The Story of Music: From Babylon to the Beatles: How Music Has Shaped Civilization

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The Story of Music: From Babylon to the Beatles: How Music Has Shaped Civilization Page 39

by Howard Goodall


  Rózsavölgyi, Márk 176

  Rückert, Friedrich 215

  Russia 1750–1850 155 1890–1918 209, 210–11, 223–5, 231–7, 238 1918–1945 269–70, 271–2, 280, 283–9, 292 see also names of Russian composers

  St Mark’s basilica, Venice 69, 70–1, 76

  Saint-Saëns, Camille 169, 211, 212, 268, 280

  Salieri, Antonio 149, 151, 174

  sampling 317

  Sarum chant 18

  Satie, Erik 212–13, 266–8, 275, 280, 309

  Sauveur, Joseph 77–8

  Savonarola, Girolamo 44–5, 66

  Schiller, Friedrich: ‘Ode to Joy’ 150

  Schoenberg, Arnold 186, 197, 216, 218–19, 276, 281, 309

  Schopenhauer, Arthur 192, 193, 198

  Schubert, Franz 131, 145–6, 148, 174, 178, 215

  Schumann, Clara Wieck 156, 157–8, 187

  Schumann, Robert 144, 148, 152, 154, 155, 156, 157, 178, 212, 214–15

  Schütz, Heinrich 108

  Schwartz, Stephen 314

  Schwarzkopf, Elisabeth 203

  Scott de Martinville, Édouard-Léon 238

  Scriabin, Alexander 199–200, 290

  Sedaka, Neil 306

  serialism 186, 218–19, 281, 309–10

  Sex Pistols 125

  Sexteto (later Septeto) Nacional 304

  Shabalala, Joseph 307

  Shelley, Harry Rowe 180

  Shore, Howard 216

  Shore, John 78

  Shostakovich, Dmitri 216, 255, 274, 280, 283–5, 286–8, 289, 290, 291, 314 Symphony no. 7, Leningrad 280, 287–8, 289

  shuffle 263–4

  Sibelius, Jean 171, 177, 178, 216, 246

  Silbermann, Gottfried 96, 97

  Simon, Paul 251, 305–6, 307

  Sinatra, Frank 276, 277

  sinfonia 80–1

  Smetana, Bedrich 171, 175, 178

  Smith, Bessie 255

  Smithson, Harriet 153–4, 161, 162

  son 302–5

  Sonata Form 129, 130, 133, 155

  Sondheim, Stephen 276, 306, 314, 315

  Sousa, John Philip 244

  Sparky’s Magic Piano 321

  spirituals 240–2

  Spohr, Louis 140, 149

  Spontini, Gaspare 164

  Spring-Rice, Cecil: ‘I vow to thee, my country’ 248

  Stamitz, Johann 130–1

  Sting 68–9, 88, 276, 318

  Stockhausen, Karlheinz 310–11, 314

  Stone, Jesse: ‘Shake, Rattle and Roll’ 300

  Stradivari, Antonio 57

  Strauss, Richard 171, 217, 219–23, 234, 235, 271, 279, 281–2

  Stravinsky, Igor 210–11, 216, 219, 232, 233–5, 235–7, 238, 269–70, 271–3, 283, 290, 314, 317 The Firebird 233–4, 235, 238, 289, 290 Les Noces (Svadebka) 271–2, 289 Petrushka 234, 23 Pulcinella 269–70 The Rake’s Progress 271 The Rite of Spring 234, 235, 236–7, 271, 276, 289, 303

