Seymour V. Reit: Summary of the plot from The Day They Stole the Mona Lisa by Seymour V. Reit. Reprinted by permission of Seymour V. Reit.
San Francisco Chronicle: “Last of ‘Rub-a-Dub-Dub’ Fugitives” by Bill Wallace (San Francisco Chronicle, April 26, 1999). Copyright © 1999 by San Francisco Chronicle. Reprinted by permission of San Francisco Chronicle.
Simon & Schuster and Norstedts Forlag AB: Excerpt from the screenplay The Seventh Seal by Ingmar Bergman from Four Screenplays of Ingmar Bergman by Ingmar Bergman. Copyright © 1960 by Simon & Schuster and copyright © 1960 by Ingmar Bergman. Reprinted by permission of Simon & Schuster and Norstedts Forlag AB.
Robert Towne and Paramount Pictures: Excerpt from the screenplay Chinatown by Robert Towne. Reprinted by permission of Robert Towne and Paramount Pictures.
Twentieth Century Fox Film Corporation: Excerpts from the screenplay There’s Something About Mary by Peter and Bob Farrelly. Copyright © 1998 by Twentieth Century Fox Film Corporation. All rights reserved. Reprinted by permission of Twentieth Century Fox Film Corporation.
Viking Penguin and Gerald Duckworth & Co. Ltd.: “One Perfect Rose” from The Portable Dorothy Parker by Dorothy Parker. Copyright © 1926, copyright renewed 1954 by Dorothy Parker. Rights in the United Kingdom administered by Gerald Duckworth & Co. Ltd., London. Reprinted by permission of Viking Penguin, a division of Penguin Putnam Inc., and Gerald Duckworth & Co. Ltd.
Viking Penguin and Hodder and Stoughton Limited: Excerpt from Misery by Stephen King. Copyright © 1987 by Stephen King, Tabitha King, and Arthur B. Greene, Trustee. Rights in the United Kingdom administered by Hodder and Stoughton Limited, London. Reprinted by permission of Viking Penguin, a division of Penguin Putnam Inc., and Hodder and Stoughton Limited.
Warner Books Inc. and the Aaron M. Priest Literary Agency: Excerpt from Absolute Power by David Baldacci. Copyright © 1996 by Columbus Rose, Ltd. Reprinted by permission of Warner Books Inc. and the Aaron M. Priest Literary Agency.
ALSO AVAILABLE FROM VINTAGE BOOKS
* * *
MAKING MOVIES
by Sidney Lumet
Why does a director choose a particular script? What must the director do to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout in the heart of New York City’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies provides both a professional memoir and a definitive guide to the art, craft, and business of motion pictures.
Film/0-679-75660-4
BENEATH MULHOLLAND
Thoughts on Hollywood and Its Ghosts
by David Thomson
If most film critics write about movies, David Thomson creates their literary counterpart with essays that are as dazzling, haunting, and moving as the pictures they discuss. In this bravura new collection, the Esquire columnist trains his eye on Hollywood’s ghosts, exploring their tendency to rise from the grave or descend from the screen to intimately haunt our lives.
Film/0-679-77291-X
MONSTER
Living Off the Big Screen
by John Gregory Dunne
In 1988 John Gregory Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale Up Close and Personal starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Mossier illuminates the process with sagacity and raucous wit.
Film/0-375-75024-X
THE STUDIO
by John Gregory Dunne
In 1967 John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got ir. For one year, Dunne went everywhere he could go and talked to everyone within the studio. The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.
Film/0-375-70008-0
MOVIE-MADE AMERICA
A Cultural History of American Movies
by Robert Sklar
Hailed as the definitive work upon its original publication in 1975 and now extensively revised and updated by the author, this vastly absorbing and richly illustrated hook examines film as art form, technological innovation, big business, and shaper of American values. Combining panoramic sweep with detailed commentaries on hundreds of individual films, Movie-Made America is a must for any motion picture enthusiast.
Film/0-679-75549-7
MOVIES AND MONEY
by David Puttnam
From David Puttnam, former chairman of Columbia Pictures and acclaimed producer of such classic films as Chariots of Fire and The Killing Fields, comes an insightful and thoroughly entertaining history of that unholy alliance between commerce and art, the movie business. The result is a fascinating historical panorama packed with lively anecdotes and portraits of all the key dealmakers. Movies and Money will change our understanding of the history of film and the movie business today.
Film/0-679-76741-X
VINTAGE BOOKS
Available at your local bookstore, or call toll-free to order:
1-800-793-2665 (credit cards only).
WILLIAM GOLDMAN
WHICH LIE DID I TELL?
William Goldman has been writing books and movies for forty-five years. He has won three Lifetime Achievement awards for screenwriting, two Screenwriter of the Year awards, two Academy Awards (for Butch Cassidy and the Sundance Kid and All the President’s Men), and one English Academy Award. His novels include Marathon Man, which has made him very famous in dentists’ offices around the world, Boys and Girls Together, The Temple of Gold, and The Princess Bride. He lives in New York City.
also by WILLIAM GOLDMAN
Fiction
The Temple of Gold (1957) Your Turn to Curtsy, My Turn to Bow (1958) Soldier in the Rain (1960) Boys and Girls Together (1964) No Way to Treat a Lady (1964) The Thing of It Is … (1967) Father’s Day (1971) The Princess Bride (1973) Marathon Man (1974) Magic (1976) Tinsel (1979) Control (1982) The Silent Gondoliers (1983) The Color of Light (1984) Heat (1985) Brothers (1986)
Nonfiction
The Season: A Candid Look at Broadway (1969) The Making of “A Bridge Too Far” (1977) Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (1983) Wait Till Next Year (With Mike Lupica) (1988) Hype and Glory (1990) Four Screenplays (1995) Five Screenplays (1997)
Screenplays
Masquerade (with Michael Relph) (1965) Harper (1966) Butch Cassidy and the Sundance Kid (1969) The Hot Rock (1972) The Great Waldo Pepper (1975) The Stepford Wives (1975) All the President’s Men (1976) Marathon Man (1976) A Bridge Too Far (1977) Magic (1978) Mr. Horn (1979) Heat (1987) The Princess Bride (1987) Misery (1990) The Year of the Comet (1992) Maverick (1994) The Chamber (1996) The Ghost and the Darkness (1996) Absolute Power (1997)
Plays
Blood, Sweat and Stanley Poole (with James Goldman) (1961) A Family Affair (with James Goldman and John Kander) (1961)
For Children
Wigger (1974)
Which Lie Did I Tell? Page 45
