by Peter Carey
She said: "Excuse me."
It took longer to register than you might expect, partly because of the alcohol, which gave the air in the room its volatility, but also because of the intense focus created by the zinc square which, at the moment she chose, contained nothing of any significance except the numerals (1, 2, 3, 4) which red forms had become almost ghostly with the heavy traffic of coins across their painted surfaces.
At last they felt her otherness, her womanness. She felt the bodies move aside. Where there had been a hot press, she now
— JRfl
.-tf
The Multitude of Thy Sorceries
experienced a distinct and definite cooling. * < o
But she was not lonely, and she was not frightened or shy. She looked at the Chinaman-he was lonely, she saw, and very youngbut she observed this in a way that did not involve her capacity for compassion or sympathy. What moved her were his ringed hands, the black metal cup, the brass coins, the red scratched numbers, and these things, being merely instruments, provided the anticipation of an intense, but none the less mechanical, pleasure.
She placed a florin against the four. This was soon joined by the more customary coppers. The
"4" won. She felt herself liked. She felt the hot pulse of their approbation. They went from cold to hot. It was done as quickly as the cutting of a cockerel's throat. She did not acknowledge it, but she welcomed it. She was not lonely. She looked at no one. She played with inspired recklessness. She felt she could control the game with no other tool than her will. 4, 3, 2, 4, 4, 4, 4, 1, 4, 3, 3, 3, 4, 1.
She won until she touched the quicksand of the final "1." Then she could not get the run of it again. She was out of step. There was a hidden beat she could not catch. The men stopped following her then. They no longer announced their bets as "the same as the missus'."But they did not withdraw from her either. And when, at three o'clock in the morning, she snapped her purse shut, she had no more money than the poorest of them. The purse was empty, freed from all weight, contained nothing but clean, watered silk. She felt as light and clean as rice paper. She allowed herself to notice her companions. She felt limp as a rag doll, and perfectly safe. She saw that the boot-polish smell belonged to a would-be gentleman in a suit with too-short sleeves, the rancid smell not to the Chinaman at all, but to an ageing man with fierce ginger flyaway eyebrows and a strong Scottish burr. There was an odd-looking chap dressed in the style of the Regency and two young sailors who could not have been more than sixteen. She also noted the engraving of Queen Victoria in the deep shadow of the wall and, immediately beneath it, a living face in three dimensions which was disconcertingly familiar, although she could not, immediately, place it.
She opened her purse again. She pretended to look for something in it. There was, as I said already, nothing in it. She opened her purse to cover her confusion. She knew the face well, almost intimately. She managed to conjure, from the hitherto empty purse, a ticket from a London omnibus. She looked up and found the fellow winking at her. She tore up the ticket and dropped it on the floor. She snapped her
Oscar and Lucinda
purse shut. She tucked her purse in her bag. She was already imagining withdrawing her hatpin from its felt scabbard, when she remembered where she had last seen that heart-shaped face and flaming angel's hair.
"Oh, dear/' she turned, smiling, holding out her hand, quite forgetting that these manners were unexpected in this part of George Street. "Why," said the mystery woman, abandoning her stern countenance as easily as a painter's drop sheet. "Why," she said, advancing on my suddenly terrified great-grandfather. "Why, Reverend Mr Crab."
She swore later that Oscar's mouth dropped open. She described it for him. He was like a ventriloquist's doll from which the ruling hand has been rudely withdrawn, leaving the subject slumped, without a spine, unable to lift so much as an arm.
The silence that now fell on the little room was not complete-the Chinaman began to clear away his brass cup and coins. There can be no doubt what the misunderstanding was-he feared another Royal Commission into gambling. He imagined the slack-jawed, red-headed youth to be one more Reverend commissioner intent on proving his father an opium addict and his wife a prostitute. He slipped the coins into the pocket of his floppy coat, the cup into his back pocket and arranged to have himself dissolved into the shadow of the wall.
