Stahl drove a block, hung a quick U, watched from across Sunset as Shull got out of the SUV smoking a cigar.
Dressed in a black leather jacket, black jeans, black T-shirt. Swaggering, shmoozing with the parking attendant.
No nerves; obviously, Delaware's showing up at his office didn't worry him. Just the opposite: Shull had taken Delaware's questions about Drummond as proof he was safe.
If Drummond had been Shull's partner in crime - if Drummond had known anything - Delaware's asking about him had probably accomplished something else: Drummond was now a severe liability, bye bye, Kev.
Sturgis had opined as much at the last meeting. Drummond's car near the airport meant Shull had probably taken care of the kid, used the Honda to pick up Erna Murphy, then planted it to imply Drummond's long-distance rabbit. And it had worked. All those days wasted checking out airline rosters. All the time Stahl had spent watching Drummond's apartment.
Meanwhile, Drummond was probably moldering somewhere.
Even if Drummond hadn't been in on the bad stuff, he was a likely corpse. Because his disappearance provided distraction - terrific cover for Shull.
And because Shull liked killing people.
Modern art.
Bambu's fake-grass door swung open and Shull exited with a knockout blonde in tow. Late twenties, big golden hair, a real Barbie. She wore a red glittery crop top under a short, black jacket, shredded second-skin jeans, high-heeled boots. Breasts way too high and too large to be real, too much makeup; Stahl upped his age estimate: the wrong side of thirty.
Your basic Sunset Boulevard party girl past her prime. But not a pro, she looked too happy positioned on Shull's leather arm for this to be work.
Giggling. Staggering. Giddy.
Shull smiled back at her but he was composed.
Life is going so well for me.
Stahl sat in his car and watched the two of them flirt. Fixing on Shull's macho posturing, just about feeling the heft of the sniper rifle on his shoulder.
The Expedition arrived and Shull was careful to hold the passenger door open for Barbie. Taking her hand as he did it. She kissed him in appreciation.
Once the blonde was inside, Shull and the parking valet exchanged conspiratorial glances.
Someone's getting lucky tonight, bro.
Not the girl.
Shull stayed on Sunset and continued west, through the Strip and into Beverly Hills, speeding into even ritzier Bel Air. At Hilgard, he turned south, drove through Westwood Village, got on Wilshire and resumed a westerly route.
Making Stahl's job easy, because even at this hour - 2 A.M. - the brightly lit boulevard had its share of traffic. He hung three car lengths behind the Expedition, accompanied Shull and the blonde all the way through Brentwood and Santa Monica.
Down to Pacific Coast Highway. The beach. Here, the traffic was sparse, and the job became trickier. Stahl hung back, fixed his eyes on the SUV's taillights. Shull picked up speed, traveling nearly seventy -twenty miles over the limit - as he crossed the coastal boundaries of Pacific Palisades and continued into the city of Malibu.
Going seventy-five per, eighty, eighty-five. Big hurry. No concern about being stopped on a traffic violation because he thought of himself as the kind of guy bad things didn't happen to.
Or because a speeding ticket was just money, and he had plenty of that.
Did it also mean anything of forensic value had been expunged from the SUV? A perfect cleaning was hard to pull off; one errant hair, a speck of body fluid could tell a tale. Shull didn't transport his victims, he left them in place but, still, his own garments, the seat of the car -anything could've picked up some transfer.
Yet, here he was playing Daytona 500. Was the guy that arrogant?
Stahl's mental meanderings were cut short when the Expedition made an abrupt right turn off the highway, into the parking lot of a white-board, blue-shuttered motel. The Sea Arms.
Caught off-guard, Stahl continued another quarter mile, pulled over to the shoulder, turned around, and drove back.
Parking on the beach side of PCH, he studied the Sea Arms.
Two-storied, Cape Coddish building, behind an open parking lot. No rear property, the motel was nestled against the mountains. The usual AAA endorsement, a pink neon VACANCY sign on a tall pole.
Six units on each floor, the manager's office down below to the right.
Thirteen cars in the lot, including the Expedition. Twelve occupants, plus the manager.
A. Gordon Shull, lucky boy that he was, had snagged the last empty room.
Stahl lost it. Falling asleep in his car. Rudely awakened by a rap on
the window. Blinding light in his eyes.
He opened the window and a voice barked, 'Let's see some ID.'
Stahl's hand had moved instinctively toward the hol-stered 9 m.m. concealed under his car coat, but fortunately his brain kicked in once he saw the robocop countenance of a highway patrolman.
Eventually everything was cleared up, and the CHP guy sped away in his cruiser.
Stahl sat there, humiliated. How long had he been out? Three-forty A.M. meant nearly half an hour.
The ocean roared in his head. The beach sky was full of stars; the sea was ash gray speckled with pinpoints of gold.
Eleven vehicles in the lot. Shull's Expedition, one of them.
