Yates had books of his own. Dusty tomes he’d stolen from libraries and business schools across North America, the neglected knowledge of the past—a careful pillaging of Alexandria that had gone entirely unnoticed because everyone knew global trade was dead.
When Anderson arrived, the books had filled the SpringLife offices and ranged around Yates’ desk in stacks: Global Management in Practice, Intercultural Business, The Asian Mind, The Little Tigers of Asia, Supply Chains and Logistics, Pop Thai, The New Global Economy, Exchange Rate Considerations in Supply Chains, Thais Mean Business, International Competition and Regulation. Anything and everything related to the history of the old Expansion.
Yates had pointed to them in his final moments of desperation and said, “But we can have it again! All of it!” And then he had wept, and Anderson finally felt pity for the man. Yates had invested his life in something that would never be.
Anderson flips through another book, examining ancient photographs in turn. Chiles. Piles of them, laid out before some long dead photographer. Chiles. Eggplants. Tomatoes. All those wonderful nightshades again. If it hadn’t been for the nightshades, Anderson wouldn’t have been dispatched to the Kingdom by the home office, and Yates might have had a chance.
Anderson reaches for his package of Singha hand-rolled cigarettes, lights one, and sprawls back, contemplative, examining the smoke of ancients. It amuses him that the Thais, even amid starvation, have found the time and energy to resurrect nicotine addiction. He wonders if human nature ever really changes.
The sun glares in at him, bathing him with light. Through the humidity and haze of burning dung, he can just make out the manufacturing district in the distance, with its regularly spaced structures so different from the jumble tile and rust wash of the old city. And beyond the factories, the rim of the seawall looms with its massive lock system that allows the shipment of goods out to sea. Change is coming. The return to truly global trade. Supply lines that circle the world. It’s all coming back, even if they’re slow at relearning. Yates had loved kink-springs, but he’d loved the idea of resurrected history even more.
“You aren’t AgriGen here, you know. You’re just another grubby farang entrepreneur trying to make a buck along with the jade prospectors and the clipper hands. This isn’t India, where you can walk around flashing AgriGen’s wheat crest and requisitioning whatever you want. The Thais don’t roll over like that. They’ll cut you to pieces and send you back as meat if they find out what you are.” “You’re out on the next dirigible flight,” Anderson said. “Be glad the main office even approved that.”
But then Yates had pulled the spring gun.
Anderson draws again on his cigarette, irritated. He becomes aware of the heat. Overhead, his room’s crank fan has come to a halt. The winding man, who is supposed to arrive every day at four in the afternoon, apparently didn’t load enough joules. Anderson grimaces and rises to pull the shades, blocking out the blaze. The building is a new one, built on thermal principles that allow cool ground air to circulate easily through the building, but it is still difficult to withstand the direct blaze of equatorial sun.
Now in shadow, Anderson returns to his books. Turns pages. Flips through yellowed tomes and cracked spines. Crumbling paper ill-treated by humidity and age. He opens another book. He pinches his cigarette between his lips, squinting through the smoke, and stops.
Ngaw.
Piles of them. The little red fruits with their strange green hairs sit before him, mocking him from within a photo of a farang bargaining for food with some long ago Thai farmer. All around them, brightly colored, petroleum-burning taxis blur past, but just to their side, a huge pyramidal pile of ngaw stares out of the photo, taunting.
Anderson has spent enough time poring over ancient pictures that they seldom affect him. He can usually ignore the foolish confidence of the past—the waste, the arrogance, the absurd wealth—but this one irritates him: the fat flesh hanging off the farang, the astonishing abundance of calories that are so obviously secondary to the color and attractiveness of a market that has thirty varieties of fruit: mangosteens, pineapples, coconuts, certainly … but there are no oranges, now. None of these … these … dragon fruits, none of these pomelos, none of these yellow things … lemons. None of them. So many of these things are simply gone.
