In the dimness, he could see the witches who had been guarding Lyra all sitting or standing still. They looked like statues, except that they were breathing, but they were scarcely alive. There were several black-silk-clad bodies on the ground, too, and as he gazed in horror from one to another of them, Will saw what must have happened: they had been attacked in midair by the Specters, and had fallen to their deaths, indifferently.
But—
“Where’s Lyra?” he cried aloud.
The hollow under the rock was empty. Lyra was gone.
There was something under the overhang where she’d been lying. It was Lyra’s little canvas rucksack, and from the weight of it he knew without looking that the alethiometer was still inside it.
Will was shaking his head. It couldn’t be true, but it was: Lyra was gone, Lyra was captured, Lyra was lost.
The two dark figures of the bene elim had not moved. But they spoke: “You must come with us now. Lord Asriel needs you at once. The enemy’s power is growing every minute. The shaman has told you what your task is. Follow us and help us win. Come with us. Come this way. Come now.”
And Will looked from them to Lyra’s rucksack and back again, and he didn’t hear a word they said.
END
OF
BOOK
TWO
APPENDIX
Some papers in the hand of Dr. Stanislaus Grumman
The provenance of these papers is obscure. It is possible that they came into the possession of Lord Asriel and were deposited with his own papers in Jordan College Library, but the absence of a library stamp makes that unlikely. It is known that Dr. Grumman traveled widely in the Arctic and Siberia, and had numerous acquaintances among the witch clans and the native people of the North as well as in the worlds of scholarship, politics, and science. Any of them might have acquired such things and inadvertently, or even deliberately, allowed them to slip out of one world and into another.
Items such as these papers are not uncommon. They turn up frequently in auctions, in book dealers’ catalogs, and the like. Usually their significance remains mysterious; it is only when they are seen in the context of a larger narrative that their meaning suddenly becomes apparent.
READ AN EXCERPT FROM
THE AMBER SPYGLASS by PHILIP PULLMAN
HIS DARK MATERIALS • BOOK III
Excerpt copyright © 2000 by Philip Pullman.
Published by Alfred A. Knopf Books for Young Readers.
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half-hidden by the crag above and the stiff heavy leaves that clustered below.
The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.
There was a narrow path beside the stream, which led from a village—little more than a cluster of herdsmen’s dwellings—at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
The cave lay some way above the path. Many years before, a holy man had lived there, meditating and fasting and praying, and the place was venerated for the sake of his memory. It was thirty feet or so deep, with a dry floor: an ideal den for a bear or a wolf, but the only creatures living in it for years had been birds and bats.
But the form that was crouching inside the entrance, his black eyes watching this way and that, his sharp ears pricked, was neither bird nor bat. The sunlight lay heavy and rich on his lustrous golden fur, and his monkey hands turned a pine cone this way and that, snapping off the scales with sharp fingers and scratching out the sweet nuts.
Behind him, just beyond the point where the sunlight reached, Mrs. Coulter was heating some water in a small pan over a naphtha stove. Her dæmon uttered a warning murmur and Mrs. Coulter looked up.
Coming along the forest path was a young village girl. Mrs. Coulter knew who she was: Ama had been bringing her food for some days now. Mrs. Coulter had let it be known when she first arrived that she was a holy woman engaged in meditation and prayer, and under a vow never to speak to a man. Ama was the only person whose visits she accepted.
This time, though, the girl wasn’t alone. Her father was with her, and while Ama climbed up to the cave, he waited a little way off.
Ama came to the cave entrance and bowed.
“My father sends me with prayers for your goodwill,” she said.
“Greetings, child,” said Mrs. Coulter.
The girl was carrying a bundle wrapped in faded cotton, which she laid at Mrs. Coulter’s feet. Then she held out a little bunch of flowers, a dozen or so anemones bound with a cotton thread, and began to speak in a rapid, nervous voice. Mrs. Coulter understood some of the language of these mountain people, but it would never do to let them know how much. So she smiled and motioned to the girl to close her lips and to watch their two dæmons. The golden monkey was holding out his little black hand, and Ama’s butterfly dæmon was fluttering closer and closer until he settled on a horny forefinger.
