'You say her death was a long time coming?'
'I certainly do. Ernadine refused help, went her own way. Lived on the streets. She was always a strange little girl. Wild, sullen, odd habits - strange eating habits -chalk, dirt, spoiled food. She picked at her hair, walked around in circles talking to herself. Drew pictures all day but had not a whit of talent.'
Alma Trueblood drew herself up. 'I never liked having her around. She was a bad influence on my children and I must tell you, Officer, I won't have the family drawn into anything sordid.'
'Wow,' said Stahl.
'What is that supposed to mean, young man?'
'You seem pretty angry.'
'I am not angry! I am protective. My brother needs protection - look at him. First his heart, then his liver and his kidneys. Everything's failing. I'm footing the bill for this place, and, believe me, it adds up to a pretty penny. If I wasn't, Donald would end up in some Veterans Affairs hospital. No, I won't hear of that. The Good Lord's been kind to me, and my big brother will rest here for however long it takes. Now, don't think me cruel. I regret hearing about Ernadine. However, she left the family years ago, and I won't have her ruining things.'
'Ruining things by dying?'
'By... associating us with whatever sordid life she led. We - my husband William T. Trueblood and I - are well respected in the community. We endow many worthy causes, and I won't have Mr Trueblood's name dragged into anything unsavory. Is that clear?'
'Very.'
Til thank you to leave, then.' Alma Trueblood popped the clasp on the green croc purse, offering Stahl a view of the contents. Lots of stuff inside, but everything neatly arranged - parcels wrapped in filmy tissue paper. First time he'd seen a purse that organized.
'Ever spend time in the military, Mrs Trueblood?'
'Why would you ask that? Ridiculous.' Thick fingers probed the bottom of the purse, found a small gold case that she opened. Out came a cream-colored calling card. 'Have someone inform me as to Ernadine's burial arrangements. I'll be footing the bill. Of course. Good day, young man.'
Stahl slipped the card in a jacket pocket. Great paper, heavy weight, silky gloss.
Baby sister had climbed socially.
He headed for the door.
Alma Trueblood said, 'You'd better do something about that narcolepsy of yours. I'm sure your superiors wouldn't be pleased to hear about it.'
Milo called late in the afternoon. 'Petra and I figured it's time to give Drummond's parents another try. No prints in the Honda other than Kevin's on the steering wheel and the driver's door handle, and a few scattered smudges from various Inglewood tow-yard folk. No blood, no body fluids, no weapons. No link to Erna Murphy, either, but Petra did find someone who saw her getting into a small, light car the night she was killed. Walking distance from the kill spot. Kevin's car wasn't towed till the next day.'
'Who's the witness?' I said.
'Speedfreak hustler,' he said. 'It's not sterling, but it does firm up the time frame: Kevin picks her up, finishes her off, cuts town.'
'After wiping Erna's prints from his car. Had it been washed recently?'
'Hard to tell with it sitting in the yard all this time. Lab guys did say the passenger door appeared to be too clean, as in wipedown. That's an indication of criminal intent, which is why we want to lean on Mommy and Daddy. Your suggestions and your presence would be appreciated. Psychological strategy and all that.'
'When?' I said.
'After dark. Couple of hours. I'll pick you up, Petra'll meet us there.'
'Not Stahl?'
'Petra's got him on the computer. See you in two. Start warming up the old insight machine.'
When it comes to dealing with people, you can only rehearse so much. But the three of us tried, sitting in Petra's Accord on a quiet, Encino street. The spot was two blocks west of Franklin and Teresa Drummond's house, in the shade of a shaggy, anthropomorphic pepper tree. The moonlight was feeble, just enough to transform branches to grasping limbs. From time to time a car drove by, but no one noticed us.
Petra filled us in on the Drummonds. 'Does any of that sound like breeding ground for a psycho killer, Alex?'
'So far,' I said, 'it sounds like upper-middle-class suburban life.'
She nodded, ruefully. 'I figure we focus on Frank - his being dominant and all that. If we ignore him, we run the risk of alienating him right from the start.'
'He'll come to the door alienated,' I said. 'You can start off being polite, but at some point you may need to get more assertive.'
'Threatening?' said Milo.
'If they do know where Kevin's gone, they're vulnerable to an aiding and abetting charge,' I said. 'Frank's an attorney. He may try to bluster his way through it, but I'd watch for signs of anxiety. As well as too much hostility - overreacting can be a cover.'
'So, what, we ask them to sell out their kid to save their own butts?'
'However they feel about Kevin, they may not be willing to put themselves in criminal jeopardy. At some point, I'd also focus on the financial angle. They bankrolled Kevin's magazine, so they bear indirect responsibility for whatever flowed from that. At the least, it won't help Frank's practice. In that regard, the mother might also be your target. Work on her guilt by showing her Erna's photos.'
