But coming out of that sleep was excruciating. My entire life flashed before my eyes in the worst way possible, my mind refilling itself with all my lame memories, every little thing that had brought me to where I was. I’d try to remember something else—a better version, a happy story, maybe, or just an equally lame but different life that would at least be refreshing in its digressions—but it never worked. I was always still me. Sometimes I woke up with my face wet with tears. The only times I cried, in fact, were when I was pulled out of that nothingness, when the alarm on my cell phone went off. Then I had to trudge up the stairs, get coffee from the little kitchen, and rub the boogers out of my eyes. It always took me a while to readjust to the harsh fluorescent lighting.
* * *
• • •
FOR A YEAR OR SO, everything seemed fine with Natasha. The most grief she gave me was about ordering the wrong pens.
“Why do we have all these cheap clicky pens? They’re so loud when you click them. You can’t hear this?” She stood there, clicking at me.
“Sorry, Natasha,” I said. “I’ll order quieter pens.”
“Has FedEx come yet?”
I would rarely know how to answer that.
Once I’d started seeing Dr. Tuttle, I was getting in fourteen, fifteen hours of sleep a night during the workweek, plus that extra hour at lunchtime. Weekends I was only awake for a few hours a day. And when I was awake, I wasn’t fully so, but in a kind of murk, a dim state between the real and the dream. I got sloppy and lazy at work, grayer, emptier, less there. This pleased me, but having to do things became very problematic. When people spoke, I had to repeat what they’d said in my mind before understanding it. I told Dr. Tuttle I was having trouble concentrating. She said it was probably due to “brain mist.”
“Are you sleeping enough?” Dr. Tuttle asked every week I went to see her.
“Just barely,” I always answered. “Those pills hardly put a dent in my anxiety.”
“Eat a can of chickpeas,” she said. “Otherwise known as garbanzos. And try these.” She scribbled on her prescription pad. The array of medicines I was accumulating was awe inspiring. Dr. Tuttle explained that there was a way to maximize insurance coverage by prescribing drugs for their side effects, rather than going directly to those whose main purposes were to relieve my symptoms, which were in my case “debilitating fatigue due to emotional weakness, plus insomnia, resulting in soft psychosis and belligerence.” That’s what she told me she was going to write in her notes. She termed her prescribing method “ecoscripting,” and said she was writing a paper on it that would be published soon. “In a journal in Hamburg.” So she gave me pills that targeted migraine headaches, prevented seizures, cured restless leg syndrome, prevented hearing loss. These medicines were supposed to relax me so that I could get some “much-needed rest.”
* * *
• • •
ONE DAY IN MARCH 2000, I returned to my desk at Ducat after a visit to the infinite abyss of the supply closet and found what would light the path toward my eventual dismissal. “Sleep at night,” the note read. It was from Natasha. “This is a place of business.” I can’t blame Natasha for wanting to fire me. I’d been napping at work for almost a year by then. Over the final few months, I had stopped dressing up for work. I just sat at my desk in a hooded sweatshirt, three-day-old mascara caked and smeared around my eyes. I lost things. I confused things. I was bad at my job. I could plan to do something and then find myself doing the opposite. I made messes. The interns wrangled me back on task, reminding me of what I’d asked them to do. “What next?”
What next? I couldn’t imagine.
Natasha started to take notice. My sleepiness was good for rudeness to visitors to the gallery, but not for signing for packages or noticing if someone had come in with a dog and tracked paw prints all over the floor, which happened a few times. There were a few spilled lattes. MFA students touching paintings, once even rearranging an installation of shattered CD jewel cases in a Jarrod Harvey installation to spell out the word “HACK.” When I noticed it, I just shuffled the shards of plastic around, no one the wiser. But when a homeless woman set herself up in the back room one afternoon, Natasha found out. I’d had no idea how long the woman had been there. Maybe people thought she was part of the artwork. I ended up paying her fifty bucks out of petty cash to leave. Natasha couldn’t hide her irritation.
“When people walk in, you make an impression on my behalf. You know Arthur Schilling was in here last week? I just got a call.” She thought I was on drugs, I’m sure.
“Who?”
“Christ. Study the roster. Study everybody’s photos,” she said. “Where’s the packing list for Earl?” Et cetera, et cetera . . .
That spring, the gallery was putting up Ping Xi’s first solo show—“Bowwowwow”—and Natasha was up in arms about every little detail. She probably would have fired me sooner had she not been so busy.
I tried to feign interest and mask my horror whenever Natasha talked about Ping Xi’s “dog pieces.” He had taxidermied a variety of pure breeds: a poodle, a Pomeranian, a Scottish terrier. Black Lab, Dachshund. Even a little Siberian husky pup. He’d been working on them for a long time. He and Natasha had grown close since his cum paintings had sold so well.
During the installation, I overheard one of the interns whispering to the electrician.
“There’s a rumor going around that the artist gets the dogs as puppies, raises them, then kills them when they’re the size he wants. He locks them in an industrial freezer because that’s the most humane way to euthanize them without compromising the look of the animal. When they thaw, he can get them into whatever position he wants.”
