The hideous light goes out with a bang like a balloon bursting, a balloon the size of the Hindenburg.
“Shit,” I hear someone say as I grab the ward and feel a sharp pain in my hand. I blink furiously as I yank, breaking the fine chain. There’s a clicking in my ears and I blink again, see white powder everywhere—like snow or heavy dust on the floor, a patina of corrosion on the aircraft wings stacked in their jigs around me, white on the workbenches—
“Helen!” shouts Warrant Officer Hastings, stepping over the boundary of his protective perimeter.
I don’t need to look round to know it’s too late for her but I still cringe. I drop the ward and gasp as air touches the palm of my hand and the spot on my sternum that’s beginning to sting like a kicked wasps’ nest. My ears are ringing.
I turn back to the bench with the signal generator to check my PDA for the thaum field. Unwelcome surprises come in threes: Number one is, the bench is a centimeter deep in white dusty powder. Surprise number two is, my PDA has gone to meet its maker—it’s actually scorched and blackened, the case melted around one edge. And surprise number three—
A thin, wispy trickle of smoke is rising from behind the (scorched, naturally) canvas screens around the Lightning’s cockpit instruments—ground zero for the pulse of necromantic energy that has just seared through the hangar like a boiling propane vapor explosion.
Here’s Hastings, kneeling and clutching a dented steel teapot that looks as if it’s been sandblasted, sobbing over a pile of—
The ringing in my ears is louder, and louder still, and the big hangar doors crack open to admit a ray of daylight to the crypt and the howl of the airfield fire tender’s siren, but they’re too late.
I GET HOME LATE, REALLY LATE: SO LATE I END UP EXPENSING a taxi to take me into Birmingham to catch the last train, and another taxi home at the other end. Iris will probably give me a chewing out over it but I’ll cross that bridge when I come to it. The emergency response team kept me at the first aid post for a couple of hours, under observation, but I’m okay, really: just scooped out and full of a numinous sense of dread, looping on the bright purple flash as I looked round and saw the door opening, Helen standing there for a moment as the thaum field on the instrument console collapsed, sucking out the life from anything within a fifty-meter radius that wasn’t locked down and shielded.
(Hangar Six isn’t going to have a rat problem for a while.)
The unshielded instrument console entangled with the shielded airframe I’d just exorcised. And the seventy-something lady in the pink slippers, shuffling forward with a tea tray and two mugs she’d carefully poured for us—
Too clever by half.
As I open the front door, I can feel the house sulking. I switch on the lights and hang up my coat in the hall, fighting the urge to hunch my shoulders defensively. It’s Mo, of course. This is her house as much as it’s mine—okay, it’s our maisonette, two civil servants can’t possibly afford a house in London even if they’re both management track—and it reflects her mood. I canceled Pete and Sandy but I can’t cancel Mo. She’s got a snit on, perfectly justifiable. I really ought to go upstairs and apologize, but as I bend down to untie my shoelaces I find my hands are shaking.
An indeterminate time later I open my eyes. I’m sitting at the kitchen table with an empty glass in my hand. The quality of the light just changed.
“Bob?” It’s Mo, wearing a dressing gown, rubbing her eyes. “Shit. Bob”—her tone of voice changes, softening slightly—“what’s wrong?”
“I—” I clear my throat, force air through my larynx: “I screwed up.”
The bottle of Talisker sitting beside my left hand is half-empty. Mo peers at it, then takes a step closer and peers at me. Then she picks up the bottle, pops the cork, and pours a generous two fingers into my glass, bless her.
“Drink up.” She pauses with a hand on the back of the other kitchen chair. “Am I going to need one too?”
“Dunno. Maybe.”
She goes to the cupboard and takes out another glass before she sits down. I blink at her, red-eyed and confused.
“Talk.” She pours a shot into her own glass. “In your own time.”
I glance at the kitchen clock. “It’s one a.m.”
“And it’ll be one a.m. again, at least once a day for the rest of your life. So talk, if you want. Or drink up and come to bed.”
I sip my whisky. “I screwed up.”