'Who is maybe Cousin Erna,' said Milo. To Petra: 'Stahl still hasn't come up with any link, there?'
'Nope,' she said. 'Like I told you, he located Erna's dad, but he's comatose, on his way out. While he was at the rest home, he did run into a relative. Donald Murphy's sister, a real battle-ax named Alma Trueblood. More like she ran into Stahl. She says Erna had been strange all her life, refused family help.'
She turned to me. 'So we study their reactions. Three of us, two of them should make that feasible. Do we tell them Alex is a psychologist?'
'What for?' said Milo.
'Let them know the case has kicked up a notch, Kevin's being thought of as a psycho.'
Both of them waited for my answer.
I said, 'No, I'll just stay in the background. If you don't mind giving me some leeway, I'll cut in if I feel the timing's right.'
'Fine with me,' said Petra.
Milo nodded.
She said, 'You guys ready?'
A stocky man in a too-tight red Lacoste shirt, baggy khakis, black socks and bedroom slippers came to the door. Fleshy face, broad nose, wavy graying hair, keen, angry eyes. A tightly coiled man, ready to pounce.
Petra said, 'Evening, Mr Drummond.'
A ripple coursed through Frank Drummond's jaw. He looked at Milo and me.
'A battalion? What now?'
Petra said, 'We found Kevin's car.'
Franklin Drummond blinked. I'd hung back, kept most of my body concealed behind Milo's bulk, but I was studying Drummond intently. He must've sensed it because his eyes fixed on mine, and his mouth worked.
'Where?' he said.
'It was impounded, sir,' said Petra. 'Parked illegally near LAX. We're canvassing various airlines, right now, to find out where Kevin's gone. If you know...'
'LAX,' said Drummond. Sweat broke at his hairline. The brown eyes were seized by a clutch of rapid blinks. 'Goddamn.'
'May we come in, please?'
Drummond rolled his meaty shoulders and stood taller. Snapping back into litigator stance. 'I have no idea where Kevin is.'
Petra said, 'That must concern you, sir.'
Drummond didn't answer. She went on: 'At this point, Kevin's disappearance is being regarded as a criminal matter.'
'You people are ridiculous.'
Petra edged closer to Drummond. Milo and I followed. Full-court press. 'If you know where your son's gone, it's in his interest and yours that you tell us.'
Drummond's jaws clenched.
A voice behind him called out, 'Frank?' Rapid footsteps. Muffled, yet percussive.
'It's all right,' he said. But the footsteps continued, and Terry Drummond's face appeared over her husband's right shoulder. Half her face. S
he was an inch or so taller than him. Boosted by high-heeled backless sandals. Four-inch heels, not much thicker than darning needles. The percussion.
Plush carpeting contributed the muffling.
I looked at the heels again. Putting herself through foot agony in the privacy of her own home.
'Go back in,' Frank Drummond ordered her.
'What?' she insisted.
Petra told her about the Honda.
'Oh, no!'
Frank said, 'Terry.'
'Frank, please-'
'Ma'am, Kevin could be in danger,' said Petra.
Frank wagged a finger in her face. 'Now, you listen-'
'Frank!' Terry Drummond reached around, grabbed his hand, pushed down, and lowered it.
'This is inexcusable,' Frank Drummond said.
'May we come in?' said Petra. 'At this point, it's either that or the station.'
Drummond pressed his fists together and grimaced. Isometric exercise; no gain without emotional pain. 'What do you mean "this point"?'
'We found evidence in Kevin's car of criminal intent.'
'What kind of evidence?'
'Let's talk inside,' said Petra.
Drummond didn't respond.
His wife said, 'Enough, Frank. Let them in.' Drummond's nostrils flared. 'Make it short,' he said. But all the fight had been taken out of him.
The living room spoke of financial success acquired through achievement rather than legacy. The coffered ceiling was several feet too high for the modestly proportioned space. A faux-marble finish glossed the walls. Prefab moldings were slathered like whipped cream. The furniture was heavy, machine-carved, blond, bleached by too many crystal light fixtures. Machined copies of Persian rugs were arranged haphazardly over a bed of thick, beige wall-to-wall.
Three paintings: a harlequin, a ballerina, a too-bright rendition of an imaginary arroyo under a salmon-pink sky. In the landscape, flecks of silver paint passed as reflection. Dreadful. Kevin Drummond hadn't grown up with fine art.
And he'd escaped. The dingy Hollywood flat was less than an hour away, but for all intents, we were talking different planets.
His father dropped heavily into an overstuffed sofa. Terry settled herself a foot away, crossed long, dancer's legs encased in skintight capris, tossed her flame-colored hair, and displayed no self-consciousness as her unfettered breasts bobbled.
High heels, no bra. The smell of canned spaghetti wafted from the kitchen.
I wondered more about Kevin's childhood.
