by Brom
Who came first? Santa Claus or Krampus? It could be argued that they both sprouted from the same origins, but variations of Krampus far preceded any of the more humanized, charitable versions of Santa Claus.
Winter solstice and its associated celebrations date back long before the birth of Christ. Yule sprang from pagan winter festivals in Germanic regions, celebrating the rebirth of the land with feast and sacrifice, and tied into Odin’s Wild Hunt and other Norse myths and legends. One of the more prominent symbols of Yuletide is the Yule Goat, which is one of the first manifestations of the Krampus that we so dearly know and love today.
From the beginning, Krampus represented the change of seasons, a nature and fertility god who chased away wicked spirits and assured a bountiful growing season in return for tribute. Later, he was assimilated into the evolving lore and legends of Germany and Austria. This lore spread into Croatia, Czech (Slovakia), Slovenia, Switzerland, and northern Italy. The original Yule Goat was said to be an ugly creature that frightened children while making certain that Yuletide traditions were carried out properly. Later, the Yule Goat, or Krampus, was also attributed with handing out Yule gifts.
In some legends, Krampus has been associated with or said to be a version of the Norse god Loki, who is at times portrayed as a horned, devilish trickster figure. These legends also suggest that Krampus carted children away to Hell, or Hel, Loki’s daughter. These early manifestations had no association with Saint Nicholas.
Once Christianity came along, Krampus was cast, along with many other horned nature spirits, into the role of a demon or devil. Despite several attempts over the centuries by the church and some European governments to stamp out Krampus celebrations, Krampus and Yuletide have endured and, as with most pagan traditions, have been adopted (or as Krampus would argue, stolen) by and into their Christian counterparts, such as the bringing of evergreen trees and wreaths inside the home, and the leaving of gifts in socks or boots.
Santa Claus’s origins can be traced back to early Norse mythology, and I seized upon historians’ associations of Santa Claus with the white-bearded Odin. But after digging deeper, I felt Odin’s son Baldr made a closer comparison. It is written that Baldr was loving, gentle-natured, gracious, and fair to behold, and that he spread charity and goodwill among the downtrodden—a Christ-like figure in many ways, including his death and rebirth. His legend fit perfectly into my tale, from his tragic death by a mistletoe spear at the hands of his blind brother Hoor (guided by Loki) to his subsequent imprisonment in Hel and eventual rebirth after Ragnarok and the fall of Valhalla.
As much of Europe transformed from paganism to Christianity, a few of their gods and spirits made the transition with them, in one form or another, but most were left behind and forgotten. This adaptation to a changing religious landscape also fit perfectly into what I was trying to depict.
Saint Nicholas as a Christmas figure is probably the first recognizable incarnation of our modern Santa Claus. Though the real Saint Nicholas died in 342, he was not recognized as a saint until the 800s, around the same time that Christmas was established as a holiday. He gained widespread popularity in the 1200s as pagan practices began to wane, and Christmas hit its stride in the late 1300s and 1400s. It was during this period that Krampus first became known as a Christmas devil and Saint Nicholas’s slave.
In the 1500s, the gift-giving figure of Father Christmas rose in popularity, followed in the 1700s by the first mention of Santa Claus as “St. A. Claus.” In 1809, the novelist Washington Irving wrote A History of New York, inventing the modern version of Santa Claus, followed shortly thereafter by Dr. Clement Moore’s famous poem, “A Visit from St. Nicholas.” The 1930s Coca-Cola ads by Haddon Sundblom established the current well-known, cheerful, chubby-faced Santa Claus in his bright (and conveniently Coca-Cola red) suit.
So it was this rich tapestry of legends and mythology that inspired my story. I discovered many other wonderful elements along the way and here are a few of them:
Angels: In Belgium, Germany, Poland, Ukraine, and Austria, angels often accompanied St. Nick on his Christmas runs. In the Czech and Slovak tradition, the angel is a protector of children against the devil.
