MARIANNE AND THE PRIVATEER
By
Juliette Benzoni
Contents
PART I – THE TRAP
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
PART II – THE PRISONER
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
Marianne and the Privateer
NOVELS BY
JULIETTE BENZONI
One Love Is Enough
Catherine
Belle Catherine
Catherine and Arnaud
Catherine and a Time for Love
Marianne
Marianne and the Masked Prince
Marianne and the Privateer
First American Edition 1972
COPYRIGHT © BY OPERA MUNDI, PARIS, 1971
Translation copyright © Opera Mundi, Paris, 1972
All rights reserved.
ISBN: 399-10976-5
Library of Congress Catalog
Card Number: 72-84745
PRINTED IN THE UNITED STATES OF AMERICA
PRINCIPAL CHARACTERS
Marianne Elisabeth d'Asselnat. The daughter of a French marquis and his English wife, both of whom perished in the French Revolution. She was rescued as a baby by her godfather, Gauthier de Chazay, and taken to England to be brought up by her spinster aunt, Ellis Selton. In 1809, she married Francis Cranmere who, on her wedding night, gambled away both her fortune and her virginity. Marianne saved herself and fled to France where, after many adventures, she fell in love with Napoleon and became his mistress. He gave her the Paris mansion which had belonged to her family and the identity of Signorina Maria Stella, an Italian cantatrice. The reappearance of her villainous husband and the discovery of her pregnancy led to the annulment of her marriage and the contracting of a second, equally unconsummated, with the mysterious recluse Corrado Sant'Anna. As Princess Sant'Anna, Marianne returns from the prince's haunted domain near Lucca to find herself welcomed as a leader of Parisian society.
Adelaide d'Asselnat. A French cousin of Marianne's, an elderly spinster. Marianne found her living in hiding in the attics of her house and prepared to burn it down rather than see it occupied by an upstart. She became Marianne's companion.
Jason Beaufort. The American sea-captain to whom Francis Cranmere lost Marianne's fortune and virginity at cards. Jason generously failed to claim the second and reappeared later in Paris to become one of the few people Marianne felt prepared to trust, but he had sailed away out of reach when she tried to turn to him before her marriage to Prince Sant'Anna.
Gauthier de Chazay, a French Abbé, later Cardinal San Lorenzo. Marianne's godfather, who rescued her as a baby from the Revolution and was responsible for arranging her marriage to Prince Sant'Anna.
Count Alexander Ivanovitch Chernychev. A Cossack colonel and officer of the Russian Imperial Guard on an official mission to Paris. A noted womanizer who has been pursuing Marianne with his attentions.
Francis, Lord Cranmere. Marianne's dastardly first husband whom she had left for dead in the burning wreck of Selton Hall after forcing him to fight a duel with her. He reappeared as an English spy in Paris and attempted to blackmail her, was captured but escaped, probably through Fouché's connivance.
Quintin Crawfurd. A friend of Talleyrand with an adventurous past.
Leonora Crawfurd. His wife; lived as a girl on the Sant'Anna estates.
Matteo Damiani. Agent of the Sant'Anna estates. One of the few people close to the prince, but with a sinister history connected with the dead witch-princess Lucinda, Corrado's grandmother. Marianne crossed swords with him at the Villa dei Cavalli.
Fanchon Fleur-de-Lis, alias the Dame Désormeaux. A hideous old woman in whose hands Marianne was once a prisoner. At the time of the action, a figure in the Paris underworld and fiercely anti-Revolutionary.
Joseph Fouché, Duke of Otranto. Formerly Napoleon's chief of police, now discredited and exiled.
François Fournier-Sarlovèze. General in Napoleon's army; dedicated duellist, often in disgrace on this account, and lover of Fortunée Hamelin.
Fortunée Hamelin. A Creole lady, and a leading figure in Parisian society. Passionately devoted to the Emperor, she was entrusted by him with the task of introducing Marianne to the polite world and the two women became great friends.
