, there were no breaks, and what he wanted was irrelevant.
That was the long one, Jim said. Sometime in the course of it, he told them about Control's notes and his charts and the coloured inks and crayons. They were going at him like the devil and he remembered an all-male audience, at one end of the room, peering like a lot of damn medicos and muttering to one another, and he told them about the crayons just to keep the talk alive, to make them stop and listen. They listened but they didn't stop.
'Once they had the colours they wanted to know what the colours meant. "What did blue mean?" "Control didn't have blue." "What did red mean? What did red stand for? Give us an example of red on the chart. What did red mean? What did red mean? What did red mean?" Then everybody clears out except a couple of guards and one little frosty fellow, stiff back, seemed to be head boy. The guards take me over to a table and this little fellow sits beside me like a bloody gnome with his hands folded. He's got two crayons in front of him, red and green, and a chart of Stevcek's career.'
It wasn't that Jim broke exactly, he just ran out of invention. He couldn't think up any more stories. The truths which he had locked away so deeply were the only things that suggested themselves.
'So you told him about the rotten apple,' Smiley suggested. 'And you told him about Tinker, Tailor.'
Yes, Jim agreed, he did. He told him that Control believed Stevcek could identify a mole inside the Circus. He told him about the Tinker, Tailor code and who each of them was, name by name.
'What was his reaction?'
'Thought for a bit then offered me a cigarette. Hated the damn thing.'
'Why?'
'Tasted American. Camel, one of those.'
'Did he smoke one himself?'
Jim gave a short nod. 'Bloody chimney,' he said.
Time, after that, began once more to flow, said Jim. He was taken to a camp, he guessed outside a town, and lived in a compound of huts with a double perimeter of wire. With the help of a guard he was soon able to walk; one day they even went for a stroll in the forest. The camp was very big: his own compound was only a part of it. At night he could see the glow of a city to the east. The guards wore denims and didn't speak so he still had no way of telling whether he was in Czecho or in Russia, but his money was heavily on Russia, and when the surgeon came to take a look at his back he used a Russian-English interpreter to express his contempt for his predecessor's handiwork. The interrogation continued sporadically, but without hostility. They put a fresh team on him but it was a leisurely crowd by comparison with the first eleven. One night he was taken to a military airport and flown by RAF fighter to Inverness. From there he went by small plane to Elstree, then by van to Sarratt; both were night journeys.
Jim was winding up fast. He was already launched on his experiences at the Nursery, in fact, when Smiley asked: 'And the head man, the little frosty one: you never saw him again?'
Once, Jim conceded; just before he left.
'What for?'
'Gossip.' Much louder. 'Lot of damned tripe about Circus personalities, matter of fact.'
'Which personalities?'
Jim ducked that question. Tripe about who was on the up staircase, he said, who was on the down. Who was next in line for Chief: ' "How should I know?" I said. "Bloody janitors hear it before Brixton does." '
'So who came in for the tripe precisely?'
Mainly Roy Bland, said Jim sullenly. How did Bland reconcile his left-wing leanings with the work of the Circus? He hasn't got any left-wing leanings, said Jim, that's how. What was Bland's standing with Esterhase and Alleline? What did Bland think of Bill's paintings? Then how much Roy drank and what would become of him if Bill ever withdrew his support for him? Jim gave meagre answers to these questions.
'Was anyone else mentioned?'
'Esterhase,' Jim snapped, in the same taut tone. 'Bloody man wanted to know how anyone could trust a Hungarian.'
Smiley's next question seemed, even to himself, to cast an absolute silence over the whole black valley.
'And what did he say about me?' He repeated: 'What did he say about me?'
'Showed me a cigarette lighter. Said it was yours. Present from Ann. "With all my love". Her signature. Engraved.'
'Did he mention how he came by it? What did he say, Jim? Come on, I'm not going to weaken at the knees just because some Russian hood ma
de a bad joke about me.'
Jim's answer came out like an army order. 'He reckoned that after Bill Haydon's fling with her, she might care to redraft the inscription.' He swung away towards the car. 'I told him,' he shouted furiously. 'Told him to his wrinkled little face. You can't judge Bill by things like that. Artists have totally different standards. See things we can't see. Feel things that are beyond us. Bloody little man just laughed. "Didn't know his pictures were that good," he said. I told him, George. "Go to hell. Go to bloody hell. If you had one Bill Haydon in your damned outfit, you could call it set and match." I said to him: "Christ Almighty," I said, "what are you running over here? A service or the bloody Salvation Army?" '
'That was well said,' Smiley remarked at last, as if commenting on some distant debate. 'And you'd never seen him before?'
'Who?'
'The little frosty chap. He wasn't familiar to you - from long ago for instance? Well, you know how we are. We're trained to see a lot of faces, photographs of Centre personalities, and sometimes they stick. Even if we can't put a name to them any more. This one didn't anyway. I just wondered. It occurred to me you had a lot of time to think,' he went on, conversationally. 'You lay there recovering, waiting to come home, and what else had you to do, but think?' He waited. 'So what did you think of, I wonder? The mission. Your mission, I suppose.'
'Off and on.'
'With what conclusions? Anything useful? Any suspicions, insights, any hints for me to take away?'
'Damn all, thank you,' Jim snapped, very hard. 'You know me, George Smiley, I'm not a juju man, I'm a-'
'You're a plain fieldman who lets the other chaps do his thinking. Nevertheless: when you know you have been led into a king-sized trap, betrayed, shot in the back, and have nothing to do for months but lie or sit on a bunk, or pace a Russian cell, I would guess that even the most dedicated man of action' - his voice had lost none of its friendliness - 'might put his mind to wondering how he landed in such a scrape. Let's take Operation Testify a minute,' Smiley suggested to the motionless figure before him. 'Testify ended Control's career. He was disgraced and he couldn't pursue his mole, assuming there was one. The Circus passed into other hands. With a sense of timeliness, Control died. Testify did something else too. It revealed to the Russians - through you, actually - the exact reach of Control's suspicions. That he'd narrowed the field to five, but apparently no further. I'm not suggesting you should have fathomed all that for yourself in your cell, waiting. After all you had no idea, sitting in the pen, that Control had been thrown out - though it might have occurred to you that the Russians laid on that mock battle in the forest in order to raise a wind. Did it?'
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