Practical Mysticism

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by Evelyn Underhill


  The dynamic power of love and will, the fact that the heart's desire—if it be intense and industrious—is a better earnest of possible fulfilment than the most elegant theories of the spiritual world; this is the perpetual theme of all the Christian mystics. By such love, they think, the worlds themselves were made. By an eager outstretching towards Reality, they tell us, we tend to move towards Reality, to enter into its rhythm: by a humble and unquestioning surrender to it we permit its entrance into our souls. This twofold act, in which we find the double character of all true love—which both gives and takes, yields and demands—is assured, if we be patient and single-hearted, of ultimate success. At last our ignorance shall be done away; and we shall "apprehend" the real and the eternal, as we apprehend the sunshine when the sky is free from cloud. Therefore "Smite upon that thick cloud of unknowing with a sharp dart of longing love"— and suddenly it shall part, and disclose the blue.

  "Smite," "press," "push," "strive"—these are strong words: yet they are constantly upon the lips of the contemplatives when describing the earlier stages of their art. Clearly, the abolition of discursive thought is not to absolve you from the obligations of industry. You are to "energise enthusiastically" upon new planes, where you shall see more intensely, hear more intensely, touch and taste more intensely than ever before: for the modes of communion which these senses make possible to you are now to operate as parts of the one single state of perfect intuition, of loving knowledge by union, to which you are growing up. And gradually you come to see that, if this be so, it is the ardent will that shall be the prime agent of your undertaking: a will which has now become the active expression of your deepest and purest desires. About this the recollected and simplified self is to gather itself as a centre; and thence to look out—steadily, deliberately— with eyes of love towards the world.

  To "look with the eyes of love" seems a vague and sentimental recommendation: yet the whole art of spiritual communion is summed in it, and exact and important results flow from this exercise. The attitude which it involves is an attitude of complete humility and of receptiveness; without criticism, without clever analysis of the thing seen. When you look thus, you surrender your I-hood; see things at last as the artist does, for their sake, not for your own. The fundamental unity that is in you reaches out to the unity that is in them: and you achieve the "Simple Vision" of the poet and the mystic—that synthetic and undistorted apprehension of things which is the antithesis of the single vision of practical men. The doors of perception are cleansed, and everything appears as it is. The disfiguring results of hate, rivalry, prejudice, vanish away. Into that silent place to which recollection has brought you, new music, new colour, new light, are poured from the outward world. The conscious love which achieves this vision may, indeed must, fluctuate—"As long as thou livest thou art subject to mutability; yea, though thou wilt not!" But the will which that love has enkindled can hold attention in the right direction. It can refuse to relapse to unreal and egotistic correspondences; and continue, even in darkness, and in the suffering which such darkness brings to the awakened spirit, its appointed task, cutting a way into new levels of Reality.

  Therefore this transitional stage in the development of the contemplative powers—in one sense the completion of their elementary schooling, in another the beginning of their true activities—is concerned with the toughening and further training of that will which self-simplification has detached from its old concentration upon the unreal wants and interests of the self. Merged with your intuitive love, this is to become the true agent of your encounter with Reality; for that Simple Eye of Intention, which is so supremely your own, and in the last resort the maker of your universe and controller of your destiny, is nothing else but a synthesis of such energetic will and such uncorrupt desire, turned and held in the direction of the Best.

  CHAPTER VII. THE FIRST FORM OF CONTEMPLATION

  Concentration, recollection, a profound self-criticism, the stilling of his busy surface-intellect, his restless emotions of enmity and desire, the voluntary achievement of an attitude of disinterested love—by these strange paths the practical man has now been led, in order that he may know by communion something of the greater Life in which he is immersed and which he has so long and so successfully ignored. He has managed in his own small way something equivalent to those drastic purifications, those searching readjustments, which are undertaken by the heroic seekers for Reality; the arts whereby they defeat the tyranny of "the I, the Me, the Mine" and achieve the freedom of a wider life. Now, perhaps, he may share to some extent in that illumination, that extended and intensified perception of things, which they declare to be the heritage of the liberated consciousness.

  This illumination shall be gradual. The attainment of it depends not so much upon a philosophy accepted, or a new gift of vision suddenly received, as upon an uninterrupted changing and widening of character; a progressive growth towards the Real, an ever more profound harmonisation of the self's life with the greater and inclusive rhythms of existence. It shall therefore develop in width and depth as the sphere of that self's intuitive love extends. As your own practical sympathy with and understanding of other lives, your realisation of them, may be narrowed and stiffened to include no more than the family group, or spread over your fellow-workers, your class, your city, party, country, or religion—even perhaps the whole race—till you feel yourself utterly part of it, moving with it, suffering with it, and partake of its whole conscious life; so here. Self-mergence is a gradual process, dependent on a progressive unlimiting of personality. The apprehension of Reality which rewards it is gradual too. In essence, it is one continuous out-flowing movement towards that boundless heavenly consciousness where the "flaming ramparts" which shut you from true communion with all other selves and things is done away; an unbroken process of expansion and simplification, which is nothing more or less than the growth of the spirit of love, the full flowering of the patriotic sense. By this perpetually-renewed casting down of the hard barriers of individuality, these willing submissions to the compelling rhythm of a larger existence than that of the solitary individual or even of the human group—by this perpetual widening, deepening, and unselfing of your attentiveness—you are to enlarge your boundaries and become the citizen of a greater, more joyous, more poignant world, the partaker of a more abundant life. The limits of this enlargement have not yet been discovered. The greatest contemplatives, returning from their highest ascents, can only tell us of a world that is "unwalled."

