Parkland (Movie Tie-In Edition)

by Vincent Bugliosi

  On Tenth Street, when the killer is about half a block away, Mrs. Markham runs over to the policeman’s body to see if she can help. The gurgling sounds coming from Tippit’s body lead Markham to think he may be trying to say something. But it’s only death gasps. Markham screams in despair, “Somebody help me!” but she is all by herself, and no one responds to her pleas for what seems to her like several “minutes.”439

  Frank Cimino, who lives at 405 East Tenth Street, directly across the street from the shooting, had been listening to his radio at the time he heard “four loud noises that sounded like shots,” after which he heard a woman scream. He puts on his shoes, runs outside, and sees a woman dressed like a waitress (Markham) shouting, “Call the police.” She tells him the man who shot the police officer had run west on Tenth Street and pointed in the direction of an alley between Tenth and Jefferson off Patton, but he sees no one when he looks in that direction. Cimino approaches the officer, who is lying on his side with his head in front of the left front headlight of the police car. Cimino can see that Tippit has been shot in the head. Tippit’s gun is out of his holster, lying by his side. Tippit moves slightly and groans but never says anything that Cimino can understand. Soon people start coming from all directions toward the police car.440

  1:15 p.m.

  Benavides has been sitting in his truck for two or three minutes, very afraid that the gunman lives in the corner house and might come back shooting. He finally gets out, walks across the street, and cautiously approaches the fallen officer. A big clot of blood bulges at the officer’s right temple, his eyes sunken into his skull. It makes Benavides feel sick, and “really” scared.441

  1:16 p.m.

  The mechanic gets into the squad car, grabs the microphone, and tries to call the police dispatcher. Unfortunately, Benavides has no idea how the radio works. He fumbles with the controls and keeps clicking the button on the mike, but from the chatter on the police radio he can tell they can’t hear him.442

  A small crowd has gathered at the squad car by the time Ted Callaway gets there, closely followed by Sam Guinyard, a porter at Dootch Motors, who had been waxing and polishing a station wagon at the back of the lot when he saw the gunman run by. More people from the neighborhood are arriving every minute.443 Callaway kneels down next to the body. He doesn’t have to look very hard to see the officer has been hit at least three times, once in the right temple. Callaway had seen a lot of dead men during the Korean War. This officer looks just like them.444

  In New York, CBS News anchor Walter Cronkite tells the nation for the first time that the president has reportedly died. Calling it “only a rumor,” he leads to Eddie Barker, the news director of CBS’s Dallas affiliate KRLD, who is on the scene at Parkland Hospital. Barker says, “The word we have is that President Kennedy is dead. This we do not know for a fact…The word we have is from a doctor on the staff of Parkland Hospital who says that it is true. He was in tears when he told me just a moment ago. This is still not officially confirmed, but…the source would normally be a good one.”445

  1:17 p.m.

  T. F. Bowley, who just picked up his twelve-year-old daughter at the R.L. Thornton school in Singing Hills and was on his way to pick up his wife from work at the telephone company at Ninth and Zangs, drives up on the scene at Tenth and Patton. Bowley tells his young daughter to wait in the car as he walks over to see what’s happened. He takes one look at the officer and knows there is nothing anyone can do for him. He walks over to the open driver’s door of the squad car. Benavides looks up and says, “I don’t know how it works.”446 Benavides gets out of the car and hands the mike over to Bowley, who calls in the shooting, “Hello, police operator?”

  “Go ahead,” dispatcher Murray Jackson answers. “Go ahead, citizen using the police—”

  “We’ve had a shooting out here,” Bowley blurts out.

  “Where’s it at?” Jackson asks.

  Bowley hesitates. He isn’t sure.

  “The citizen using police radio—” Jackson continues.

  “On Tenth Street,” Bowley cuts in.

  “What location on Tenth Street?”

  “Between Marsalis and Beckley,” Bowley answers. “It’s a police officer. Somebody shot him—what—what’s this?” Someone at the scene tells Bowley the address and he repeats it to the dispatcher, “404 Tenth Street.”*

  Jackson knows his friend, Officer J. D. Tippit, is in that general area and immediately calls over the police radio, “[Unit] 78?”

  Bowley says, “You got that? It’s in a police car.” Someone at the scene tells him the number of the police car. Bowley repeats it: “Number ten.”