The room did not empty immediately. There were those more curious than fearful who waited a nosy minute or two while they considered the association of clergyman and oilskinned woman. In all likelihood they too came down in favour of a Royal Commission. In any case they soon departed.
"Oh, dear," Lucinda said. "I am so sorry."
"It is not Crab."! "No, no. I am so sorry. I don't know where the name came from." This was an untruth. She knew exactly where it came from-the image of a crab scuttling from red settee, to cabin, to red settee.
"It is Hopkins, not Crab," he persisted.
She thought his response too hurt and humourless. "It is the reverend," she said, "that I should first apologize for."
He smiled then, and she remembered how much she had liked him.
"Well," he said, flipping a coin into the air and catching it (slap) against the back of his wrist, "I suppose I must face up to facts-my disguise is done for. But in London, as I suppose you know, they would not be half as particular. In Drury Lane they expect to see a little cloth."
"You could try Ah Moy's."
The Multitude of Thy Sorceries
"That's true. But it is such an awful trek."
"I am so sorry."
"Oh," he said, yawning and stretching-she could see his tonsils, a clean pink cave and quite surprisingly uncorrupted-"! am better off because of it. I should thank you, Miss Leplastrier, for saving me from
my weakness."
They were walking now, proceeding awkwardly, embarrassed, indecisive, through the Pak-AhPu room. The customers had all departed but two Chinese with a ladder were hanging a large Union Jack on the wall. They bowed politely, although this was not an easy thing to accomplish from the top of an unsteady ladder. One of them lost his balance, or perhaps he jumped intentionally. He was a nimble old man who landed with ony the slightest "oof"; he escorted them to the door on George Street with many polite Good evenings.
"This is dangerous work you do, Miss Leplastrier," said Oscar when the door had been bolted behind them and they were left alone in the dark and rain-shiny street. "You know we are not a minute from the Crooked Billet Inn where whatshisname obtained the pistol which he used to trick poor Kinder into shooting himself? Do you have a carriage? For me, alas, it is shanks's pony." "Then you do not have a living?"
"I do not wish one. But the Bishop would not hear of mission work. He gave me Randwick (it is far too grand for me) and there was a lovely carriage and a gelding by the name of Prince. But unfortunately I took some bad advice."
Lucinda was cold and wanted to be home with her cocoa but she could not leave him to walk four miles in this weather. She must drive him to his vicarage which lay in exactly the opposite direction to the one she wished to go in. She watched him warily, more detached than was her custom, as he stood before her, flapping his long arms around in the damp waterfront air, explaining, in such innocent, educated English, how it was that he had lost his horse and carriage (the one provided by the Randwick vestry) to a common racecourse tout who was also, he discovered the next Sunday, a member of his congregation. She was both enchanted and appalled by his innocence and it was this quality she was confused by, not knowing if it were genuine, or if it were a cloak for a mad or even criminal personality.
She drove him out to Randwick and on the way they managed to leave alone the tender scar which was their voyage aboard the Leviathan. When he proposed a game of cards she found herself, against her better judgement, asking if he could accept her IOU. 65
Bishop Dancer's Ferret
Bishop Dancer is a man you would most quickly understand if you saw him on a Satu
rday in Camden, dressed in his red hunting jacket and high black boots, leaning forward to accept some hot toddy from the stirrup cup. He had a handsome ruddy face which these days extended to his crown. What hair remained clung to the sides and back of his head; it was fine and white, cut very short, as was his beard. With no mitre to assist you, you might be inclined to think him a gentleman farmer. He had big thighs, strong shoulders, and although you could see the man had a belly, it was not one of your featherdown bellies, but a firm one. He sat well on his horse and it was a good specimen, too-sixteen hands and no stockhorse in its breeding. Dancer could not, of course he could not, have clergy who were notorious around the track, who lost their horses or their carriages because they heard a horse was "going to try." Sydney-a venal citywas too puritanical to allow such a thing. But had you informed Dancer of this story after dinner, he would have found it funny. He could find nothing in his heart against the races and he left that sort of raging to the Baptists or Methodists. The true Church of England, he would have felt (but never said) was the Church of gentlemen. Sometimes gentlemen incur debts. He had interviewed Oscar closely on his arrival. He put him through his paces, questioning the fidgety fellow as closely as a candidate from Cambridge. He was looking for signs of this Broad Church heresy. He could find none. He accepted Virgin birth, the physical Resurrection, the loaves and fishes. The Bishop allowed him his view on Genesis with a little uneasiness, but it was no longer politic to make a fuss about this matter. He soon sniffed out, however, Oscar's Low Church background. In normal circumstances he would not have cared for it at all. He loathed Evangelicals with all their foot-thumping "enthusiasm."
