Death And The Dancing Footman ra-11

by Ngaio Marsh

  “Do you think,” he asked Jonathan, “that with this rain the roads will be passable in the morning? What about the telephone? Is there any chance that the lines will be fixed up?”

  There was a telephone in the library and from time to time they had tried it, knowing each time that it was useless. “If the roads are anything like passable,” Mandrake said, “I’ll drive into Chipping in the morning.”

  “You?” said Nicholas.

  “Why not? My club-foot doesn’t prevent me from driving a car, you know,” said Mandrake. This was one of the speeches, born of his deformity, which he sometimes blurted out and always regretted.

  “I didn’t mean that,” said Nicholas. “I’m sorry.”

  “Why shouldn’t I go?” asked Mandrake, looking from one to another. “Even if we can’t break Hart’s alibi, I suppose none of you will suspect me. After all, I was shoved in the pond.”

  “I keep forgetting that complication,” said Jonathan.

  “I don’t,” Mandrake rejoined warmly.

  “We ought none of us to forget it,” said Chloris. “It’s the beginning of the whole thing. If only you’d gone on looking out of the pavilion window, Nicholas!”

  “I know. But I was half undressed and hellish cold. I just saw it was Mandrake and answered his wave. If only I had looked out again!”

  “I’ve not the least doubt about what you’d have seen,” Mandrake rejoined. “You’d have seen that infamous little man come up in a flurry of snow from behind the pavilion, and you’d have seen him launch a sort of flying tackle at my back.”

  “I’ve made a complete hash of everything,” Nicholas burst out. “You’re all being very nice about it, I know, but the facts stare you in the eye, don’t they? I know what you’re thinking. You’re thinking that if I hadn’t baited Hart this would never have happened. Well, let him get on with it, by God. He’s messed it up three times, hasn’t he? Let him have another pot at me. I shan’t duck.”

  “Nick,” said Hersey, “don’t show off, my dear. Are we never to register dislike of anyone for fear they’ll go off and murder our near relations? Don’t be an ass, my dear old thing. Since we are being candid, let’s put it this way. Dr.Hart was crossed in love and he couldn’t take it. You did the crossing. I don’t say I approve of your tactics, and, as I daresay you’ve noticed, I don’t admire your choice. But for pity’s sake don’t go all broken-with-remorse on us. You’ve got your mother to think of.”

  “If anybody other than Hart is to blame,” said Jonathan, “very clearly it is I.”

  “Now, Jo,” said Hersey, roundly, “none of that from you. You’ve been a very silly little man, trying to re-arrange people’s lives for them. This is what you get for it and no doubt it’ll be a lesson to you. But it’s no good putting on that face about it. We must be practical. We’ve got a man whom we all believe to be a murderer, locked up in his room, and as we don’t seem to be very good at bringing it home to him the best thing we can do is to accept Mr. Mandrake’s offer and to hope that in the morning he will be able to reach a telephone and find us a policeman.”

  “Hersey, my dear,” said Jonathan with a little bob in her direction, “you are perfectly right. Nick and I must bow to your ruling. If Aubrey can and will go, why then go he shall.”

  “I thought,” said Mandrake, “that I’d try to reach the rectory at Winton St. Giles. You see, there’s rather a super sort of policeman staying there, and as I know him…”

  “Roderick Alleyn?” Chloris cried out. “Why, of course!”

  “I thought I’d put the whole thing before him. I thought that when I got upstairs I’d write it all down, everything I can remember from the time I got here. I don’t know what the regulations are but, if I show what I’ve written to Alleyn, at least if he can’t do anything he’ll advise me what to do.”

  “I think we should see your notes, Aubrey.”

  “Of course, Jonathan. I hope you’ll be able to add to them. It seems to me that when you write things out they have a way of falling into place. Perhaps when we read our notes we may see a still wider gap in Hart’s alibi. I think we should concentrate on the time Jonathan was in the downstairs cloak-room, and the moment or two after Jonathan returned and before Lady Hersey went into the smoking-room. I think we shall find that the gaps are there all right. If we don’t perhaps Alleyn will.”

