by Joan Didion
14.
Once I had a rib broken, and during the few months that it was painful to turn in bed or raise my arms in a swimming pool I had, for the first time, a sharp apprehension of what it would be like to be old. Later I forgot. At some point during the years I am talking about here, after a series of periodic visual disturbances, three electroencephalograms, two complete sets of skull and neck X-rays, one five-hour glucose tolerance test, two electromyelograms, a battery of chemical tests and consultations with two ophthalmologists, one internist and three neurologists, I was told that the disorder was not really in my eyes, but in my central nervous system. I might or might not experience symptoms of neural damage all my life. These symptoms, which might or might not appear, might or might not involve my eyes. They might or might not involve my arms or legs, they might or might not be disabling. Their effects might be lessened by cortisone injections, or they might not. It could not be predicted. The condition had a name, the kind of name usually associated with telethons, but the name meant nothing and the neurologist did not like to use it. The name was multiple sclerosis, but the name had no meaning. This was, the neurologist said, an exclusionary diagnosis, and meant nothing.
I had, at this time, a sharp apprehension not of what it was like to be old but of what it was like to open the door to the stranger and find that the stranger did indeed have the knife. In a few lines of dialogue in a neurologist’s office in Beverly Hills, the improbable had become the probable, the norm: things which happened only to other people could in fact happen to me. I could be struck by lightning, could dare to eat a peach and be poisoned by the cyanide in the stone. The startling fact was this: my body was offering a precise physiological equivalent to what had been going on in my mind. “Lead a simple life,” the neurologist advised. “Not that it makes any difference we know about.” In other words it was another story without a narrative.
15.
Many people I know in Los Angeles believe that the Sixties ended abruptly on August 9, 1969, ended at the exact moment when word of the murders on Cielo Drive traveled like brushfire through the community, and in a sense this is true. The tension broke that day. The paranoia was fulfilled. In another sense the Sixties did not truly end for me until January of 1971, when I left the house on Franklin Avenue and moved to a house on the sea. This particular house on the sea had itself been very much a part of the Sixties, and for some months after we took possession I would come across souvenirs of that period in its history—a piece of Scientology literature beneath a drawer lining, a copy of Stranger in a Strange Land stuck deep on a closet shelf—but after a while we did some construction, and between the power saws and the sea wind the place got exorcised.
I have known, since then, very little about the movements of the people who seemed to me emblematic of those years. I know of course that Eldridge Cleaver went to Algeria and came home an entrepreneur. I know that Jim Morrison died in Paris. I know that Linda Kasabian fled in search of the pastoral to New Hampshire, where I once visited her; she also visited me in New York, and we took our children on the Staten Island Ferry to see the Statue of Liberty. I also know that in 1975 Paul Ferguson, while serving a life sentence for the murder of Ramon Novarro, won first prize in a PEN fiction contest and announced plans to “continue my writing.” Writing had helped him, he said, to “reflect on experience and see what it means.” Quite often I reflect on the big house in Hollywood, on “Midnight Confessions” and on Ramon Novarro and on the fact that Roman Polanski and I are godparents to the same child, but writing has not yet helped me to see what it means.
1968–1978
II /
CALIFORNIA
REPUBLIC
James Pike, American
It is a curious and arrogantly secular monument, Grace Episcopal Cathedral in San Francisco, and it imposes its tone on everything around it. It stands directly upon the symbolic nexus of all old California money and power, Nob Hill. Its big rose window glows at night and dominates certain views from the Mark Hopkins and the Fairmont, as well as from Randolph and Catherine Hearst’s apartment on California Street. In a city dedicated to the illusion that all human endeavor tends mystically west, toward the Pacific, Grace Cathedral faces resolutely east, toward the Pacific Union Club. As a child I was advised by my grandmother that Grace was “unfinished,” and always would be, which was its point. In the years after World War I my mother had put pennies for Grace in her mite box but Grace would never be finished. In the years after World War II I would put pennies for Grace in my mite box but Grace would never be finished. In 1964 James Albert Pike, who had come home from St. John the Divine in New York and The Dean Pike Show on ABC to be Bishop of California, raised three million dollars, installed images of Albert Einstein, Thurgood Marshall and John Glenn in the clerestory windows, and, in the name of God (James Albert Pike had by then streamlined the Trinity, eliminating the Son and the Holy Ghost), pronounced Grace “finished.” This came to my attention as an odd and unsettling development, an extreme missing of the point—at least as I had understood the point in my childhood—and it engraved James Albert Pike on my consciousness more indelibly than any of his previous moves.
