In the Carquinez Woods

Home > Other > In the Carquinez Woods > Page 12
In the Carquinez Woods Page 12

by Harte, Bret


  "No!"

  "Then you were not there—then you didn't leave me to die?"

  "No! I swear it, Teresa!" the stoicism that had upheld his own agony breaking down before her strong emotion.

  "Thank God!" She threw her arms around him, and hid her aching eyes in his troubled breast.

  "Tell me all, Teresa," he whispered in her listening ear. "Don't move; stay there, and tell me all."

  With her face buried in his bosom, as if speaking to his heart alone, she told him part, but not all. With her eyes filled with tears, but a smile on her lips, radiant with new-found happiness, she told him how she had overheard the plans of Dunn and Brace, how she had stolen their conveyance to warn him in time. But here she stopped, dreading to say a word that would shatter the hope she was building upon his sudden revulsion of feeling for Nellie. She could not bring herself to repeat their interview—that would come later, when they were safe and out of danger; now not even the secret of his birth must come between them with its distraction, to mar their perfect communion. She faltered that Dunn had fainted from weakness, and that she had dragged him out of danger. "He will never interfere with us—I mean," she said softly, "with ME again. I can promise you that as well as if he had sworn it."

  "Let him pass, now," said Low; "that will come later on," he added, unconsciously repeating her thought in a tone that made her heart sick. "But tell me, Teresa, why did you go to Excelsior?"

  She buried her head still deeper, as if to hide it. He felt her broken heart beat against his own; he was conscious of a depth of feeling her rival had never awakened in him. The possibility of Teresa loving him had never occurred to his simple nature. He bent his head and kissed her. She was frightened, and unloosed her clinging arms; but he retained her hand, and said, "We will leave this accursed place, and you shall go with me as you said you would; nor need you ever leave me, unless you wish it."

  She could hear the beating of her own heart through his words; she longed to look at the eyes and lips that told her this, and read the meaning his voice alone could not entirely convey. For the first time she felt the loss of her sight. She did not know that it was, in this moment of happiness, the last blessing vouchsafed to her miserable life.

  A few moments of silence followed, broken only by the distant rumor of the conflagration and the crash of falling boughs.

  "It may be an hour yet," he whispered, "before the fire has swept a path for us to the road below. We are safe here, unless some sudden current should draw the fire down upon us. You are not frightened?" She pressed his hand; she was thinking of the pale face of Dunn, lying in the secure retreat she had purchased for him at such a sacrifice. Yet the possibility of danger to him now for a moment marred her present happiness and security. "You think the fire will not go north of where you found me?" she asked softly.

  "I think not," he said, "but I will reconnoitre. Stay where you are."

  They pressed hands, and parted. He leaped upon the slanting trunk and ascended it rapidly. She waited in mute expectation.

  There was a sudden movement of the root on which she sat, a deafening crash, and she was thrown forward on her face.

  The vast bulk of the leaning tree, dislodged from its aerial support by the gradual sapping of the spring at its roots, or by the crumbling of the bark from the heat, had slipped, made a half revolution, and, falling, overbore the lesser trees in its path, and tore, in its resistless momentum, a broad opening to the underbrush.

  With a cry to Low, Teresa staggered to her feet. There was an interval of hideous silence, but no reply. She called again. There was a sudden deepening roar, the blast of a fiery furnace swept through the opening, a thousand luminous points around her burst into fire, and in an instant she was lost in a whirlwind of smoke and flame! From the onset of its fury to its culmination twenty minutes did not elapse; but in that interval a radius of two hundred yards around the hidden spring was swept of life and light and motion.

  For the rest of that day and part of the night a pall of smoke hung above the scene of desolation. It lifted only towards the morning, when the moon, rising high, picked out in black and silver the shrunken and silent columns of those roofless vaults, shorn of base and capital. It flickered on the still, overflowing pool of the hidden spring, and shone upon the white face of Low, who, with a rootlet of the fallen tree holding him down like an arm across his breast, seemed to be sleeping peacefully in the sleeping water.

  * * *

  Contemporaneous history touched him as briefly, but not as gently. "It is now definitely ascertained," said "The Slumgullion Mirror," "that Sheriff Dunn met his fate in the Carquinez Woods in the performance of his duty; that fearless man having received information of the concealment of a band of horse thieves in their recesses. The desperadoes are presumed to have escaped, as the only remains found are those of two wretched tramps, one of whom is said to have been a digger, who supported himself upon roots and herbs, and the other a degraded half-white woman. It is not unreasonable to suppose that the fire originated through their carelessness, although Father Wynn of the First Baptist Church, in his powerful discourse of last Sunday, pointed at the warning and lesson of such catastrophes. It may not be out of place here to say that the rumors regarding an engagement between the pastor's accomplished daughter and the late lamented sheriff are utterly without foundation, as it has been an on dit for some time in all well-informed circles that the indefatigable Mr. Brace, of Wells, Fargo and Co.'s Express, will shortly lead the lady to the hymeneal altar."

