by Curran, Tim
They could hear it raking splintered nails over the sandbags, patient, very patient, but anxious to get at them.
“What…what is it?” Howard finally whispered.
“A ghost,” Jameson said in an airless voice.
Kirk licked his lips and kept licking them. “It…I saw it come out of the mist…something gray like a winding sheet…rustling…”
Creel was trembling now, as were the others, some defeated, hopelessly optimistic part of himself wishing it would just go away. His lips and tongue felt thick and ungainly and he didn’t think he could speak to save his own miserable life.
And then he heard a voice, dry and scratching, filled with dirt: “Creel,” it said. “Creel…”
And he almost went out cold at the sound of it, his heart pounding so fiercely he thought it might explode. In his mind, he was seeing that thing out there, that graveyard horror that called him by name—death walking, death stalking—and it rinsed his face of color. There was a scream in his throat but he did not have the strength to let it fly. He tried to stand over near the gunslit and his blood went to his feet and he stumbled over, his fevered mind showing him exactly what was behind that shroud: a distorted death’s-head with eyes like glowering moons, flesh that was acrawl with bloated black flies. Kirk caught him, held onto him, but there was little he could do to bring the blood back into him.
They gave him rum, rubbed some warmth into his face and finally his lips parted and he said, “It called my name.”
Kirk and his two men looked at each other. “There was no voice,” he said.
“None,” Howard affirmed.
And that’s when Creel knew it was in his head, only in his head, a very private thing, an invitation to a mass for the dead that only he was being summoned to.
“It got through,” Jameson said, on the edge of hysteria.
Creel figured it would. Sooner or later. There were parts of the parapet that had been destroyed by shellfire and the thing had found one. They could hear it and it was no ghost: slopping forward through the trenches, casting a wake of brown dirty water before it. Closer, closer…
Sergeant Kirk led them out of the dugout and the mist pushed in from all sides, fuming and dank. The splashing sounds seemed to come from every direction, growing louder by the second. Creel could hear the pained rasp of breathing, that stench growing stronger. Finally, Kirk broke to the right and Howard towed Creel behind him. As they made their escape he clearly saw an immense shrouded gray form emerging from the fog.
“Creel,” it said.
19
Entombment
The mist shaped itself into phantoms and drifting ghosts that followed Sergeant Kirk’s retreating party as they pushed forward and away from the devastated cavalry post and what haunted it. The yellow-brown sucking mud came up to their knees and all around them were pools of standing water, shell-holes of bubbling muck, stumps and the masts of limbless trees. Nothing else but refuse and bones, a few corpses that had gone swollen and white in the rain, bursting with greasy gray toadstools. The mist blew around them in heavy blankets and fuming pockets.
Their boots and greatcoats were so heavy with mud that there were times when they literally could not go forward, but Kirk would not let them quit. After a time they found some higher ground, an island in the swamp of Flanders, and they took a few moments amongst the trees and wiry bushes to clean the mud off their boots.
Kirk, who had been judging position by what he could see of the sun—a hazy sinking disc at best—said, “We can’t be far from our lines now. I’m surprised we’re not right on top of the Hun. One should think they’d be thick out here.”
Nobody commented on that. They smoked and breathed and stared about with glassy eyes set in pale, grime-slicked faces.
They had a short trip through the thicket and then into the battlefield again or what had once been one. More shell-holes, huge bomb craters, the remains of barbwire enclosures sinking into the earth, great bogs of stagnant fly-specked water floating with dead rats. But just beyond, duckboards rising in and out of the swamp. They were crisscrossed, zigzagging, a veritable maze stretching into the mist. There had been action here and not too long ago, for there were shallow pools of decomposing bodies, both men and mules, cordite cans, splintered trench supports, shell casings, sheet iron fragments, fallen trees, empty boots…refuse in every direction. They saw a few sandbagged posts, the bird-picked remains of soldiers who’d manned them.
They clambered onto the nearest duckboard and it was a relief to feel something solid beneath them. But the unsettling thing they all felt and felt deep was the almost unnatural silence. Not so much as a distant shelling or staccato burst of machine-gun fire, yet Kirk assured them they were moving south towards friendly forces.
They pushed forward, preying for some sign of life.
