“How put out?”
“He said if you don’t go away quietly, he will put a stop to your allowance.”
I ground out my cigarette, scattering ash on the white carpet. “But that’s extortion!”
She shrugged. “It’s his money, darling. He can do with it precisely as he likes. Anything you get from your grandfather is at his pleasure and right now it is his pleasure to have a little discretion on your part.” She was right about that. The Colonel had already drawn up his will and Mossy and I were out. He had a sizeable estate—town houses in the French Quarter, commercial property on the Mississippi, cattle ranches and cotton fields, and his crown jewel, Reveille, the sugar plantation just outside of New Orleans. And every last acre and steer and cotton boll was going to his nephew. There was a price to being notorious and Mossy and I were certainly going to pay it when the Colonel died. In the meantime, he was generous enough with his allowances, but he never gave without expecting something back. The better behaved we were, the more we got. The year I divorced Quentin, I hadn’t gotten a thin red dime, but since then he had come through handsomely. Still, feeling the jerk of the leash from three thousand miles away was a bit tiresome.
I felt the sulks coming back. “The Colonel’s money isn’t everything.”
“Very near,” Quentin murmured. It had taken him the better part of a year to untangle the mess of inheritances, annuities, alimonies and settlements that made up my portfolio and another year to explain exactly how I was spending far more than I got. With his help and a few clever investments, I had almost gotten myself into the black again. Most of my income still went to paying off the last of the creditors, and it would be a long time before I saw anything like a healthy return. The Colonel’s allowance kept me in Paris frocks and holidays in St. Tropez. Without it, I would have to economize—something I suspected I wouldn’t much enjoy.
I looked away again, staring out of the window, watching the rain hit the glass in great slashing ribbons. It was dismal out there, just as it had been in England. The last few months of 1922 had been gloomy and 1923 wasn’t off to much better of a start. Everywhere I went it was grey and bleak. As I watched, the raindrops turned to sleet, pelting the windows with a savage hissing sound. God, I thought miserably, why was I fighting to stay here?
“Fine. I’ll go away,” I said finally.
Mossy breathed an audible sigh of relief and even Weatherby looked marginally happier. I had cleared the first hurdle and the biggest; they had gotten me to agree to go. Now the only question was where to send me.
“America?” Quentin offered.
I slanted him a look. “Not bloody likely, darling.” Between the Volstead Act and the Sullivan Ordinance, I couldn’t drink or smoke in public in New York. It was getting harder and harder for a girl to have a good time. “I am protesting the intrusion of the federal government upon the rights of the individual.”
“Or are you protesting the lack of decent cocktails?” Quentin murmured.
“It’s true,” Mossy put in. “She won’t even travel on her American passport, only her British one.”
Quentin flicked a glance to Nigel. “I do think, Sir Nigel, perhaps your initial suggestion of Africa might be well worth revisiting.” So that’s what they’d been discussing when I had come in—Africa. At the mention of the word, Mossy started to kick up a fuss again and Nigel remonstrated gently with her. Mossy hated Africa. He’d taken her there for their honeymoon and she had very nearly divorced him over it. Something to do with snakes in the bed.
Nigel had gone to Africa as a young man, back in the days when it was a protectorate called British East Africa and nothing but a promise of what it might become someday. Then it was raw and young and the air was thick with possibilities. He had bought a tidy tract of land and built a house on the banks of Lake Wanyama. He called it Fairlight after the pink glow of the sunsets on the lake, and he had planned to spend the rest of his life there, raising cattle and painting. But his heart was bad, and on the advice of his doctors he left Fairlight, returning home with nothing but his thwarted plans and his diary. He never looked at it; he said it made him homesick for the place, which was strange since England was his home. But I used to go to his library and take it down sometimes, handling it with the same reverence a religious might show the Holy Grail. It was a mystical thing, that diary, bound with the skin of a crocodile Nigel had killed on his first safari. It was written in soft brown ink and full of sketches, laced with bones and beads and feathers and bits of eggshells—a living record of his time in Africa and of a dream that drew one good breath before it died.
The book itself wouldn’t shut, as if the covers weren’t big enough to hold the whole of Africa, and I used to sit for hours reading and tracing my finger along the slender blue line of the rivers, plunging my pinky into the sapphire pool of Lake Wanyama, rolling it up the high green slopes of Mt. Kenya. There were even little portraits of animals, some serene, some silly. There were monkeys gamboling over the pages, and in one exquisite drawing a leopard bowed before an elephant wearing a crown. There were tiny watercolour sketches of flowers so lush and colourful I could almost smell their fragrance on the page. Or perhaps it was from the tissue-thin petals, now crushed and brown, that Nigel had pressed between the pages. He conjured Africa for me in that book. I could see it all so clearly in my mind’s eye. I used to wish he would take us there, and I secretly hoped Mossy would change her mind and decide she loved Africa so I could see for myself whether the leopard would really bow down to the elephant.
But she never did, and soon after she packed us up and left Nigel and years passed and I forgot to dream of Africa. Until a sleety early April morning in Paris when I had had enough of newspapers and gossip and wagging tongues and wanted right away from everything. Africa. The very word conjured a spell for me, and I took a long drag from my cigarette, surprised to find my fingers trembling a little.
“All right,” I said slowly. “I’ll go to Africa.”
About the Author
A sixth-generation native Texan, Deanna Raybourn graduated from the University of Texas at San Antonio with a double major in English and history and an emphasis on Shakespearean studies. She taught high school English for three years in San Antonio before leaving education to pursue a career as a novelist. Deanna makes her home in Virginia, where she lives with her husband and daughter, and is hard at work on the next installment in the award-winning Lady Julia Grey series.
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ISBN: 9781743640555
TITLE: FAR IN THE WILDS
First Australian Publication 2013
Copyright © 2013 Deanna Raybourn
All rights reserved. Except for use in any review, the reproduction or utilisation of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the permission of the publisher, Harlequin Mills & Boon®, Locked Bag 7002, Chatswood D.C. N.S.W., Australia 2067.
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
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Deanna Raybourn, Far In The Wilds
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