  stringed instruments, 53–9

  Sullivan, Sir Arthur 190 see also Gilbert, W.S, and Sullivan, Arthur

  ‘Sumer is icumen in’ 31

  surrealism 266–7, 268

  Swift, Taylor: ‘Love Story’ 144

  swing 258–9, 263, 264, 279, 297

  ‘Swing Low, Sweet Chariot’ 181, 182, 184

  symphonic poems 171–4, 220

  symphony 60, 129, 130, 132, 133, 150, 172, 188–9, 205

  syncopation 244, 258, 303–5

  Szymanowski, Karol 216

  tala 34

  Tallis, Thomas 59, 61, 65, 66, 67

  tango 265

  Tatum, Art 264

  Tchaikovsky, Pyotr 175, 178, 206, 210, 223–4, 232

  Tcherepnin, Nikolai 233, 234

  tempo 76–8, 79

  tenor 51

  Tiomkin, Dmitri 292

  Tippett, Michael: A Child of Our Time 289, 290

  tonoi 46

  Trasuntino, Vito 99

  triads 39–40, 69, 88, 125–6, 185

  Tristan chord 186–7

  tritone 35–6

  tune/melody, principal 51–2, 62–3, 64

  Turner, Big Joe 300

  Turner, Ike 299

  Twain, Mark 196

  twelve-tone serialism 186, 218–19, 281, 309–10

  United States 1850–1890 179–84 1890–1918 209, 240–5 1918–1945 249, 250, 252–3, 254, 255–9, 265–6, 273, 275, 277–9, 283, 289–90, 292 1945–2012 295–301, 305–7, 314–17, 319

  Valère, basilica of 62

  Vaughan Williams, Ralph 115, 246, 247, 290

  Vauxhall Pleasure Gardens 123–4, 125

  Venuti, Joe 264

  Verdi, Giuseppe 165–8, 187, 194, 206–7

  Verve, The 251

  Victoria, Tomás Luis de 67

  vielle 56, 58

  vilhuela 53, 55

  viol 53, 55, 58

  viola 56, 80

  viola da braccio 53, 56

  viola da gamba 53, 55, 56, 57, 58

  violin 53, 56–9, 60, 80, 82

  virginals 61, 84

  Vivaldi, Antonio 91, 92, 94–5, 109, 110, 114, 122, 271

  Voltaire, 119, 120

  Wagenseil, Georg 130

  Wagner, Richard 150–1, 154, 159, 163, 185–98, 199, 200–4, 205, 206, 207–8, 209, 210, 211, 212, 213, 214, 215, 220, 227, 248 Lohengrin 189 The Mastersingers of Nuremberg 189 Parsifal 190, 192, 195, 197–8, 200–1, 202, 203, 204, 206, 210, 214, 249, 278 The Rhinegold 185–6, 192, 194, 266 Ring cycle 185, 190–5, 197, 206, 215 Siegfried 194 Tannhäuser 189 Tristan und Isolde 163, 185, 186, 187, 190, 192, 198, 207, 244 The Twilight of the Gods (Götterdämmerung) 191, 193, 195, 251 Writings: Erkenne dich selbst 202 The Jews in Music 152–3 ‘On Poetry & Composition’ 205 Opera and Drama 207

  Wainwright, Martha and Rufus 277

  Waits, Tom 276

  Waller, Fats 255

  Walton, William 289

  Watts, Isaac 240

  Waxman, Franz 216, 286

  W de Wycombe 31

  Weill, Kurt 216, 274–6, 277

  Wells, H.G.: Tono Bungay 247

  Wesley, Samuel 128

  West, Kanye: ‘My Beautiful Dark Twisted Fantasy’ 320

  West-Eastern Divan Orchestra 231

  Whiteman, Paul 252, 253

  Widor, Charles-Marie 211, 226

  Wieck, Clara see Schumann, Clara Wieck

  Williams, John 216, 292

  Williams, Robbie 277

  Winchester Troper 24

  Winkel, Dietrich 78

  Wolf-Ferrari, Ermanno 169, 279, 280

  Wonder, Stevie 125, 250, 302, 305

  Worde, Wynkyn de 49

  World’s Fair (Exposition Universelle), Paris (1889) 204, 211, 226, 227, 228, 231

  xiqin 55

  Yared, Gabriel 292

  Zacconi, Ludovico: Prattica di musica 77

  zajal 29–30

  Zappa, Frank 318

  Zhu Zaiyu: Lüxue xinshuo 101–2

  Zimmer, Hans 174, 273, 292

  Znamenny chants 232

  Zola, Emile 192–3

  All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

  Copyright © 2013 by Howard Goodall

  978-1-4804-4764-6

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