I realize I’m awake, and it’s still nighttime. My cheeks itch from the salty tracks of tears shed in my sleep, and I’m curled up in an uncomfortable position, close to one edge of the bed. There’s an arm around my waist, and a breathing breeze on the back of my neck. For a moment I can’t work it out, but then it begins to make sense to me. “I’m awake now,” I murmur.
“Oh. Good.” He sounds sleepy. How long has he been here? I went to bed alone—I feel a momentary stab of panic at the thought that he’s here uninvited, but I don’t want to be alone. Not now.
“Were you asleep?” I ask.
He yawns. “Must have. Dozed off.” His arm tenses, and I tense, too, and push myself back toward the curve of his chest and legs. “You were unhappy.”
“What I didn’t tell you earlier.” And I’m still not sure it’s a good idea to tell him. “My family. Curious Yellow killed them.”
“What? But Curious Yellow didn’t kill, it edited—”
“Not everyone.” I lean against him. “Most people it edited. Some of us it hunted down and murdered. The ones who might have been able to work out who made it, I think.”
“I didn’t know that.”
“Not many people do. You were either directly affected, in which case you were probably dead, or it happened to someone else, and you were busy rebuilding your life and trying to make your struggling firewalled micropolity work without all the external inputs provided by the rest of Is-ness. A gig after the end of the war it was old news.”
“But not for you.”
I can feel Sam’s tension through his arm around me.
“Look, I’m tired, and I don’t want to revisit it. Old pains, all right?” I try and relax against the side of his body. “I’ve become a creature of solitary habits. Didn’t do to get too close to anyone during the war, and since then, haven’t had the opportunity.”
His breathing is deep and even. Maybe he’s already asleep. I close my eyes and try to join him, but it takes me a long time to drift off. I can’t help wondering how badly he must have been missing contact with another human being, to share my bed again.
11
Buried
MONDAY is a working day, and it’s also usually a lunch date, but I’m not about to break bread with Jen after yesterday’s events. I head for work with the brass key hidden in my security bag. Once inside I rip into the filing and cleaning immediately. It’s midmorning before I realize that Janis hasn’t arrived yet.
I hope she’s all right. I don’t remember seeing her yesterday, but if she’s heard about what happened—well, I don’t know how close to the victims she was, but I can only imagine what she must be going through if she knew them well. She was feeling ill a couple of days ago—how is she now?
I head for the front desk. Business is dead today, and I haven’t had a single visitor, so I have no qualms about flipping the sign on the door to CLOSED for a while. In the staff room there’s a file of administrative stuff, and after leafing through it for a bit, I find Janis’s home number. I dial it, and after a worryingly long time someone answers the telephone.
“Janis?”
Her voice sounds tired, even through the distortion the telephone link seems to be designed to add. “Reeve, is that you?”
“Yes. I was getting worried about you. Are you all right?”
“I’ve been sick today. And to tell the truth, I didn’t feel like coming in. Do you mind?”
I look around. “No, the place is dead as a—” I stop myself just in time. “Listen, why don’t you take a couple of days off? You were going to be leaving in a couple of months anyway, there’s no point overdoing it. If you want, I’ll drop round with some books on my next day off, day after tomorrow. How about that?”
“That sounds great,” she says gratefully, and after a bit more chat I hang up.
I’m just shifting the CLOSED sign back to OPEN when a long black limousine draws up at the curb outside. I manage a sharp intake of breath—What’s Fiore doing here today?—before the Priest gets out, and then, uncharacteristically, holds the door open for someone else. Someone wearing a purple dress and a skullcap. I realize exactly who it must be—the Bishop: Yourdon.
The Bishop turns out to be as cadaverously thin and tall as Fiore is squat and bulbous. A stork and a toad. There’s a peculiarly sallow cast to his skin, and his cheekbones stand out like blades. He wears spectacles with thick hornlike rectangular frames, and his hair hugs his scalp in lank swatches the color of rotten ivory. He strides forward, skeletal-looking hands writhing together, as Fiore bumbles along huffing and puffing to keep up in his wake. “I say, I say!” Fiore calls. “Please—”
The Bishop pushes the library door open, then pauses. His eyes are a very pale blue, with slightly yellowish whites, and his gaze is icily contemptuous. “You’ve fucked up before, Fiore,” he hisses. “I do wish you’d keep your little masturbatory fantasies to yourself in future.” Then he turns round to face me.