Stahl got out, took in a headful of salt air, stretched, cursed his stupidity, got back in the car, resumed watching.
At 4:20 A.M., A. Gordon Shull stepped out of a downstairs unit. Alone, no blonde. Carrying his black leather jacket over his shoulder, rubbing his eyes. He got in the Expedition, swung out of the lot, and made a quick, illegal left turn across the highway, crossing a set of double-yellows. Speeding off back to the city. Where was CHP when you needed them?
Quick decision time: follow the bastard or check on the blonde?
Did the blonde fit Shull's pattern? Some kind of artistic type? A would-be actress? Did that qualify? Or maybe she was a dancer. Those legs.
Shull had already done a dancer. Would he repeat himself?
The one in Boston had been a ballerina. This one looked more like the lap-dance type. Enough kill variety?
He goes in with her, comes out without her. Meaning the room could be a pretty sight.
Stahl drove across the highway, straight into the Sea Arms lot. Parked at the far end, wanting to examine the spot where the Expedition had stood.
Nothing but a grease stain. Stahl walked up to Unit Five, knocked on the sea blue door, got no answer, tried the knob. Locked.
A louder knock - thunderous in the early-morning calm - brought no response, and Stahl glanced at the manager's office. Lights out. Should he wake the manager up and get a key, or pull off a do-it-yourself? The lock was a mediocre dead bolt, and his kit was back in the car. He could always say he'd found the door open.
He assessed his options, talking to himself in the stilted self-justification of courtroom cop-speak.
A serial murder suspect entered with a female companion and remained at the site for... an hour and fifty-two minutes before departing alone. I initially attempted to gain entry by knocking, and when I received no answer after a significant lapse in time, I felt the situation demanded...
The sea blue door opened.
The blonde stood there in her red crop top and ragged, tight jeans. Zipper half-up, the faintest swell of belly above pink lace panties. Low-slung thong panties; several platinum pubic hairs strayed above the elastic.
She blinked, staggered, looked at the spot where the Expedition had stood, then at Stahl.
Several beats of the rolling tide caressed the morning. The air was cold and wet and smelled of driftwood.
Stahl said, 'Miss-'
The blonde wore no makeup, was bleary-eyed, her hair stiff as a bird?s nest, the way sprayed hair got when you slept on it.
Tear streaks striped her perfect cheekbones.
Not as hard a face as Stahl had thought - cleansed of greasepaint,
she looked younger. Vulnerable.
"Who the hell are you?' she demanded in a voice that could've dissolved rust from a rain gutter.
So much for vulnerability.
Stahl showed her his badge and pushed his way in.
Despite the beach location, the Sea Arms was just another tacky motel and the room was just another moldy, by-the-day cell. Cottage-cheese ceiling, rumpled double bed with a U-pay vibrator hookup, woodite end tables, plastic lamps bolted down. A small-screen TV bolted to the wall was topped by a chart of movies by the hour, at least half of them X-rated. A mud brown carpet was marred by indelible stains.
Stahl spotted white grains on the nightstand. A folded piece of stiff paper - the coke chute. A crumpled Kleenex stiffened by snot.
Kyra Montego knew Stahl had seen the dope leavings, but she pretended to be oblivious.
'I don't understand,' she said, tight butt perched on the edge of the bed. Zipper all the way up, now. Her bra
was slung over a chair, and her nipples pushed through the red top.
She fooled with her hair, had little success organizing the wild yellow thatch.
Stahl said, 'The man you were with-'
'It wasn't like that,' said Montego.
Kyra Montego. No way that was on her birth certificate.
Stahl asked her for ID and she said, 'What gives you the right? You're implying I'm a hooker or something, and that's bullshit - you have no right.'
'I need to know your real name, ma'am.'
'You need a warrant!'
Everyone watched too much TV.
Stahl took her purse off the dresser, found three joints in a plastic baggie and placed them on the bed next to her. A long blond hair curled atop a crushed pillow.
'Hey,' she said.
He removed her wallet, found her license.
Katherine Jean Magary, address in Van Nuys, a three-digit apartment number that said she lived in a huge complex.
'Katherine Magary's a fine name,' he said.
'You think?' she said. 'My agent said it's too clumsy.'
'Film agent?'
'I wish. I'm a dancer - yeah, the kind you think, but I've also done legit theater, so don't go assuming anything about my morals.'
'I don't think it's too clumsy,' said Stahl.
She stared at him and her eyes softened - big, moist irises, deep brown, almost black. Somehow they went okay with the white-blond hair.
'You really think?'
'I do.' Stahl replaced the wallet in the purse. Put the joints back, too.
Magary/Montego arched her back and flipped her hair and said, 'You're cool.'
He talked to her for twenty minutes, but after five, he believed her.
She'd never seen Shull before, had drunk too much (wink, wink), Shull had seemed cute. Masculine. Funny. Kinda smart. From his clothes, she thought he had money.
'His clothes?' said Stahl.
