She hurried faster. The night before was like a time that had happened so long ago that the soldier was unraveled in her memory. But she recalled the silence in the hotel room; and all at once a fit in a front room, the silence, the nasty talk behind the garage—these separate recollections fell together in the darkness of her mind, as shafting searchlights meet in the night sky upon an aeroplane, so that in a flash there came in her an understanding. There was a feeling of cold surprise; she stopped a minute, then went on toward the Blue Moon. The stores were dark and closed, the pawnshop window locked with criss-crossed steel against night robbers, and the only lights were those from the open wooden stairs of buildings and the greenish splash of brightness from the Blue Moon. There was a sound of quarreling voices from an upper story, and the footsteps of two men, far down the street, walking away. She was no longer thinking of the soldier; the discovery of the moment before had scattered him from her mind. There was only knowing that she must find somebody, and anybody, that she could join with to go away. For now she admitted she was too scared to go into the world alone.
She did not leave the town that night, for the Law caught her in the Blue Moon. Officer Wylie was there when she walked in, although she did not see him until she was settled at the window table with the suitcase on the floor beside her. The juke-box sounded a sleazy blues and the Portuguese owner stood with his eyes closed, playing up and down the wooden counter in time to the sad juke tunc. There were only a few people in a corner booth and the blue light gave the place a look of being underseas. She did not see the Law until he was standing beside the table, and when she looked up at him, her startled heart quivered a little and then stopped still.
"You're Royal Addams's daughter," the Law said, and her head admitted with a nod. "I'll phone in to headquarters to say you're found. Just stay right here."
The Law went back to the telephone booth. He was calling the Black Maria to haul her off down to the jail, but she did not care. Very likely she had killed that soldier, and they had been following clues and hunting her all over town. Or the Law maybe had found out about the three-way knife she had stolen from the Sears and Roebuck Store. It was not plain just what she was captured for, and the crimes of the long spring and summer merged together as one guilt which she had lost the power to understand. It was as though the things that she had done, the sins committed, had all been done by someone else—a stranger a long time ago. She sat very still, her legs wrapped tight around each other, and her hands clasped in her lap. The Law was a long time at the telephone, and, staring straight ahead of her, she watched two people leave a booth and, leaning close against each other, start to dance. A soldier banged the screen door and walked through the café, and only the distant stranger in her rccognizcd him; when he had climbed up the stairs, she only thought slowly and with no feeling that a curly red head such as that one was like cement. Then her mind went back to thoughts of jail and cold peas and cold cornbread and iron-barred cells. The Law came back from the telephone and sat down across from her and said:
"How did you happen to come in here?"
The Law was big in his blue policeman's suit and, once arrested, it was a bad policy to lie or trifle. He had a heavy face, with a squatty forehead and unmatched ears—one ear was larger than the other one, and had a torn look. When he questioned her, he did not look into her face, but at some point just above her head.
"What am I doing in here?" she repeated. For all at once she had forgotten, and she told the truth when she said finally, "I don't know."
The voice of the Law seemed to come from a distance like a question asked through a long corridor. "Where were you headed for?"
The world was now so far away that Frances could no longer think of it. She did not see the earth as in the old days, cracked and loose and turning a thousand miles an hour; the earth was enormous and still and flat. Between herself and all the places there was a space like an enormous canyon she could not hope to bridge or cross. The plans for the movies or the Marines were only child plans that would never work, and she was careful when she answered. She named the littlest, ugliest place she knew, for to run away there could not be considered so very wrong.
"Flowering Branch."
"Your father phoned headquarters you had left a letter that you were running away. We located him at the bus station and he'll be here in a minute to take you home."