; Bishop Dancer's Ferret
He did not like their "bare boards" approach to ritual, and there was plenty of this in Oscar's attitude. Bishop Dancer was delighted to find it so. "This fellah," he told himself, "will be my ferret out at Randwick." And when he thought it, he imagined Oscar quite literally as a ferret, his long white neck disappearing down in a hole.
| He asked the untidy applicant about candles on the altar. Oscar I; throught they should be lit only for illumination. He asked about vestments. Oscar thought a simple surplice quite acceptable, but preferred a plain black cassock. He asked about genuflexion. Oscar confessed himself uncomfortable with the practice.
Bishop Dancer became quite hearty. He had the young man stay to luncheon. He had him fed beef, although the beef was cold, and was not even mildly disconcerted when the young man refused his claret. There was going to be fun out at Randwick, that bed of Puseyites with all their popish ritual. There would be a firstclass row out there, but he would win. He must win. For he had, by one of those anomalies which made the diocese so interesting, the right to appoint the incumbent himself. If the Randwick vestry did not like it, they could go over to the Church of Rome. They;, would not get their new parson dressing up in white silk and! red satin. This one was a nervous little fellow, the Bishop judged, I but he would not budge on this issue. He would not be susceptible j! to Tractarians, only to missionaries. Even at luncheon he per[sisted with a request that he be sent "up-country" (wherever i that might be-when asked he could not say). Bishop Dancer told him I bluntly that mission work was a waste of time. The blacks were dying
< off like flies, and if he doubted this he should look at the streets of I Sydney, man, and note the condition of the specimens he saw there.; The field was over-supplied with missionaries and Methodists fighting f Baptists to see who could give the "poor wretches" the greater numj ber of blankets. Leave the blacks to the Dissenters, Dancer advised. [God had work for him to do at Randwick.
; It did not occur to Oscar that a bishop might lie to him. He accepted Dancer's story and, indeed, relayed it to Theophilus who disseminated Î it further through the columns of The Times. It was because of this gullibility that Oscar allowed himself to be placed almost next door to the notorious Randwick racecourse. He was Bishop Dancer's ferret, but it was not Kebble, Pusey and Newman who were to cause him the greatest stress in his new parish, but Volunteer, Rioter, Atlanta, Mnemon, and Kildare.
66
St John's
Sydney was a blinding place. It made him squint. The stories of the gospel lay across the harsh landscape like sheets of newspaper on a polished floor. They slid, slipped, did not connect to anything beneath them. It was a place without moss or lichen, and the people scrabbling to make a place like troops caught under fire on hard soil. St John's at Randwick was built from red brick with very white mortar. The fine clay dust that overlay everything, even the cypress hedge beside the vicarage, could not soften the feeling of the place. It was all harsh edges like facets of convict-broken rock.
He had been ready to minister to his flock, but found them to be creatures of their landscape. They did not embrace him, but rather stood their distance. He found their conversation as direct as nails. They found his to be tangled, its point as elusive as the end of a mishandled skein. They warned him about snakes, spiders and the advisability of locking his windows at night. He thought the fault was with himself. He had his housekeeper bake scones and invited the vestry to tea. They sat stiffly on their chairs and conversation could not be got under way. He felt young, inadequate, inexperienced. He asked them about the parishioners, but it seemed they knew almost nothing. Only when he asked if there were natives in the congregation did they show themselves capable of smiling.