Belsnickels: Another of the many variations on Krampus, the Belsnickel tradition was brought over to America by early German immigrants. Some of the Belsnickels were known to wear masks and dress in shaggy bearskin coats or skunk-skin caps. They often carried whips, sticks, or sometimes even shotguns, handing out treats and doling out punishment to children as they found befitting.
Boone County, West Virginia: Though the township of Goodhope is fictional, many of the other locations in this book are based on actual places in and about Boone County. Boone County captured my attention due to its long history of colorful characters, bandits, and musicians, such as the dancing outlaw Jesco White and his notorious family; singer-songwriter Billy Edd Wheeler; and the local, legendary one-man-band Hasil Adkins (see more below).
Geri and Freki: Odin’s wolves.
Hel: Both the name of the Norse netherworld and its queen, Hel (Loki’s daughter).
Huginn and Muninn: Odin’s ravens.
Perchta: Female witch/spirit that roamed the midwinter countryside of Bavaria and Austria. Punished or rewarded children depending on their behavior during the year.
Spain: The Dutch tale goes that Saint Nicholas lives somewhere in Spain and arrives in Amsterdam each December by ship, to hand out presents to good girls and boys. I can certainly understand why Santa would rather live in Spain than the North Pole.
Tanngrisnir and Tanngnost: The goats that pulled Thor’s chariot through the sky.
Hasil Adkins (1936–2005): Is famous for such songs as “No More Hotdogs,” which includes the poetic line: “I’m gonna cut your head off, and you can eat no more hot dogs,” and such timeless lyrics from the song “She Said” as:
I wen’ out last nigh’ and I got messed up
When I woke up this mornin’, shoulda seen what I had inna bed wi’ me
She comes up at me outta the bed, pull her hair down the eye
Looks to me like a dyin’ can of that commodity meat . . .
In 2005, Hasil was deliberately run over in his front yard by a teenager on an ATV and he later died from his injuries.
Areas in Boone County, like so many other rural communities, are suffering from the tragic effects of the growing meth epidemic. Strip-mining is also taking a devastating toll on both the community and the land.
It has been a delight spending time with Krampus. I now feel a much closer kinship with him than his jolly counterpart. It is my hope that Krampus will continue to catch on around the globe and reclaim his rightful place as Yule Lord. If you share this sentiment, then be sure to leave out a few treats in your shoes this coming Yuletide and, who knows, you just might find a gold coin or two in return. If you don’t . . . well, you’ve been warned—Krampus is coming to town.
Brom
Yuletide 2011
Acknowledgments
To Diana Gill, for her downright supernatural instincts for story and character, as well as all of her hard work shepherding my musings along. I would be lost without her guidance. Thanks, Diana, for your editing voodoo.
To the phenomenal Julie Kane-Ritsch, for her continued friendship, enthusiasm, diligence, and a multitude of other superpowers. Thank you, Julie.
A lot of wonderful people worked very hard to help bring this tale to life. I would like to express my deep appreciation to the following people for all of their efforts and contributions: Jie Yang, Dale Rohrbaugh, Paula Szafranski, Rich Aquan, Pam Spengler-Jaffee, Shawn Nicholls, Jessie Edwards, and Will Hinton.
Illustrations
KRAMPUS
JESSE
ISABEL
SANTA CLAUS
PERCHTA
WIPI
NIPI
MAKWA
About the Author
Over the past few decades, BROM has lent his distinctive vision to all fa
cets of the creative industries, from novels and games to comics and film. In addition to The Child Thief, he is the author of two award-winning illustrated horror novels, The Plucker and The Devil’s Rose. Brom is currently kept in a dank cellar somewhere just outside of Seattle. Visit him online at bromart.com and facebook.com/Brom.Artist.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.
Also by Brom
The Child Thief
The Devil’s Rose
The Plucker
Credit
Cover design and illustrations by Brom
Copyright
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
KRAMPUS. Copyright © 2012 by Gerald Brom. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.
FIRST EDITION
ISBN 978-0-06-209565-7
Epub Edition © NOVEMBER 2012 ISBN: 9780062095671
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