“How badly?”
“I killed a bystander.”
“A by—” She freezes with her glass halfway to her lips. “Jesus, Bob.” Pause. “How did you do that?”
She looks appalled, but probably much less appalled than your spouse would look if you confessed to killing someone over the kitchen table. (Mo is made of stern stuff.)
“Angleton sent me to do a routine job. Only I missed something and fucked up my prep.”
“But you’re still—” She bites her lip, and now she looks shaken; my ears sketch in the missing word: alive.
“Oh, I almost got it right,” I explain, waving my glass. “Warrant Officer Hastings wasn’t hurt. And I’m here.” But then I remember the purple flash again, and the door opening, and the sight of Helen’s face aging a hundred years in a second right before my eyes. “Only the tea lady opened the door at the worst possible moment . . .”
Mo is silent for a while, so I take another sip.
“Fatal accidents never happen because of just one mistake,” I try to explain. “It takes a whole chain of stupids lining up just so to put a full stop at the end of an epitaph.”
“So what did you do afterwards?” she asks quietly.
“Afterwards? It was too late to do anything.” I shrug. “I told ’em not to disturb the scene and called the Plumbers. Then I had to wait until they arrived and hang around while they logged the scene and filed a preliminary report and bagged the body, which took all evening. They had to use a Dyson—there wasn’t enough left of her to fill a teacup, never mind a reanimator’s workbench. It’s on the books as a level four excursion, incidental unintended fatality. The desk officer was very understanding but I’ve got a ten o’clock appointment with someone in Operational Oversight to file an R60.” An official incident report. “Then I suppose there’ll be an enquiry.”
And the juggernaut of an internal investigation will start to roll, bearing down on my ass like hell’s own lawn mower in search of an un-trimmed blade of grass, but it’s not as if I don’t deserve it. I take another sip of the whisky, wishing I could drown myself in it. This isn’t the first time I’ve killed someone, but it’s the first time I’ve killed a civilian bystander, and I lack the words to express how I feel.
“I was going to dump on you,” Mo tells me, “but . . . forget it.” She empties her glass and I realize that while I was seeing that purple light the whisky has evaporated from my tumbler. “Come to bed now.”
I push myself to my feet, neck drooping. “It won’t make things better.”
“No.”
“I feel like shit.”
“No, Bob, you need to get some sleep.”
“I am a shit.”
“You need to get some sleep. Come to bed.”
“If you say so.”
I follow her upstairs. Today’s been shit, and tomorrow is quite possibly going to be worse—but it can wait for a while.
2.POINTING THE FINGER
I GO TO WORK IN A NONDESCRIPT OFFICE IN CENTRAL LONDON, south of the river and east of the sun—I can’t say precisely where—located above a row of shops. It’s a temporary home for the department, and it’s officially called the New Annexe, probably because it was thrown up in 1964. It consists of three floors of characterless sixties concrete piled up above a C&A and a couple of other boring high street stores like a bad perm on a grocer’s granny; it used to belong to the Post Office, back in the day. And nothing you can see through the windows from outside is really there.
The weather is just as unpleasant as yesterd
ay, if not worse—muggy and humid, warm enough to be annoying but not hot enough to provoke businesses into paying for air conditioning—and there’s a stale tang of vehicle exhausts and fermenting dog shit underlying every noisome breath I take. Wasps buzz around the overflowing litter bins on the street outside the office as I nip into the staff entrance to the store, then push through a plywood door labeled BUILDING MAINTENANCE ONLY and up a whitewashed stairwell with peeling linoleum treads. (A lot of people go through that door every day, and they don’t look much like store employees, but for some reason nobody seems to notice. Or more accurately, they can’t notice.)
At the top of the stairs there’s another door. This one’s a bit more substantial. The wards make my skin crawl and send pins and needles singing up my arm as I push it open, but they recognize me as someone who belongs here, for which I am profoundly grateful. (A couple of years back a gang of thugs decided to ram-raid us and steal the office computers. Boy did they get an unpleasant surprise . . .)
I slouch over to reception. “Are there any messages for me today?” I ask Rita.