Then—
Out of the fog they began to see objects thrusting from the murk. They were tall and leaning, luminously white, some nothing but simple wooden crosses and others rising headboard-shaped gravestones.
“A bloody cemetery,” Howard said. “Of all things.”
“They were fighting in a graveyard…bloody hell,” said Jameson.
“That fighting is long done,” Kirk told them as they advanced, the duckboard sometimes sinking but never giving way completely beneath them.
They moved forward and Creel did not say a word. He could feel something around them, the same sort of feeling he’d had back at the cavalry post…and it was getting stronger. It moved up his spine like claws and settled into his belly in a thick dark mass.
“Look,” Howard said.
There was a woman far to their left at the periphery of the mist. She was dressed in some ragged shift that was streaked with mud. Dark hair fell down one shoulder like a noose. Her face was gleaming white. She stood still as a statue, something sculpted, something incapable of movement. Then she opened her eyes and mouth and they were filled with a seeping blackness that was horrible to see.
“Keep going,” Kirk said. “Bloody crazy woman.”
But Creel knew better and so did the others.
The deeper they got into the cemetery the more profuse were the stones. They jutted from tangled stands of vegetation knotted with barbwire, from rank pools of water and ooze, rows upon rows of them, clustering and white and flecked with lichen, intersecting duckboard crossing amongst them. Creel heard splashing sounds too large to be rats. The noises seemed to coming from everywhere in the burial ground. And then they all began to see things in the mist, shivering white apparitions slowly weaving their way towards them.
As they moved ever forward, words beyond them now, it began to be hard to distinguish—out of the corner of one’s eye—between the monuments and the people rising up behind them.
Creel saw children standing out there—pallid things, waterlogged and puffy, mouths opening and closing like those of suffocating fish.
Sergeant Kirk kept everyone moving until they were nearly running on the duckboard.
The sound of their boots echoed off into the still nothingness. Rifles were clenched in hands, stomachs in throats, hearts racing, minds spinning on the edge of madness. A bloated man who was quite naked and distended with gas stepped out of the fog and stared at them with sightless pockets of blood for eyes. Kirk went to his knees in a firing stance and put two rounds from his Enfield into the intruder. The first round made the bloated man flinch, the second made him pop like a balloon, nothing but white goo and clots of bloodless drainage on the duckboard.
They were everywhere now.
Puckered white heads were rising from flooded graves and looking at the men with eyes like black wormholes. Caskets bobbed to the surface of filthy ponds and gnarled hands reached from the mud. The dead were swimming like rats now, propelling themselves through the water and thick weeds with the side-to-side motion of snakes. They glided ever forward, ashen and pitted with holes, serpentine and sleek despite their disfigurements. The woman they had
originally seen waited for them on the duckboard, black water running from her mouth and eyes, leaving trails dark as crude oil down her bleached face.
Kirk and Howard blew her off the duckboard with their rifles. The slugs made her seem to implode, to collapse into a tower of squirming pink-gray rottenness that struck the duckboard like an emptied pail of fish guts. Some of it was still moving.
The dead were swarming.
From every sunken hole and muddy ditch and slimy box, they rose and gave a slow, shambling chase, seeming to be in no hurry. They turned maggot-squirming faces the color of newly risen moons in the direction of their quarry and slowly, relentlessly, gave pursuit. They crowded the duckboards, swam through the water, clawed from the mud, emerged from the weeds and from beneath tombstones.
Creel followed behind the others, numb, used up, his mind sucked down into a narrow chasm. Then they were free of the cemetery and the duckboard was climbing a hill and they scampered up over it and saw a ruined, shelled village just before them.
And then Creel’s mind began to work again and he knew that the dead weren’t going to kill them. That had never been part of the plan. No, they were herding them into this place just as they had been compelled to do.
20
The Deserted Village
The village sat atop a low series of hills, a great junkyard of scattered rubble, broken walls, burned vehicles and upended carts lying amongst sandbagged gun pits, shattered roads and yawning ditches. The misty skyline was framed by roofless stone cottages, the high standing scaffolds of buildings and leaning chimneys. Weeds grew up from cracked cobbles and leaf-covered pools of water flooded cellars lacking houses to cover them.
