Jackson Pollock

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Jackson Pollock Page 32

by Deborah Solomon


  Abel, Lionel

  Abstract and Surrealist Art in America (Janis)

  Abstract Expressionism

  abstract painting

  Académie de la Grande Chaumière

  Académie Julian

  Accabonac Creek (Pollock)

  “action painting”

  Alchemy (Pollock)

  Alfieri, Bruno

  Allen, Edward

  “allover” painting

  American Abstract Artists group

  “American and French Paintings” show

  American Indian culture

  “American Painting Today—1950” show

  American Scene painting

  America Today (Benton)

  April (Krasner)

  Art Digest

  Art Front

  Art News

  Art of This Century

  closing of

  Pollock’s shows at

  Arts and Architecture

  “Arts of the South Seas” show

  Art Students League

  Pollock’s studies at

  Ashcan school

  Atelier

  Australian National Gallery

  Autumn Rhythm (Pollock)

  Avery, Frances

  Avery, Milton

  Ballad of the Jealous Lover of Lone Green Valley, The (Benton)

  Barr, Alfred

  Bathers by a River (Matisse)

  Baur, John I. H.

  Baytime (Pollock)

  Baziotes, William

  Bell, Leland

  Bellow, Saul

  Benevy, Herbert

  Ben-Shmuel, Ahron

  Benton, Rita

  musical talents of

  Pollock’s relationship with

  “relief show” organized by

  Benton, Thomas Hart

  abstract painting disdained by

  “hollow and bump” method of

  murals of

  nationalist sympathies of

  Pollock as champion of

  Pollock befriended by family of

  Pollock’s stylistic break with

  realistic style of

  sketching trips of

  as teacher

  Benton, Thomas Hart (U.S. Senator)

  Benton, T. P.

  Betty Parson’s Gallery

  Biddle, George

  Birth (Pollock)

  Bloomingdale Asylum, see New York Hospital, Westchester Division

  Blue Poles (Pollock)

  Borglum, Gutzon

  Brancusi, Constantin

  Brando, Marlon

  Braque, Georges

  Breton, André

  Breton, Jacqueline

  Bridgman, George

  Brooklyn Museum

  Brooks, James

  Browne, Byron

  Bultman, Fritz

  Bunce, Louis

  Burckhardt, Rudy

  Burlin, Paul

  Burrows, Carlyle

  Busa, Peter

  Calder, Alexander

  calligraphy

  Camp with Oil Rig (Pollock)

  Cardonsky, Darby

  Cassatt, Mary

  Castelli, Leo

  Cathedral (Pollock)

  Cedar Tavern

  Cezanne, Paul

  Chareau, Pierre

  Charred Landscape (Krasner)

  Chase, Janet

  Chase, William Merritt

  Chicago World’s Fair (1933)

  Circumcision (Pollock)

  City and Country School

  Coates, Robert

  Cody, William “Buffalo Bill”

  Cody, Wyoming

  Cody Enterprise

  collage

  Collins, William P.

  Comet (Pollock)

  communism

  Composition with Masked Forms (Pollock)

  Composition with Pouring II (Pollock)

  Conaway, Arloie, see Pollock, Arloie Conaway

  Connolly, Jean

  Convergence (Pollock)

  Cooper Union, Women’s Art School of

  Cotton Pickers (Pollock)

  Craven, Thomas

  Creative Arts

  Creative Printmakers

  Cubism

  ancient Aztec and Toltec

  Lee Krasner’s use of

  Picasso’s use of

  Pollock’s use of

  Surrealism vs.

  Curry, John Steuart

  Dabrowsky, Ivan, see Graham, John

  Dali, Salvador

  Darrow, Whitney, Jr.

  Davis, Stuart

  de Chirico, Giorgio

  Deep, The (Pollock)

  de Kooning, Willem

  Pollock and

  Delaney, Joe

  de Laszlo, Violet Staub

  De Niro, Robert

  Depression, Great

  “bank holidays” in

  poverty in

  Devree, Howard

  Dial

  Diamond Mountain Inn

  Diller, Burgoyne

  Downtown Gallery

  Dragon, Ted

  “drip” paintings

  “Drippings, Le”

  Duchamp, Marcel

  Durand-Ruel Gallery

  Earth Green (Krasner)

  Easter and the Totem (Pollock)

  East Hampton Star

  Egan, Charles

  Egg Beater series (Davis)

  Eighth Street Club

  England, Elizabeth

  Ernst, Max

  Eskimo masks

  “Exhibition Momentum 1951” show

  Falkenberg, Paul

  “Fantastic Art, Dada, Surrealism” show

  Feeley, Paul

  Feldman, Morton

  Ferargil Gallery

  Ferber, Herbert

  Figures in a Landscape (Pollock)

  Finch, Earl

  “First Papers of Surrealism” show

  Flack, Audrey

  “Fourteen Americans” show (1946)

  Fox, Ruth

  Frankenthaler, Helen

  French & Company Galleries

  frescoes

  Freud, Sigmund

  Full Fathom Five (Pollock)

  Galaxy (Pollock)

  Gallatin, A. E.