'His jacket was Gucci.' Magary/Montego smiled. 'I managed a peek at the label.'
Stahl smiled back in a way that told her that had been clever and kept her talking.
Shull had spun her a good yarn, telling her he was a professor of art and a landscape painter, had exhibited all over the world, was represented by galleries in New York and Santa Fe.
'Landscapes.' Stahl remembered Sturgis's description of the Kipper woman's paintings. Sturgis had gone into detail, more than was necessary. He'd clearly liked the pictures.
'That's what he said.'
'Did he name the gallery?' said Stahl.
'Uh... I don't think so.' Katherine. Magary - he'd decided to think of her by her birth name - licked her lips and smiled and placed her hand on his knee. He let it sit there. No reason to alienate a witness.
"Was it all b.s.?' she said. 'What he told me?'
'He's not a good guy,' said Stahl.
'Oh, boy.' Katherine sighed, knocked a fist against her blond bangs. 'I've gotta stop doing this - getting wasted, getting picked up. Even when they're cute.'
'It is dangerous,' said Stahl.
'I'll bet you know all about that. Being a detective. You could tell me stories.'
'Unfortunately.'
'Yeah,' said Katherine. 'It must be fascinating. Your work.'
Stahl didn't answer.
'Was I in serious danger?' she said. 'Being with him?'
'I wouldn't go with him again,' said Stahl.
'Jesus... I'm sorry.'
Apologizing to him? He said, 'Living by yourself, you need to keep yourself safe.'
'Yeah, I do... I've been stressed-out. Haven't worked for a while.'
'Must be tough,' said Stahl.
'Oh boy. You learn to dance when you're a kid, let me tell you it's hard, it's really hard work. An Olympic athlete wouldn't work any harder. And then all they want is... you know.'
Stahl nodded. Grimy drapes pocked with cigarette burns blocked the motel room's sole window. Through the glass and the fabric, he could barely make out the rush of the tide.
Slow rhythm; easy come, easy go.
He said, 'Did he treat you okay?'
Katherine Magary didn't answer. Stahl turned to her. She was blushing.
'Was he weird to you, Katherine?'
'No. That's the point. He couldn't... you know...
he came on like a big stud and then he couldn't... so instead, we - he... I really don't want to incriminate myself.'
'You won't,' said Stahl.
She remained silent.
He said, 'He was impotent so he concentrated on packing his nose.'
'Like a pig. He wanted me to use, too, but I didn't. Honest. At that point, all I wanted to do was get some sleep, but I was nervous. Because when he couldn't, he got real jumpy - restless, pacing around. And the coke just made it worse. I finally calmed him down by giving him a massage. That's my other skill, I'm a certified massage therapist - real massage, not you-know-what. I rubbed him down real good, and he relaxed. But something about him - even when he slept he was uptight. Grinding his teeth, he had this real... unpleasant look on his face.'
She squinted, jutted her lower jaw, strained.
'Uptight,' said Stahl.
'When I met him, he was totally mellow, loose. Real easygoing. That's what I liked about him. I've had enough stress in my life, who needs bad vibes.' She shrugged. 'I thought his vibes were good. Guess I'm stupid.'
Stahl's thigh, where her hand rested, had grown hot. He patted her fingers lightly. Removed her hand and got up.
She said, 'Where are you going?'
Alarm in her voice. Stahl said, 'Stretching.'
He moved closer to the bed, stood by her.
She said, 'When I woke up - when you woke me up -
I was freaked out to learn he was gone. How am I supposed to get back to my place?'
Stahl said, 'I'll take you.'
She said, 'You're really cool.' Reached for his zipper, pulled it down very slowly.
'Nice,' she said. 'Nice man.'
Stahl let her.
I put the photocopies down. 'It's pretty obvious.' It was 10 P.M. and Milo had dropped by to show me the end-of-year summaries Elizabeth Martin had pulled from Shull's faculty file. When I scanned the material, bloated paragraphs jumped out at me. Phrases bunched together like Tokyo commuters. Disorganization, pomposity, lack of grace. Shull could plot and carry out murder with cleverness and decisiveness, but when faced with the written word, his mind lost traction.
He'd proposed a course he wanted to develop. The Cartography of Dissonance and Upheaval: Art As Paleo-Bioenergetic Paradox.
I reached into my file box, found what I was looking for: the SeldomScene review of Juliet Kipper's show penned by 'FS.' There were the words: paradoxical, cartograph, and dissonance. I searched further. When FS had picked Angelique Bernet out of 'la compagnie' he'd raved, 'This is DANCE as in paleo-instinctuo-bioenergetic, so right, so real, so unashamedly erotic'
I pointed it out to Milo. 'He recycles. Limited creativity. It's got to be frustrating.'
<
br /> 'So he's a hack,' he said. 'So why couldn't he just write
Jonathan Kellerman - Alex 17 - A Cold Heart Page 36