The monkey brought him slowly to his ear, and Mrs. Coulter felt a tiny stream of understanding flow into her mind, clarifying the girl’s words. The villagers were happy for a holy woman, such as herself, to take refuge in the cave, but it was rumored that she had a companion with her who was in some way dangerous and powerful.
It was that which made the villagers afraid. Was this other being Mrs. Coulter’s master, or her servant? Did she mean harm? Why was she there in the first place? Were they going to stay long? Ama conveyed these questions with a thousand misgivings.
A novel answer occurred to Mrs. Coulter as the dæmon’s understanding filtered into hers. She could tell the truth. Not all of it, naturally, but some. She felt a little quiver of laughter at the idea, but kept it out of her voice as she explained:
“Yes, there is someone else with me. But there is nothing to be afraid of. She is my daughter, and she is under a spell that made her fall asleep. We have come here to hide from the enchanter who put the spell on her, while I try to cure her and keep her from harm. Come and see her, if you like.”
Ama was half-soothed by Mrs. Coulter’s soft voice, and half-afraid still; and the talk of enchanters and spells added to the awe she felt. But the golden monkey was holding her dæmon so gently, and she was curious, besides, so she followed Mrs. Coulter into the cave.
Her father, on the path below, took a step forward, and his crow dæmon raised her wings once or twice, but he stayed where he was.
Mrs. Coulter lit a candle, because the light was fading rapidly, and led Ama to the back of the cave. Ama’s eyes glittered widely in the gloom, and her hands were moving together in a repetitive gesture of finger on thumb, finger on thumb, to ward off danger by confusing the evil spirits.
“You see?” said Mrs. Coulter. “She can do no harm. There’s nothing to be afraid of.”
Ama looked at the figure in the sleeping bag. It was a girl older than she was, by three or four years, per
haps; and she had hair of a color Ama had never seen before—a tawny fairness like a lion’s. Her lips were pressed tightly together, and she was deeply asleep, there was no doubt about that, for her dæmon lay coiled and unconscious at her throat. He had the form of some creature like a mongoose, but red-gold in color and smaller. The golden monkey was tenderly smoothing the fur between the sleeping dæmon’s ears, and as Ama looked, the mongoose creature stirred uneasily and uttered a hoarse little mew. Ama’s dæmon, mouse-formed, pressed himself close to Ama’s neck and peered fearfully through her hair.
“So you can tell your father what you’ve seen,” Mrs. Coulter went on. “No evil spirit. Just my daughter, asleep under a spell, and in my care. But, please, Ama, tell your father that this must be a secret. No one but you two must know Lyra is here. If the enchanter knew where she was, he would seek her out and destroy her, and me, and everything nearby. So hush! Tell your father, and no one else.”
She knelt beside Lyra and smoothed the damp hair back from the sleeping face before bending low to kiss her daughter’s cheek. Then she looked up with sad and loving eyes, and smiled at Ama with such brave, wise compassion that the little girl felt tears fill her gaze.
Mrs. Coulter took Ama’s hand as they went back to the cave entrance, and saw the girl’s father watching anxiously from below. The woman put her hands together and bowed to him, and he responded with relief as his daughter, having bowed both to Mrs. Coulter and to the enchanted sleeper, turned and scampered down the slope in the twilight. Father and daughter bowed once more to the cave and then set off, to vanish among the gloom of the heavy rhododendrons.
Mrs. Coulter turned back to the water on her stove, which was nearly at the boil.
Crouching down, she crumbled some dried leaves into it, two pinches from this bag, one from that, and added three drops of a pale yellow oil. She stirred it briskly, counting in her head till five minutes had gone by. Then she took the pan off the stove and sat down to wait for the liquid to cool.
Around her there lay some of the equipment from the camp by the blue lake where Sir Charles Latrom had died: a sleeping bag, a rucksack with changes of clothes and washing equipment, and so on. There was also a case of canvas with a tough wooden frame, lined with kapok, containing various instruments; and there was a pistol in a holster.