  Gallery of Living Art

  Geist, Sidney

  Genauer, Emily

  Going West (Pollock)

  Goldstein, Philip, see Guston, Philip

  Goodnough, Robert

  Gorky, Arshile

  Gottlieb, Adolph

  Graham, Constance

  Graham, John

  Green, Theodore

  Greenberg, Clement

  death-of-the-easel-picture theory of

  on Pollock

  Greenwich House

  Grippe, Peter

  Grosz, George

  Guardians of the Secret, The (Pollock)

  Guernica (Picasso)

  Guggenheim, Peggy

  American artists shown by

  galleries founded by

  Lee Krasner and

  loan to Pollock by

  as patron and collector

  on Pollock

  Pollock championed by

  Pollock mural commissioned by

  Pollock’s contract with

  Pollock’s work given away by

  “Spring Salons” of

  Guggenheim, Solomon R.

  Guggenheim jeune Gallery

  Guild Hall

  Guston, Philip

  Gyp, dogs named

  Hare, David

  Harmonica Rascals

  Harper’s Bazaar

  Hart, Pop

  Hartigan, Grace

  Hassam, Childe

  Hauck, Fred

  Hayter, Stanley William

  Heller, Ben

  Heller, Edwin

  Henderson, Joseph

  Hess, Thomas

  High Priestess (Pollock)

  Hofmann, Hans

  Holty, Carl

  Holtzman, Harry

  Hopkins, Har
ry

  Horizon

  Horn, Axel

  Horse (Pollock)

  Hubbard, Elizabeth

  Hults, Edward

  Hunter, Sam

  Huxley, Aldous

  Impressionism

  “Indian Art of the United States” show

  Institute of Modern Art (Boston)

  Jackson, Martha

  “Jack’s Shack”

  Janis, Sidney

  Jenkins, Paul

  John Reed Club

  Johnson, Alvin

  Johnson, Buffie

  Journal of Liberty

  Jung, Carl

  Kadish, Barbara

  Kadish, Reuben

  Kainen, Jacob

  Kandinsky, Wassily

  Kaz, Nathaniel

  Key, The (Pollock)

  Kiesler, Frederick

  Klee, Paul

  Klein, Ralph

  Kligman, Ruth

  Kline, Franz

  Kootz, Samuel

  Krasner, Lenore (Lee)

  artistic ambitions of

  childhood of

  collages of

  Cubist style of

  discrimination against

  Federal Art Project job of

  illness and death of

  Jewish background of

  lawsuit against

  “Little Images” paintings of

  marriage of

  one-woman shows of

  physical appearance of

  Pollock family’s relationship with

  Pollock’s career supported by

  Pollock’s paintings given to

  Pollock’s relationship with

  professional reputation of

  rebellious nature of

  stylistic change of

  window designs of

  “Krasner/Pollock: A Working Relationship” show

  Krassner, Anna Weiss

  Krassner, Joseph

  Krassner, Pesa

  Krassner, Ruth

  Krishnamurti, Jeddu

  Lam, Wilfredo

  Landscape with Steer (Pollock)

  Lansford, Alonso

  Larkin, Rosanne

  Laurent, Robert

  Levitt, Marie

  Leen, Nina

  Léger, Fernand

  Lehman, Harold

  Leslie, Alfred

  Life

  Pollock picture-story in

  Little, John

  Little King, The (Pollock)

  Lord, Cile

  Lord, Sheridan

  Los Angeles Times

  Lucifer (Pollock)

  McClure, Anna

  McClure, Cordelia

  McClure, John

  McClure, Mary

  McCoy, Alexander

  McCoy, Nina

  McCoy, Rebecca

  Macdonald-Wright, Stanton

  Maclver, Loren

  McMillen Inc.

  Macy, Happy

  Macy, Valentine

  Magic Lantern (Pollock)

  Magritte, René

  Male and Female (Pollock)

  “Man and Wife” show

  Manet, Èdouard

  Manheim, Ralph

  Mannerist painting

  Manual Arts High School

  Marin, John

  Mark, Grant

  Marot, Helen

  Martha Jackson Gallery

  Martha’s Vineyard (Pollock)

  Masqued Image (Pollock)

  Masson, André

  “Masterworks of Early de Chirico” show

  Matisse, Henri

  Matta, Roberto

  Mayer, A. Hyatt

  Mayer, Joseph

  Menemsha Pond (Pollock)

  Metropolitan Museum of Art

  artists’ boycott of

  Metzger, Edith

  Mexican mural movement

  Miller, Dan

  Miller, George Sid

  Minsch, Jacob

  Miró, Joan

  Mitchell, Joan

  Mitchell, Sue

  mobiles

  Momentum

  Mondrian, Piet

  Moonlight Over South Beach (Benton)

  Moon Vessel (Pollock)

  Moon Woman (Pollock)

  Moon-Woman Cuts the Circle, The (Pollock)

  Moran, Thomas

  Motherwell, Maria

  Motherwell, Robert

  collages of

  Pollock and

  “Spanish Elegies” of

  Mumford, Lewis

  Mural (Pollock)

  murals

  Museum of Fine Arts (Houston)

