by Brent Weeks
Second, the darkest part of the trilogy is near the beginning of The Way of Shadows, where we see the abuse of children. At the time I started the trilogy, my wife (who has an MA in Counseling) was working with children who’ve been molested and who then act out sexually. Without help, these kids often become abusers themselves. The very idea of an eight-year-old kid abusing a five-year-old is monstrous. Is an eight-year-old capable of evil? Is an adult abuser too deeply wounded himself to be held accountable for the deep wounds he inflicts? How about an adolescent? Where’s the line? My wife shared only a little of what she heard, both for my sake and for confidentiality, but it was clear that this was evil. That abuse is so common in a society where children have as much supervision as they do in ours is frightening. I extended that only a little bit to what might happen in a gang with no responsible authority figures—and, quite honestly, then I toned it down. Incidentally, in an LA Times feature on gangs this year, one gang member claimed that sexual abuse is rampant in today’s gangs, but such a taboo that you don’t even hear about it in hardcore gangsta rap. He claimed 90 percent of young men in gangs have been abused, and virtually all the girls. If he’s even close to correct, I think sexual abuse is a huge component of why these kids are willing to obliterate themselves with drugs, to die, and to kill.
Third, calling these books dark and gritty is like saying George Clooney was an ugly kid voted least likely to succeed. Well, maybe he was, but that’s not the whole story. There is darkness and grit in these books, but I think that’s balanced and ultimately overcome with hope and redemption. It’s simply a matter of whether you think hope is wan and weak, or robust. Is your idea of hope when a brilliant girl who does all her homework wants to ace a test? Is your idea of redemption turning in a coupon at the grocery store? Hope isn’t vibrant unless it has to be chosen over despair. Redemption is cheap unless there’s a suffocating darkness in which even a hero is tempted to hide. I see these books as a fight to escape from darkness to light, which is reflected in the titles. So yes, the books start in a place that’s dark and gritty because without that, light and peace are meaningless, worthless, boring.
Who/what were your influences in creating the trilogy?
Stephen J. Cannell once said that whenever writers get asked about their influences “out comes the list of dead writers.” So Eliot-and-Steinbeck-and-de-Beauvoir- and-Chekhov-and-Foucault-and-Yeats-and-Kierkegaard is probably the right answer—but it’s not true. My major influences aren’t even obscure. There goes my street cred. Thanks, now the only people who will talk to me at conventions will be the Klingons.
Tolkien sucked me into this world when I was young. I found it very irritating that he gave me this huge love for fantasy, and then only wrote four novels. I’d go read other fantasy, and most of it was sooo bad that I’d come back and reread the Lord of the Rings. Then Robert Jordan came along. My first novel, at age thirteen, was perilously close to plagiarizing him, and it took me a long time to escape from his shadow. George R. R. Martin is another giant. He showed me that if you actually kill or maim a major character or two, the next time you put a major character in danger, readers worry. Writing children—especially smart ones—is a huge challenge because it’s so easy to make them precocious and precious, so I love Orson Scott Card’s work. I believe he called his vision “relentlessly plain”: children are young, not stupid; innocent because of lack of exposure, not paragons of virtue.
I was really trying to avoid mentioning this one, but I have to admit a Shakespeare influence. There, I said it. His characters, even his villains, are so conflicted they’re fascinating. I even borrowed a Shakespearean king’s dilemma over what to do with a law-breaking friend.
Do you have a favorite character? If so, why?