It was her father who had sicked the Law on her, and she would not be carried to the jail. In a way she was sorry. It was better to be in a jail where you could bang the walls than in a jail you could not see. The world was too far away, and there was no way any more that she could be included. She was back to the fear of the summertime, the old feelings that the world was separate from herself—and the failed wedding had quickened the fear to terror. There had been a time, only yesterday, when she felt that every person that she saw was somehow connected with herself and there was between the two of them an instant recognition. Frances watched the Portuguese who still played a mock piano on the counter to the juke-box tunc. He swayed as he played and his fingers skittered up and down the counter, so that a man at the far end protected his glass with his hand. When the tune was over, the Portuguese folded his arms upon his chest; Frances narrowed and tensed her eyes to will him to look at her. He had been the first person she had told the day before about the wedding, but as he gave an owner's look around the place, his glance passed by her in a casual way and there was in those eyes no feeling of connection. She turned to the others in the room, and it was the same with all of them and they were strangers. In the blue light she felt queer as a person drowning. At last she was staring at the Law and finally he looked into her eyes. He looked at her with eyes as china as a doll's, and in them there was only the reflection of her own lost face.
The screen door slammed and the Law said: "Here's your Daddy come to take you home."
Frances was never once to speak about the wedding. Weathers had turned and it was in another season. There were the changes and Frances was now thirteen. She was in the kitchen with Berenice on the day before they moved, the last afternoon that Berenice would be with them; for when it had been decided that she and her father would share with Aunt Pet and Uncle Ustace a house out in the new suburb of town, Berenice had given quit notice and said that she might as well marry T.T. It was the end of an afternoon in late November, and in the east the sky was the color of a winter geranium.
Frances had come back to the kitchen, for the other rooms were hollow since the van had taken the furniture away. There were only the two beds in the downstairs bedrooms and the kitchen furniture, and they were to be moved tomorrow. It was the first time in a long while that Frances had spent an afternoon back in the kitchen, alone with Berenice. It was not the same kitchen of the summer that now seemed so long ago. The pencil pictures had disappeared beneath a coat of calcimine, and new linoleum covered the splintery floor. Even the table had been moved, pushed back against the wall, since now there was nobody to take meals with Berenice.
The kitchen, done over and almost modern, had nothing that would bring to mind John Henry West. But nevertheless there were times when Frances felt his presence there, solemn and hovering and ghost-gray. And at those times there would come a hush—a hush quivered by voiceless words. A similar hush would come, also, when Honey was mentioned or brought to mind, for Honey was out on the road now with a sentence of eight years. Now the hush came that late November afternoon as Frances was making the sandwiches, cutting them into fancy shapes and taking great pains—for Mary Littlejohn was coming at five o'clock. Frances glanced at Berenice, who was sitting idle in a chair, wearing an old raveled sweater, her limp arms hanging at her sides. In her lap there was the thin little pinched fox fur that Ludie had given her many years ago. The fur was sticky and the sharp little face foxwise and sad. The fire from the red stove brushed the room with flickers of light and changing shadows.
"I am just mad about Michelangelo," she said.
; Mary was coming at five o'clock to take dinner, spend the night, and ride in the van to the new house tomorrow. Mary collected pictures of great masters and pasted them in an art book. They read poets like Tennyson together; and Mary was going to be a great painter and Frances a great poet—or else the foremost authority on radar. Mr. Littlejohn had been connected with a tractor company and before the war the Littlejohns had lived abroad. When Frances was sixteen and Mary eighteen, they were going around the world together. Frances placed the sandwiches on a plate, along with eight chocolates and some salted nuts; this was to be a midnight feast, to be eaten in the bed at twelve o'clock.
"I told you we're going to travel around the world together."
"Mary Littlejohn," said Berenice, in a tinged voice. "Mary Littlejohn."
Berenice could not appreciate Michelangelo or poetry, let alone Mary Littlejohn. There had at first been words between them on the subject. Berenice had spoken of Mary as being lumpy and marshmallow-white, and Frances had defended fiercely. Mary had long braids that she could very nearly sit on, braids of a woven mixture of corn-yellow and brown, fastened at the ends with rubber bands and, on occasions, ribbons. She had brown eyes with yellow eyelashes, and her dimpled hands tapered at the fingers to little pink blobs of flesh, as Mary bit her nails. The Littlejohns were Catholics, and even on this point Berenice was all of a sudden narrowminded, saying that Roman Catholics worshiped Graven Images and wanted the Pope to rule the world. But for Frances this difference was a final touch of strangeness, silent terror, that completed the wonder of her love.