But the people in the photo don’t know it. These dead men and women have no idea that they stand in front of the treasure of the ages, that they inhabit the Eden of the Grahamite Bible where pure souls go to live at the right hand of God. Where all the flavors of the world reside under the careful attentions of Noah and Saint Francis, and where no one starves.
Anderson scans the caption. The fat, self-contented fools have no idea of the genetic gold mine they stand beside. The book doesn’t even bother to identify the ngaw. It’s just another example of nature’s fecundity, taken entirely for granted because they enjoyed so damn much of it.
Anderson briefly wishes that he could drag the fat farang and ancient Thai farmer out of the photograph and into his present, so that he could express his rage at them directly, before tossing them off his balcony the way they undoubtedly tossed aside fruit that was even the slightest bit bruised.
He flips through the book but finds no other images, nor mentions of the kinds of fruits available. He straightens, agitated, and goes to the balcony again. Steps out into the sun’s blaze and stares out across the city. From below, the calls of water sellers and the cry of megodonts echo up. The chime of bicycle bells streaming across the city. By noon, the city will be largely stilled, waiting for the sun to begin its descent.
Somewhere in this city a generipper is busily toying with the building blocks of life. Reengineering long-extinct DNA to fit post-Contraction circumstances, to survive despite the assaults of blister rust, Nippon genehack weevil and cibiscosis.
Gi Bu Sen. The windup girl was certain of the name. It has to be Gibbons.
Anderson leans on the balcony’s rail squinting into the heat, surveying the tangled city. Gibbons is out there, hiding. Crafting his next triumph. And wherever he hides, a seedbank will be close.
6
The problem with keeping money in a bank is that in the blink of a tiger’s eye it will turn on you: what’s yours becomes theirs, what was your sweat and labor and sold off portions of a lifetime become a stranger’s. This problem—this banking problem—gnaws at the forefront of Hock Seng’s mind, a genehack weevil that he cannot dig out and cannot pinch into pus and exoskeleton fragments.
Imagined in terms of the time—time spent earning wages that a bank then holds—a bank can own more than half of a man. Well, at least a third, even if you are a lazy Thai. And a man without one third of his life, in truth, has no life at all.
Which third can a man lose? The third from his chest to the top of his balding skull? From his waist to his yellowing toenails? Two legs and an arm? Two arms and a head? A quarter of a man, cut away, might still hope to survive, but a third is too much to tolerate.
This is the problem with a bank. As soon as you place your money in its mouth, it turns out that the tiger has gotten its teeth locked around your head. One third, or one half, or just a liver-spotted skull, it might as well be all.
But if a bank cannot be trusted, what can? A flimsy lock on a door? The ticking of a mattress, carefully unstuffed? The ravaged tiles of a rooftop lifted up and wrapped in banana leaves? A cutaway in the bamboo beams of a slum shack, cleverly sliced open and hollowed to hold the fat rolls of bills that he shoves into them?
Hock Seng digs into bamboo.
The man who rented him the room called it a flat, and in a way, it is. It has four walls, not just a tenting of coconut polymer tarps. It has a tiny courtyard behind, where the outhouse lies and which he shares—along with the walls—with six other huts. For a yellow card refugee, this is not a flat but a mansion. And yet all around he hears the groaning complaining mass of humanity.
The WeatherAll wooden walls are frankly an ex
travagance even if they don’t quite touch the ground, even if the jute sandals of his neighbors peek underneath, and even if they reek with the embedded oils that keep them from rotting in the humidity of the tropics. But they are necessary, if only to provide places to store his money other than in the bottom of his rain barrel wrapped in three layers of dog hide that he prays may still be waterproof after six months of immersion.
Hock Seng pauses in his labors, listening.
Rustling comes from the next room but nothing indicates that anyone eavesdrops on his mouselike burrowing. He returns to the process of loosening a disguised bamboo panel at its joint, carefully saving the sawdust for later.