  But this growth into higher realities, this blossoming of your contemplative consciousness—though it be, like all else we know in life, an unbroken process of movement and change—must be broken up and reduced to the series of concrete forms which we call "order" if our inelastic minds are to grasp it. So, we will consider it as the successive achievement of those three levels or manifestations of Reality, which we have agreed to call the Natural World of Becoming, the Metaphysical World of Being, and—last and highest—that Divine Reality within which these opposites are found as one. Though these three worlds of experience are so plaited together, that intimations from the deeper layers of being constantly reach you through the natural scene, it is in this order of realisation that you may best think of them, and of your own gradual upgrowth to the full stature of humanity. To elude nature, to refuse her friendship, and attempt to leap the river of life in the hope of finding God on the other side, is the common error of a perverted mysticality. It is as fatal in result as the opposite error of deliberately arrested development, which, being attuned to the wonderful rhythms of natural life, is content with this increase of sensibility; and, becoming a "nature-mystic," asks no more.

  So you are to begin with that first form of contemplation which the old mystics sometimes called the "discovery of God in His creatures." Not with some ecstatic adventure in supersensuous regions, but with the loving and patient exploration of the world that lies at your gates; the "ebb and flow and ever-during power" of which
your own existence forms a part. You are to push back the self's barriers bit by bit, till at last all duration is included in the widening circles of its intuitive love: till you find in every manifestation of life—even those which you have petulantly classified as cruel or obscene—the ardent self-expression of that Immanent Being whose spark burns deep in your own soul.

  The Indian mystics speak perpetually of the visible universe as the Lila or Sport of God: the Infinite deliberately expressing Himself in finite form, the musical manifestation of His creative joy. All gracious and all courteous souls, they think, will gladly join His play; considering rather the wonder and achievement of the whole—its vivid movement, its strange and terrible evocations of beauty from torment, nobility from conflict and death, its mingled splendour of sacrifice and triumph—than their personal conquests, disappointments, and fatigues. In the first form of contemplation you are to realise the movement of this game, in which you have played so long a languid and involuntary part, and find your own place in it. It is flowing, growing, changing, making perpetual unexpected patterns within the evolving melody of the Divine Thought. In all things it is incomplete, unstable; and so are you. Your fellow-men, enduring on the battlefield, living and breeding in the slum, adventurous and studious, sensuous and pure—more, your great comrades, the hills, the trees, the rivers, the darting birds, the scuttering insects, the little soft populations of the grass—all these are playing with you. They move one to another in delicate responsive measures, now violent, now gentle, now in conflict, now in peace; yet ever weaving the pattern of a ritual dance, and obedient to the music of that invisible Choragus whom Boehme and Plotinus knew. What is that great wind which blows without, in continuous and ineffable harmonies? Part of you, practical man. There is but one music in the world: and to it you contribute perpetually, whether you will or no, your one little ditty of no tone.

  "Mad with joy, life and death dance to the rhythm of this music:

  The hills and the sea and the earth dance:

  The world of man dances in laughter and tears."

  It seems a pity to remain in ignorance of this, to keep as it were a plate-glass window between yourself and your fellow-dancers— all those other thoughts of God, perpetually becoming, changing and growing beside you—and commit yourself to the unsocial attitude of the "cat that walks by itself."

  Begin therefore at once. Gather yourself up, as the exercises of recollection have taught you to do. Then—with attention no longer frittered amongst the petty accidents and interests of your personal life, but poised, tense, ready for the work you shall demand of it—stretch out by a distinct act of loving will towards one of the myriad manifestations of life that surround you: and which, in an ordinary way, you hardly notice unless you happen to need them. Pour yourself out towards it, do not draw its image towards you. Deliberate—more, impassioned—attentiveness, an attentiveness which soon transcends all consciousness of yourself, as separate from and attending to the thing seen; this is the condition of success. As to the object of contemplation, it matters little. From Alp to insect, anything will do, provided that your attitude be right: for all things in this world towards which you are stretching out are linked together, and one truly apprehended will be the gateway to the rest.