Rita, who is about a year younger than my mother and about as maternal as an iron maiden, stares at me in brassy-eyed surprise. “Iris said she wants to see you, if you showed up today!” she declares. “Are you signed off sick or something?”
“No, but I might be contagious.”
“Be off with you.” She turns back to her web browser, dismissing me, and I take a deep breath and head for Iris’s office.
Iris is my (How to describe our relationship accurately? Person from Porlock? Morlock?) latest line manager. I seem to get through about one a year. It wasn’t always so: but Andy got moved sideways into Research and Development, and before him, Harriet and Bridget are, ahem, long-term indisposed. They took on Angleton and lost, epic level. I actually work directly for Angleton these days, but Angleton isn’t a manager according to our org chart; he’s a DSS, and DSSs are too important to burden with boring administrative duties like overseeing staff performance appraisals. So although I work for him, I have to have an actual manager to report to, at least in theory, and that’s where Iris comes into the frame. She handles my interface with Human Resources, Payroll, and general admin stuff. She doesn’t know everything I do, but she knows I work for Angleton and it’s her job to be my manager-on-paper. And she’s good at it.
Her office door is ajar as I turn the corner between the reception area and the coffee station: she’s the kind of manager who’s happy to sacrifice an outside office with a window in return for an interior one that lets her keep an eye on everyone entering and leaving her little fiefdom, which should tell you something. Her attitude is one of those irregular verbs peculiar to bureaucracies: if you like her she’s attentive, and if you don’t, she’s paranoid.
“You wanted to see me, boss.”
Iris waves me at the seat opposite her desk. She’s leaning back with feet up and phone clamped between ear and shoulder, nodding along unconsciously to the beat of her unseen caller’s narrative.
“Yes, I understand. You can use his office, I think. When? . . . Half an hour? Excellent, thanks. Yes, and you too. Bye.” She puts the receiver down, then hits the divert to voice mail button on her handset. “How are you feeling, Bob?” She looks concerned.
“Like shit.” I don’t see any need—or room—to dissemble. “I came in because I’ve got a report to file.”
“Are you sure that’s wise?” She raises a penciled-in eyebrow. “I’ve given you my presenteeism lecture, haven’t I?”
Bless her, she has: she’s the first manager I’ve ever had who explained to me in words of one syllable that she’d be really pissed off if she caught me skulking around the office while I’m feeling ill. (This is the Laundry; they don’t fire you for calling in sick, in fact, they can’t fire you: all they can do is give you scut work. Back in my first year I took two weeks off, once, just to try it on—I ended up going back to work when I got bored with counting the cracked tiles on the bathroom wall. We still maintain this endless pretense that we’re the same as any other government department, clock-punching time misers all, but it’s not true: we do things differently in the Laundry. And so does Iris, and for a blessing, she admits it.)
I nod.
“Good,” she says briskly, her accent so clear she could get a job as a BBC news anchor. “So.” She pauses. “Something went wrong yesterday, and you’ve got a report to file. Want to fill me in on it? So I know what to expect?”
So I know what to expect is Iris-speak for so I can cover your ass.
“Yeah . . . I fucked up a routine out-of-the-office job for Angleton.” I take a deep breath. “One dead bystander, in front of witnesses—luckily the only direct eyewitness is already sworn to Section Three.” (Section Three of the Official Secrets Act, which covers our activities, is itself classified Top Secret under the terms of Section Two, making knowledge of it by unauthorized persons an offense—and we enforce it ferociously.)
“I’ve got to file an R60 and then Operational Oversight are going to be calling the shots. There’ll probably be an enquiry. I may be suspended pending the outcome.” Oddly, it’s a lot easier to say this to Iris than it was to Mo.
Iris watches me for a few seconds. “Oh, you poor thing.” She nods to herself. “Was it bad?”
“It was stupid,” I say between gritted teeth. “Stupid, stupid. If I’d noticed the entanglement channel between the airframe and the control panel, or warded both artifacts at the same time, it wouldn’t have happened. And if she’d opened the door five seconds sooner, or later, it wouldn’t—shit. If I’d been told what the airframe had been used for I wouldn’t have . . .” I trail off.