  “I’m afraid I don’t believe he will,” said Chloris slowly. She reached out her hand and touched Mandrake’s arm. “Don’t think I’m crabbing your idea. It’s a grand idea. But somehow, I can’t tell you how I hate to say it, somehow I don’t believe we will find a big enough gap. I don’t think there is one.”

  “I won’t have that,” said Jonathan loudly, “there’s plenty of time. There must be.”

  He stood up and the others rose with him. At last they were going to bed. With dragging steps and heavy yawns they moved uncertainly about the room. The men had a last drink. Desultory suggestions were made. Nicholas, with a return of nervousness which contrasted strangely with his recent mood of heroic despondency, started an argument about leaving Hart’s door unguarded. Hart might try to break out, he said. Mandrake pointed out that if they kept their own doors locked it wouldn’t much matter if he did. He, as much as they, was a prisoner in the house. “Anyway,” added Mandrake, “we’re not going to sleep through a door-smashing incident, I suppose. Here’s your automatic, by the way, Compline.” And for the life of him Mandrake couldn’t resist adding: “You may feel more comfortable if you have it at your bedside.” Nicholas took it quite meekly.

  “Well,” he said in a small desolate voice, “I may as well go up, I suppose.” He looked towards the locked door into the smoking-room and Mandrake saw his rather prominent eyes dilate. “He offered to swap rooms with me,” said Nicholas. “Decent of him, wasn’t it? In case Hart tried anything during the night, you know. Of course, I wouldn’t have let him. I’m glad we sort of got together a bit this evening.” He looked at his hands and then vaguely up at Jonathan. “Well, good night,” said Nicholas.

  “We’ll come up with you, Nick,” said Hersey, and linked her arm in his.

  “Will you? Oh, thank you, Hersey.”

  “Of course we shall,” said Chloris. “Come on, Nick.”

  Jonathan and Mandrake followed, and as Mandrake, weary to death, limped up those stairs for the last time on that fatal day, he thought, and detested himself for so thinking: “He would go up between the two women. I bet he’s got hold of Chloris’ hand.” Jonathan said good-night on the half-way landing and turned off to his own wing. Only then did it occur to Mandrake that since his flare-up with Hart, Jonathan had been unusually quiet. “And no wonder,” he thought. “They can say what they like but after all if he hadn’t thrown his fool party…”

  They went with Nicholas to his room. Moved by an obscure mixture of contrition and genuine sympathy, Mandrake shook hands with him and instantly regretted it when Nicholas, with tears in his eyes, kissed the two women and said in a broken voice: “Bless you. I’ll be all right. Good night.”

  “Good night,” said Hersey in the passage and stumped off to her room.

  “Good night,” said Chloris to Mandrake, and then rather defiantly: “Well, I am sorry for him.”

  “Good night,” said Mandrake; “so am I.”

  “You do look tired. We’ve all forgotten about your horrid plunge. You won’t tackle those notes tonight?”

  “I think so. While it’s still seething, don’t you know?”

  “Well, don’t treat the subject surrealistically or we’ll none of us be able to contradict you. You ought not to have had all these games thrust upon you. Are you all right?”

  “Perfectly all right,” said Mandrake. “But I approve of you feeling sorry for me.”

  So Chloris gave him a kiss, and in a state of bewildered satisfaction he went to his room.

  It was one o’clock when he laid down his pen and read through his notes. At the end he had written a summary in whi
ch he attempted to marshal the salient facts of the three assaults. He re-read this summary twice.

  1. The incident of the Charter form. Hart wrote the message; because he, and only he, handed his papers on to Nicholas. The letters resemble those in his note to Jonathan. The incident followed his picking a quarrel with Nicholas after dinner. N.B. Get an account of quarrel from Jonathan, who was the only witness.

