The Dwarf

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The Dwarf Page 11

by Pär Lagerkvist


  Afterward my lord remained sitting with his glass in his hand and his absent gaze seemed to be contemplating the world through it.

  The ripple of voices began again and I do not know exactly how long it lasted; that kind of thing is difficult to reckon, one loses a sense of time. I was far too strung up, violently and indescribably so, and furious because Giovanni had not touched his wine. Aflame with wrath I saw Angelica smile faintly and pull it toward her, pretending that she wanted to drink it herself. I had hoped that they would both do so, that in their infatuation they would want to drink from the same source; but neither touched it. Perhaps the accursed girl suspected something, perhaps in their prurient exaltation they felt no need of wine. I seethed with bitterness. Why should they live? Devil take them!

  Don Riccardo on the other hand gulped it down in a single draught. He emptied this his last goblet to the Princess, saluting the “lady of his heart” as usual. In a last attempt at wit he gesticulated humorously with his useless right arm and raised the excellent libation which I had served him with his left hand, smiling the while that much admired but essentially vulgar smile of his. And she smiled back at him, first rather mischievously, and then with that moist desirous glint in her eyes which I find so sickening. I cannot understand how anybody can have that kind of expression in his eyes.

  Suddenly il Toro gave vent to a weird howl and stared straight ahead of him with stiff glaring eyes. Two of his men who had been sitting on the same side of the Prince’s table hastened to him, but simultaneously began to stagger, seized the edge of the table and collapsed on their seats, where they writhed in agony, groaning something about having been poisoned. Not many heard them, but one of the others, who was not yet so seriously affected, shouted to the whole room: “We are poisoned!” Everybody sprang up and confusion reigned. Other members of il Toro’s suite leaped up with drawn daggers and other weapons and rushed to the central table where they attacked our men and tried to push their way through to the Prince. But his followers had risen in their turn to defend themselves and their lord, and a terrible tumult began. There were many killed and wounded on both sides and blood flowed in torrents. It was like a battlefield indoors among the decked tables, between drunken red-faced war-riors who after sitting peacefully beside each other suddenly found themselves fighting desperately for their lives. Screams echoed from every side and drowned the groans and sighs of the dying. Ap-palling curses summoned all the devils in hell to this spot where the foulest of all crimes had been committed. I climbed onto a chair so as to get a good view of what was happening about me and stood there, frenzied with excitement, surveying the tremendous results of my work: the extirpation by me of this loathsome race which deserves noth-ing else. I saw how my mighty sword went forth over them, pitilessly destructive, demanding ven-geance and punishment for everything. How I dis-patched them to burn eternally in the fires of hell! May they burn forever! All these creatures who call themselves men, and who inspire such disgust and nausea! Why should they exist? Why should they revel and laugh and love and overrun the earth? Why should these lying dissemblers and braggarts exist, these lustful shameless creatures whose virtues are even viler than their sins? May they burn in the fires of hell! I felt like Satan himself, surrounded by all the infernal spirits invoked at their nocturnal meetings, swarming around them with grinning faces, dragging their souls still hot and stinking from their bodies, down into the kingdom of death. I felt my temporal power with a joy greater than I had ever known, and so acute that I nearly lost consciousness. I felt how the world had, through me, been filled with terror and doom, and transformed from a brilliant feast to a place of fear and destruction. I brew my draught and princes and powerful nobles groan in their death pangs or wallow in their blood. I offer my potion and the guests at the lavish tables grow pale and their smiles fade and none raises his glass again or prates of love and the joy of living. For after my drink they forget all the beauty and wonder of life and a mist enfolds everything and their eyes fail and darkness falls. I turn down their torches and extinguish them so that it is dark. I assemble them with their unseeing eyes at my somber communion feast where they have drunk my poisoned blood, that which my heart drinks daily, but which for them spells death.

  Il Toro sat motionless. His face was blue and his underjaw with its sparse beard viciously lowered as though he wanted to bite somebody with his brownish tusks. He was a frightful sight with his eyes bulging yellow and bloodshot from their sockets. Suddenly he twisted his hunched neck around as though trying to dislocate it, and the clumsy head lurched over on one side. At the same time his short bull body arched itself backward in a bow, jerked convulsively as though stabbed- and he was dead. By now all his men at the Prince’s table were writhing in infernal agony, but it was not long before they too ceased to give any sign of life. As for Don Riccardo, he died leaning back with half-closed eyes as though reveling in my drink, much as he used to do when he had tasted a really rare wine; suddenly he threw out his arms as though wanting to embrace the whole world, fell backward, and died.

  During the fighting and confusion nobody had any time for those who were dying, so they had to expire in their own way as best they could. Only Giovanni, who had been sitting on the same side as il Toro and who, thanks to the damned girl, had not tasted my potion, hurried forward to his father and stood bending over his horrible body as though under the delusion that he could help him. But a burly man with fists like those of a blacksmith elbowed his way to him just as the old scoundrel breathed his last, seized the lad as though he had been a feather and dragged him through the hall. The young coward allowed himself to be taken away and thus escaped us. Devil take him!