Nothing is certain—that is the first lesson. The yang guizi foreign devils learned this in the Contraction when their loss of oil sent them scuttling back to their home shores. He himself finally learned it in Malacca. Nothing is certain, nothing is secure. A rich man becomes a poor man. A noisy Chinese clan, fat and happy during Spring Festival, fed well on pork strips, nasi goreng and Hainan-style chicken becomes a single emaciated yellow card. Nothing is eternal. The Buddhists understand this much, at least.
Hock Seng grins mirthlessly and continues his quiet burrowing, following a line across the top of the panel, digging out more packed sawdust. He now lives in the height of luxury, with his patched mosquito net and his little burner that can ignite green methane twice a day, if he’s willing to pay the local pi lien elder brother for an illegal tap into the city lamppost delivery pipes. He has his own set of clay rain urns sitting in the tiny courtyard, an astounding luxury in itself, protected by the honor and uprightness of his neighbors, the desperately poor, who know that there must be limits to anything, that every squalor and debauch has limits, and so he has rain barrels full of green slime mosquito eggs that he can assure himself will never be stolen from, even if he may be murdered outside his door, or the neighbor wife may be raped by any nak leng who takes a fancy to her.
Hock Seng pries at the tiny panel in the bamboo strut, holding his breath, trying to make no scraping sound. He chose this place for its exposed joists and the tiles overhead in the low dark ceiling. For the nooks and crannies and opportunities. All around him the slum inhabitants wake and groan and complain and light their cigarettes as he sweats with the tension of opening this hiding place. It’s foolish to keep so much money here. What if the slum burns? What if the WeatherAll catches fire from some fool’s candle overturned? What if the mobs come and attempt to trap him inside?
Hock Seng pauses, wipes the sweat off his brow. I am crazy. No one is coming for me. The Green Headbands are across the border in Malaya and the Kingdom’s armies will keep them well away.
And even if they do come, I have an archipelago’s worth of distance to prepare for their arrival. Days of travel on a kink-spring train, even if the rails aren’t blown by the Queen’s Army generals. Twenty-four hours at least, even if they use coal for their attack. And otherwise? Weeks of marching. Plenty of time. I am safe.
The panel comes open completely in his shaking hand, revealing the bamboo’s hollow interior. The tube is watertight, perfected by nature. He sends his skinny arm questing into the hole, feeling blind.
For a moment, he thinks someone has taken it, robbed him while he was gone but then his fingers touch paper, and he fishes up rolls of cash one by one.
In the next room, Sunan and Mali are discussing her uncle, who wants them to smuggle cibi.11.s.8 pineapples, sneaking them in on a skiff from the farang quarantine island of Koh Angrit. Quick money, if they’re willing to take the risk of bringing in banned foodstock from the calorie monopolies.
Hock Seng listens to them mutter as he stuffs his own cash into an envelope, then tucks it inside his shirt. Diamonds, baht, and jade pit his walls all around, but still, it hurts to take this money now. It goes against his hoarding instinct.
He presses the bamboo panel closed again. Takes spit and mixes it with the meager sawdust that remains, and presses the compound into the visible cracks. He rocks back on his heels and examines the bamboo pole. It is nearly invisible. If he didn’t know to count upwards four joints, he wouldn’t know where to look, or what to look for.
The problem with banks is that they cannot be trusted. The problem with secret caches is that they are hard to protect. The problem with a room in a slum is that anyone can take the money when he is gone. He needs other caches, safe places to hide the opium and jewels and cash he procures. He needs a safe place for everything. For himself as well, and for that, any amount of money is worth spending.
All things are transient. Buddha says it is so, and Hock Seng, who didn’t believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother’s religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.
How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.
He takes a deep breath and climbs stiffly to his feet, surveys the room to ascertain that nothing is out of place, then turns and shoves his door open, wood scraping on dirt, and slips out in the squeezeway that is the slum’s thoroughfare. He secures the door with a bit of leather twine. A knot, and nothing else. The room has been broken into before. It will be broken into again. He plans on it. A big lock would attract the wrong attention, a poor man’s bit of leather entices no one.