  2. The incident by the pond. Motive apart, Nicholas didn’t shove me over because he recognized me through the window and in any case knew I was wearing the cape. Besides, he saved my life by throwing in the inflated bird. William didn’t because he arrived at about the same time as Nicholas and had come down the terrace steps. Nicholas saw him come. Chloris didn’t because she didn’t. Jonathan arrived after Chloris, catching her up when she was nearly there. He had seen Hart leave by the front drive. Hart arrived by a path that comes out behind the pavilion. I had my back turned to him. He had seen Nicholas, wearing a cape that is the double of mine. I had the hood over my head. N.B. Who was the woman who came out of the house as far as the terrace? (Footprints in snow.) She may have seen who threw me overboard. If so, why hasn’t she spoken? Her prints were close to the others. A small foot. Could she have gone down the steps inside my footprints? Madame Lisse’s window overlooks the terrace. Hart habitually wears a cape.

  3. The booby-trap. Hart is the only member of the party who hasn’t an alibi. Jonathan’s alibi depends on me. I can’t remember exactly how long he was in the drawing-room before the crash; but anyway why should Jonathan want to kill Nicholas? Hart must have set the booby-trap.

  4. The murder. On rereading these notes I find that Madame Lisse, Lady Hersey and Mrs. Compline have not got alibis. Madame Lisse and Mrs. Compline could have come downstairs and entered the smoking-room by the “boudoir.” But if either of them did it how did she leave? Thomas was in the hall when William turned on the radio, and remained there until the news. I suppose the Lisse or Mrs. Compline might have actually hidden in the room and slipped out when Lady Hersey came to fetch Jonathan, but it seems more likely that they could have managed to dodge both Thomas and Jonathan. Mrs. Compline is out of it. No motive. Madame Lisse had no motive in killing Nicholas, so if she did it she recognized William and her motive there…

  At this point Mandrake, remembering that the others would read his summary, lost his nerve and scored out the next three lines and the preceding words from “No motive” onwards. He then read on —

  Nicholas didn’t do it because at some time after he left the smoking-room, the wireless was switched on. This must have been done by William or conceivably by his murderer. We didn’t see him, although the door was open. The screen hid him. But someone did cross the room and turn on the wireless.

  Lady Hersey went in with the drink and of course, theoretically, could have killed William, and then come and called Jonathan. No motive.

  Hart came out of the “boudoir,” and was seen by Thomas as he brought the drinks. When Thomas reappeared, a few seconds later, Hart was on the stairs. No time to go back and kill William in the interim. He didn’t return before the news because Thomas remained in the hall until then and because William turned on “Boomps-a-Daisy” after Hart had gone. If Hart killed William it was after Thomas left the hall. Could he have done it in the time and still have avoided meeting Jonathan?

  Jonathan himself left the library after the news began and returned before Hersey took in the drink. He says he crossed the hall to and from the cloak-room, and saw nobody. Could Hart have dodged him? Possible.

  This seems to be the only explanation.

  Here the summary came abruptly to an end. Mandrake sat very still for perhaps a minute. Then he took out his cigarette case, put it down unopened, and reached again for his pen. He added six words to his summary —

  Could Hart have set another booby-trap?

  When he lifted his hand he saw that he had left a small red stain on the paper. He had washed his hands as soon as he came upstairs but his mind jumped, with a spasm of nausea, to the memory of the red star that had fallen from William’s mouth. Then he remembered that when he took out his cigarette case he had felt a prick and there, sure enough, on the tip of his middle finger, was a little red globule. He felt again in his pocket and found the drawing-pin that had penetrated the sole of his shoe. He put it on the paper before him. Across the back of the drawing-pin was a dry white ridge.

  He heard William’s voice speaking gravely in the drawing-room: “Very thick oil paint.”

  He put the drawing-pin in a match-box and locked the box in his attaché-case, together with the Charter form which he had got from Jonathan.

  Then he went to bed.

  It was some time before he slept. Several times he came to the borderland where conscious thought mingles fantastically with the images of the subconscious. At these moments he saw a Maori mere, like Damocles’ sword, suspended above his head by a hair which was fixed to the ceiling by an old drawing-pin. “It might hold,” said William, speaking indistinctly because his mouth was full of blood. “It might hold, you know. I use very thick oil paint.” He couldn’t move because the folds of the Tyrolese cape were wrapped round his limbs. A rubber bird, wearing a god-like leer, bobbed its scarlet beak at him.