Arcadius, Vicomte de Jolival. A French aristocrat and one of Marianne's staunchest friends; formerly her theatrical manager, now her business agent.
Donna Lavinia. Housekeeper and devoted retainer of Prince Corrado Sant'Anna.
Jean Ledru. One of Surcouf's seamen. Escaped with Marianne from England and was the man to whom she lost her virginity. Their subsequent relations were unfriendly.
Nicolas Mallerousse, alias Black Fish. One of Fouché's secret agents operating in England. Marianne escaped from England in his boat and he developed a deep and fatherly affection for her. She took his name in her first days in Paris. He captured Francis Cranmere and, when the Englishman escaped, vowed to track him down or die in the attempt.
Morvan the Wrecker. Leader of a band of Royalist ship-wreckers; Marianne was once his prisoner when her ship was wrecked on the coast of Brittany.
Gracchus-Hannibal Pioche. A former Paris errand boy, now, at the time of the action, Marianne's devoted coachman.
Savory, Duke of Rovigo. Replaced Fouché as Napoleon's chief of police.
Prince Corrado Sant'Anna. Marianne's second husband. The heir to great Italian estates and scion of a powerful but strangely accursed family. Suffers from some unspecified trouble which makes him live the life of a recluse. He married Marianne because she was pregnant with Napoleon's child.
Baron Surcouf. A sea-captain, famous for his free-lance activities against English shipping off the coast of Brittany.
Charles Maurice de Talleyrand, Prince of Benevento. Formerly Napoleon's Foreign Minister, now somewhat out of favour. Fouché used Marianne as a spy in his household but Talleyrand, who had known her father, recognized her and became her friend and sponsor in Parisian society on her return from Lucca.
Part I
THE TRAP
CHAPTER ONE
Tragedy at the Ball
It was the evening of the first of July and an unending line of carriages stretched all down the rue Mont Blanc and overflowed into the adjoining streets, invading even the courtyard of the big private houses whose double gates had been thrown open to provide more room and to relieve the pressure a little. It was clear, early as it was, that the ball being given by the Austrian ambassador, Prince Schwarzenburg, was a success. The Emperor himself was to be present and, what was more to the point, so was the Empress, in whose honour the party was being held, so that the twelve hundred guests felt themselves highly privileged persons while a good two or three thousand of the uninvited sat at home brooding on this unfeeling neglect.
One after another, at foot-pace, the carriages turned into the short avenue of poplars leading to the colonnaded entrance to the embassy, lit up for the occasion by great cressets of antique design flaring cheerfully in the darkness. The house, which had once belonged to Madame de Montesson, the morganatic wife of the Duc d'Orléans, was not over large and could not compare for splendour with its opulent neighbour, the Russian embassy, housed by Napoleon in the luxurious Hôtel Thélusson which he had purchased from Murat at the cost of a million francs and the Elysée Palace, but it was exquisitely decorated an
d possessed extensive grounds in which there was even a miniature farm, as well as a Temple of Apollo.
It was these grounds which had given the ambassador an idea how to provide for the entertainment of all those whom he desired to invite in spite of the comparative limitations of his drawing-rooms. He had commissioned the erection in them of an enormous temporary ballroom made of oilcloth stretched over a light wooden frame, linked to the main reception rooms of the house by a further temporary arcade. This ballroom and its delightful decorations had been the talk of Paris for a week past.
Like everyone else, Marianne had been obliged to sit for an hour or more, wedged in the jam between the house of the banker Perregaux and the embassy, before she could set foot on the acres of red carpet that covered the steps. The carriage in which she rode belonged to Talleyrand who had insisted on escorting her to the ball since, in a way, it marked her official entry into Parisian society.
'The important thing is to be there before the Emperor, eh?' the Prince of Benevento remarked. He was, as ever, a model of restrained elegance, his dark coat relieved only by the ribbons and medals of his Austrian decorations, the grandest of which, the Golden Fleece, nestled unobtrusively in the snowy folds of his cravat. 'Besides, one should always be fairly early if one wants to be noticed, and tonight I trust no one will have eyes for anyone but you.'