The decoction cooled rapidly in the thin air, and as soon as it was at blood heat, she poured it carefully into a metal beaker and carried it to the rear of the cave. The monkey dæmon dropped his pine cone and came with her.
Mrs. Coulter placed the beaker carefully on a low rock and knelt beside the sleeping Lyra. The golden monkey crouched on her other side, ready to seize Pantalaimon if he woke up.
Lyra’s hair was damp, and her eyes moved behind their closed lids. She was beginning to stir: Mrs. Coulter had felt her eyelashes flutter when she’d kissed her, and knew she didn’t have long before Lyra woke up altogether.
She slipped a hand under the girl’s head, and with the other lifted the damp strands of hair off her forehead. Lyra’s lips parted and she moaned softly; Pantalaimon moved a little closer to her breast. The golden monkey’s eyes never left Lyra’s dæmon, and his little black fingers twitched at the edge of the sleeping bag.
A look from Mrs. Coulter, and he let go and moved back a hand’s breadth. The woman gently lifted her daughter so that her shoulders were off the ground and her head lolled, and then Lyra caught her breath and her eyes half-opened, fluttering, heavy.
“Roger,” she murmured. “Roger … where are you … I can’t see …”
“Shh,” her mother whispered, “shh, my darling, drink this.”
Holding the beaker in Lyra’s mouth, she tilted it to let a drop moisten the girl’s lips. Lyra’s tongue sensed it and moved to lick them, and then Mrs. Coulter let a little more of the liquid trickle into Lyra’s mouth, very carefully, letting her swallow each sip before allowing her more.
It took several minutes, but eventually the beaker was empty, and Mrs. Coulter laid her daughter down again. As soon as Lyra’s head lay on the ground, Pantalaimon moved back around her throat. His red-gold fur was as damp as her hair. They were deeply asleep again.
The golden monkey picked his way lightly to the mouth of the cave and sat once more watching the path. Mrs. Coulter dipped a flannel in a basin of cold water and mopped Lyra’s face, and then unfastened the sleeping bag and washed Lyra’s arms and neck and shoulders, for Lyra was hot. Then her mother took a comb and gently teased out the tangles in Lyra’s hair, smoothing it back from her forehead, parting it neatly.
She left the sleeping bag open so the girl could cool down, and unfolded the bundle that Ama had brought: some flat loaves of bread, a cake of compressed tea, some sticky rice wrapped in a large leaf. It was time to build the fire. The chill of the mountains was fierce at night. Working methodically, she shaved some dry tinder, set the fire, and struck a match. That was something else to think of: the matches were running out, and so was the naphtha for the stove; she must keep the fire alight day and night from now on.
Her dæmon was discontented. He didn’t like what she was doing here in the cave, and when he tried to express his concern, she brushed him away. He turned his back, contempt in every line of his body as he flicked the scales from his pine cone out into the dark. She took no notice, but worked steadily and skillfully to build up the fire and set the pan to heat some water for tea.
Nevertheless, his skepticism affected her, and as she crumbled the dark gray tea brick into the water, she wondered what in the world she thought she was doing, and whether she had gone mad, and, over and over again, what would happen when the Church found out. The golden monkey was right. She wasn’t only hiding Lyra: she was hiding her own eyes.
PHILIP PULLMAN has won many distinguished prizes, including the Carnegie Medal for The Golden Compass (and the reader-voted “Carnegie of Carnegies” for the best children’s book of the past seventy years); the Whitbread (now Costa) Book of the Year Award for The Amber Spyglass; a Booker Prize long-list nomination (The Amber Spyglass); Parents’ Choice Gold Awards (The Subtle Knife and The Amber Spyglass); the Guardian Award for Children’s Fiction (The Golden Compass); and the Astrid Lindgren Memorial Award, in honor of his body of work. In 2004, he was appointed a Commander of the Order of the British Empire.
Philip Pullman is the author of many books for young readers, including two volumes related to the His Dark Materials trilogy: Lyra’s Oxford and Once Upon a Time in the North. He lives in Oxford, England.
The Subtle Knife: His Dark Materials Page 31