“Hello?” I force a smile.
He looks at me as if I’m a machine. “I am Bishop Yourdon. Please take me to the document repository.”
“Ah, yes, certainly.” I hurry out from behind the desk and wave him toward the back.
Fiore harrumphs and breathes heavily as he waddles after us, but Yourdon moves with bony grace, as if all his joints have been replaced with well-lubricated bearings. Something about him makes me shudder. The look he gave Fiore—I can’t remember having seen such an expression of pure contempt on a human face in a very long time. I lead them to the room; the Grim Reaper stalking along behind me in angry silence, followed by a bumbling oleaginous toad.
I stand aside as we reach the reference section, and Fiore fumbles with his keys, visibly wilting under Yourdon’s fuming gaze. He gets the door open and darts inside. Yourdon pauses, and fixes me with an ice-water stare. “We are not to be disturbed,” he informs me, “for any reason whatsoever. Do you understand?”
I nod vigorously. “I, I’ll be at the front desk if you need me.” My teeth are nearly chattering. What is it with this guy? I’ve met misanthropes before, but Yourdon is something special.
Fiore and the Bishop hang out in the archive, doing whatever it is they do in there for almost three hours. At a couple of points I hear raised voices, Fiore’s unctuous pleading followed by the Bishop hissing back at him like an angry snake. I sit behind the desk, forcing myself not to look over my shoulder every ten seconds, and try to read a book about the history of witch-hunts in preindustrial Europa and Merka. It contains disturbing echoes of what’s going on here, communities fractured into mutually mistrustful factions that compete to denounce one another to greedy spiritual authorities drunk on temporal power. However, I find it hard to concentrate while the snake and the toad in the back room are making noises like they’re trying to sting each other to death.
It’s well into my normal lunch hour when Fiore and Yourdon surface. Fiore looks subdued and resentful. Yourdon appears to be in a better mood, but if this is his good humor, I’d hate to see him when he’s angry. When he smiles he looks like a skull someone’s stretched a sheet of skin over, colorless lips peeling back from yellowing teeth in a grin completely bereft of amusement. “You’d better get back to work then,” he calls to Fiore as he strides past my desk without so much as a nod in my direction. “You’ve got a lot of lost headway to make up.” Then he barges out through the front door as the long black limousine cruises round the edge of the block, ready to convey its master back to his usual haunts.
A few minutes later Fiore bumbles past me with a sullen glare. “I’ll be round tomorrow,” he mutters, then stomps out the door. No limousine for the Priest, who staggers off on foot in the noonday heat. My, how the mighty are fallen!
I watch him until he’s out of sight, then walk over and flip the sign on the door to CLOSED. Then I lock up and take a deep breath. I wasn’t expecting this to happen today, but it’s too good an opportunity to miss. I go fetch my bag from the staff room, then
head for the repository.
It’s time for the moment of truth. Less than a hundred seconds after Fiore left the building, I slide the laboriously copied key into the lock. My heart is pounding as I turn it. For a moment it refuses to budge, but I jiggle it—the teeth aren’t quite engaging with the pins—and something falls into position and it squeals slightly and gives way. I push the door wide, then reach for the light switch.
I’m in a small room with no windows, no chairs, no tables, one bare electric bulb dangling on a wire from the ceiling, bookshelves on three walls, and a trapdoor in the middle of the floor.
“What is this shit?” I ask aloud, looking round.
There are box files on all the shelves, masses of box files. But there are no titles on the spines of the boxes, just serial numbers. Everything’s dusty except the trapdoor, which has been opened recently. I inhale, then nearly go cross-eyed trying not to sneeze. If this is Fiore’s idea of housekeeping, it’s no wonder Yourdon was pissed at him.
