They sat side by side on the thwart, yet Ged looked at him now as if from a distance, across a wide abyss. His eyes were troubled, and he was slow to answer.
At last he said, “Estarriol, we are coming near.”
Hearing his words, his friend knew them to be true. He was afraid, then. But he put his hand on Ged’s shoulder and said only, “Well, then, good; that is good.”
Again that night Ged watched, for he could not sleep in the dark. Nor would he sleep when the third day came. Still they ran with that ceaseless, light, terrible swiftness over the sea, and Vetch wondered at Ged’s power that could hold so strong a magewind hour after hour, here on the Open Sea where Vetch felt his own power all weakened and astray. And they went on, until it seemed to Vetch that what Ged had spoken would come true, and they were going beyond the sources of the sea and eastward behind the gates of daylight. Ged stayed forward in the boat, looking ahead as always. But he was not watching the ocean now, or not the ocean that Vetch saw, a waste of heaving water to the rim of the sky. In Ged’s eyes there was a dark vision that overlapped and veiled the grey sea and the grey sky, and the darkness grew, and the veil thickened. None of this was visible to Vetch, except when he looked at his friend’s face; then he too saw the darkness for a moment. They went on, and on. And it was as if, though one wind drove them in one boat, Vetch went east over the world’s sea, while Ged went alone into a realm where there was no east or west, no rising or setting of the sun, or of the stars.
Ged stood up suddenly in the prow, and spoke aloud. The magewind dropped. Lookfar lost headway, and rose and fell on the vast surges like a chip of wood. Though the world’s wind blew strong as ever straight from the north now, the brown sail hung slack, unstirred. And so the boat hung on the waves, swung by their great slow swinging, but going no direction.
Ged said, “Take down the sail,” and Vetch did so quickly, while Ged unlashed the oars and set them in the locks and bent his back to rowing.
Vetch, seeing only the waves heaving up and down clear to the end of sight, could not understand why they went now by oars; but he waited, and presently he was aware that the world’s wind was growing faint and the swells diminishing. The climb and plunge of the boat grew less and less, till at last she seemed to go forward under Ged’s strong oarstrokes over water that lay almost still, as in a land-locked bay. And though Vetch could not see what Ged saw, when between his strokes he looked ever and again over his shoulder at what lay before the boat’s way—though Vetch could not see the dark scopes beneath unmoving stars, yet he began to see with his wizard’s eye a darkness that welled up in the hollows of the waves all around the boat, and he saw the billows grow low and sluggish as they were choked with sand.
If this were an enchantment of illusion, it was powerful beyond belief; to make the Open Sea seem land. Trying to collect his wits and courage, Vetch spoke the Revelation-spell, watching between each slow-syllabled word for change or tremor of illusion in this strange drying and shallowing of the abyss of ocean. But there was none. Perhaps the spell, though it should affect only his own vision and not the magic at work about them, had no power here. Or perhaps there was no illusion, and they had come to world’s end.
Unheeding, Ged rowed always slower, looking over his shoulder, choosing a way among channels or shoals and shallows that he alone could see. The boat shuddered as her keel dragged. Under that keel lay the vast deeps of the sea, yet they were aground. Ged drew the oars up rattling in their locks, and that noise was terrible, for there was no other sound. All sounds of water, wind, wood, sail, were gone, lost in a huge profound silence that might have been unbroken forever. The boat lay motionless. No breath of wind moved. The sea had turned to sand, shadowy, unstirred. Nothing moved in the dark sky or on that dry unreal ground that went on and on into gathering darkness all around the boat as far as eye could see.
Ged stood up, and took his staff, and lightly stepped over the side of the boat. Vetch thought to see him fall and sink down in the sea, the sea that surely was there behind this dry, dim veil that hid away water, sky, and light. But there was no sea anymore. Ged walked away from the boat. The dark sand showed his footprints where he went, and whispered a little under his step.
