She paused. He said, “Go on.”
“I still wonder why she bothered to wait through his affair with the singer-songwriter. I mean, she knew it would happen, so why didn’t she cast a spell over the girl and make her lose interest in him?”
She heard him take a breath, hesitate. “You mean—”
“Yes. I mean. Far as I know, they’re still together. The witch and my bass player.”
He laughed a little, softly. “I didn’t expect that. But the unexpected isn’t necessarily weird. Complications and ironies in relationships happen to everyone.”
She raised her head to look into his eyes. “Do they happen to you?”
His eyes flickered. But it could have been the lights going out, not in a normal blink into darkness, but vanishing more slowly, accompanied by a long, deep, growling, indrawn breath that seemed to suck the light into itself, swallow it whole.
She stared back at the absolute black. She couldn’t even see the faint glow of city lights behind the window curtain; the entire planet had disappeared. Then the light came back in a stunning sheet, as though a gigantic eyelid had lifted to reveal the white of a monster’s eye.
She blinked until she could see his face again behind the prickling dazzle of aftershocks across her vision.
“Parts of your witch story were weird,” he admitted. A star gleamed in his nostril, went out; another flared and faded under his eye. “But as a whole, commonplace. Not truly weird.”
She heaved a sigh. “True weird.” She was silent, digging deep into memory. He got up after a time, rummaged through the wastebasket and pulled out the mushroom Brie. He rinsed the soap dish, a pretentious little rectangle with curved edges. He dried it, unwrapped the Brie and laid it on the dish. Then he found the fingernail clippers in his bathroom bag, rinsed and dried the little nail file tucked under the upper blade. She watched while he cut the pale, oozing cheese into chunks, wiping the file with a tissue when it got too sticky. He sat beside her on the towels, set the dish between them.
“True weird,” he said inflexibly. “Try again.”
She chose a piece from the soap dish, ate it dreamily, licked her fingers when it was gone. She settled back again. “This was when I was very young,” she said slowly.
“How young?”
“I knew how to read a few words; I might have started school. Maybe not. Young enough that everything was new. I had no concept of history, and of course my past was very short. I used to sit and try very hard to remember where I had been before I became myself. I thought there must be some kind of before, before—you know. I didn’t understand why I couldn’t remember very far back. It was before I learned that there was nothing of me before I began. It was very strange.”
“But not weird,” he said, swallowing Brie.
“No,” she said softly. “Not. Anyway, I was living overseas then. I had no idea what weird meant. Everything was, or nothing was. I had no context.”
He nodded, hooked a bite of cheese on the tiny curved tip of the file and fed it to her. He watched the movements of her full lips, her throat as she swallowed. “Go on,” he said.
“We lived in a small town, in a house so old that parts of the floor were slabs of stone. Milk was delivered in glass bottles, with the cream floating on top, so you had to shake it before you used it. A man drove floating on top, so you had to shake it before you used it. A man drove a horse-drawn wagon down our street once a week. He had a strange, piercing cry, more like a bird than a person. He was called the Rag-and-Bone man. That’s what he shouted, I was told. People gave him their garbage. His horse was slow and placid. I didn’t know then, but now I know that I was seeing something out of a distant past that would one day ride out of the world and only exist in memory.” She paused, reminiscing. “But that’s not the weirdness, because nobody back then would have called it that.”
“No,” he said, though he sounded, she thought, not entirely certain. She smiled, a quick, private smile of satisfaction while he speared another piece of Brie.
“One day I decided I wanted to ride with him on his wagon, see where he went. I filled a paper bag with odd things I found around the house that I thought nobody would miss: a chipped coffee mug, a doll missing one arm and most of her hair, a mangy teddy bear with the stuffing coming out of its seams, an old pipe of my father’s that had been lying on a windowsill for months, a pair of bedroom slippers my mother never wore—things like that. And since I thought he wouldn’t accept the bag without them, I put a rag and a bone on top of the bag. The rag was a skirt with a torn pocket that didn’t fit me anymore. The bone was something I’d found in the garden, a little hollow thing that had belonged to some bird or animal. I kept it because I liked the sound it made when I blew into it. I waited with my bag on the sidewalk until I saw the wagon coming. Then I walked into the middle of the street in front of the horse.
