The action inspired Kerrigan to do the same, though neither of them had a precise target sighted.
Kerrigan defied fate and lifted his head above the protective height the log provided, readying to fire.
Then, in a single instant of time . . . there was nothing.
In darkness and without pain, Kerrigan collapsed partially on top of Feeny, the Minie ball that had shattered his skull lodged deep inside his brain.
He had not heard the blast of his own rifle or known whether he had even managed to fire it.
Nor did he feel himself die.
There had been no time to feel or know anything.
Joseph Kerrigan had merely stepped through a doorway into eternity.
“Joseph? Can you hear me?” Feeny said.
He knew there would be no answer.
More alone in the midst of a roaring battlefield than he had ever felt in his most solitary moments, Feeny was used up. Every man has a limit, and he’d reached his.
His panic became mindless and he pushed Kerrigan’s mutilated corpse away from him.
Against all the dictates of logic and common sense, Feeny turned to run as if he could outpace the flying bullets chasing him.
He could not, of course.
Feeny felt something like a sledgehammer crash into the small of his back, and he pitched forward, momentum slamming his face hard into the bloodstained earth. He groaned, tried to stand, and felt a searing pain in his right leg. Looking down, he saw a nightmare of blood and shattered bone before he collapsed onto the ground.
Then all went quiet and still and he neither saw nor heard.
For Michael Feeny, late of County Mayo, Ireland, the Battle of Shiloh, just aborning into history, was over.
J. A. Johnstone on William W. Johnstone “Print the Legend”
William W. Johnstone was born in southern Missouri, the youngest of four children. He was raised with strong moral and family values by his minister father, and tutored by his schoolteacher mother. Despite this, he quit school at age fifteen.
“I have the highest respect for education,” he says, “but such is the folly of youth, and wanting to see the world beyond the four walls and the blackboard.”
True to this vow, Bill attempted to enlist in the French Foreign Legion (“I saw Gary Cooper in Beau Geste when I was a kid and I thought the French Foreign Legion would be fun”) but was rejected, thankfully, for being underage. Instead, he joined a traveling carnival and did all kinds of odd jobs. It was listening to the veteran carny folk, some of whom had been on the circuit since the late 1800s, telling amazing tales about their experiences, that planted the storytelling seed in Bill’s imagination.
“They were mostly honest people, despite the bad reputation traveling carny shows had back then,” Bill remembers. “Of course, there were exceptions. There was one guy named Picky, who got that name because he was a master pickpocket. He could steal a man’s socks right off his feet without him knowing. Believe me, Picky got us chased out of more than a few towns.”
After a few months of this grueling existence, Bill returned home and finished high school. Next came stints as a deputy sheriff in the Tallulah, Louisiana, Sheriff’s Department, followed by a hitch in the U.S. Army. Then he began a career in radio broadcasting at KTLD in Tallulah, which would last sixteen years. It was there that he fine-tuned his storytelling skills. He turned to writing in 1970, but it wouldn’t be until 1979 that his first novel, The Devil’s Kiss, was published. Thus began the full-time writing career of William W. Johnstone. He wrote horror (The Uninvited), thrillers (The Last of the Dog Team), even a romance novel or two. Then, in February 1983, Out of the Ashes was published. Searching for his missing family in a postapocalyptic America, rebel mercenary and patriot Ben Raines is united with the civilians of the Resistance forces and moves to the forefront of a revolution for the nation’s future.
Out of the Ashes was a smash. The series would continue for the next twenty years, winning Bill three generations of fans all over the world. The series was often imitated but never duplicated. “We all tried to copy the Ashes series,” said one publishing executive, “but Bill’s uncanny ability, both then and now, to predict in which direction the political winds were blowing brought a certain immediacy to the table no one else could capture.” The Ashes series would end its run with more than thirty-four books and twenty million copies in print, making it one of the most successful men’s action series in American book publishing. (The Ashes series also, Bill notes with a touch of pride, got him on the FBI’s Watch List for its less than flattering portrayal of spineless politicians and the growing power of big government over our lives, among other things. In that respect, I often find myself saying, “Bill was years ahead of his time.”)
Always steps ahead of the political curve, Bill’s recent thrillers, written with myself, include Vengeance Is Mine, Invasion USA, Border War, Jackknife, Remember the Alamo, Home Invasion, Phoenix Rising, The Blood of Patriots, The Bleeding Edge, and the upcoming Suicide Mission.
It is with the western, though, that Bill found his greatest success. His westerns propelled him onto both the USA Today and the New York Times bestseller lists.
Bill’s western series include Matt Jensen, the Last Mountain Man, Preacher, the First Mountain Man, The Family Jensen, Luke Jensen, Bounty Hunter, Eagles, MacCallister (an Eagles spin-off), Sidewinders, The Brothers O’Brien, Sixkiller, Blood Bond, The Last Gunfighter, and the new series Flintlock and The Trail West. May 2013 saw the hardcover western Butch Cassidy: The Lost Years.
“The western,” Bill says, “is one of the few true art forms that is one hundred percent American. I liken the Western as America’s version of England’s Arthurian legends, like the Knights of the Round Table, or Robin Hood and his Merry Men. Starting with the 1902 publication of The Virginian by Owen Wister, and followed by the greats like Zane Grey, Max Brand, Ernest Haycox, and of course Louis L’Amour, the western has helped to shape the cultural landscape of America.
“I’m no goggle-eyed college academic, so when my fans ask me why the western is as popular now as it was a century ago, I don’t offer a 200-page thesis. Instead, I can only offer this: The western is honest. In this great country, which is suffering under the yoke of political correctness, the western harks back to an era when justice was sure and swift. Steal a man’s horse, rustle his cattle, rob a bank, a stagecoach, or a train, you were hunted down and fitted with a hangman’s noose. One size fit all.
“Sure, we westerners are prone to a little embellishment and exaggeration and, I admit it, occasionally play a little fast and loose with the facts. But we do so for a very good reason—to enhance the enjoyment of readers.
“It was Owen Wister, in The Virginian, who first coined the phrase ‘When you call me that, smile.’ Legend has it that Wister actually heard those words spoken by a deputy sheriff in Medicine Bow, Wyoming, when another poker player called him a son of a bitch.
“Did it really happen, or is it one of those myths that have passed down from one generation to the next? I honestly don’t know. But there’s a line in one of my favorite westerns of all time, The Man Who Shot Liberty Valance, where the newspaper editor tells the young reporter, ‘When the truth becomes legend, print the legend.’
“These are the words I live by.”
PINNACLE BOOKS are published by
Kensington Publishing Corp.
119 West 40th Street
New York, NY 10018
Copyright © 2015 J. A. Johnstone
All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the publisher, excepting brief quotes used in reviews.
To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.
PUBLISHER’S NOTE
Following the death of William W. Johnstone, the
Johnstone family is working with a carefully selected writer to organize and complete Mr. Johnstone’s outlines and many unfinished manuscripts to create additional novels in all of his series like The Last Gunfighter, Mountain Man, and Eagles, among others. This novel was inspired by Mr. Johnstone’s superb storytelling.
If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”
PINNACLE BOOKS, the Pinnacle logo, and the WWJ steer head logo are Reg. U.S. Pat. & TM Off.
ISBN: 978-0-7860-3585-4
ISBN-10: 0-7860-3585-4
First electronic edition: July 2015
ISBN-13: 978-0-7860-3586-1
ISBN-10: 0-7860-3586-2
Bad Men Die Page 23