His staff began to shine, not with the werelight but with a clear white glow, that soon grew so bright that it reddened his fingers where they held the radiant wood.
He strode forward, away from the boat, but in no direction. There were no directions here, no north or south or east or west, only towards and away.
To Vetch, watching, the light he bore seemed like a great slow star that moved through the darkness. And the darkness about it thickened, blackened, drew together. This also Ged saw, watching always ahead through the light. And after a while he saw at the faint outermost edge of the light a shadow that came towards him over the sand.
At first it was shapeless, but as it drew nearer it took on the look of a man. An old man it seemed, grey and grim, coming towards Ged; but even as Ged saw his father the smith in that figure, he saw that it was not an old man but a young one. It was Jasper: Jasper’s insolent handsome young face, and silver-clasped grey cloak, and stiff stride. Hateful was the look he fixed on Ged across the dark intervening air. Ged did not stop, but slowed his pace, and as he went forward he raised his staff up a little higher. It brightened, and in its light the look of Jasper fell from the figure that approached, and it became Pechvarry. But Pechvarry’s face was all bloated and pallid like the face of a drowned man, and he reached out his hand strangely as if beckoning. Still Ged did not stop, but went forward, though there were only a few yards left between them now. Then the thing that faced him changed utterly, spreading out to either side as if it opened enormous thin wings, and it writhed, and swelled, and shrank again. Ged saw in it for an instant Skiorh’s white face, and then a pair of clouded, staring eyes, and then suddenly a fearful face he did not know, man or monster, with writhing lips and eyes that were like pits going back into black emptiness.
At that Ged lifted up the staff high, and the radiance of it brightened intolerably, burning with so white and great a light that it compelled and harrowed even that ancient darkness. In that light all form of man sloughed off the thing that came towards Ged. It drew together and shrank and blackened, crawling on four short taloned legs upon the sand. But still it came forward, lifting up to him a blind unformed snout without lips or ears or eyes. As they came right together it became utterly black in the white mage-radiance that burned about it, and it heaved itself upright. In silence, man and shadow met face to face, and stopped.
Aloud and clearly, breaking that old silence, Ged spoke the shadow’s name and in the same moment the shadow spoke without lips or tongue, saying the same word: “Ged.” And the two voices were one voice.
Ged reached out his hands, dropping his staff, and took hold of his shadow, of the black self that reached out to him. Light and darkness met, and joined, and were one.
But to Vetch, watching in terror through the dark twilight from far off over the sand, it seemed that Ged was overcome, for he saw the clear radiance fail and grow dim. Rage and despair filled him, and he sprang out on the sand to help his friend or die with him, and ran towards that small fading glimmer of light in the empty dusk of the dry land. But as he ran the sand sank under his feet, and he struggled in it as in quicksand, as through a heavy flow of water: until with a roar of noise and a glory of daylight, and the bitter cold of winter, and the bitter taste of salt, the world was restored to him and he floundered in the sudden, true, and living sea.
Nearby the boat rocked on the grey waves, empty. Vetch could see nothing else on the water; the battering wave-tops filled his eyes and blinded him. No strong swimmer, he struggled as best he could to the boat, and pulled himself up into her. Coughing and trying to wipe away the water that streamed from his hair, he looked about desperately, not knowing now which way to look. And at last he made out something dark among the waves, a long way off across what had been s
and and now was wild water. Then he leapt to the oars and rowed mightily to his friend, and catching Ged’s arms helped and hauled him up over the side.
Ged was dazed and his eyes stared as if they saw nothing, but there was no hurt to be seen on him. His staff, black yew-wood, all radiance quenched, was grasped in his right hand, and he would not let go of it. He said no word. Spent and soaked and shaking he lay huddled up against the mast, never looking at Vetch who raised the sail and turned the boat to catch the northeast wind. He saw nothing of the world until, straight ahead of their course, in the sky that darkened where the sun had set, between long clouds in a bay of clear blue light, the new moon shone: a ring of ivory, a rim of horn, reflected sunlight shining across the ocean of the dark.