  The tables were upset and their furnishings trampled underfoot by the combatants who were now quite insane with bloodlust. The women had fled shrieking, but in the midst of all the desolation I saw the Princess standing as though petrified, with rigid features and glassy eyes. Her cadaverous pallor contrasted comically with the paint which still remained on her middle-aged face. Some of the servants managed to lead her from that terrible room, and she followed them listlessly, as though unaware of where she was or whither they were conducting her.

  Though inferior in number, il Toro’s men still brandished their inadequate weapons as they retreated toward the exit doors. The battle continued on the stairs, and they were pursued down them and out into the square. Here the sorely pressed enemy was relieved by Montanza’s bodyguard which had been summoned from the Palazzo Geraldi and, under cover of the latter, they contrived to make their escape from the town. Otherwise they would undoubtedly have been mowed down to the last man.

  I stood there alone in the abandoned hall, now in semidarkness since all the candelabra had been thrown onto the floor. Only the ragged, apparently half-starved urchins remained, creeping around with their torches and hunting among the corpses for scraps of food and grimy delicacies, which they devoured at incredible speed, simultaneously grabbing as much of the silver as they could hide beneath their tatters. When they judged it unsafe to stay any longer, they threw away their torches and stole out with their booty on padding naked feet, and I was left alone in the room. Undisturbed I gazed around me, sunk deep in thought.

  The flickering rays of the dying torches illuminated the mutilated corpses of friend and foe, lying in their blood on the stone floor among the trampled bloodstained napery and the remnants of the great banquet. Their festal garments were torn and dirty and their pallid faces still twisted and evil, for they had died fighting in the midst of their mad fury. I stood there, surveying everything with my ancient eyes.

  Brotherly love. Eternal peace.

  How these creatures love to discuss themselves and their world in great and beautiful words!

  When I waited on the Princess as usual the next morning in her bedchamber she was lying there supine with empty eyes and withered lips. Her mouth was closed as though it would never open again, and her hair was spread in a colorless tangle on the crumpled pill
ow. Her hands lay slack and motionless on the coverlet. She did not notice my presence though I was standing in the middle of the room watching her and waiting for her to express some behest. I could examine her as much as I wanted. The paint was still there but it was the only token of any kind of gaiety; her skin was dry and faded and her neck wrinkled despite its fullness. Her once expressive eyes stared blankly, all their radiance gone. It was incredible that she could ever have been beautiful, ever been loved and embraced by anybody. Even the thought of such a thing seemed grotesque. She was just an ugly woman lying there in bed. At last.

  THE COURT is in mourning for its jester. The funeral took place today. All the household, the knights and nobles of the town followed him, and so of course did his own subordinates who must genuinely regret him, for it must be agreeable to be in the service of such a careless and extravagant master. Crowds stood gaping in the streets as the procession went on its way; the poor brutes are said to have liked the frivolous jackanapes. Oddly enough, such people appeal to them. While starving themselves, they enjoy hearing about the carefree extravagant lives of others. They are said to know all the stories about him, his escapades and successful “jests,” and relate them in their dirty hovels around his palace. Now he was giving them an additional treat and letting them join in his magnificent funeral.

  The Prince headed the cortege, with bowed grief-stricken head. He is always admirable when playing a part. Yet perhaps it is not really so admirable, since concealment is in his nature.

  Nobody dared murmur a word. What they may subsequently say in their huts and palaces is of no importance. It has been represented as a fatal mistake; Don Riccardo chanced to drink the poisoned wine which was intended for the exalted guests. His unquenchable thirst being universally known, it is taken for granted that he was himself responsible for his tragic end. Apart from this everybody believes what he chooses. All are pleased that Montanza and his men should have been poisoned.

  The Princess was not present at the funeral. She is still lying motionless and remote, refusing to eat. That is to say, she does not refuse, for she does not speak at all, but they cannot get anything down her throat. The stupid chambermaid bustles about, red-eyed and bewildered, sighing and mopping her pasty fat cheeks.

  Nobody suspects me, for nobody knows who I am.

  IT MAY well be that he really mourns him; for such as he it is not impossible. I should imagine that he enjoys mourning him and finds it noble and seemly. Chivalrous selfless grief is always an elevating and agreeable sensation. Besides, he was very attached to him even if he did want him to die, and now that he has gone he cherishes him more than ever. Previously there was always something which hampered and disturbed his feelings for his friend, but now it exists no longer. Now that he has attained his desire he feels fonder than ever of him.

  Everybody is talking about Don Riccardo, what he was like, how he lived and died, what he said and how splendidly he acted on this or that occasion, what a perfect knight he was, what a gay and gallant man. In a way he seems to be more alive than ever, but it is apt to be like that directly after a death. It soon passes over. Nothing is so sure as the final oblivion.

  And yet they say that he will never be forgotten. And by falsifying him into something monstrously charming and extraordinary they hope to be able to keep him alive forever. They have a strange antipathy to death, especially in reference to some of their dead. His legend is in process of creation, and those who know the truth about this rake, this foolish empty-headed buffoon, must be amazed at the results. The fact that the whole thing is a lie from start to finish does not bother them in the least; to their minds he personified gaiety and poetry and God knows what, and now the world is no longer the same since they can never hear his horse-laughter again. His joyous pranks are ended, and they are altogether overwhelmed and distressed by their loss and the void he leaves behind him. They thoroughly enjoy mourning him.