What was one to make of him. Five years after he finished Grace, James Albert Pike left the Episcopal Church altogether, detailing his pique in the pages of Look, and drove into the Jordanian desert in a white Ford Cortina rented from Avis. He went with his former student and bride of nine months, Diane. Later she would say that they wanted to experience the wilderness as Jesus had. They equipped themselves for this mission with an Avis map and two bottles of Coca-Cola. The young Mrs. Pike got out alive. Five days after James Albert Pike’s body was retrieved from a canyon near the Dead Sea a Solemn Requiem Mass was offered for him at the cathedral his own hubris had finished in San Francisco. Outside on the Grace steps the cameras watched the Black Panthers demonstrating to free Bobby Seale. Inside the Grace nave Diane Kennedy Pike and her two predecessors, Jane Alvies Pike and Esther Yanovsky Pike, watched the cameras and one another.
That was 1969. For some years afterward I could make nothing at all of this peculiar and strikingly “now” story, so vast and atavistic was my irritation with the kind of man my grandmother would have called “just a damn old fool,” the kind of man who would go into the desert with the sappy Diane and two bottles of Coca-Cola, but I see now that Diane and the Coca-Cola are precisely the details which lift the narrative into apologue. James Albert Pike has been on my mind quite a bit these past few weeks, ever since I read a biography of him by William Stringfellow and Anthony Towne, The Death and Life of Bishop Pike, an adoring but instructive volume from which there emerges the shadow of a great literary character, a literary character in the sense that Howard Hughes and Whittaker Chambers were literary characters, a character so ambiguous and driven and revealing of his time and place that his gravestone in the Protestant Cemetery in Jaffa might well have read only JAMES PIKE, AMERICAN.
Consider his beginnings. He was the only child of an ambitious mother and an ailing father who moved from Kentucky a few years before his birth in 1913 to homestead forty acres of mesquite in Oklahoma. There had been for a while a retreat to a one-room shack in Alamogordo, New Mexico, there had been always the will of the mother to improve the family’s prospects. She taught school. She played piano with a dance band, she played piano in a silent-movie theater. She raised her baby James a Catholic and she entered him in the Better Babies Contest at the Oklahoma State Fair and he took first prize, two years running. “I thought you would like that,” she told his biographers almost sixty years later. “He started out a winner.”
He also started out dressing paper dolls in priests’ vestments. The mother appears to have been a woman of extreme determination. Her husband died when James was two. Six years later the widow moved to Los Angeles, where she devoted herself to maintaining a world in which nothing “would change James’ life or thwart him in any way,” a mode of upbr
inging which would show in the son’s face and manner all his life. “Needless to say this has all been a bit tedious for me to relive,” he complained when the question of his first divorce and remarriage seemed to stand between him and election as Bishop of California; his biography is a panoply of surprised petulance in the face of other people’s attempts to “thwart” him by bringing up an old marriage or divorce or some other “long-dead aspect of the past.”
In Los Angeles there was Hollywood High, there was Mass every morning at Blessed Sacrament on Sunset Boulevard. After Hollywood High there was college with the Jesuits, at Santa Clara, at least until James repudiated the Catholic Church and convinced his mother that she should do the same. He was eighteen at the time, but it was characteristic of both mother and son to have taken this adolescent “repudiation” quite gravely: they give the sense of having had no anchor but each other, and to have reinvented their moorings every day. After Santa Clara, for the freshly invented agnostic, there was U.C.L.A., then U.S.C., and finally the leap east. Back East. Yale Law. A job in Washington with the Securities and Exchange Commission. “You have to understand that he was very lonely in Washington,” his mother said after his death. “He really wanted to come home. I wish he had.” And yet it must have seemed to such a western child that he had at last met the “real” world, the “great” world, the world to beat. The world in which, as the young man who started out a winner soon discovered and wrote to his mother, “practically every churchgoer you meet in our level of society is Episcopalian, and an R.C. or straight Protestant is as rare as hen’s teeth.”