  “It’s snowing harder than ever,” said the bird, and at that precise moment Hart cut the hair with a scalpel. “Down she comes, by Jupiter,” they all shouted; but Chloris, with excellent intentions, kicked him between the shoulder-blades and he fell with a sickening jolt back into his bed and woke again to hear the rain driving against the window-pane.

  At last, however, he fell into a true sleep — and was among the first of the seven living guests to do so. Dr. Hart was the very first. Long before the others came upstairs to bed, Dr. Hart’s dose of proprietary soporific had restored his interrupted oblivion; and now his mouth was open, his breathing deep and stertorous.

  His wife was not so fortunate. She heard them all come upstairs, she heard them wish each other goodnight, she heard door after door close softly and imagined key after key turning with a click as each door was shut. Sitting upright in bed in her fine nightgown, she listened to the rain and made plans for her own security.

  Hersey Amblington, too, was wakeful. She kept her bedside lamp alight and absent-mindedly slapped “Hersey’s Skin Food” into her face with a patent celluloid patter. As she did this, she tried distractedly to order her thoughts away from the memory of a figure in an armchair, from a head that was broken like an egg, and from a wireless cabinet that screamed “Boomps-a-Daisy.” She thought of herself twenty years ago, afraid to tell her cousin Jonathan that she would marry him. She thought of her business rival and wondered quite shamelessly if, with the arrest of Hart, Madame Lisse would carry her piratical trade elsewhere. Finally, hoping to set up a sort of counter-irritant in horror, she thought about her own age. But the figure in the chair was persistent and Hersey was afraid to go to sleep.

  Chloris was not much afraid. She had not seen William. But she was extremely bewildered over several discoveries that she had made about herself. The most upsetting of these was the discovery that she now felt nothing but a vague pity for Nicholas and an acute pity for William. She had never pretended to herself that she was madly in love with William, but she had believed herself to be very fond of him. It was Nicholas who had held her in the grip of a helpless attraction; it was from this bondage that she had torn herself on a climax of misery. She believed that when Nicholas had become aware of his brother’s determined courtship he had set himself to cut William out. Having succeeded very easily in this project, he had tired of her; and, in the meantime, he had met Elise Lisse. She thought of the letter in which she had broken off her engagement to Nicholas and, with shame, of the new engagement to his brother; of how every look, every word that was exchanged between them, for her held only one significance, its effect upon Nicholas; of the miserable satisfaction she had known when Nicholas showed his resentment, of the exultatio
n she had felt when again, he began to show off his paces before her. And now it was all over. She had cried a little out of pity for William and from the shock to her nerves, and she had seen Nicholas once and for all as a silly fellow and a bit of a coward. A phrase came into her thoughts: “So that’s all about the Complines.” With an extraordinary lightening of her spirits she now allowed herself to think of Aubrey Mandrake. “Of Mr. Stanley Footling,” she corrected herself. “It ought to be funny. Poor Mr. Stanley Footling turning as white as paper and letting me in on the ground floor. It isn’t funny. I can’t make a good story of it. It’s infinitely touching and it doesn’t matter to me, only to him.” And she thought: “Did I take the right line about it?”

  She had gone to her room determined to break Dr. Hart’s alibi, but a whole hour had passed and not once had she thought of Dr. Hart.

  Jonathan Royal clasped his hot-water bag to his midriff and stared before him into the darkness. If the top strata of his thoughts had been written down they would have read something like this: “It’s an infernal bore about Thomas but there must be some way out of it. Aubrey is going to be tiresome, I can see. He’s half inclined to believe Hart. Damn Thomas. There must be some way. An ingenious turn, now. My thoughts are going round in circles. I must concentrate. What will Aubrey write in his notes? I must read them carefully. Can’t be too careful. This fellow Alleyn. What will he make of it? Why, there’s motive, the two attempts, our alibis — he can’t come to any other conclusion. Damn Thomas.”