“Why doesn’t he just poison them, or break their necks?”
I had a feeling the rumor was true.
When the dogs were set up, the wires connected, all the electric cords plugged in, Natasha killed the lights and turned each dog on. Red lasers shot out of their eyes. I petted the black Lab while the workers swept up the dog hair that had fallen out. Its face was silky and cold.
“Please, no petting,” Ping Xi said suddenly in the darkness.
Natasha took his arm, gushing to him that she was ready for outrage from PETA, a protest or two, an Op-Ed in the New York Times that would be publicity gold. Ping Xi nodded blankly.
I called in sick the day of the opening. Natasha didn’t seem to care. She had Angelika fill in at the front desk. She was an anorexic Goth, a senior at NYU. The show was a “brutal success,” one critic called it. “Cruelly funny.” Another said Ping Xi “marked the end of the sacred in art. Here is a spoiled brat taking the piss out of the establishment. Some are hailing him as the next Marcel Duchamp. But is he worth the stink?”
I don’t know why I didn’t just quit. I didn’t need the money. I was relieved when, at last, in June, Natasha called from Switzerland to fire me. I had messed up a shipment of press materials for Art Basel, apparently.
“Out of curiosity, what are you on?” she wanted to know.
“I’ve just been really tired.”
“Is it a medical issue?”
“No,” I said. I could have lied. I could have told her that I had mono, or some sleep disorder. Cancer maybe. Everybody was getting cancer. But defending myself was useless. I had no good reason to fight to keep my job. “Are you letting me go?”
“I’d love it if you’d stay on until I get back and use the time to show Angelika the ropes, the filing system, whatever you’ve been doing on the computer, if anything.” I hung up the phone, took a handful of Benadryl, and went down to the supply closet and fell sleep.
* * *
• • •
OH, SLEEP. Nothing else could ever bring me such pleasure, such freedom, the power to feel and move and think and imagine, safe from the miseries of my waking consciousness. I was not a narcoleptic—I never fell asleep when I
didn’t want to. I was more of a somniac. A somnophile. I’d always loved sleeping. It was one thing my mother and I had enjoyed doing together when I was a child. She was not the type to sit and watch me draw or read me books or play games or go for walks in the park or bake brownies. We got along best when we were asleep.
When I was in the third grade, my mother, due to some unspoken conflict with my father, let me sleep with her in their bed because, as she said, it was easier to wake me up in the mornings if she didn’t have to get up and go across the hall. I accumulated thirty-seven tardies and twenty-four absences that year. Thirty-seven times, my mother and I woke up together, bleary and exhausted at seven A.M., tried to get up, but fell back into bed and slept on while cartoons flashed from the small television on her bedside table. We’d wake up a few hours later—shades drawn, extra pillows lying shipwrecked on the rough beige rug—dress in a daze and lurch out into the car. I remember her holding one eye open with one hand, steering with the other. I’ve often wondered what she was on that year, and if she’d been slipping me any of it. Twenty-four times we slept through the alarm, got up sometime past noon, and abandoned the thought of school altogether. I’d eat cereal and read or watch television all day. My mother would smoke cigarettes, talk on the phone, hide from the housekeeper, take a bottle of wine with her into the master bathroom, and draw a bubble bath and read Danielle Steel or Better Homes & Gardens.
My father slept on the sofa in the den that year. I remember his thick glasses perched on the oak end table, their greasy lenses magnifying the dark grain of the wood. Without his glasses on, I barely recognized him. He was fairly nondescript—thinning brown hair, loosening jowls, a single wrinkle of worry etched deep into his brow. That wrinkle made him look perpetually perplexed, yet passive, like a man trapped behind his own eyes. He was kind of a nonentity, I thought, a stranger gently puppeting his way through his life at home with two strange females he could never hope to understand. Each night, he’d plop an Alka-Seltzer tablet in a glass of water. I stood by as it dissolved. I remember listening to the fizzing sound as he silently removed the cushions from the sofa and stacked them in the corner, his sad colorless pajamas dragging across the floor. Maybe that’s when his cancer started, a few odd cells forming during a bad night’s sleep in the living room.
My father was neither an ally nor a confidant, but it seemed backward to me that this hardworking man would be relegated to the sofa while my lazy mother got the king-size bed. I resented her for that, but she seemed immune to guilt and shame. I think she got away with so much because she was beautiful. She looked like Lee Miller if Lee Miller had been a bedroom drunk. I assume she blamed my father for ruining her life—she got pregnant and dropped out of college to marry him. She didn’t have to, of course. I was born in August 1973, seven months after Roe v. Wade. Her family was the country club brand of alcoholic Southern Baptists—Mississippi loggers on one side, Louisiana oilmen on the other—or else, I assumed, she would have aborted me. My father was twelve years older than my mother. She’d been just nineteen years old and already four months pregnant when they got married. I’d figured that out as soon as I could do the math. Stretch marks, loose skin, scars across her belly she said looked like “a raccoon had disemboweled her,” glaring at me as if I’d wrapped my umbilical cord around my neck on purpose. Maybe I did. “You were blue when they cut me open and pulled you out. After all the hell I went through, the consequences, your father, and the baby goes and dies? Like dropping a pie on the floor as soon as you pull it out of the oven.”