One thinks of Gatsby, coming up against the East. One also thinks of Tom Buchanan, and his vast carelessness. (Some 25 years later, in Santa Barbara, when the Bishop of California’s mistress swallowed 55 sleeping pills, he appears to have moved her from his apartment into her own before calling an ambulance, and to have obscured certain evidence before she died.) One even thinks of Dick Diver, who also started out a winner, and who tried to embrace the essence of the American continent in Nicole as James Albert Pike would now try to embrace it in the Episcopal Church. “Practically every churchgoer you meet in our level of society is Episcopalian.”
It is an American Adventure of Barry Lyndon, this Westerner going East to seize his future, equipped with a mother’s love and with what passed in the makeshift moorage from which he came as a passion for knowledge. As evidence of this passion his third wife, Diane, would repeat this curious story: he “had read both the dictionary and the phone book from cover to cover by the time he was five, and a whole set of the Encyclopaedia Britannica before he was ten.” Diane also reports his enthusiasm for the Museum of Man in Paris, which seemed to him to offer, in the hour he spent there, “a complete education,” the “entire history of the human race … in summary form.”
In summary form. One gets a sense of the kind of mindless fervor that a wife less rapt than Diane might find unhinging. In the late thirties, as Communion was about to be served at the first Christmas Mass of James Albert Pike’s new career as an Episcopalian, his first wife, Jane, another transplanted Califomian, is reported to have jumped up and run screaming from the church. There would have been nothing in the phone book to cover that, or in the Britannica either. Later he invented an ecclesiastical annulment to cover his divorce from Jane, although no such annulment was actually granted. “In his mind,” his biographers explain, “the marriage was not merely a mistake, but a nullity in the inception.” In his mind. He needed to believe in the annulment because he wanted to be Bishop of California. “At heart he was a Californian,” a friend said. “He had grown up with the idea that San Francisco was it … he was obsessed with the idea of being Bishop of California. Nothing in heaven or hell could have stopped him.” In his mind. “Tom and Gatsby, Daisy and Jordan and I, were all Westerners,” as Nick Carraway said, “and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.”
In his mind. I recall standing in St. Thomas Church in New York one Monday morning in 1964 debating whether or not to steal a book by James Albert Pike, a pastoral tract called If You Marry Outside Your Faith. I had only a twenty-dollar bill and could not afford to leave it in the box but I wanted to read the book more closely, because a few weeks before I had in fact married a Catholic, which was what Bishop Pike seemed to have in mind. I had not been brought up to think it made much difference what I married, as long as I steered clear of odd sects where they didn’t drink at the wedding (my grandmother was an Episcopalian only by frontier chance; her siblings were Catholics but there was no Catholic priest around the year she needed christening), and I was struck dumb by Bishop Pike’s position, which appeared to be that I had not only erred but had every moral right and obligation to erase this error by regarding my marriage as null, and any promises I had made as invalid. In other words the way to go was to forget it and start over.