They knew he was Dancer's man. They waited and watched. They found his form of service as unappetizing as unbuttered bread.
He prayed to God to give him the key to their hearts. He had nothing else to do but pray and write his sermons. In the long winter afternoons he listened to the drum of horses' hooves. He sent his sixteen volumes of track records to Mr Stratton and swore never to gamble again. He had promised God in the midst of that dreadful storm. There was reason enough for Mr Stratton to gamble, but not for him. He was
•7 K f.
St John's
clothed and provided for. He had shelter enough for a family of eight. He had three hundred pounds a year, and a housekeeper to feed him mutton every night. He did not require wealth. He coveted nothing. The horses drummed through the afternoon. The track was hard in April but softened with the rains in May. He preached sermons against
gambling.
It was Mrs Judd, his housekeeper, who warned him off his gambling sermons and told him about the "generous gents" who not only contributed to the church's coffers but kept book at the nearby racecourse. This information gave him the excuse his cunning gambler's mind required. He must go to the course and see for himself.
Because he could not bet with men he had preached against, he got himself involved with a series of messengers, runners, touts and spivs who carried his money away and brought precious little of it back. He followed no system. He was just having "some fun" just like a smoker might have "just one" borrowed cigarette. The touts and runners led him, in due course, to the floating two-up games at the five hotels which lay, strung like beads on the deuce's necklace, between Randwick and St Andrew's. There was fan-tan down in George Street. There was swy and poker and every card game to be imagined among the taverns down in Paddington. Oscar had never seen such a passion for gambling. It was not confined to certain types or classes. It seemed to be the chief industry of the colony.
He was homesick, disorientated. He had enemies all around him and he could, you might imagine, if he had his heart set on playing rummy with Miss Leplastrier, at least have the brains to close the curtains. He was not so gormless that he didn't know he had these enemies, and yet he thought it wrong for him to know such a thing. So although he was not innocent of this knowledge, he felt it somehow, magically important to act as if he were. He left the curtains open. "Oh," he chimed, all knees and elbows, from the sofa, "this is nice." Lucinda Leplastrier did not think herself a snob, but she had inherited, from her mother, a strong objection to the word "nice" being used in this way. It struck an odd note. It did not match his educated vowels.
She compared him, she could not help it, with Dennis Hasset and this had the effect of making everything Oscar did seem to be immature and frivolous.
And yet when you saw the way he dealt the cards you could not help but feel the whole thing might be a pose. Nothing fitted.
He was not vulgar, but the furnishings in his vicarage were vulgar in the extreme and she could not believe he could move amongst all
Oscar and Lucinda
this and be insensitive to it. The carpet had a stiff set pattern large enough to feel you might be tripped on it. It was a rich and gaudy green. The marble mantelpiece had the appearance of being carved by craftsmen more accustomed to sarcophagi, and the mirror above it was covered with a green gauze netting, placed there to stop flies spotting the glass. There was an excess of chairs, nine of them without counting the sofa on which she sat and the gent's armchair in which he seemed to squat, leaning forward so eagerly she felt herself pushed back. The thing with the chairs was colour. The brightest hues were in evidence: a blue not unworthy of a kingfisher, and whilst handsome, no doubt, on the bird, not something that sat comfortably with the carpet. No one had thought, whilst they spent so extravagantly, that the brilliant settee might have to sit upon the brilliant carpet.
She could not marry him.
Of course he had not asked her to, but she had sometimes, in remembering their meeting, been regretful that she had not acknowledged his final smile. She need only look at the ugly and illmatched assortment of little tables-oak, maple, cedar-to know that she need have no misgivings. There were paintings on the wall, though they were not paintings at all, but "chromos." The only thing she had in common with him was a serious weakness of which she was not proud. And, lonely or no, had it not been for the following incident, it is unlikely she would have sought out his company again.