  Now Jackson knows. That’s Tippit’s squad car number. In fact, he and J. D. had once partnered in that same car. He can’t believe what appears to have happened. He doesn’t want to believe it. Both he and the other dispatcher working channel 1, C. E. Hulse, shout into their mikes, “Seventy-eight.”

  Seconds tick by. No response. It can’t be true, Jackson thinks. But it is.

  “You got this?” Bowley asks the stunned dispatcher.

  Hulse takes command, “Attention all units—”

  “Hello, police operator? Did you get that?” Bowley asks, talking over the dispatcher.

  “—Signal 19 [police call number for a shooting] involving a police officer, 510 East Jefferson.”*

  “The citizen using the police radio, remain off the air now,” Jackson orders, as he recovers from the shocking news.

  “[Unit] 91?” Hulse calls, trying to contact Patrolman W. D. Mentzell, who checked out a few minutes earlier at a traffic accident near the Tippit shooting scene. No response.

  “[Unit] 69’s going out there,” Patrolman A. R. Brock calls in to Jackson.

  “Ten-Four, 69,” Jackson replies, relieved to know that help is on the way.447

  It isn’t long before law officers throughout the city learn that one of their own has been shot. First, it was the president. Now, for the Dallas police, it’s personal.

  On the street in front of the Texas School Book Depository Building, Sergeant Gerald Hill had run into Lieutenant J. C. “Carl” Day of the crime lab, just as he arrived at the scene. Hill told him about finding spent cartridges up on the sixth floor, and Day had gone on up. Now, Hill is giving Inspector Sawyer the same information, as Dallas Morning News reporters James Ewell and Hugh Aynesworth stand nearby, listening intently to the conversation. Hill, a former newsman, knows how tough it is to gather facts without good police sources. He speaks clearly so the newsmen get it right.

  Sergeant C. B. “Bud” Owens and Assistant District Attorney Bill Alexander join the group. In a moment, Sheriff Bill Decker walks up. He’s grimfaced. Decker was in the lead car of the motorcade and had seen the carnage at Parkland Hospital. But all he says is, “It looks bad.”448

  They are all standing there but a moment when they hear T. F. Bowley’s voice break in on a nearby police radio with the news that a Dallas police officer has been shot.

  Sergeant Owens, acting lieutenant in charge of the Oak Cliff area, listens with growing horror to the dispatcher calling in vain for Unit 78. He knows immediately that it’s one of his men, J. D. Tippit—a longtime friend.449 Owens jumps into his car as Hill and Alexander pile in behind him. Owens puts the pedal to the floor and the car squeals away toward Oak Cliff.450 Hill grabs the radio in the front seat: “Give me the correct address on the shooting.”

  “501 East Tenth,” dispatcher Jackson replies, giving an address from another call sheet just handed to him from an officer who had received this address from a telephone operator who in turn had been given the address by a resident calling in from East Tenth Street. The police are being flooded with call sheets—notations that record telephone calls from citizens.

  Patrolmen Joe Poe and Leonard Jez, also racing to the scene, are equally confused by the multiple addresses.

  “Was 519 East Jefferson correct?” Poe asks.

  “We have two locations, 501 East Jef
ferson and 501 East Tenth,” Jackson says, not mentioning the correct address of 404 East Tenth Street (Tenth and Patton) that he had also been given. “[Unit] Nineteen [Owens], are you en route?”

  “Ten-four,” an unknown officer says, “nineteen is en route.”451

  At 1:18 p.m., the channel 2 dispatcher, Gerald D. Henslee, informs “all squads” of the correct address of the shooting.452

  Back in front of the Depository, reporters Ewell and Aynesworth confer briefly. The shooting in Oak Cliff has to be connected to the president’s death, they think. They decide to split up—one will stay at the Depository and the other will go out to Oak Cliff. Aynesworth draws the Oak Cliff assignment. After he runs off, Ewell has second thoughts about staying behind. He spots Captain W. R. Westbrook, in charge of the Dallas Police Department’s Personnel Bureau, running for his car. He’s headed for Oak Cliff too. Ewell asks permission and joins him.453

  At Tenth and Patton streets, ambulance attendants J. C. Butler and William “Eddie” Kinsley swing their 1962 Ford ambulance around in front of the squad car and jump out. (Though they had received the incorrect address of 501 East Tenth Street from the police, they had no trouble spotting the squad car, and people around it, less than a block to the east.) They’ve been dispatched from the Dudley Hughes Funeral Home, less than three blocks away, but there’s nothing they can do for Tippit. Ambulance attendants at that time are basically just drivers whose job is to get victims to a nearby hospital as quickly as possible. Their ambulance is equipped with little more than a stretcher.