I look at the nearest shelf and pull down one of the files at random. There’s a button catch and I open it to find it’s full of paper, yellowing sheets of the stuff, machine-smooth, columns of hexadecimal numbers printed in rows of dumb ink. There’s a sequence number at the top of each sheet, and it takes me a few seconds to figure out what I’m looking at. It’s a serialized mind map, what the ancients would have called a “hex dump.” Pages and pages of it. The box file probably holds about five hundred sheets. If all the others I see contain more of this stuff, then I’m probably looking at about a hundred thousand sheets, each containing maybe ten thousand characters. Whatever is stored in this incredibly inefficient serial medium, it isn’t very big—about the same size as a small mammal’s genome, maybe, once you squeeze out all the redundant exons. It’s three or four orders of magnitude too small to be a map of a human being.
I shake my head and put the box file back. From the level of dust on top of it, it hasn’t been touched for quite a time. I don’t know what this stuff is, but it isn’t what Fiore and Yourdon came here to look at. Which leaves the trapdoor.
I bend down and grab the brass ring, then lift. The wooden slab hinges up at the back, and I see a flight of steps leading down. They’re carpeted, and there are wooden handrails to either side. Okay, so there’s a secret basement under the library, I tell myself, trying not to giggle with fear. What have I been working on top of?
Of course I go downstairs. After what Fiore did to Phil and Esther, I’m probably dead if they find me in the repository. Taking the next step is a logical progression, nothing more.
The steps go down into twilight, but they don’t go down very far. The floor is three meters below the trapdoor, and there’s a light switch on the rail at the bottom. I flick it and glance around.
Guess what? I’m not in the dark ages anymore.
If I was still in the dark ages, this would be a musty basement with brick walls and wooden lath ceiling, or maybe poured concrete and steel beams. They weren’t big on structural diamond back then, and their floors didn’t grow zebrastripe fur, and they used short-lived electrical bulbs instead of surfacing their ceilings with fluorescent paint. There’s a very retro-looking lounger in a mode that I’m sure went out of fashion some time between the end of the Oort colonial era and the first of the conservationista republics, and some weird black-resin chairs that look like the skeletons of insects, if insects grew four meters tall and supported themselves with endoskeletons. Hmm. I glance over my shoulder. Yes, if Yourdon and Fiore were having a knockdown shouting match in here with the hatch open, I might just about have heard it at the front desk.
The other items in the basement are a lot more disconcerting.
For starters, there’s something that I am almost certain is a full military A-gate. It’s a stubby cylinder about two meters high and two meters in diameter, its shell slick with the white opacity of carbonitrile armor. There’s a ruggedized control workstation next to it, perched on a rough wooden plinth—you use those things in the field when you’re operating under emission control, to make field expedient whatever it is you need in order to save your ass. Got plutonium? Got nuke. Not that I’ve got the authentication ackles to switch the thing on—if I mess with it I’ll probably set off about a billion alarms—but its presence here is as incongruous as a biplane in the bronze age.
For seconds, the walls are lined with racks of shelving bearing various pieces of equipment. There’s what I’m fairly certain is a generator pack for a Vorpal sword, like the one on the Church altar. That brings back unpleasant memories, because I remember those swords and what you can do with them—blood fountaining out into a room where the headless corpses are already stacked like cordwood beside the evacuation gate—and it makes me feel nauseous. I take a quick breath, then I look at the shelves on the other side of the room. There are lots of them, some of them stacked with the quaint rectangular bricks of high-density storage, but most of the space is given over to ring binders full of paper. This time, instead of serial numbers on the spines, there are old-fashioned human-readable titles, although they don’t mean much to me. Like Revised Zimbardo Study Protocol 4.0, and Church Scale Moral Delta Coefficients, and Extended Host Selection Criteria—
Host selection criteria? I pull that one off the shelf and begin reading. An indeterminate time later I shake myself and put it back. I feel dirty, somehow contaminated. I really wish I didn’t understand what it said, but I’m afraid I do, and now I’m going to have to figure out what to do with the knowledge.