"There's no use our discussing a certain party. You could not possibly ever understand her. It's just not in you." She had said that once before to Berenice, and from the sudden faded stillness in her eye she knew that the words had hurt. And now she repeated them, angered because of the tinged way Berenice had said the name, but once the words were spoken she was sorry. "Anyhow, I consider it the greatest honor of my existence that Mary has picked me out to be her one most intimate friend. Me! Of all people!"
"Have I ever said anything against her?" said Berenice. "All I said was it makes me nervous to watch her just sitting there sucking them pigtails."
"Braids!"
A flock of strong-winged arrowed geese flew over the yard, and Frances went to the window. There had been frost that morning, silvering the brown grass and the roofs of neighbors' houses, and even the thinned leaves of the rusty arbor. When she turned back to the kitchen, the hush was in the room again. Berenice sat hunched with her elbow on her knee, and her forehead resting in her hand, staring with one mottled eye at the coal scuttle.
The changes had come about at the same time, during the middle of October. Frances had met Mary at a raffle two weeks before. It was the time when countless white and yellow butterflies danced among the last fall flowers; the time, too, of the Fair. First, it was Honey. Made crazy one night by a marihuana cigarette, by something called smoke or snow, he broke into the drugstore of the white man who had been selling them to him, desperate for more. He was locked in the jail, awaiting trial, and Berenice rushed back and forth, canvassing money, seeing a lawyer, and trying to get admission to the jail. She came in on the third day, worn out, and with the red curdled glare already in the eye. A headache, she said she had, and John Henry West put his head down on the table and said he had a headache, also. But nobody paid any mind to him, thinking he copied Berenice. "Run along," she said, "for I don't have the patience to fool with you." Those were the last words spoken to him in the kitchen, and later Berenice recalled them as judgment on her from the Lord. John Henry had meningitis and after ten days he was dead. Until it was all over, Frances had never believed for a serious minute that he could die. It was the time of golden weather and Shasta daisies and the butterflies. The air was chilled, and day after day the sky was a dear green-blue, but filled with light, the color of a shallow wave.
Frances was never allowed to visit John Henry, but Berenice helped the trained nurse every day. She would come in toward dark, and the things that she said in her cracked voice seemed to make John Henry West unreal. "I don't see why he has to suffer so," Berenice would say: and the word suffer was one she could not associate with John Henry, a word she shrank from as before an unknown hollow darkness of the heart.
It was the time of the Fair and a big banner arched the main street and for six days and nights the Fair went on down at the fairground. Frances went twice, both times with Mary, and they rode on nearly everything, but did not enter the Freak Pavilion, as Mrs. Littlejohn said it was morbid to gaze at Freaks. Frances bought John Henry a walking stick and sent him the rug she had won at Lotto. But Berenice remarked that he was beyond all this, and the words were eerie and unreal. As the bright days followed one upon the other, the words of Berenice became so terrible that she would listen in a spell of horror, but a part of her could not believe. John Henry had been screaming for three days and his eyeballs were walled up in a corner, stuck and blind. He lay there finally with his head drawn back in a buckled way, and he had lost the strength to scream. He died the Tuesday after the Fair was gone, a golden morning of the most beautiful butterflies, the clearest sky.
Meanwhile Berenice had got a lawyer and had seen Honey at the jail. "I don't know what I've done," she kept saying. "Honey in this fix and now John Henry." Still, there was some part of Frances that did not even yet believe. But on the day he was to be taken to the family graveyard in Opelika, the same place where they had buried Uncle Charles, she saw the coffin, and then she knew. He came to her once or twice in nightmare dreams, like an escaped child dummy from the window of a department store, the wax legs moving stiffly only at joints, and the wax face wizened and faintly painted, coming toward her until terror snatched her awake. But the dreams came only once or twice, and the daytime now was filled with radar, school, and Mary Littlejohn. She remembered John Henry more as he used to be, and it was seldom now that she felt his presence—solemn, hovering, and ghost-gray. Only occasionally at twilight time or when the special hush would come into the room.