I have to admit I love Durzo Blint. He’s just so bad. I was reading an article the other day about characters who are strong, charming, relentless in their pursuit of their goals, and willing to use people because they don’t have the weakness of empathy. In fiction, they’re often called heroes. Think James Bond. Psychology has another name for them: sociopaths. I wanted to create a strong, ruthless character who wasn’t a sociopath. Blint is so strong and so conflicted he’s fascinating to write. He doesn’t care if he pisses people off. He’s got no time for lies and illusions—yet he lives lies and illusions. He’s raw; there are cracks in the façade. He’s a puzzle because he’s done so much good and so much evil in his life, but try to find a great historical figure who didn’t. Constantine preserved the Roman Empire and slaughtered thirty thousand people for holding a rally against him; Washington and Jefferson founded a nation on the principle that all men are created equal but owned slaves; Abraham Lincoln was racist; Martin King Luther Jr. and JFK cheated on their wives. Obviously, these run the gamut of seriousness depending on what each of us values and excuses, but all of them require excuse. Durzo believes he’s a worse person than he is, and that only comes from a person who has a deep moral sense.
On another level, I really like Vi. She starts as nearly a stereotype, but through the books she becomes the kind of character I’ve never seen in fantasy. I think this has to do with writers’ desire to create strong female characters. Too often, these women end up as men with breasts: female, sociopathic James Bonds. If they have emotions, they never have the “weak” emotions. There’s an added layer of difficulty when the writer is a man, of course, so it takes even more work. Without dropping any spoilers, all I can say is I like how Vi turns out.
As much as I like both characters, though, I don’t think I’d hang out with them. One or the other would kick my ass, just for fun.
Which character is most like you?
Oh, that’s easy. Momma K. Next question?
Now that you’ve finished writing Kylar’s saga, do you think that you’ll visit this world again? Or is there a new story idea that you’ve been working on?
Both! That guy in Bulgaria’s been really busy. I’ve already done a huge amount of work on what happens in Kylar’s world after the events of Beyond the Shadows. I pick up with the story seventeen years later with one of the sons of . . . well, you’ll just have to read it. It will be a trilogy and it won’t be necessary to have read this trilogy first, but readers of the Night Angel Trilogy are definitely going to spend some time with characters they love.
At the same time, though Midcyru is a huge canvas to paint on, I’ve been cooking up a new world that I’m really excited about. New magic, new cultures, it’s a cool setting, and I’ve got a premise that I think rocks. But the story—the full cast, who goes where and who does what—hasn’t coalesced yet.
As a first-time author, what have you found to be the most exciting part of the publishing process?
The day you get the phone call that your books have sold is too shocking to be exciting. It’s simply too big. You walk around with perma-grin, but you don’t really understand it yet.
I think the most exciting moment was when a French editor wrote that he had stayed up all night reading The Way of Shadows, and after twelve years in publishing, that didn’t happen that often. I’ve dreamed of keeping people up late reading my books since I started my first novel at age thirteen—but I always figured I’d have to wait at least until I got published, and I figured it would be some poor kid who’d have to sleep through math class the next day, not an editor. That was a great day.
introducing
If you enjoyed THE WAY OF SHADOWS,
look out for
SHADOW’S EDGE
Book 2 of the Night Angel Trilogy
by Brent Weeks
W e’ve got a contract for you,” Momma K said. As always, she sat like a queen, her back straight, sumptuous dress perfect, graying hair immaculately coifed, but this morning she had dark circles under her eyes. Kylar guessed that none of the Sa’kagé’s surviving leaders had slept much since the Khalidoran invasion.
“Good morning to you, too,” Kylar said, settling into the wing-backed chair in her study. She d
idn’t turn to face him, looking instead out her window. Last night’s rain had quenched most of the fires in the city, but many still smoked, bathing the city in a crimson dawn. The waters of the Plith River that divided rich eastern Cenaria from the Warrens looked as red as blood. Kylar wasn’t sure that was all because of the sun, either. In the week since the coup, the Khalidoran invaders had massacred thousands.
Momma K said, “There’s a wrinkle. The deader knows it’s coming.”
“How’s he know?” The Sa’kagé wasn’t usually so sloppy.
“We told him.”
Kylar rubbed his temples. The Sa’kagé would only tell someone if he was already expecting it. Then, if the attempt failed, the Sa’kagé wouldn’t be committed. That meant the deader could only be one man: Cenaria’s conqueror, Khalidor’s Godking, Garoth Ursuul.