  Museum of Modern Art

  Pollock’s sales to

  shows at

  Museum of Non-Objective Art

  Myers, John Bernard

  Naked Man (Pollock)

  Namuth, Hans

  Nation

  Neel, Alice

  New Deal

  Newman, Annalee

  Newman, Arnold

  Newman, Barnett

  New Republic

  New School for Social Research

  Newsweek

  New York Emergency Relief Administration (Home Relief)

  New Yorker

  New York Herald Tribune

  New York Hospital, Westchester Division (Bloomingdale Asylum)

  New York Times

  New York World-Telegram

  “Nine American Painters Today” show

  “Ninth Street Show”

  Number 1, 1948 (Pollock)

  Number 4, 1948 (Pollock)

  Number 5, 1948 (Pollock)

  Number 7, 1951 (Pollock)

  Number 8, 1952 (Pollock)

  Number 11, 1948 (Pollock)

  Number 14, 1949 (Pollock)

  Number 25, 1951 (Pollock)

  Number 29, 1950 (Pollock)

  Number 32, 1950 (Pollock)

  Olsen, Fred

  One (Pollock)

  Orland Unit

  Orozco, José

  Ossorio, Alfonso

  Otis Art Institute

  Out of the Web (Pollock)

  Pacifico, Berthe

  Pacifico, Ora

  Painting (Pollock)

  Pantuhoff, Igor

  Parsons, Betty

  Partisan Review

  Pasiphaë (Pollock)

  Pavia, Philip

  Pène du Bois, Yvonne

  Pereira, I. Rice

  Peridot Gallery

  Perls, Frederick

  Phillips, William

  Phosphorescence (Pollock)

  Picasso, Pablo

  artists influenced by

  bull as symbol of

  “bullfight paintings” of

  collages of

  Cubism and

  innovations of

  Pollock and

  Plaut, James

  Polar Stampede (Krasner)

  Pollock, Arloie Conaway

  Pollock, Charles

  art training of

  Pollock compared with

  Pollock’s correspondence with

  Pollock’s relationship with

  Resettlement Administration job of

  Sanford Pollock’s correspondence with

  talent of

  teaching jobs of

  Pollock, Frank

  Pollock, James

  Pollock, Jay

  Pollock, Lee, see Krasner, Lenore Pollock, LeRoy

  death of

  early life of

  family absènces of

  family relationships of

  as farmer

  marriage of

  personality of

  Pollock’s correspondence with

  rheumatic fever diagnosed in

  Pollock, Lizzie

  Pollock, Marie

  Pollock, Paul Jackson:

  abstract style of

  alcoholism of

  “allover” compositional style of

  American Indian culture, interest in

  American style created by

  angry outbursts of
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  artistic ambitions declared by

  artistic influences on

  art studies of

  automobile accidents of

  birth of

  “black” paintings of

  bravado of

  childhood insecurities of

  collages of

  color schemes of

  competitiveness of

  country home of

  critical appraisal of

  death and funeral of

  depressions of

  draft classification of

  drawing ability of

  “drip” paintings ofn

  earliest paintings of

  extramarital affair of

  figuration phased out by

  film of

  financial problems of

  first job of

  first major work of

  “freedom” sought by

  as genius

  glass painting of

  government investigation of

  hand injury of

  inarticulateness of

  independence and originality of

  janitor’s job of

  line important to style of

  lumberjack job of

  marriage of

  mature style of

  museum debut of

  museum job of

  one-man shows of

  photographs of

  physical appearance of

  poor self-image of

  posthumously printed engravings of

  printmaking of

  productive periods of

  professional reputation of

  psychiatric treatment of

  “psychoanalytic drawings” of

  public school education of

  rhythmic sense of

  rough personal style of

  sales of works by

  sculpture and

  shyness of

  size of paintings by

  sketching trip of

  solitary nature of

  suicidal tendencies of

  symbolism in works of

  technique of

  titles of works of

  “veiling the image” style of

  violent incidents involving

  work methods of

  youthful personality of

  Pollock, Sanford

  Benton’s influence deplored by

  childhood recalled by

  father mourned by

  Federal Art Project job of

  marriage of

  Mexican muralists and

  mother’s relationship with

  Pollock’s relationship with

  selflessness of

  works by

  Pollock, Stella May McClure

  early life of

  family reunion organized by

  homemaking skills of

  personality of

  on Pollock

  Pollock visited by

  sons born to

  “Pollock Paints a Picture”

  Porter, Johnny

  Portrait and a Dream (Pollock)

  Pousette-Dart, Richard

  Pratt, Caroline

  “Primitive Art and Picasso” (Graham)

  Prism (Pollock)

  Prohibition

  Prometheus (Orozco)

  psychic automatism

  Public Works of Art Project (PWAP)

  Pugilist, The (Ben-Shmuel)

  Putzel, Howard

  Rahv, Philip

  realism

  Rebay, Hilla

  Red Barn (Pollock)

  Regionalism

  Reinhardt, Ad

  Resettlement Administration

 

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