Frank Drummond exhaled, sat up straight. Terry Drummond's face was heavily made-up but cosmetics failed to mask her grief. Yet, her body posture remained
languid - Cleopatra-on-a-Nile-barge.
A handsbreadth between them. No touching.
Petra said, 'I know this is hard for you-'
'And you're making it a lot harder,' said Frank Drummond.
His wife tilted her face toward him but kept silent.
'What would you have us do, sir?' said Petra.
No answer.
Milo said, 'Looks like Kevin flew somewhere. Any guesses where?'
'You're the detectives,' said Frank Drummond.
Milo smiled. 'If I was in your situation, I'd like to know where my son was.'
More silence. I scanned their faces for the slightest hint of deception. The errant eye blink, the facial twitch, the merest shift in body language.
All I saw was anguish. A pain I'd seen far too often.
Parents of seriously ill children. Parents of runaways. Parents living with adolescents whose behavior had long since stopped being predictable.
The agony of not knowing.
Terry Drummond's eyes caught mine. I smiled, and she smiled back. Her husband didn't notice, sitting stiffly, eyes dulled - off in some lonely place.
Milo said, 'There is one good thing. For us, and maybe for you. Kevin never got a passport, so chances are he's still in the country.'
Terry Drummond said, 'This can't be happening.'
'Honey,' said Frank.
'This just can't be happening - please. What do you want from us?'
'Information about Kevin's whereabouts,' said Milo.
'I don't know his whereabouts! That's why I'm going out of my mind!'
'Terry,' said Frank.
She ignored him, shifted her buttocks, and showed him her back. 'Don't you people think if I knew where he was I'd tell you?'
'Would you?' said Petra.
Terry regarded Petra with contempt. 'You're obviously not a mother.'
Petra went white, then she smiled. 'Because...'
'Mothers are protective, young lady. Do you actually believe I'd want Kevin to be hounded by you people? Maybe, God forbid, get shot because he looked at you the wrong way? I know how you people operate. Trigger-happy. If I knew where he was, I'd want him safe and beyond suspicion!'
Frank Drummond regarded his wife with what seemed like new respect.
No one spoke.
Terry said, 'This is absolutely ridiculous - considering Kevin a suspect in anything. A mother knows. Are any of you parents?'
Silence.
'Ha. Thought so. Now you people listen to me: Kevin's a good boy, he's done nothing wrong. That's why I would tell you if I knew where he was. Because I am his mother.' A glance at Frank said she considered that several ranks above father.
He said, 'Okay?' in a soft voice. 'Will you please go now?'
Milo said, 'Why would Kevin leave town?'
Terry said, 'You don't know that he did.'
'His car was near the airport-'
'There could be any number of reasons for that,' Frank broke in. Pugnacious inflection. Back to lawyer's mode.
His wife shot him a disgusted look, then turned to Petra. 'If you were really interested in doing your job, young woman, you'd stop regarding my son as a criminal and look for him as if he were just a regular person.'
'Meaning?' said Petra.
'Meaning - I don't know what I mean. That's your job - your world.'
'Ma'am-'
Terry wrung her hands. 'We're normal people, we don't know how to behave in this situation!'
'Answering our questions would be a good start,' said Petra.
'What questions?' Terry shouted. Red-nailed fingers clawed the air. Trying to rip through an invisible barrier. 'I haven't heard any intelligent questions! What? What?'
Milo and Petra let her calm down, then went through their routine. Twenty minutes later, they'd learned little more than the approximate date of Kevin's last call to his parents.
Nearly a month ago.
Frank's admission. Terry blanched as he said it.
A month between calls spoke volumes about the parent-child relationship.
'Kevin needed space,' she said. 'He was always my creative one.'
Frank started to say something, stopped himself, began picking lint from the sofa.
Terry muttered, 'Stop that, you'll ruin it.'
Frank complied, closed his eyes, rested his neck on a throw pillow.
Terry said, 'Kevin's twenty-four. He has a life of his own.'
I said, 'When's the last time you sent him money?'
The subject of cash rejuvenated Frank; his dark eyes snapped open. 'Not for a long time. He wouldn't take any more.'
'Kevin refused money?'
'Eventually,' he said.
'Eventually,' I repeated.
Terry said, 'He was always independent. Never wanted to rely on us.'
'But you did finance GrooveRat,' I said.
Mention of the magazine made both of them wince.
Frank said, 'I bankrolled it in the beginning.'
'And after that?'
'Nothing,' he told me. 'You're wrong about our being involved in everything he did.'
'His life we were involved in,' countered his wife. 'He's our son, we'll always be part of his life, but...' She trailed off.
I said, 'Kevin needed to establish his own identity, and you respected that.'
>
'Exactly,' she said. 'Kevin's always had his own identity.'
Jonathan Kellerman - Alex 17 - A Cold Heart Page 30