“I just came to get my money,” Kylar said. “All of Durzo’s—my safe houses burned down. I only need enough to bribe the gate guards.” He’d been giving her a cut of his wages to invest since he was a child. She should have plenty for a few bribes.
Momma K flipped silently through sheets of rice paper on her desk and handed one to Kylar. At first, he was stunned by the numbers. He was involved in the illegal importation of riot weed and half a dozen other addictive plants, owned a race horse, had a stake in a brewery and several other businesses, part of a loan shark’s portfolio, and owned partial cargos of items like silks and gems that were legitimate except for the fact the Sa’kagé paid 20 percent in bribes rather than 50 percent in tariffs. The sheer amount of information on the page was boggling. He didn’t know what half of it meant.
“I own a house?” Kylar asked.
“Owned,” Momma K said. “This column denotes merchandise lost in the fires or looting.” There were checks next to all but a silk expedition and one for riot weed. Almost everything he had owned was lost. “Neither expedition will return for months, if at all. If the Godking keeps seizing civilian vessels, they won’t come back at all. Of course, if he were dead—”
He could see where this was going. “This says my share is still worth ten to fifteen thousand. I’ll sell it to you for a thousand. That’s all I need.”
She ignored him. “They need a third wetboy to make sure it works. Fifty thousand gunders for one kill, Kylar. With that much, you can take Elene and Uly anywhere. You’ll have done the world a good turn, and you’ll never have to work again. It’s just one last job.”
He wavered only for a moment. “There’s always one last job. I’m finished.”
“This is because of Elene, isn’t it?” Momma K asked.
“Momma K, do you think a man can change?”
She looked at him with a profound sadness. “No. And he’ll end up hating anyone who asks him to.”
Kylar got up and walked out the door. In the hallway, he ran into Jarl. Jarl was grinning like he used to when they were growing up on the streets and he was up to no good. Jarl was wearing what must be the new fashion, a long tunic with exaggerated shoulders paired with slim trousers tucked into high boots. It looked vaguely Khalidoran. His hair was worked into elaborate microbraids capped with gold beads that set off his black skin.
“I’ve got the perfect job for you,” Jarl said, his voice lowered, but unrepentant about eavesdropping.
“No killing?” Kylar asked.
“Not exactly.”
“Your Holiness, the cowards stand ready to redeem themselves,” Vürdmeister Neph Dada announced, his voice carrying over the crowd. He was an old man, veiny, liver-spotted, stooped, stinking of death held at bay with magic, his breath rattling from the exertion of climbing up the platform in Cenaria Castle’s great yard. Twelve knotted cords hung over the shoulders of his black robes for the twelve shu’ras he’d mastered. Neph knelt with difficulty and offered a handful of straw to the Godking.
Godking Garoth Ursuul stood on the platform inspecting his troops. Front and center were nearly two hundred Graavar highlanders, tall, barrel-chested, blue-eyed savages who wore their black hair short and their mustaches long. On either side stood the other elite highland tribes that had captured the castle. Beyond them waited the rest of the regular army that had marched into Cenaria since the liberation.
Mists rose from the Plith River on either side of the castle and slid under the rusty teeth of the iron portcullises to chill the crowd. The Graavar had been broken into fifteen groups of thirteen each, and they alone had no weapons, armor, or tunics. They stood in their trousers, pale faces fixed, but sweating instead of shivering in the cool autumn morning.
There was never commotion when the Godking inspected his troops, but today the silence ached despite the thousands gathered to watch. Garoth had gathered every soldier possible and allowed the Cenarian servants and nobles and smallfolk to watch as well. Meisters in their black-and-red cloaks stood shoulder to shoulder with robed Vürdmeisters, soldiers, crofters, coopers, nobles, field hands, maids, sailors, and Cenarian spies.