“It didn’t stop until it was almost on top of me. The Rag-and-Bone man was making his bird cries, high and harsh and eerie, in the quiet street. He might have been telling me to move, but I never understood anything he said. The horse—”
There was an immense thump over their heads, as though a gigantic fist had punched the roof of the building. They both jumped. The walls shuddered around them; the floor seemed to undulate. They clung to it, as to a raft on a violent sea. In the room beyond the door something hit the floor and shattered.
They waited, silent, motionless. Nothing more happened. She cleared her throat finally; he eased upright again, reaching for the Brie.
“The horse loomed over me. It seemed nothing like the slow, placid animal I expected. It was massive; it exuded darkness. Its nostrils were huge, its eyes unrelentingly black. I stood transfixed under it, holding the paper bag in my arms, unable to speak or look away from its shadowy gaze. From very far away, from another world, I heard the Rag-and-Bone man’s voice. The horse moved its head finally. I felt its nostrils whuff at my hair. Then it lowered its great head to the bag in my arms and whuffed at that.
“It opened its great, blocky teeth, picked the bone out of the bag and ate it. I heard it crunch. The Rag-and-Bone man gave a sharp cry. My legs refused to hold me; I toppled down in the middle of the street under the horse’s nose. It shouted, then, a great, fierce blare that I swear blew the hair back from my face.
“Then it somehow slipped its traces and leaped over me. I smelled it, felt its bulk, its enormous hooves clearing my head. The Rag-and-Bone man jumped into the street. For a moment I heard hooves galloping down the cobblestones. The Rag-and-Bone man ran after them. I turned, scared and astonished, just as I realized that the sound of the hooves had stopped. I saw a barefoot boy with wild black hair turn a corner with the Rag-and-Bone man running after him, and bending now and then, as he ran, to try to catch the boy’s shadow.
“They both disappeared around the corner. I scrambled to my feet, hurled the bag onto the hillock of trash in the wagon, then I ran as fast as I could back into the house and hid in the coat closet for the rest of the afternoon. When I finally peeked outside at twilight, the wagon was gone. I never saw the Rag-and-Bone man again.” She looked at the soap dish, then at him, as he sat propped on one hand, motionless, gazing at her. She said reproachfully, “You finished the Brie.”
He swallowed. “Did I?”
“Was that weird or what?”
He shook his head slowly, still holding her eyes. She felt the floor lurch again, or maybe it was her thoughts skittering over something that had suddenly loomed out of nowhere.
“Do you know,” he began. His voice had gone somewhere; it was thin, hollow, like the note blown out of a bone. “What’s even weirder?”
She tried to speak, could only shake her head in a no that turned by imperceptible degrees into a nod.
“You left your skirt with him. Your doll. Your bear. You left him things of yours to recognize you.”
“It was you,” she whispered, recognizing his dark hair, his black, black eyes.
“It wa
s you. In trouble and hiding in a closet then. Now you’re in—”
Their heads turned toward the bathroom door, as though they could see through it to the raging menace beyond. She began to laugh softly, weakly, until her laughter brought tears; she brushed at them as they fell, and then he did, his hand warm, very gentle. When she finally stopped, he moved the soap dish aside and lay back, shoulder touching hers, his hand finding hers.
“Is that,” she said shakily, “what on earth all this fuss is about? It’s your turn, now, you know. Was that the weirdest thing that ever happened to you?”
“Not even close,” he said, and waited until the ancient cry filling the room, wanting, seeking the least scrap, the smallest bone of their lives, reverberated through the plumbing pipes, rattled the screws and hinges, and finally ebbed back into silence.