Indeed, that night Marianne was breathtakingly beautiful. The pale gold stuff of her dress had been chosen by Leroy, after long thought, to blend perfectly with the warm colour of her skin and the setting of her jewels, the huge, fabulous emeralds which had belonged to the sorceress Lucinda and which Nitot the jeweller had miraculously succeeded in transforming into a parure just in time for this evening. They flashed with green fire as Marianne stepped from the darkness of the carriage into the glittering fairyland of the salons, rousing an answering flash of envy in the eyes of every woman present, and of their male escorts too, although the men's desires were bent as much on the wearer as on her magnificent jewels. She looked like some fantastic, gilded statue and no man watching her as she moved forward slowly to the rustle of her long train could have said whether his admiration was given most to the perfection of her smooth features, the purity of the breast on which the scintillating green tear-drops lay quivering lightly, or to the brilliance of her eyes or the tender, irresistibly touching curve of her smiling lips. Yet not one would have dared give open expression to the feelings she aroused and this not only because she was known to be the Emperor's, but because of something at once remote and detached in the attitude of the dazzling creature herself.
Any daughter of Eve would have burst with pride to wear those fabulous gems. Probably only Madame de Metternich, newly elevated to the rank of princess, boasted stones of such fine cut. Yet Marianne wore them with an indifference that was almost melancholy and her eyes, below the tiara which so wonderfully matched their deep, uncommon colouring, were strangely absent.
A subdued murmur followed the passage of this oddly-assorted yet impressive pair. The age and austerity of the Limping Devil served as a foil to the Princess Sant'Anna's brilliant beauty. Well aware of the effect they made, Talleyrand smiled to himself behind his bland diplomatic façade. Among those present he could see the most fashionable and admired women of the Empire, women like the Duchess of Ragusa, wearing the diamonds given her by her father, the banker Perregaux, or like Marshal Ney's wife, decked in the sapphires some of which, rumour had it, had belonged to the late queen, Marie-Antoinette. And besides these, there were the great Austrian and Hungarian ladies: Countess Zichy with her famous rubies and Princess Esterhazy whose collection of jewels was accounted the richest in all the Habsburg Empire. Yet not one of them could outshine the young woman leaning so gracefully on his arm who was, he could not help feeling, to some extent his own personal creation. Not even old Prince Kurakin, though he seemed to be dripping with diamonds, or those noble Russian ladies whose massive, barbaric ornaments might have come straight from the legendary realm of Golconda, were more brilliant or more exquisitely regal than the girl at his side. He revelled with an artist's delight in Marianne's unspoken triumph.
Marianne herself neither saw nor heard. Her smile was mechanical, pinned to her face like a mask. She had the curious feeling that the only part of her which was truly alive was her gloved hand resting lightly on the Prince of Benevento's arm. Everything else was blank and dead, an icy façade lit by no inner warmth.
She could not understand what she was doing here in this foreign embassy among all these strangers whom she could feel devouring her with their eager curiosity. What had she come for, beyond a pitiful social triumph over people who had already talked over her strange story to their hearts' content and were now agog to discover more of her secret, of how the daughter of a noble house had descended to treading the boards for love of an emperor, only to rise to yet greater heights by virtue of a marriage that was stranger and more mysterious than anything else in her life?
