When the search party came for him, Traven hid in the only logical place. Fortunately the search was perfunctory, and was called off after a few hours. The sailors had brought a supply of beer with them and the search soon turned into a drunken excursion.
On the walls of the recording towers Traven later found balloons of obscene dialogue chalked into the mouths of the shadow figures, giving their postures the priapic gaiety of the dancers in cave drawings.
The climax of the party was the ignition of a store of gasoline in an underground tank near the airstrip. As he listened, first to the megaphones shouting his name, the echoes receding among the dunes like the forlorn calls of dying birds, then to the boom of the explosion and the laughter as the landing craft left, Traven felt a premonition that these were the last sounds he would hear.
He had hidden in one of the target basins, lying among the broken bodies of the plastic models. In the hot sunlight the dozens of deformed faces gaped at him sightlessly from the tangle of limbs, their blurred smiles like those of the laughing dead.
Their faces filled his mind as he climbed over the bodies and returned to his bunker. As he walked toward the blocks he saw the figures of his wife and son standing in his path. They were less than ten yards from him, their white faces watching him with a look of almost overwhelming expectancy. Never had Traven seen them so close to the blocks. His wife’s pale features seemed illuminated from within, her lips parted as if in greeting, one hand raised to take his own. His son’s grave face, with its curiously fixed expression, regarded him with, the same enigmatic smile of the child in the photograph.
“Judith! David!” Startled, Traven ran towards them. Then, in a sudden movement of the light, their clothes turned into shrouds, and he saw the wounds that disfigured their necks and chests. Appalled, he cried out. As they vanished he fled into the safety of the blocks.
* * * *
The Catechism of Goodbye
This time he found himself, as Osborne had predicted, unable to leave the blocks.
Somewhere in the center of the maze, he sat with his back against one of the concrete flanks, his eyes raised to the sun. Around him the lines of cubes formed the horizons of his world. At times they would appear to advance towards him, looming over him like cliffs, the intervals between them narrowing so that they were little more than an arm’s breadth apart, a labyrinth of corridors running between them. Then they would recede from him, separating from each other like points in an expanding universe, until the nearest line formed an intermittent palisade along the horizon.
Time had become quantal. For hours it would be noon, the shadows contained within the blocks, the heat reverberating off the concrete floor. Abruptly, he would find that it was early afternoon, or midmorning, everywhere the pointing fingers of the shadows. Only the declining gradient of his own exhaustion gave him any indication of the days that passed. Sometimes he would make a futile attempt to escape from the labyrinth, and wander among the corridors, finally taking up his seat against one of the blocks, uncertain whether this was a new one or that which he had left.
“Goodbye, Eniwetok,” he murmured. Somewhere there was a flicker of light, as if one of the blocks, like a counter on an abacus, had been plucked away.
Goodbye, Los Alamos. Again, a block seemed to vanish. The corridors around him remained intact, but somewhere in his mind had appeared a small neutral interval.
Goodbye, Hiroshima
Goodbye, Alamagordo
Goodbye, Moscow
Goodbye, London
Goodbye, Paris
Goodbye, New York
Shuttles flickered, a ripple of lost integers.
Goodbye,—
He stopped, realizing the futility of his megathlon farewell. Such a leave-taking required him to inscribe his signature upon every one of the particles in the universe.
* * * *
Total Noon: Eniwetok
The blocks now occupied positions on an endlessly revolving circus wheel. Around and around they moved, carrying him upwards to heights from which he could see the whole island and the sea, and then down again through the disc of the concrete floor. From here he looked up at the under-surface of this concrete cap, and inverted landscape of rectilinear hollows, the dome-shaped mounds of the lake system, the thousands of empty cubic pits of the blocks.
* * * *
“Goodbye, Traven”
Near the end, he found to his disappointment that this ultimate rejection gained him nothing.
In an interval of lucidity, he looked down at his emaciated arms and legs, decorated with a lace-work of ulcers, propped loosely in front of him, the brittle wrists and hands like parcels of bones. To his right was a trail of disturbed dust, the wavering trail of slack heels.
To his left lay a long corridor between the blocks, joining an oblique series a hundred yards away. Among these, where a narrow interval revealed the open space beyond, was a crescent-shaped shadow, poised in the air above the ground.
During the next half an hour it moved slowly, turning as the sun swung, the profile of a dune.
* * * *
The Crevice
Seizing on this cipher, which hung before him like a symbol on a shield, Traven pushed himself through the dust. He climbed precariously to his feet, and shielded his eyes from all sight of the blocks. He moved forward a few paces at a time, following the scimitar of shadow as it came nearer.
Ten minutes later he emerged from the western perimeter of the blocks, like some tottering mendicant leaving behind a silent desert city. The dune whose shadow had guided him lay fifty yards from him. Beyond it, bearing its shadow like a screen, was a ridge of limestone that ran among the hillocks of a wasteland beyond this point of the atoll. The remains of an old bulldozer, bales of barbed wire and fifty-gallon drums lay half-buried in the sand. Traven approached the dune, reluctant now to leave this anonymous swell of sand. He shuffled around its edges, and sat down in the mouth of a shallow crevice below the brow of the ridge.