Ged lifted his face and gazed at that remote bright crescent in the west.
He gazed for a long time, and then he stood up erect, holding his staff in his two hands as a warrior holds his long sword. He looked about at the sky, the sea, the brown swelling sail above him, his friend’s face.
“Estarriol,” he said, “look, it is done. It is over.” He laughed.
“The wound is healed,” he said, “I am whole, I am free.” Then he bent over and hid his face in his arms, weeping like a boy.
Until that moment Vetch had watched him with an anxious dread, for he was not sure what had happened there in the dark land. He did not know if this was Ged in the boat with him, and his hand had been for hours ready to the anchor, to stave in the boat’s planking and sink her there in midsea, rather than carry back to the harbors of Earthsea the evil thing that he feared might have taken Ged’s look and form. Now when he saw his friend and heard him speak, his doubt vanished. And he began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life’s sake and never in the service of ruin, or pain, or hatred, or the dark. In the Creation of Éa, which is the oldest song, it is said, “Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky.” That song Vetch sang aloud now as he held the boat westward, going before the cold wind of the winter night that blew at their backs from the vastness of the Open Sea.
Eight days they sailed and eight again, before they came in sight of land. Many times they had to refill their waterskin with spell-sweetened water of the sea; and they fished, but even when they called out fisherman’s charms they caught very little, for the fish of the Open Sea do not know their own names and pay no heed to magic. When they had nothing left to eat but a few scraps of smoked meat Ged remembered what Yarrow had said when he stole the cake from the hearth, that he would regret his theft when he came to hunger on the sea; but hungry as he was the remembrance pleased him. For she had also said that he, with her brother, would come home again.
The magewind had borne them for only three days eastward, yet sixteen days they sailed westward to return. No men have ever returned from so far out on the Open Sea as did the young wizards Estarriol and Ged in the Fallows of winter in their open fishing-boat. They met no great storms, and steered steadily enough by the compass and by the star Tolbegren, taking a course somewhat northward of their outbound way. Thus they did not come back to Astowell, but passing by Far Toly and Sneg without sighting them, first raised land off the southernmost cape of Koppish. Over the waves they saw cliffs of stone rise like a great fortress. Seabirds cried wheeling over the breakers, and smoke of the hearthfires of small villages drifted blue on the wind.
From there the voyage to Iffish was not long. They came in to Ismay harbor on a still, dark evening before snow. They tied up the boat Lookfar that had borne them to the coasts of death’s kingdom and back, and went up through the narrow streets to the wizard’s house. Their hearts were very light as they entered into the firelight and warmth under that roof; and Yarrow ran to meet them, crying with joy.
If Estarriol of Iffish kept his promise and made a song of that first great deed of Ged’s, it has been lost. There is a tale told in the East Reach of a boat that ran aground, days out from any shore, over the abyss of ocean. In Iffish they say it was Estarriol who sailed that boat, but in Tok they say it was two fishermen blown by a storm far out on the Open Sea, and in Holp the tale is of a Holpish fisherman, and tells that he could not move his boat from the unseen sands it grounded on, and so wanders there yet. So of the song of the Shadow there remain only a few scraps of legend, carried like driftwood from isle to isle over the long years. But in the Deed of Ged nothing is told of that voyage nor of Ged’s meeting with the shadow, before ever he sailed the Dragons’ Run unscathed, or brought back the Ring of Erreth-Akbe from the Tombs of Atuan to Havnor, or came at last to Roke once more, as Archmage of all the islands of the world.
AFTERWORD
Once upon a time, a publisher asked me if I’d write a novel for teenagers. “Oh, no!” I said. “No, thanks very much, but I couldn’t!”
It was the idea of writing with a specific audience in mind or a specific age of reader that scared me off. I’d published fantasy and science fiction, but I was interested in the form itself, not in who read it or how old they were. But maybe my real problem was that I’d spent so many years writing novels, sending them to publishers, and having them come back with a dull thud on the doormat that I had trouble comprehending that an actual publisher had really asked me to write a book . . .