The way out of the Yaowarat slum is full of shadows and squatting bodies. The heat of the dry season presses down on him, so intense that it seems no one can breathe, even with the looming presence of the Chao Phraya dikes. There is no escape from the heat. If the seawall gave way, the entire slum would drown in nearly cool water, but until then, Hock Seng sweats and stumbles through the maze of squeezeways, rubbing up against scavenged tin walls.
He jumps across open gutters of shit. Balances on planks and slips past women sweating over steaming pots of U-Tex glass noodles and reeking sun-dried fish. A few kitchen carts, ones who have bribed either the white shirts or the slum’s pi lien, burn small dung fires in public, choking the alleys with thick smoke and frying chile oil.
He squeezes around triple-locked bicycles, stepping carefully. Clothes and cook pots and garbage spill out from under tarp walls, encroaching on the public space. The walls rustle with the movement of people within: a man coughing through the last stages of lung water; a woman complaining about her son’s lao-lao rice wine habit; a little girl threatening to hit her baby brother. Privacy is not something for a tarp slum, but the walls provide polite illusion. And certainly it is better than the Expansion tower internments of the yellow cards. A tarp slum is luxury for him. And with native Thais all around, he has cover. Better protection than he ever enjoyed in Malaya. Here, if he doesn’t open his mouth and betray his foreigner’s accent, he can be mistaken for a local.
Still, he misses that place where he and his family were alien and yet had forged a life. He misses the marble-floored halls and red lacquer pillars of his ancestral home, ringing with the calls of his children and grandchildren and servants. He misses Hainan chicken and laksa asam and good sweet kopi and roti canai.
He misses his clipper fleet and the crews (And isn’t it true that he hired even the brown people for his crews? Even had them as captains?) who sailed his Mishimoto clippers to the far side of the world, sailing even as far as Europe, carrying tea strains resistant to genehack weevil and returning with expensive cognacs that had not been seen since the days of the Expansion. And in the evenings, he returned to his wives and ate well and worried only that a son was not diligent or that a daughter would find a good husband.
How silly and ignorant he had been. He fancied himself a sea trader, and yet understood so little of the turning tides.
A
young girl emerges from under a tarp flap. She smiles at him, too young to know him for a stranger, and too innocent yet to care. She is alive, burning with the limber vitality that an old man can only envy with every aching bone. She smiles at him.
She could be his daughter.
Malaya’s night was black and sticky, a jungle filled with the squawks of night birds and the pulse and whir of insect life. Dark harbor waters lapped before them. He and Fourth Daughter, that useless waif, the only one he could preserve, hid among piers and rocking boats, and when darkness fell completely, he guided her down to the water, to where waves rushed onto the beach in steady surges and the stars overhead were pinpricks of gold in blackness.
“Look, Ba. Gold,” she whispered.
There were times when he’d told her that every star was a bit of gold that was hers for the taking, because she was Chinese and with hard work and attendance to her ancestors and traditions, she would prosper. And now, here they were under a blanket of gold dust, the Milky Way spread over them like some great shifting blanket, the stars so thick that if he were tall enough he could reach up and squeeze them and have them run down his arms.
Gold, all around, and all of it untouchable.
Amid the lapping of fishing boats and little spring craft, he found a rowboat and pulled for deep water, aiming for the bay, following the currents, a black speck on the shifting reflections of the ocean.
He would have preferred a cloudy night, but at least there was no moon, and so he pulled and pulled, while all around them sea carp surfaced and rolled, showing the fat pale bellies that people of his clan had engineered to feed a starving nation. He pulled on the oars and the carp surrounded them, showing bloated stomachs now thickened on the blood and gristle of their creators.
And then his little boat was alongside the object of his search, a trimaran anchored in the deep. The place where Hafiz’s boat people slept. He climbed aboard and slipped silent among them. Studying them all as they slept soundly, protected by their religion. Safe and alive while he had nothing.
Windup Girl Page 10
