‘Compellingly readable’ Sunday Times
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
NO ONE WRITES TO THE COLONEL
‘An imaginative writer of genius, the topmost pinnacle of an entire generation of Latin American novelists of cathedral-like proportions’ Guardian
In a decaying Colombian town the Colonel and his sick wife are living from day to day, scraping together funds for food and medicine. Each Friday the Colonel waits for a letter to come in the post, hoping for the pension he is owed that will change their lives. While he waits the Colonel puts his hopes in his rooster – a prize bird that will make him money when cockfighting comes into season. But until then the bird – like the Colonel and his ailing wife – must somehow be fed …
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
OF LOVE AND OTHER DEMONS
‘Superb and intensely readable’ Time Out
‘An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday of December …’
When a witch doctor appears on the doorstep of the Marquis de Casalduero prophesizing a plague of rabies in their Colombian seaport, he dismisses her claims – until, that is, he hears that his young daughter, Sierva María, was one of four people bitten by a rabid dog, and the only one to survive.
Sierva María appears completely unscathed – but as rumours of the plague spread, the Marquis and his wife wonder at her continuing good health. In a town consumed by superstition, it’s not long before they, and everyone else, put her survival down to a demonic possession and begin to see her supernatural powers as the cause of the town’s woes. Only the young priest charged with exorcising the evil spirit recognizes the girl’s sanity, but can he convince the town that it’s not her that needs healing?
‘Brilliantly moving. A tour de force’ A.S. Byatt
‘A compassionate, witty and unforgettable masterpiece’ Daily Telegraph
‘At once nostalgic and satiric, a resplendent fable’ Sunday Times
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
ONE HUNDRED YEARS OF SOLITUDE
‘The greatest novel in any language of the last 50 years. Márquez writes in this lyrical, magical language that no-one else can do’ Salman Rushdie
‘Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice …’
Pipes and kettledrums herald the arrival of gypsies on their annual visit to Macondo, the newly founded village where José Arcadio Buendía and his strong-willed wife, Úrsula, have started their new life. As the mysterious Melquíades excites Aureliano Buendía’s father with new inventions and tales of adventure, neither can know the significance of the indecipherable manuscript that the old gypsy passes into their hands.
Through plagues of insomnia, civil war, hauntings and vendettas, the many tribulations of the Buendía household push memories of the manuscript aside. Few remember its existence and only one will discover the hidden message that it holds…
‘Should be required reading for the entire human race’ New York Times
‘No lover of fiction can fail to respond to the grace of Márquez’s writing’ Sunday Telegraph
‘It’s the most magical book I have ever read. I think Márquez has influenced the world’ Carolina Herrera
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
STRANGE PILGRIMS
‘Filled with greedy joys, with small pleasures, polished like apples against a sleeve’ Observer
‘The first thing Señora Prudencia Linero noticed when she reached the port of Naples was that it had the same smell as the port of Riohacha …’
Their distant, nostalgic memories of home, their sense of anonymity in a foreign land, the terrifying pang of vulnerability they feel as they step over the threshold into an alien world …
Márquez’s strange pilgrims – the ageing prostitute preparing for death by teaching her dog to weep at her grave, the panicked husband scared for the life of his injured wife, the old man who allows his mind to wander on a long-haul flight from Paris – experience with all his humour, warmth and colour, what it is to be a Latin American adrift in Europe or, indeed, any outsider living far from home.
‘Celebratory and full of strange relish at life’s oddness. The stories draw their strength from Márquez’s generous feel for character, good and bad, boorish and innocent’ William Boyd
‘The most important writer of fiction in any language’ Bill Clinton
‘Often touching, often funny, always unexpected, the experience is as enriching as travel itself’ New Statesman
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
THE GENERAL IN HIS LABYRINTH
‘The vigour and coherence of Márquez’s vision, the brilliance and beauty of his imagery, the narrative tension … coursing through his pages … makes it difficult to put down’ Daily Telegraph
At the age of forty-six General Simón Bolívar, who drove the Spanish from his lands and became the Liberator of South America, takes himself into exile. He makes a final journey down the Magdalene River, revisiting the cities along its shores, reliving the triumphs, passions and betrayals of his youth. Consumed by the memories of what he has done and what he failed to do, Bolívar hopes to see a way out of the labyrinth in which he has lived all his life …
www.penguin.com
GABRIEL GARCÍA MÁRQUEZ
THE STORY OF A SHIPWRECKED SAILOR
‘A gripping tale of survival’ The Times
‘On February 22 we were told that we would be returning to Colombia …’
In 1955, eight crew members of Caldas, a Colombian destroyer, were swept overboard. Velasco alone survived, drifting on a raft for ten days without food or water. Márquez retells the survivor’s amazing tale of endurance, from his loneliness and thirst to his determination to survive.
The Story of a Shipwrecked Sailor was Márquez’s first major, and controversial, work, published in a Colombian newspaper, El Espectador, in 1955 and then in book form in 1970.
‘The story of Velasco on his raft, his battle with sharks over a succulent fish, his hallucinations, his capture of a seagull which he was unable to eat, his subsequent droll rescue, has all the grip of archetypal myth. Reads like an epic’ Independent
www.penguin.com
THE BEGINNING
Let the conversation begin...
Follow the Penguin Twitter.com@penguinukbooks
Keep up-to-date with all our stories YouTube.com/penguinbooks
Pin ‘Penguin Books’ to your Pinterest
Like ‘Penguin Books’ on Facebook.com/penguinbooks
Find out more about the author and
discover more stories like this at Penguin.co.uk
PENGUIN BOOKS
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 707 Collins Street, Melbourne, Victoria 3008, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi – 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, Block D, Rosebank Office Park, 181 Jan Smuts Avenue, Parktown North, Gauteng 2193, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
www.penguin.com
First published in Spanis
h as El Otoño del Patriarca 1975
This English translation first published in the United States of America by Harper & Row, Publishers, Inc. 1976
First published in Great Britain by Jonathan Cape 1977
Published in Penguin Books 1996
This edition published 2014
Copyright © Gabriel García Márquez, 1975
English translation copyright © Harper & Row, Publishers, Inc., 1976
Cover © Stuart Franklin/Magnum Photos
All rights reserved
Portions of this work originally appeared in the New Yorker
The moral right of the author and translator has been asserted
ISBN: 978-0-141-91725-2
The Autumn of the Patriarch Page 8