How they would sneer, she thought bitterly, if they could but know how miserable and lonely was the woman they envied, and how heavy the heart which lay in her breast as silent and dead as a lump of lava. Life, love, passion were all gone. All her charm, her femininity, her perfect beauty, everything in her which asked only to live and nourish in the warmth of love, had been frozen into this effigy of solitary pride. Her eyes dwelt sadly on a little scene being enacted not far away from her: a girl had entered the room, following in the wake of her plumed and impressively bejewelled mama, and a young lieutenant of hussars stepped quickly forward to meet her with an exclamation of delight. The girl was very young and not particularly pretty: she was rather plump with a dull complexion and a shocking air of timidity, besides being dressed in a gown of stiff pink gauze which made her look exactly like a shuttlecock, but the eyes of the young hussar shone like stars at the sight of her, whereas they had scarcely rested on Marianne or any other of the lovely women present. To him, that awkward, insignificant girl was the most beautiful of women because he loved her and with all her heart Marianne envied the child who possessed not a fraction of what she herself had and who was yet so infinitely richer.
The young couple disappeared into the crowd and Marianne sighed as they passed from her view. She turned to greet her host and hostess, who were standing to receive their guests in the doorway of the large drawing-room from which the covered way led into the ballroom.
The ambassador, Prince Carl Philipp von Schwarzenburg, was a man of about forty, dark and stocky, his white uniform strained to bursting-point over powerful muscles. The impression he conveyed was one of strength and obstinacy. Beside him, his sister-in-law Princess Pauline seemed a picture of graceful fragility in spite of being pregnant and very near her time, a fact which she concealed most artistically beneath a muslin peplum and flowing, gold-threaded draperies. Marianne stared with amazement and considerable respect at this mother of eight children who looked like a young girl and whose whole being breathed total enjoyment of life. Then she found herself greeting this charming creature's husband, Prince Joseph, and reflected, not for the first time, that love was a very strange thing.
She collected her thoughts sufficiently to respond with grace to the Austrians' eager welcome and then allowed Talleyrand to lead her in the direction of the ballroom, still striving to throw off the odd feeling of unreality, the torpor that was enveloping her mind. At all costs, she must find something to interest her, she must try at least to look as if she was enjoying the party, if only to please her friend Talleyrand, now pointing out to her in an undertone those foreign dignitaries who came within his vision. But what did she care for any of these people?
At last, a ringing voice did manage to pierce through the dangerous fog which had wrapped itself around Marianne. In a strong Russian accent, it declared: 'My dear Prince, I claim the first waltz! It is mine by right, for I have paid for it with my blood, and would pay as much again twice over!'
The voice was a gravelly baritone, stony
as the Urals themselves, but it did at least bring Marianne back to earth. She saw that the owner of the voice was none other than her impudent pursuer from the Bois de Boulogne, the man she had already privately christened the Cossack. It was that odious Chernychev.
He stood, adroitly blocking their path, and though his words were for Talleyrand, his slanting Mongol eyes were staring boldly at Marianne. She gave a faint, scarcely perceptible shrug, not bothering to hide the contempt in her smile:
'It is yours by right? I do not even know you, Sir.'
'Then why, if you do not know me, did you frown so when you saw me? Say you dislike me, Madame… but do not say you do not know me.'
Two green sparks of anger showed briefly beneath Marianne's lowered eyelids:
'You were importunate, Sir. You become impertinent. You are making progress. Must I make myself plainer?'
'You might try, but I should warn you that we are an obstinate race and I am noted for my persistence, even among my own people.'
'Much good may it do you! I am no less determined, I assure you.'
She was about to pass on, fanning herself irritably, when Talleyrand, who had observed this encounter with a smile of silent amusement, restrained her gently.
'Perhaps I should intervene before we have a diplomatic incident on our hands, eh?' he remarked cheerfully. 'I set too much store by my friends to leave them floundering in misunderstandings.'
Marianne regarded him with a look of astonishment that was a masterpiece of gracious arrogance.
'This gentleman is a friend of yours? Oh, Prince – I knew you to be acquainted with all the world, but I had thought you more selective in your friendships.'
Talleyrand laughed. 'Lower your sword, my dear Princess, as a favour to me. I grant that Count Chernychev's manners may smack too much of the camp to satisfy the taste of a pretty woman, but what would you? He is both a brave man and something of a noble savage.'
[Marianne 3] - Marianne and the Privateer Page 1