I stare at the A-gate, speculating. There’s a very good chance that it’s not infected with Curious Yellow, because they wouldn’t want to risk infecting themselves. But it still won’t help me escape, and it probably won’t work for me anyway unless I can hold a metaphorical gun to Fiore’s head, threaten him with something even more frightening than the prospect of Yourdon’s revenge—and if I’ve got the measure of Yourdon, any revenge he’d bother to carry out would truly be a worse fate than death.
Shit. I need to think about this some more. But at least I’ve got until tomorrow, when Fiore returns.
BUSINESS is dead, literally dead. After I go back up top and lock the repository, I flip the door sign to OPEN and sit at the front desk for a couple of hours, waiting tensely to see if the zombies are going to come and drag me off to prison. But nothing happens. I haven’t tripped any alarms by my choice of lunchtime reading matter. With hindsight it’s not too surprising. If there’s one place Fiore and Yourdon and the mysterious Hanta won’t want under surveillance, it’s wherever they’re hiding their experimental tools. Their kind doesn’t thrive in the scrutiny of the panopticon. Which, as it happens, gives me an idea.
Midway through the afternoon I lock up for half an hour and hit the nearest electronics shop for a useful gadget. Then I spend a nervous hour installing it in the cellar. Afterward, I feel smug. If it works, it’ll serve Fiore and Yourdon right for being overconfident—and for making this crazy simulation too realistic.
Business is so dead that I go home half an hour early. It’s a warm summer evening, and I’ve got about two kilometers to walk. I barely see anyone. There are some park attendants out mowing the grass, but no ordinary folks. Did I miss a holiday or something? I don’t know. I put one foot in front of the other until I hit the road out of the town center, follow it down into a short stretch of tunnel, then back into daylight and a quiet residential street with trees and a lazy, almost stagnant creek off to one side.
I hear voices and catch a faint smell of cooking food from one of the houses as I walk past. People are home—I haven’t mysteriously been abandoned all on my own. What a shame. I briefly fantasize that the academicians of the Scholastium have figured out that all is not well in YFH-Polity and arrived to evacuate all of us inmates while I waited behind the library counter. It’s a nice daydream.
Pretty soon I come to the next road tunnel linking hab segments. This time I pull out a flashlight as I pass out of sight of the ent
rance. Yes, just as I guessed—there’s a recessed doorlike panel in one wall of the tunnel. I pull out a notepad and add it to my list. I’m slowly building up a map of the interrelated segments. It looks like a cyclic directed graph, and that’s exactly what it is, a network of nodes connected by lines representing roads with T-gates along their length. Now I’m adding in the maintenance hatches.
You can’t actually see a T-gate—it’s just that one moment you’re in one sector and the next moment you’ve walked through an invisible brane and you’re in another sector—but the positioning of the hatches can probably tell me something if I’m just smart enough to figure it out. Ditto the order of the network: if it’s left-handed or right-handed, or if there’s a Hamiltonian path through it. In the degenerate case, there may be no T-gates at all; this might actually be a single hab cylinder, divided up by bulkheads that can be sealed against loss of pressure. Or all the sectors may be in different places, parsecs apart. I’m trying to avoid making assumptions. If you don’t search with open eyes, you risk missing things.
I get home at about my usual time, tense and nervous but also curiously relieved. What’s done is done. Tomorrow Fiore will either notice my meddling, or he won’t. (Or with any luck he’ll assume Yourdon did it, which I think is equally likely. There’s no love lost between those two, and if I play my cards right, I can exploit their division.) Either way I should learn something. If I don’t . . . well, I know too much to stop now. If they knew how much I’ve figured out about their little game, they’d kill me immediately. No messing, no ritual humiliation in front of the score whores in Church, just a rapid brainsuck and termination. Fiore’s playing with fire.
Sam is in the living room, watching TV. I tiptoe past him and head upstairs, badly in need of a shower. When I get to my room I shed my clothes, then go back to the bathroom and turn the water on, meaning to wash today’s stresses away.
Glasshouse Page 21