Mer
the Witch had hitched a ridein some gorse plants that Lord Beale of County Cork, homesick for them, had shipped to himself in far Port Dido around the turn of the century, after he founded the town. The witch, napping amid the thorny prickles through the months of the sea journey to the Pacific Northwest, had lost track of her name when the vessel finally docked and she woke. Something to do with battles? Graculus or suchlike? Something about ravens? Never mind, it wouldn’t be the first name she had mislaid. Leaving the gorse, she caught sight of letters on the door sign of a small, sturdy building overlooking the dock. harbormaster, they said. Port Dido.
Dido, she thought. That might do.
A cormorant nesting in a tree greeted her with a gentle, woeful croak. She grunted back at it, then climbed gratefully into the heart of its nesting tree, a sturdy spruce, and, still feeling the slightest bit seasick, she went back to sleep for a time.
When she finally emerged, the birds had gone, the tree had died of their guano, and there was considerably more of Port Dido than there had been before.
She half-saw, half-sensed that. She could see in the dark; she could understand the gist of the language of leaves. She could hear laughter within the tavern on an island up the estuary a mile away, and she understood the gist of that as well. Most around her were asleep, lulled by the distant roar of tide at the mouth of the bay. But not everyone.
Spring, she thought, smelling it. And then she saw the face of the moon.
It was full and luminous, a great wide eye above the high forests and the silent waters of the estuary. It was staring straight at her. So, she realized suddenly, was someone—something?—else.
A goddess, she thought, startled, and she heard herself bleat like one of the dark, snake-necked birds she had last spoken to. She was still invisible to humans, but beyond that boundaries got nebulous. This goddess she recognized as one that took her power from the moon, but she had no idea what name that power claimed in this ancient place.
Nor, she remembered, did she know her own.
“I need a body,” the goddess said inside the witch’s head. “It’s that time of the century. The one I have now is tired and needs a break.” Her sacred voice sounded taut, restless, barely constrained; the witch felt her own bones smolder and shine, becoming illuminated with the intense, radiant scrutiny. “You recognized me. You know me—”
“I did once,” the witch agreed, “but in a place very far away, and by a different name. Which,” she sighed, “I have completely forgotten, along with my own.”
“Perfect,” the goddess said briskly. “Listen. Do you hear me?”
The witch did indeed: the roaring, growling turmoil along the edges of the earth, the rear and smack, the long, long roll, the break and thunder, the slow hiss, the whisper and pop of clams dancing in the tidal foam.
“Yes, Mistress,” she said. She was fearless, adventurous—why else was she there?—and she had, as yet, no other place in the vast new world. Why not this?
“It’s only for a hundred years,” the goddess assured her. “And then you’ll find someone to take your place. You will be feared, loved, cursed, praised, studied; you will be the flow of life; you will be bitter death; you will serve the moon, the sea, and all those your foamy fingertips can reach. Oh, and you will be worshipped. They’re an odd lot, the worshippers, but very dedicated. You will be visible to them only once, near morning: the new face of my power.” The goddess’s voice was getting fainter, or the tide was getting louder, roiling into the witch’s heart, into her blood. Her foamy fingers seemed everywhere, all around and very far away, following the path of the moonlight down the long pull of water. “Look this borrowed body up,” she heard, “when you’re yourself again. It’ll be around.”
She had no time to answer, learning names, shapes for everything she touched: every scale, worm, new thin shell, tiny unblinking eye, every floating strand of grass, transparent thread of jelly, everything new, just being born, all at once it seemed and already as moonstruck as she.
In the darkest hours she had reached the far edges of her realm, exploring every winding channel, every narrowing stream, every churning edge where the tide sculpted the world to its shape.
That’s when she saw their fires and heard her name.
She appeared to them in the goddess’s shape: a being made of spindrift, eyes of iridescent purple-black nacre, hair white and wild as spume, a voice like the most tender lilt and break of foam. She greeted them. The figures around the fires, all human, all women, all went as still as the great trees above them, boughs lifted as though to receive the descending moon.