He was Herman Schein of Parnassus Press in Berkeley, the publisher of my mother’s books for children. He wanted to begin doing novels for older kids. When I said, “Oh, no!” he just said, “Well, think about it. Fantasy, maybe—whatever you like.”
I thought about it. Slowly the idea sank in. Would writing for older kids be so different from just writing? Why? Despite what some adults seem to think, teenagers are fully human. And some of them read as intensely and keenly as if their life depended on it. Sometimes maybe it does.
And fantasy—pure, old-fashioned fantasy, not mixed with science fiction—I liked the idea. All my life I’d been reading about wizards, dragons, magic spells . . .
Back then, in 1967, wizards were all, more or less, Merlin and Gandalf. Old men, peaked hats, white beards. But this was to be a book for young people. Well, Merlin and Gandalf must have been young once, right? And when they were young, when they were fool kids, how did they learn to be wizards?
And there was my book.
Well, not instantly, of course. A novel takes a while to write. This one went pretty quickly and easily, though. I didn’t have a plot outlined out when I started, but I knew what the story was. I knew who my Sparrowhawk was, and in a general way I knew where he was going—where he had to go, not only to learn to be a wizard, but to learn to be Ged. Then, as I wrote his story, what he did and said, where he went and the people he met, showed me and told me what he had to do and where he had to go next.
But where is as important in the realms of pure imagination as it is here in mundanity. Before I started to write the story, I got a big piece of posterboard and drew the map. I drew all the islands of Earthsea, the Archipelago, the Kargad Lands, the Reaches. And I named them: Havnor, the great island at the middle of the world; Selidor, far out in the west, and the Dragon’s Run, and Hur-at-Hur, and all the rest. But only as I sailed with Ged from Gont did I begin to know the islands, one by one. With him, I first came to Roke, and the Ninety Isles, and Osskil, and farther east even than Astowell. And with him I first went to the dark, dry country, the place across the wall where the dead must go. A voyage long enough, strange enough, great enough for one book.
Fantasy is now a branch of the publishing industry, with many titles, many sequels, great expectations of monster successes and movie tie-ins. In 1967 it was pretty much nowhere. Kid stuff. The only adult fantasy novel most people had even heard of was The Lord of the Rings. There were others, some of them wonderful, but they mostly lur
ked in small secondhand bookshops smelling of cats and mildew. I miss those bookshops now, the cats, the mildew, the thrill of discovery. Fantasy as an assembly-line commodity leaves me cold.
But I rejoice when I see it written as what it always was—literature—and recognized as such.
When A Wizard of Earthsea came out, there had not been a book like it. It was original—something new. Yet it was also conventional enough not to frighten reviewers. It was well received. The Boston Globe-Horn Book Award helped it. And the fact that fantasy isn’t “for” a certain age but is a literature accessible to anybody who reads—that helped too. My wizard never got on the bestseller lists, but he kept on finding readers, year after year. The book has never been out of print.
The conventionality of the story, and its originality, reflect its existence within and partial subversion of an accepted, recognized tradition, one I grew up with. That is the tradition of fantastic tales and hero stories, which comes down to us like a great river from sources high in the mountains of Myth—a confluence of folk and fairy tale, classical epic, medieval and Renaissance and Eastern romance, romantic ballad, Victorian imaginative tale, and twentieth-century book of fantastic adventure such as T. H. White’s Arthurian cycle and Tolkien’s great book.
Most of this marvelous flood of literature was written for adults, but modernist literary ideology shunted it all to children. And kids could and did swim in it happily as in their native element, at least until some teacher or professor told them they had to come out, dry off, and breathe modernism ever after.
The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren’t about the women. They were about men, what men did, and what was important to men.
The Books of Earthsea: The Complete Illustrated Edition Page 18