  Look with the eye of contemplation on the most dissipated tabby of the streets, and you shall discern the celestial quality of life set like an aureole about his tattered ears, and hear in his strident mew an echo of

  "The deep enthusiastic joy,

  The rapture of the hallelujah sent

  From all that breathes and is."

  The sooty tree up which he scrambles to escape your earnest gaze is holy too. It contains for you the whole divine cycle of the seasons; upon the plane of quiet, its inward pulse is clearly to be heard. But you must look at these things as you would look into the eyes of a friend: ardently, selflessly, without considering his reputation, his practical uses, his anatomical peculiarities, or the vices which might emerge were he subjected to psycho-analysis.

  Such a simple exercise, if entered upon with singleness of heart, will soon repay you. By this quiet yet tense act of communion, this loving gaze, you will presently discover a relationship—far more intimate than anything you imagined—between yourself and the surrounding "objects of sense"; and in those objects of sense a profound significance, a personal quality, and actual power of response, which you might in cooler moments think absurd. Making good your correspondences with these fellow-travellers, you will learn to say with Whitman:

  "You air that serves me with breath to speak!

  You objects that call from diffusion my meanings and give them

  shape!

  You light that wraps me and all things in delicate equable showers!

  You paths worn in the irregular hollows by the roadside!

  I believe you are latent with unseen existences, you are so dear

  to me."

  A subtle interpenetration of your spirit with the spirit of those "unseen existences," now so deeply and thrillingly felt by you, will take place. Old barriers will vanish: and you will become aware that St. Francis was accurate as well as charming when he spoke of Brother Wind and Sister Water; and that Stevenson was obviously right when he said, that since:

  "The world is so full of a number of things,

  I'm sure we ought all to be happy as kings."

  Those glad and vivid "things" will speak to you. They will offer you news at least as definite and credible as that which the paper-boy is hawking in the street: direct messages from that Beauty which the artist reports at best at second hand. Because of your new sensitiveness, anthems will be heard of you from every gutter; poems of intolerable loveliness will bud for you on every weed. Best and greatest, your fellowmen will shine for you with new significance and light. Humility and awe will be evoked in you by the beautiful and patient figures of the poor, their long dumb heroisms, their willing acceptance of the burden of life. All the various members of the human group, the little children and the aged, those who stand for energy, those dedicated to skill, to thought, to plainest service, or to prayer, will have for you fresh vivid significance, be felt as part of your own wider being. All adventurous endeavours, all splendour of pain and all beauty of play—more, that grey unceasing effort of existence which makes up the groundwork of the social web, and the ineffective hopes, enthusiasms, and loves which transfuse it—all these will be seen and felt by you at last as full of glory, full of meaning; for you will see them with innocent, attentive, disinterested eyes, feel them as infinitely significant and adorable parts of the Transcendent Whole in which you also are immersed.

  This discovery of your fraternal link with all living things, this down-sinking of your arrogant personality into the great generous stream of life, marks an important stage in your apprehension of that Science of Love which contemplation is to teach. You are not to confuse it with pretty fancies about nature, such as all imaginative persons enjoy; still less, with a self-conscious and deliberate humanitarianism. It is a veritable condition of awareness; a direct perception, not an opinion or an idea. For those who attain it, the span of the senses is extended. These live in a world which is lit with an intenser light; has, as George Fox insisted, "another smell than before." They hear all about them the delicate music of growth, and see the "new colour" of which the mystics speak.

  Further, you will observe that this act, and the attitude which is proper to it, differs in a very important way even from that special attentiveness which characterised the stage of meditation, and which seems at first sight to resemble it in many respects. Then, it was an idea or image from amongst the common stock— one of those conceptual labels with which the human paste-brush has decorated the surface of the universe—which you were encouraged to hold before your mind. Now, turning away from the label, you shall surrender yourself to the direct message poured out towards you by the thing. Then, you considered: now, you are to absorb. This experience will be, in the
very highest sense, the experience of sensation without thought: the essential sensation, the "savouring" to which some of the mystics invite us, of which our fragmentary bodily senses offer us a transient sacrament. So here at last, in this intimate communion, this "simple seeing," this total surrender of you to the impress of things, you are using to the full the sacred powers of sense: and so using them, because you are concentrating upon them, accepting their reports in simplicity. You have, in this contemplative outlook, carried the peculiar methods of artistic apprehension to their highest stage: with the result that the sense-world has become for you, as Erigena said that all creatures were, "a theophany, or appearance of God." Not, you observe, a symbol, but a showing: a very different thing. You have begun now the Plotinian ascent from multiplicity to unity, and therefore begin to perceive in the Many the clear and actual presence of the One: the changeless and absolute Life, manifesting itself in all the myriad nascent, crescent, cadent lives. Poets, gazing thus at the "flower in the crannied wall" or the "green thing that stands in the way," have been led deep into the heart of its life; there to discern the secret of the universe.

 

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