Then they leaped to their bare feet, laughing, clapping, calling to the goddess, the same word again and again, which, the witch/goddess realized sometime later, as she busily withdrew herself across the mudflats and back into the sea, must have been her name. Her final coherent thought for a century was that, once again, she had forgotten it.
A hundred years later, give or take the time the moon took returning to the full, the witch, exhausted and desperate for a change of shape, poured all the powers of the tidal goddess into the first likely body that gave permission. The body, half-human and half-local spirits, seemed surprised at the forces, but on the whole quite curious, and responded with alacrity to her changed state.
The witch, herself again, crept with great relief into the heart of a wooden female shape nearby and went back to sleep.
Jake Harrow and Scott Cowell were trying to load the seven-foot wooden mermaid with her scallop-shell bra and her long blue tail with the cormorant perched in its curve off one end of the Port Dido bridge into the back of Markham Cowell’s pickup truck when all hell broke loose.
It was after midnight and the town was asleep. Then it was dawn, or some lurid, colorless version of light, by which the two young men could suddenly see one another’s pallid, surprised faces beneath the mermaid’s cheery red smile. In the same nanosecond the bell in the tower at Our Lady of the Cormorants pealed like someone had whacked it with a tire iron, and a cannon blew off next to them. They leaped. The mermaid slid out of their hands and toppled toward the back of the pickup, which is what they had wanted her to do in the first place. But the pickup was no longer there, Markham having stomped the accelerator at the sound of the blast, sending the truck careening halfway across the bridge.
The mermaid fell on her back and slid down the embankment into the bay.
For one stark moment, by the light of the streetlamp in the middle of the bridge, they saw her smile under the shallow wash of the tide. Then she sank a little deeper into darker water. Markham and Jake stared at where she had been, and then at each other. Lights were flicking on all around them in houses on the cliffs and along the water, in the Marine Institute’s dorms, in the harbor where those who lived on their boats were scrambling onto the docks. There was a squeal of tires, a rattle of muffler as Markham backed wildly; Jake and Scott leaped to meet the truck, flung themselves inside.
“What the hell—” Markham breathed, shifting gears.
“Go,” Jake said tersely.
“Where’s the mer—”
“Go!”
They ventured back near dawn, on the off chance that the mermaid herself hadn’t gone anywhere, and they might winch her out of the water before anyone else noticed her. But the slowly awakening sky revealed nothing, except that, where mermaid had been, there was now none. Most, Jake guessed, were so used to seeing her they didn’t much notice her anyway, there or not. They would notice, maybe even remember, the three standing where she usually stood, looking down the bank for something in the water.
“Must have sunk like a stone,” Markham murmured bemusedly.
“Most logs don’t,” Scott argued. “They float.”
“Then she floated away.”
“Let’s take a walk on the docks,” Jake suggested. “Look for her there. The bridge is going up, and people idling here are going to notice our faces instead of hers.”
Fishing boats on the landward side of the harbor were heading out to sea. Two slabs of tarmac rose to sandwich air so they could get by, and traffic had begun to line up along the road. The three crossed between idling cars to where they had left the truck behind Sylvia’s Bait and Tackle. When the bridge folded itself down again, they drove across, and turned onto Port Dido’s single busiest street, where you could rent crab rings, buy groceries, find a beer and a barstool, or, at the far end of it, an education in marine biology. From there they took a side street, passed the fish-processing plant, several ancient restaurants, and the Landlubber, Port Dido’s only motel. The street ended in the parking lot beside the harbor.
The three walked down a ramp and separated on the docks to search between trawlers, sailboats, cruisers, motorboats, and scows for the mermaid that might have gotten washed between them and wedged there by the tide. Everyone Jake passed, crabbers with their rings in the water, boat people gathered for coffee on one another’s decks, talked about the same thing: the ferocious flash of light, the wild jangle of church bell like a call to judgment, the instantaneous detonation of thunder. Hell, he thought, even the harbor seals clustered on their favorite dock were probably barking it over.
Dreams of Distant Shores Page 2