  Butler kneels next to Tippit’s body and rolls him on his back as Kinsley pulls the stretcher cot from the back of the station wagon. Tippit’s pistol is out of its holster, lying on the pavement near his right palm. Ted Callaway moves the gun to the hood of the squad car, then, with Scoggins and Guinyard, helps the attendants lift the body onto the stretcher. As they do so, the first Dallas police officer to arrive at the murder scene, reserve sergeant Kenneth Croy, pulls up. Butler and Kinsley push the cot into the back, slam the door, and are off in a flash to Methodist Hospital about a mile away.454

  1:20 p.m.

  Out at Parkland, the hospital’s senior engineer, Darrell Tomlinson, has been manually operating the elevator, shuttling it between the emergency room on the ground floor and the operating rooms on the second floor. Coming down from the second floor, Tomlinson notices that on the ground floor a gurney, which was left in the hallway, has been pushed out into the narrow corridor by someone who may have used the men’s room. There is barely enough room in front of the elevator doors as it is, so Tomlinson pushes the gurney back. As it bumps the wall, Tomlinson hears a “clink” of metal on metal. He walks over and sees a bullet lying between the pad and the rim of the gurney.455

  O. P. Wright, personnel officer of Parkland Hospital, has just entered the emergency unit when he hears Tomlinson call to him. Wright walks over and Tomlinson points out the bullet lying on the edge of the stretcher.456 Wright, a former deputy chief of police for the city of Dallas, immediately looks for a federal officer to take charge of the evidence. At first, Wright contacts an FBI agent, who refuses to take a look at the bullet, saying it wasn’t the FBI’s responsibility to make the investigation, in apparent deference to the Dallas Police Department. Next, Wright locates a Secret Service agent, but he too doesn’t seem interested in coming to look at the bullet on the stretcher. Frustrated, Wright returns to the stretcher, reluctantly picks up the bullet, and puts it into his pocket. There it remains for the next half hour or so, until Wright runs into Secret Service agent Richard E. Johnsen, who agrees to take possession of the bullet, which will later become a key piece of evidence in the assassination.457

  In Oak Cliff, Ted Callaway can hear the confusion and desperation of the police over Tippit’s car radio as they struggle to locate the scene of the officer’s shooting. He lowers his big frame into the patrol car and grabs the mike, “Hello, hello, hello!”

  “From out here on Tenth Street,” he continues, “five-hundred block. This police officer’s just shot, I think he’s dead.”

  “Ten-four, we [already] have the information,” dispatcher Jackson replies, exasperated. “The citizen using the radio will remain off the radio now.” The last thing he needs is some gung-ho citizen tying up the airwaves.458

  Ted Callaway climbs out of the squad car and spots his mechanic, Domingo Benavides.

  “Did you see what happened?”

  “Yes,” Benavides says.

  Callaway picks up Tippit’s service revolver.

  “Let’s chase him,” he says.

  Benavides wants no part of it. Callaway snaps the revolver open—and Benavides can see that no rounds have been fired. Callaway tucks the gun in his belt and turns to the cabdriver, Scoggins.

  “You saw the guy, didn’t you?” the former marine asks.

  Scoggins admits he had.

  “If he’s going up Jefferson, he can’t be too far. Let’s go get the son of a bitch who’s responsible for this.”

  In his blue suit and white shirt, Callaway looks like some kind of policeman, or Secret Service agent. Scoggins doesn’t find out until later that he’s simply a used-car manager. They go back to Scoggins’s cab and set off to cruise along Jefferson, the last place Callaway saw the gunman.459

  Two blocks away, Warren Reynolds and Pat Patterson wonder whether the gunman went into the rear of one of the buildings near Crawford and Jefferson. They’ve been tailing him since he headed west, walking briskly along Jefferson Boulevard. They saw the killer turn north and scoot between a secondhand furniture store and the Texaco service station on the corner.