The Godking wore a broad white cloak edged with ermine thrown back to make his broad shoulders look huge. Beneath that was a sleeveless white tunic over wide white trousers. All the white made his pallid Khalidoran skin look ghostly, and drew sharp attention to the vir playing across his skin. Black tendrils of power rose to the surface of his arms. Great knots rose and fell, knots edged with thorns that moved not just back and forth but up and down in waves, pressing out from his skin. Claws raked his skin from beneath. Nor were his vir confined to his arms. They rose to frame his face. They rose to his bald scalp and pierced the skin, forming a thorny, quivering black crown. Blood trickled down the sides of his face.
For many Cenarians, it was their first glimpse of the Godking. Their jaws hung slack. They shivered as his gaze passed over them. It was exactly as he intended.
Finally, Garoth selected one of the pieces of straw from Neph Dada and broke it in half. He threw away one half and took twelve full-length pieces. “Thus shall Khali speak,” he said, his voice robust with power.
He signaled the Graavar to climb the platform. During the liberation, they had been ordered to hold this yard to contain the Cenarian nobles for slaughter. Instead, the highlanders had been routed, and Terah Graesin and her nobles had escaped. That was unacceptable, inexplicable, uncharacteristic for the fierce Graavar. Garoth didn’t understand what made men fight one day and flee the next.
What he did understand was shame. For the past week, the Graavar had been mucking stables, emptying chamber pots, and scrubbing floors. They had not been allowed to sleep, instead spending the nights polishing their betters’ armor and weapons. Today, they would expiate their guilt, and for the next year, they would be eager to prove their heroism. As he approached the first group with Neph at his side, Garoth calmed the vir from his hands. When the men drew their straws, they must think it not the working of magic or the Godking’s pleasure that spared one and condemned another. Rather, it was simple fate, the inexorable consequence of their own cowardice.
Garoth held up his hands, and together, all the Khalidorans prayed: “Khali vas, Khalivos ras en me, Khali mevirtu rapt, recu virtum defite.”
As the words faded, the first soldier approached. He was barely sixteen, the least fringe of a mustache on his lip. He looked on the verge of collapse as his eyes flitted from the Godking’s icy face to the straws. His naked chest shone with sweat in the rising morning light, his muscles twitching. He drew a straw. It was long.
Half of the tension whooshed out of his body, but only half. The young man next to him, who looked so alike he must have been his older brother, licked his lips and grabbed a straw. It was short.
Queasy relief washed over the rest of the squad, and the thousands watching who couldn’t possibly see the short straw knew that it had been drawn from their reactions. The man who’d drawn the short straw looked at his little brother. The younger man looked away. The condemned man turned disbelieving eyes on the Godking and handed him the short straw.
Garoth stepped back. �
�Khali has spoken,” he announced. There was a collective intake of breath, and he nodded to the squad.
They closed on the young man, every one of them—even his brother—and began beating him.
It would have been faster if Garoth had let the squad wear gauntlets or use the butts of spears or the flat of blades, but he thought it was better this way. When the blood began flowing and spraying off flesh as it was pummeled, it shouldn’t get on the squad’s clothing. It should get on their skin. Let them feel the warmth of the young man’s blood as he died. Let them know the cost of cowardice. Khalidorans did not flee.
The squad attacked with gusto. The circle closed and screams rose. There was something intimate about naked meat slapping naked meat. The young man disappeared and all that could be seen was elbows rising and disappearing with every punch and feet being drawn back for new kicks. And moments later, blood. With the short straw, the young man had become their weakness. It was Khali’s decree. He was no longer brother or friend, he was all they had done wrong.
In two minutes, the young man was dead.
The squad reformed, blood-spattered and blowing hard from exertion and emotion. They didn’t look at the corpse at their feet. Garoth regarded each in turn, meeting the eyes of every one, and lingering on the brother. Standing over the corpse, Garoth extended a hand. The vir poked out of his wrist and extended, like, ragged, and gripped the corpse’s head. Then the claws convulsed and the head popped with a wet sound that left dozens of Cenarians retching.
“Your sacrifice is accepted. Thus are you cleansed,” he announced, and saluted them.
They returned his salute proudly and took their places back in the formation in the courtyard as the body was dragged away.