"I was by the store about school and Papa had a letter from Jarvis. He is in Luxembourg," said Frances. "Luxembourg. Don't you think that's a lovely name?"
Berenice roused herself. "Well, Baby—it brings to my mind soapy water. But it's a kind of pretty name."
"There is a basement in the new house. And a laundry room." She added, after a minute, "We will most likely pass through Luxembourg when we go around the world together."
Frances turned back to the window. It was almost five o'clock and the geranium glow had faded from the sky. The last pale colors were crushed and cold on the horizon. Dark, when it came, would come on quickly, as it does in wintertime. "I am simply mad about—" But the sentence was left unfinished for the hush was shattered when, with an instant shock of happiness, she heard the ringing of the bell.
* * *
Bibliography
In 1951, Houghton Mifflin Company published an omnibus edition of Carson McCullers's fiction, The Ballad of the Sad Café and Other Works. The book reprinted her novels The Heart Is a Lonely Hunter, Reflections in a Golden Eye, and The Member of the Wedding; it also gathered for the first time her work in shorter forms, the novella The Ballad of the Sad Café and six short stories, including the previously unpublished "A Domestic Dilemma." In 1952, Houghton Mifflin brought out the novella and stories under the tide The Ballad of the Sad Café and Collected Short Stories; in 1955 the book was reissued to include a seventh story, "The Haunted Boy"
Carson McCullers died in 1967. In 1971 her sister, Margarita G. Smith, published The Mortgaged Heart, a selection from McCullers's previously uncollected writings. Many of the earliest stories, as well as a few of the latest, were published here in book form for the first time.
The contents of Collected Stories are listed below in the order in which they were written. The order of the first ten items is speculative and follows that given by Margarita Smith in The Mortgaged Heart.
"S
ucker." Written c. 1934. First published, with an author's note, in The Saturday Evening Post, September 28, 1963; reprinted in The Mortgaged Heart, 1971.
"Court in the West Eighties." Written c. 1934. First published in The Mortgaged Heart, 1971.
"Poldi." Written c. 1934–36. First published in The Mortgaged Heart, 1971.
"Breath from the Sky." Written c. 1935–36. First published in The Mortgaged Heart, 1971.
"The Orphanage." Written c. 1935–36. First published in The Mortgaged Heart, 1971.
"Instant of the Hour After." Written c. 1935–36,. First published in The Mortgaged Heart, 1971.
"Like That." Written c. 1935–36. Purchased by Story magazine in 1936 but never published. First published in The Mortgaged Heart, 1971.
"Wunderkind." First published in Story, December 1936; reprinted in The Ballad of the Sad Café, 1951, and The Mortgaged Heart, 1971.
"The Aliens." Written c. 1935–36. First published in The Mortgaged Heart, 1971.
"Untitled Piece." Written c. 1935–36. First published in The Mortgaged Heart, 1971.
"The Jockey." First published in The New Yorker, August 23, 1941; reprinted in The Ballad of the Sad Café, 1951.
"Madame Zilensky and the King of Finland." First published in The New Yorker, December 20, 1941; reprinted in The Ballad of the Sad Café, 1951.
"Correspondence." First published in The New Yorker, February 7, 1942; reprinted in The Mortgaged Heart, 1971.
"A Tree • A Rock • A Cloud." First published in Harper's Bazaar, November 1942; reprinted in The Ballad of the Sad Café, 1951.
The Ballad of the Sad Café. First published in Harper's Bazaar, August 1943; reprinted in The Best American Short Stories 1944, edited by Martha Foley, and The Ballad of the Sad Café, 1951.
Collected Stories of Carson McCullers Page 46