“Save it for the Auditors,” Iris says tiredly. She takes her booted feet off the desk, then leans forward. “That phone call I just took was your case officer, Bob. I think you should go and get yourself a nice cup of tea or coffee or whatever pleases you, then go and wait in your office. Business as usual is canceled for the day, and if I catch you doing your time sheet or answering support queries I will personally kick you around the block, okay? Go play games on Facebook or something. I’ll bring your case officer round and sit in with you while you fill out the R60, so you’ve got a witness. If you think she’s giving you grief, let me know and I’ll handle it. Then”—she takes a deep breath—“I’m signing you off sick for two weeks. You don’t have to take it, I mean I can’t force you, hell, maybe you’d rather do some light admin and filing than sit at home or go for a week in York—that’s my suggestion—but you’re overdue for a slowdown, and I’m going to make sure you get it.”
“But Angleton—”
“Leave him to me,” she says brightly, with a smile that shows me her teeth: “He’ll do as I say.”
Oh.
Before I can open my mouth and insert any feet, she adds, “It’s Angleton’s job to point you at the enemy, Bob, but it’s my job to keep you from breaking. I take my job seriously. If I tell Angleton to back off, he will.”
Oh. I hadn’t looked at it quite that way before. I manage to nod, then close my mouth.
“Why?” I ask.
“Fatal accidents never have just a single cause,” she tells me, “they happen at the end of a whole series of errors. What the enquiry is going to ask is, how far back did the chain start? And I’ll tell you this right now, it started before Angleton shoved you out to go and do that job yesterday. But I’d better not say any more for now. Go and get that coffee: we’ve both got a tough morning ahead.”
I’M SITTING IN MY OFFICE, SHIVERING OVER A COOLING CUP of coffee and reading The Register, when my door opens without warning. I look up: it’s Iris, which is no surprise, but the other visitor—“Jo?” I say, standing: “Long time no see!”
“Not long enough, under the circumstances,” she says with a twitch. Jo is short for Josephine, as in Detective Inspector Josephine Sullivan, formerly of Milton Keynes but working for us in Operational Oversight these days. (That’s my fau
lt; on the other hand, so is her still being alive after the SCORPION STARE business, so I suppose they cancel out.) Looks a bit like Annie Lennox, if she’d taken up a second career as a nightclub bouncer. “How are you keeping?”
“Badly.” I look round at the mounds of paper, the padlocked secure cabinet covered in Dilbert cartoons, the cubicle-farm-sized novelty dart-board with a picture of the Prime Minister’s face over the bull’s-eye: “Uh, I wasn’t expecting you.”
Iris gives Jo a sidelong look: “You’ve met?”
“Yes.” Jo gives her one right back. “I won’t let it influence me.”
“You’re here to take my statement?” I ask.
“Yes.” For a moment Jo looks haggard. “Bob, what have you gotten yourself into?”
“I’ll fetch another chair.” Iris catches my eye and shakes her head pointedly as she backs through the door.
“A mess. How long have you been working for Oscar-Oscar?”
Jo sits down on the squeaky chair with no arms, and opens her attaché case. “Two years now,” she says quietly. “Please tell me before we begin, while we’re not under oath, you didn’t do this deliberately?”
I shake my head. “Cross my heart and hope to die, it was an honest fuck-up.”
“Okay.” She takes a deep breath. “I’m just here to fill out the forms with you and ask you the questions. If a decision is made to pursue an enquiry I will declare a conflict of interest and withdraw. Are you happy with that?”
For a moment I feel a flicker of gratitude amidst the gloom and dread. “Fair enough.”
Iris returns, pushing another rickety office chair through the door. (I approve. Most of my previous managers would have sent a minion to do that for them; actually mucking in and getting stuff done was beneath the dignity of their station. I’m still taking notes on Iris’s style, although right now my career doesn’t exactly look to be on course for promotion.)
The Fuller Memorandum l-4 Page 3