The only intellectual exercise my mother got was doing crossword puzzles. She’d come out of the bedroom some nights to ask my father for hints. “Don’t tell me the answer. Just tell me what the word sounds like,” she’d say. As a professor, my father was good at guiding people to their own conclusions. He was dispassionate, sulky, even a little snide at times. I took after him. My mother did say once we were both “stone wolves.” But she herself had a cold aura, too. I don’t think she realized it. None of us had much warmth in our hearts. I was never allowed to have any pets. Sometimes I think a puppy might have changed everything. My parents died one after the other my junior year of college—first my dad from cancer, then my mother from pills and alcohol six weeks later.
All of this, the tragedy of my past, came reeling back with great force that night I woke up in the supply closet at Ducat for the last time.
It was ten at night and everyone had gone home. I trudged up the dark stairway to clean out my desk. There was no sadness or nostalgia, only disgust that I’d wasted so much time on unnecessary labor when I could have been sleeping and feeling nothing. I’d been stupid to believe that employment would add value to my life. I found a shopping bag in the break room and packed up my coffee mug, the spare change of clothes I kept in my desk drawer along with a few pairs of high heels, panty hose, a push-up bra, some makeup, a stash of cocaine I hadn’t used in a year. I thought about stealing something from the gallery—the Larry Clark photo hanging in Natasha’s office, or the paper cutter. I settled on a bottle of champagne—a lukewarm, and therefore appropriate, consolation.
I turned off all the lights, set the alarm, and walked out. It was a cool early-summer night. I lit a cigarette and stood facing the gallery. The lasers weren’t on, but through the glass I could see the tall white poodle that looked out onto the sidewalk. It was baring its teeth, with one gold fang glinting in the light of the streetlamp. There was a red velvet bow tied around its little bouffant hairdo. Suddenly, a feeling rose up in me. I tried to squash it down, but it nestled into my bowels. “Pets just make messes. I don’t want to have to go around picking dog hairs out of my teeth,” I remembered my mother saying.
“Not even a goldfish?”
“Why? Just to watch it swim around and die?”
Maybe this memory triggered the hemorrhage of adrenaline that pushed me to go back inside the gallery. I pulled a few Kleenex from the box on my old desk, flipped the power switch to turn on the lasers, and stood between the stuffed black Lab and the sleeping dachshund. Then I pulled down my pants, squatted, and shat on the floor. I wiped myself and shuffled across the gallery with my pants around my ankles and stuffed the shitty Kleenex into the mouth of that bitchy poodle. That felt like vindication. That was my proper good-bye. I left and caught a cab home and drank the whole bottle of champagne that night and fell asleep on my sofa watching Burglar. Whoopi Goldberg was one reason to stay alive, at least.
* * *
• • •
THE NEXT DAY, I filed for unemployment, which Natasha must have resented. But she never called. I set up a weekly pickup with the Laundromat and automatic payments on all my utilities, bought a wide selection of used VHS tapes from the Jewish Women’s Council Thrift Shop on Second Avenue, and soon I was hitting the pills hard and sleeping all day and all night with two- or three-hour breaks in between. This was good, I thought. I was finally doing something that really mattered. Sleep felt productive. Something was getting sorted out. I knew in my heart—this was, perhaps, the only thing my heart knew back then—that when I’d slept enough, I’d be okay. I’d be renewed, reborn. I would be a whole new person, every one of my cells regenerated enough times that the old cells were just distant, foggy memories. My past life would be but a dream, and I could start over without regrets, bolstered by the bliss and serenity that I would have accumulated in my year of rest and relaxation.
Two
I’D BEEN SEEING Dr. Tuttle once a week, but after I left Ducat, I didn’t want to have to make the trek down to Union Square that often. So I told her that I was “freelancing in Chicago” and could only see her in person once a month. She said we could talk over the phone every week, or not, as long as I gave her postdated checks for my copayments in advance. “If your insurance asks, say you were here weekly in person. Just in case.” She never caught on that I was having her call in my refills to my local Rite Aid in Manhattan. She never asked h
ow my work in Chicago was going, or what I was doing there. Dr. Tuttle knew nothing about my hibernation project. I wanted her to think I was a nervous wreck, but fully operative, so she’d prescribe whatever she thought might knock me out the hardest.
I plunged into sleep full force once this arrangement had been made. It was an exciting time in my life. I felt hopeful. I felt I was on my way to a great transformation.
* * *
• • •
I SPENT THAT FIRST WEEK in a soft twilight zone. I didn’t leave the apartment at all, not even for coffee. I kept a jar of macadamia nuts by the bed, ate a few whenever I rose to the surface, sucked a bottle of Poland Spring, gravitated to the toilet maybe once a day. I didn’t answer the phone—nobody but Reva ever called me anyway. She left me messages so long and breathless that they got cut off midsentence. Usually she called while she was on the StairMaster at her gym.
One night, she came over unannounced. The doorman told her he thought I’d gone out of town.
My Year of Rest and Relaxation Page 4