  End of the Project Gutenberg EBook of In the Carquinez Woods, by Bret Harte

  *** END OF THIS PROJECT GUTENBERG EBOOK IN THE CARQUINEZ WOODS ***

  ***** This file should be named 2310-h.htm or 2310-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/2/3/1/2310/

  Produced by Donald Lainson; David Widger

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.org/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic
work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  are removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern

  what you can do with this work. Copyright laws in most countries are in

  a constant state of change. If you are outside the United States, check

  the laws of your country in addition to the terms of this agreement

  before downloading, copying, displaying, performing, distributing or

  creating derivative works based on this work or any other Project

  Gutenberg-tm work. The Foundation makes no representations concerning

  the copyright status of any work in any country outside the United

  States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate

  access to, the full Project Gutenberg-tm License must appear prominently

  whenever any copy of a Project Gutenberg-tm work (any work on which the

  phrase "Project Gutenberg" appears, or with which the phrase "Project

  Gutenberg" is associated) is accessed, displayed, performed, viewed,

  copied or distributed:

  This eBook is for the use of anyone anywhere at no cost and with

  almost no restrictions whatsoever. You may copy it, give it away or

  re-use it under the terms of the Project Gutenberg License included

  with this eBook or online at www.gutenberg.org

  1.E.2. If an individual Project Gutenberg-tm electronic work is derived

  from the public domain (does not contain a notice indicating that it is

  posted with permission of the copyright holder), the work can be copied

  and distributed to anyone in the United States without paying any fees

  or charges. If you are redistributing or providing access to a work

  with the phrase "Project Gutenberg" associated with or appearing on the

  work, you must comply either with the requirements of paragraphs 1.E.1

  through 1.E.7 or obtain permission for the use of the work and the

  Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

  1.E.9.

  1.E.3. If an individual Project Gutenberg-tm electronic work is posted

  with the permission of the copyright holder, your use and distribution

  must comply with both paragraphs 1.E.1 through 1.E.7 and any additional

  terms imposed by the copyright holder. Additional terms will be linked

  to the Project Gutenberg-tm License for all works posted with the

  permission of the copyright holder found at the beginning of this work.

  1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm

  License terms from this work, or any files containing a part of this

  work or any other work associated with Project Gutenberg-tm.

  1.E.5. Do not copy, display, perform, distribute or redistribute this

  electronic work, or any part of this electronic work, without

  prominently displaying the sentence set forth in paragraph 1.E.1 with

  active links or immediate access to the full terms of the Project

  Gutenberg-tm License.

  1.E.6. You may convert to and distribute this work in any binary,

  compressed, marked up, nonproprietary or proprietary form, including any

  word processing or hypertext form. However, if you provide access to or

  distribute copies of a Project Gutenberg-tm work in a format other than

  "Plain Vanilla ASCII" or other format used in the official version

  posted on the official Project Gutenberg-tm web site (www.gutenberg.org),

  you must, at no additional cost, fee or expense to the user, provide a

  copy, a means of exporting a copy, or a means of obtaining a copy upon

  request, of the work in its original "Plain Vanilla ASCII" or other

  form. Any alternate format must include the full Project Gutenberg-tm

  License as specified in paragraph 1.E.1.

  1.E.7. Do not charge a fee for access to, viewing, displaying,

  performing, copying or distributing any Project Gutenberg-tm works

  unless you comply with paragraph 1.E.8 or 1.E.9.

  1.E.8. You may charge a reasonable fee for copies of or providing

  access to or distributing Project Gutenberg-tm electronic works provided

  that

  - You pay a royalty fee of 20% of the gross profits you derive from

  the use of Project Gutenberg-tm works calculated using the method

  you already use to calculate your applicable taxes. The fee is

  owed to the owner of the Project Gutenberg-tm trademark, but he

  has agreed to donate royalties under this paragraph to the

  Project Gutenberg Literary Archive Foundation. Royalty payments

  must be paid within 60 days following each date on which you

  prepare (or are legally required to prepare) your periodic tax

  returns. Royalty payments should be clearly marked as such and

  sent to the Project Gutenberg Literary Archive Foundation at the

  address specified in Section 4, "Information about donations to

  the Project Gutenberg Literary Archive Foundation."

  - You provide a full refund of any money paid by a user who notifies

  you in writing (or by e-ma
il) within 30 days of receipt that s/he

  does not agree to the terms of the full Project Gutenberg-tm

  License. You must require such a user to return or

  destroy all copies of the works possessed in a physical medium

  and discontinue all use of and all access to other copies of

  Project Gutenberg-tm works.

  - You provide, in accordance with paragraph 1.F.3, a full refund of any

  money paid for a work or a replacement copy, if a defect in the

  electronic work is discovered and reported to you within 90 days

  of receipt of the work.

  - You comply with all other terms of this agreement for free

  distribution of Project Gutenberg-tm works.

  1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm

  electronic work or group of works on different terms than are set

  forth in this agreement, you must obtain permission in writing from

  both the Project Gutenberg Literary Archive Foundation and Michael

  Hart, the owner of the Project Gutenberg-tm trademark. Contact the

  Foundation as set forth in Section 3 below.

  1.F.

  1.F.1. Project Gutenberg volunteers and employees expend considerable

  effort to identify, do copyright research on, transcribe and proofread

  public domain works in creating the Project Gutenberg-tm

  collection. Despite these efforts, Project Gutenberg-tm electronic

  works, and the medium on which they may be stored, may contain

  "Defects," such as, but not limited to, incomplete, inaccurate or

  corrupt data, transcription errors, a copyright or other intellectual

  property infringement, a defective or damaged disk or other medium, a

  computer virus, or computer codes that damage or cannot be read by

  your equipment.

 

‹ Prev