After dusting his clothes, he gazed out patiently at the great circle of blocks.
Ten minutes later he noticed that someone was watching him.
* * * *
The Marooned Japanese
This corpse, whose eyes stared up at Traven, lay to his left at the bottom of the crevice. That of a man of middle age and strong build, it rested on its back with its head on a pillow of stone, hands outstretched at its sides, as if surveying the window of the sky. The fabric of the clothes had rotted to a bleached grey vestment, but in the absence of any small animal predators on the island the skin and musculature of the corpse had been preserved. Here and there, at the angle of knee or wrist, a bony point glinted through the leathery integument of the yellow skin, but the facial mask was still intact, and revealed a male Japanese of the professional classes. Looking down at the strong nose, high forehead and broad mouth and chin, Traven guessed that the Japanese had been a doctor or lawyer.
Puzzled as to how the corpse had found itself here, Traven slid a few feet down the slope. There were no radiation burns on the skin, which indicated that the Japanese had been there for five years or less. Nor did he appear to be wearing a uniform, so had not been some unfortunate member of a military or scientific party—besides, the slope of the crevice was little more than a few degrees from the horizontal.
To the left of the corpse, within reach of his hand, was a frayed leather case, the remains of a map wallet. To the right was the bleached husk of a haversack, open to reveal a canteen of water and a small mess-tin.
Greedily, the reflex of starvation making him for the moment ignore this discovery that the Japanese had deliberately chosen to die in the crevice, Traven slid down the slope until his feet touched the splitting soles of the corpse’s shoes. He reached out and seized the canteen, then prized off the lid. A cupful of flat water swilled weakly around the rusting bottom. Traven gulped down the water, the dissolved metal salts cloaking his tongue with a bitter film. The mess-tin was empty b
ut for a tacky coating of condensed syrup. Traven scraped at this with the lid. He chewed at the tarry flakes, letting them dissolve in his mouth with a dark intoxicating sweetness. After a few moments he felt light-headed, and sat back beside the corpse in a delirium of exhaustion.
Its sightless eyes regarded him with unmoving compassion.
* * * *
The Fly
(A small fly, which Traven presumes has followed him into the fissure, now buzzes about the corpse’s face. Guiltily, Traven leans forward to kill it, then reflects that perhaps this minuscule sentry has been the corpse’s faithful companion, in return fed on the rich liqueurs and distillations of its pores. Carefully, to avoid injuring the fly, he encourages it to alight on his wrist).
dr. yasuda: Thank you, Traven. (The voice is rough, as if unused to conversation). In my position, you understand . . .
traven: Of course, Doctor. I’m sorry I tried to kill it— these ingrained habits, you know, they’re not easy to shrug off. Your sister’s children in Osaka in ‘44, the exigencies of war, I hate to plead them, most known motives are so despicable, one searches the unknown in the hope that . . .
yasuda: Please, Traven, do not be embarrassed. The fly is lucky to retain its identity for so long. The son you mourn, not to mention my own two nieces and nephew, did they not die for us each day? Every parent in the world grieves for the lost sons and daughters of their earlier childhoods.
traven: You’re very tolerant, Doctor. I wouldn’t dare—
yasuda: Not at all, Traven. I make no apologies for you. After all, each of us is little more than the residue of the infinite unrealized possibilities of our lives. But your son, and my nephew, are now fixed in our minds forever, their identities as certain as the stars.
traven: (not entirely convinced) That may be so, Doctor, but it leads to a dangerous conclusion in the case of this island. For instance, the blocks.
yasuda: They are precisely to what I refer, Traven. Here among the blocks you at last find an image of yourself free of the doubtful attractions of time and space. This . . . island is an ontological Garden of Eden, why seek to expel yourself into a world of quantal flux?
traven : Excuse me. (The fly has flown back to the corpse’s face and sits in one of the dried-up orbits, giving the good doctor an expression of quizzical beadiness. Reaching forward, Traven entices it on to his palm. He examines it carefully). Well, yes, these bunkers of course are ontological objects, but whether this is the ontological fly seems doubtful. It’s true that on this island it’s the only fly, which is the next best thing . . .
yasuda: You can’t accept the plurality of the universe— ask yourself why. Why should this obsess you? It seems to me, Traven, that you are hunting for the white leviathan, zero. The beach is a dangerous zone. Avoid it. Have a proper humility, pursue a philosophy of acceptance.
traven: Then may I ask why you came here, Doctor?
yasuda: To feed this fly. “What greater love—?”
traven: (still puzzling) It doesn’t really solve my problem.
The blocks, you see . . .
yasuda: Very well, if you must have it that way ...
traven: But, Doctor—
yasuda: (peremptorily) Kill that fly.
traven: That’s not an end, or a beginning.