In the end I did not steal If You Marry Outside Your Faith, and over the years I came to believe that I had doubtless misread it. After considering its source I am no longer so sure. “Jim never cleaned up after himself,” a friend notes, recalling his habit of opening a shirt and letting the cardboards lie where they fell, and this élan seems to have applied to more than his laundry. Here was a man who moved through life believing that he was entitled to forget it and start over, to shed women when they became difficult and allegiances when they became tedious and simply move on, dismissing those who quibbled as petty and “judgmental” and generally threatened by his superior and more dynamic view of human possibility. That there was an ambivalence and a speciousness about this moral frontiersmanship has not gone unnoticed, but in the rush to call the life “only human” I suspect we are overlooking its real interest, which is as social history. The man was a Michelin to his time and place. At the peak of his career James Albert Pike carried his peace cross (he had put away his pectoral cross for the duration of the Vietnam War, which outlived him) through every charlatanic thicket in American life, from the Center for the Study of Democratic Institutions to the Aspen Institute of Humanistic Studies to Spiritual Frontiers, which was at the time the Ford Foundation of the spirit racket. James Albert Pike was everywhere at the right time. He was in Geneva for Pacem in Terris. He was in Baltimore for the trial of the Catonsville Nine, although he had to be briefed on the issue in the car from the airport. He was in the right room at the right time to reach his son, Jim Jr., an apparent suicide on Romilar, via seance. The man kept moving. If death was troubling then start over, and reinvent it as “The Other Side.” If faith was troubling then leave the Church, and reinvent it as “The Foundation for Religious Transition.”
This sense that the world can be reinvented smells of the Sixties in this country, those years when no one at all seemed to have any memory or mooring, and in a way the Sixties were the years for which James Albert Pike was born. When the man who started out a winner was lying dead in the desert his brother-in-law joined the search party, and prayed for the assistance of God, Jim Jr., and Edgar Cayce. I think I have never heard a more poignant trinity.
1976
Holy Water
Some of us who live in arid parts of the world think about water with a reverence others might find excessive. The water I will draw tomorrow from my tap in Malibu is today crossing the Mojave Desert from the Colorado River, and I like to think about exactly where that water is. The water I will drink tonight in a restaurant in Hollywood is by now well down the Los Angeles Aqueduct from the Owens River, and I also think about exactly where that water is: I particularly like to imagine it as it cascades down the 45-degree stone steps that aerate Owens water after its airless passage through the mountain pipes and siphons. As it happens my own reverence for water has always taken the form of this constant meditation upon where the water is, of an obsessive interest not in the politics of water but in the waterworks themselves, in the movement of water through aqueducts and siphons and pumps and foreba
ys and afterbays and weirs and drains, in plumbing on the grand scale. I know the data on water projects I will never see. I know the difficulty Kaiser had closing the last two sluiceway gates on the Guri Dam in Venezuela. I keep watch on evaporation behind the Aswan in Egypt. I can put myself to sleep imagining the water dropping a thousand feet into the turbines at Churchill Falls in Labrador. If the Churchill Falls Project fails to materialize, I fall back on waterworks closer at hand—the tailrace at Hoover on the Colorado, the surge tank in the Tehachapi Mountains that receives California Aqueduct water pumped higher than water has ever been pumped before—and finally I replay a morning when I was seventeen years old and caught, in a military-surplus life raft, in the construction of the Nimbus Afterbay Dam on the American River near Sacramento. I remember that at the moment it happened I was trying to open a tin of anchovies with capers. I recall the raft spinning into the narrow chute through which the river had been temporarily diverted. I recall being deliriously happy.
I suppose it was partly the memory of that delirium that led me to visit, one summer morning in Sacramento, the Operations Control Center for the California State Water Project. Actually so much water is moved around California by so many different agencies that maybe only the movers themselves know on any given day whose water is where, but to get a general picture it is necessary only to remember that Los Angeles moves some of it, San Francisco moves some of it, the Bureau of Reclamation’s Central Valley Project moves some of it and the California State Water Project moves most of the rest of it, moves a vast amount of it, moves more water farther than has ever been moved anywhere. They collect this water up in the granite keeps of the Sierra Nevada and they store roughly a trillion gallons of it behind the Oroville Dam and every morning, down at the Project’s headquarters in Sacramento, they decide how much of their water they want to move the next day. They make this morning decision according to supply and demand, which is simple in theory but rather more complicated in practice. In theory each of the Project’s five field divisions—the Oroville, the Delta, the San Luis, the San Joaquin and the Southern divisions—places a call to headquarters before nine a.m. and tells the dispatchers how much water is needed by its local water contractors, who have in turn based their morning estimates on orders from growers and other big users. A schedule is made. The gates open and close according to schedule. The water flows south and the deliveries are made.