  The Prince joins most generously in this sentimental entertainment. He listens wistfully to the paeans of praise and sometimes adds a word of his own which seems all the more beautiful for having come from him. Otherwise I cannot help thinking that he is quite satisfied with his little assassin, his little bravo; though naturally he does not show it. He has not said a word to me on the subject, neither of praise nor blame. A prince need not pay any attention to his servants if he does not wish to.

  He avoids me. He always does after that kind of thing.

  The Princess makes no display of her grief. I do not quite know how this should be interpreted. Presumably it means that she mourns him deeply. But she just lies there staring.

  I am the cause of her grief; and if she is desperate it is for my sake. If she is changed and never again will be as before, it is for my sake. If she lies there like an ugly old woman no longer caring about her appearance, that too is for my sake.

  I could never have believed that I had such power over her.

  THE MURDERS have made the Prince very popular. Everybody says that he is a great prince. Never before has he triumphed so over his enemies and been the object of such admiration. We are proud of him and consider that he has shown unusual cunning and energy.

  Some wonder if any good can come out of it all. They say that they have evil premonitions, but somebody always has. The majority are delighted and cheer whenever he shows himself. Nearly everyone is susceptible to the charm of a prince who hesitates at nothing.

  Now the people await a really peaceful and happy era. They think he did well to cut off the heads of the neighbors so that they can no longer disturb their happiness.

  They think of nothing but their happiness.

  I wonder what mighty schemes he is nursing now, if he meditates attacking them again, marching straight on their town and taking possession of it and the whole country. It would not be difficult, since all their leaders and chief citizens are out of the way. That child Giovanni is nothing to worry about, he will not cause us any trouble-a cowardly lad who runs away as soon as anything happens. He ought to be captured and taught how to behave like a man.

  It is obvious that he means to harvest the fruits of the murders. Otherwise there would be no sense to it. He cannot content himself with things as they are. Of course one must reap that which one has sown.

  There are some foolish rumors that Montanza’s people have taken up arms in their anger and sworn to avenge their prince and his men. Of course that is only talk; it is quite likely though that they feel angry about it. They were meant to. But no one can believe that they should have taken up arms to avenge such a prince; even if they have it is of no consequence. A people without a leader is nothing but a miserable flock of sheep.

  THEY SAY that an uncle of young Giovanni has taken command, and that it is he who has sworn revenge. That seems more credible. The people do not avenge their princes, why should they? Their life is the same under them all and they are thankful to be rid of at least one of their tormentors.

  He is said to be a man of the same kidney as il Toro, but hitherto was never allowed to play an important part. His name is Ercole Montanza and he is reported to be dangerous, but no soldier. He seized the reins to save the country from the mortal peril which threatens it, according to himself, and at the same time he tries to set aside the youthful heir as being too weak for a prince, whereas he himself is of the true Montanza blood and there-fore considers himself fitter to reign. This seems even more credible. It is just like most of the happenings in this world.

  My prophecy may be on the way to fulfillment, that the youth with his hinds’ eyes and the locket on his breast is destined never to sit on a throne.

  CONSIDERABLE forces have been assembled to exact this vengeance and have already begun to pour into the country through the glen beside the river. Boccarossa leads them; together with his mercenaries he has undertaken to die for the new Montanza in exchange for a wage double that paid by our Prince. They burn and pillage and aim principally at helping others to die.

  Our g
enerals have hastily collected troops with which to check their advance. Once more the town is full of soldiers on their way to the front to resume their trade.

  The Prince is doing nothing.

  Our resources are limited, since so many men were killed in the former war. It is not easy to find sufficient men who can be used and know more or less what to do when under fire. However we are scraping together all that is left, and that ought to be as many as Montanza can collect, for they also have had grave losses which must have tapped their best blood. The enthusiasm is not quite the same as before, but our men submit themselves willingly, realizing that it is inevitable. They realize that they must accept their fate and that life is not meant for happiness alone.

  The invaders are approaching the town and all checks are merely temporary. Our troops cannot resist them for long but must always end up by retreating. All the reports are depressing and monotonous, and mention only withdrawals and losses.

  The enemy ravages the land through which he passes. The villages are plundered and burned and any inhabitants in his path are slain. The cattle are stolen, slaughtered, and roasted over the camp-fires, and what is over is taken in the baggage wagons for future use. The cornfields are burned. Now Boccarossa’s legionaries can do as they please and they leave no living thing behind them.

  Refugees trail into the town through the postern gate with their carts full of the queerest possessions, pots and pans, bedcovers and dirty rags, all kinds of old rubbish laughable in their worthless-ness. Some of them lead a goat or a miserable cow by the horn, and they all look terrified. Nobody wants them here or knows why they have come. They sleep in the squares beside their beasts, and the town is beginning to look like a mucky village; the stink in their vicinity is appalling.

 

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