(Hopelessly, he kills the fly. Exhausted, he falls asleep beside the corpse).
* * * *
The Terminal Beach
Searching for a piece of rope in the refuse dump behind the dunes, Traven found a bale of rusty wire. After unwinding this, he secured a harness around the corpse’s chest and dragged it from the crevice. The lid of a wooden crate served as a sledge. Traven fastened the corpse to it in a sitting position, and set off along the perimeter of the blocks. Around him the island remained silent. The lines of palms hung in the sunlight, only his own motion varying the shifting ciphers of their criss-crossing trunks. The square turrets of the camera towers jutted from the dunes like forgotten obelisks.
An hour later, when Traven reached the awning by his bunker, he untied the wire cord he had fastened around his waist. He took the chair left for him by Dr. Osborne and carried it to a point midway between the bunker and the blocks. Then he tied the body of the Japanese to the chair, arranging the hands so that they rested on the wooden arms. This gave the moribund figure a posture of calm repose.
This done to his satisfaction, Traven returned to the bunker and squatted under the awning.
As the next days passed into weeks, the dignified figure of the Japanese sat in his chair fifty yards from him, guarding Traven from the blocks. Their magic still filled Traven’s reveries, but he now had sufficient strength to rouse himself at intervals and forage for food. In the hot sunlight the skin of the Japanese became more and more bleached, and sometimes Traven would wake at night and find the white figure sitting there, arms resting at its sides, in the shadows that crossed the concrete floor. At these moments he would see his wife and son watching him from the dunes. As time passed they came closer, and he would sometimes find them only a few yards behind him.
Patiently Traven waited for them to speak to him, thinking of the great blocks whose entrance was guarded by the seated figure of the dead archangel, as the waves broke on the distant shore and the burning bombers fell through his dreams.
<
* * * *
“Eliot stayed contritely sober for two days after that, then disappeared for a week. Among other things, he crashed a convention of science-fiction writers in a motel in Milford, Pennsylvania. . . .
“‘I love you sons of bitches,’ Eliot said in Milford. ‘You’re all I read any more. You’re the only ones who’ll talk all about the really terrific changes going on, the only ones crazy enough to know that life is a space voyage, and not a short one, either, but one that’ll last for billions of years. You’re the only ones with guts enough to really care about the future, who really notice what machines do to us, what wars do to us, what cities do to us, what big, simple ideas do to us, what tremendous misunderstandings, mistakes, accidents and catastrophes do to us. You’re the only ones zany enough to agonize over time and distances without limit, over mysteries that will never die, over the fact that we are right now determining whether the space voyage for the next billion years or so is going to be Heaven or Hell.’
* * * *
“Eliot admitted later on that science-fiction writers couldn’t write for sour apples, but he declared that it didn’t matter. He said they were poets just the same, since they were more sensitive to important changes than anybody who was writing well. “The hell with the talented sparrowfarts who write delicately of one small piece of one small lifetime, when the issues are galaxies, eons, and trillions of souls yet to be born.’”
from God Bless You, Mr. Rosewater by Kurt Vonnegut, Jr.
(Holt, Rinehart and Winston, 1965)
* * * *
PROBLEM CHILD
Arthur Porges
If relief from pain can be found in absorbing mental work, then the mathematician is among the most fortunate of men. In every direction, beyond the well-cultivated plains of basic analysis, lie the unsealed peaks of the great problems, attacked, some of them for generations, and always without success. And surrounding them, or lying over the horizon, out of sight, whole new empires awaiting their inevitable conquerors.
Professor Kadar was like a man within sight of Paradise, but unable to find a path through the impassable terrain that blocked his way. He had patiently tried hundreds, all promising, only to be confronted, at the last moment, by the same yawning chasm that indicated No Highway.
Now it had checked him again. He dropped the pen, sighed, and put his head in his hands. There was a small, sucking sound, and the professor looked up. Briefly, he had forgot; that was one virtue of the thorny analysis that sprawled over a ream of yellow second sheets.
How long had the child been there? He came and went so silently these days. Perched on the tall chrome bar stoo
l, so incongruous a seat for a three-year-old, he slumped like a Buddha across from his father. And always with that same inward look. The wizened face, still wearing that aged-in-the-womb expression of the newborn infant, seemed vaguely Oriental to Kadar today. Not a Mongolian idiot, definitely, the clinical psychologist had assured him. Just retarded.
The professor’s eyes, deep-socketed and melancholy, met Paul’s, which had, he felt, an unmistakable slant. He was conscious, more strongly than ever, of his son’s sweetness and placidity. Odd that they should be so characteristic of the mentally retarded child. As if nature desired to compensate the cheated parents. Not that it was ever compensation enough. And in this case, when he remembered—could he really forget, even for a moment, even when that path to Paradise seemed open?—that Eleanor had died to birth this little vegetable, it was no comfort at all.
The Year's Best Science Fiction 10 - [Anthology] Page 32