  Eventually, they approach Robert and Mary Brock, the husband and wife employees of the service station, and ask if they’ve seen a man come by. Both say, “Yes.” They last saw him in the parking lot behind the station. Reynolds and Patterson run back and check the parking lot, then the alley behind it. Nothing. He’s escaped. Reynolds tells them to call the police, then heads toward Tenth and Patton to tell the others.460

  1:21 p.m. (2:21 p.m. EST)

  In Washington, FBI Director J. Edgar Hoover calls James J. Rowley, chief of the Secret Service, to offer any assistance. He tells Rowley it has been reported that a Secret Service agent has been killed, but he had not been able to get his name. Rowley states he did not know one of his agents had been killed. Hoover says the information he has is that the shots came from the “fourth floor of a building” and that “apparently a Winchester rifle was used.” The two speculate about who was behind the shooting, Rowley mentioning subversive elements in Mexico and Cuba, Hoover mentioning the Ku Klux Klan.461

  At the Dallas FBI office, Special Agent-in-Charge Gordon Shanklin, a chain-smoker who buys cartons of cigarettes by the grocery bag, is on the telephone with the third in command at FBI headquarters in Washington, Alan Belmont. With his thin hair, glasses, and comfortable attire, Shanklin looks like a rumpled professor, but all the agents understand his nervousness. It isn’t easy to work for J. Edgar Hoover, with his whims and moods. Shanklin tells Belmont that from the information available, it appears the president has died of his wounds and that Governor Connally is in fair condition. He adds that, contrary to prior reports, a Secret Service agent has not been killed in Dallas.

  “The director’s specific instructions on this,” Belmont says, “are that we should offer all possible assistance to the Secret Service and local police, and that means exactly that—give all possible assistance.”

  “Do we have jurisdiction?” Shanklin questions.

  “The question of jurisdiction is not pertinent at the moment,” Belmont replies. “The Secret Service will no doubt regard this as primarily their matter, but the essential thing is that we offer and give all possible assistance. In fact, see if the Secret Service wants us to send some laboratory men down to assist in identifying the spent shells found in the Depository.”

  “I’ve already made the offer,” Shanklin tells him. “I’ve got our men with the
Secret Service, the Dallas police, and the sheriff’s office. I’ve even got a man at the hospital where Mrs. Kennedy is.”

  Shanklin fills Belmont in on the latest developments—shots appear to have been fired from the fifth floor of a five-story building at the corner of Elm and Commerce, where a Winchester rifle was reportedly used.* Shanklin tells him that the building has been roped off and the Secret Service and police are going through it.

  “Has anyone been identified?” Belmont asks.

  “No, not yet,” Shanklin answers.

  “We’ll send out a Teletype to all offices to check and account for the whereabouts of all hate-group members in their areas,” Belmont tells him. “If you need more manpower down there, let us know and we’ll send it.”

  “Okay,” Shanklin says, and hangs up.

  Belmont promptly starts working on a Teletype to alert all FBI offices to immediately contact all informants and sources regarding the assassination and to immediately establish the whereabouts of bombing suspects, Klan and hate-group members, racial extremists, and any other individuals who on the basis of information in bureau files might have been involved.462

  1:22 p.m.

  The cavernous sixth floor of the Texas School Book Depository is crawling with officers looking for evidence. Since the discovery of the sniper’s nest, the search has been concentrated there.463 They have all heard about the shooting out in Oak Cliff and are tense, jumpy. Dallas Morning News reporter Kent Biffle, caught up with the officers involved in the search, wonders whether he risks getting shot by a nervous officer.464

  A flashbulb pops in the southeast corner window as crime-lab investigators Lieutenant Carl Day and Detective Robert Studebaker photograph the three spent cartridges lying on the floor of the sniper’s nest. Nearby, Captain Will Fritz of homicide converses with Detectives L. D. Montgomery and Marvin Johnson, who’ve just arrived.465 Across the floor, in the northwest corner, near the top of the back stairwell, two sheriff deputies comb through a stack of boxes for the umpteenth time. Deputy Eugene Boone shines his high-powered flashlight into every gloomy crack, crevice, and cranny, looking in, under, and around the dusty boxes and pallets. Alongside him is Deputy Constable Seymour Weitzman, who has been over this area of the sixth floor twice already, though without the aid of a flashlight. Now the bright beam of light picks up something on the floor stuffed down between two rows of boxes, another box slid on an angle over the top of it. Weitzman crawls down on the floor, as Boone shines the light down into the crevice from the top. They spot a rifle at the same moment.