Looks like a Medieval siege took place here, Creel thought. He looked around and was satisfied that this place was indeed of Medieval vintage. The mazelike winding streets, the great outer wall (now mostly smashed), the high towers, the houses and buildings crowding in upon one another…yes, certainly Medieval in design. A walled city. Defensible.
He tried to picture it intact and found that he could not; too many wars, too many battles, his mind was only able to sketch in somber grays and reaching darkness, destruction and desertion. Looking around, the city was some immense stripped skeleton of rising bones, femurs and ulnas and rib staves, split roofs like yawning skulls and a shrapnel-pitted church steeple like a reaching metacarpal.
Isn’t it funny how it’s always death with you? Or maybe it’s not so funny at all, boyo. Even when you were a kid, you didn’t care about dogs and cats…not unless they were found rotting in a ditch.
“This…I think this is Chadbourg,” Kirk said to them as they stood amongst the crumbling wreckage.
Chadbourg was one of those places that changed hands a dozen times in the early days of the war. The Huns taking it, then getting tossed out by the British or Canadians, who themselves were forced out by successive attacks and concentrated shelling. There had been a few actions near the village in the past months, but only minor skirmishes.
“Chadbourg,” Creel said. “That means we’re well away from our own lines.”
“Aye,” Kirk said. “A bit west…probably quite near the Canadians, I’m thinking.” He looked around, trying to get his bearings. “We’ll have a rest here, I think.”
Howard started shaking his head. “But those things—”
“Are not something we need worry about. Crazed, all of them. Broke free from an asylum, I shouldn’t doubt.”
That was so thin you could see through it, but it made Creel smile when he didn’t think he had any smiles left. You had to hand it to Kirk; he just refused to give in. The living dead were crawling out of their graves and he was concerned with finding a place to lay up a bit before the march back to friendly forces. Creel almost burst out laughing at the very idea of it. Well, the undead haven’t lunched on us quite yet, have they? Let’s have ourselves a nice brew-up. There’s a good fellow. He contained his laughter and mainly because it would have been hysterical and sounded more like a scream than anything else.
They moved up the main thoroughfare, the mist enclosing them from all sides, the ruins rising up around them in ghostly, vague shapes, shadows clustering in doorways, rats scurrying in dead-end alleys, ravens sitting atop the creaking signs of pubs and cafes that had fallen into themselves.
According to Kirk, Chadbourg had been abandoned over a year before when the troops starting moving in from either side. Yet, to walk through those streets, meandering amongst heaped rubble and broken stone and staved-in walls, there was a sense of decay that was thick, heavy, almost palpable with age. Shutters hung from empty windows by threads, collapsed doorways looked in on moist rancid darkness, stairways terminated in midair and crept below street level into flooded blackness. It stank the way a cemetery at Ypres had smelled, Creel remembered, after a vicious shelling by the Hun that churned up the ground, exhuming graves and rotting boxes, tossing skeletons into trees and atop roofs; a pestiferous, moldering stink of subterranean slime and leechfields.
Most of the houses and buildings were nothing but heaped debris, hills and ramparts of it, some so high you could not see over them and others filling streets so they were impassable.
When they did find a habitable structure, the roof was usually gone, nothing but splintered timbers overhead crisscrossed against the grim leaden sky.
Finally, they found a brick house with a half-timbered second story that was intact save the outside wall was scathed by machine-gun fire and the windows were broken out. It was cramped and damp-smelling inside, but there was some dust-laden furniture and even a grandfather clock with a bird’s nest built into the face. Looking at it, Creel had to wonder how many times some aproned peasant woman, her back sore from churning butter, her hands white with flour, had looked at that clock face and waited for her men to come in from the fields, clumping boots dusted with wheat chaff.
Another world. Another existence. This place will never know that peace and solid contentment again, he thought. It will never know tired backs settling into feather beds and old women sweeping children into dreamland with twice-told tales and kettles of soup steaming atop blackened stove gratings on Sunday afternoons.
No. It will only know the cawing of crows, the scurrying of rats, the sound of leaves gathering and wind whipping through creviced walls, the spidersilk silence of gathering dust.
Filled with anguish and a bitter fatalism, he went to the window and looked out into the mist-choked streets. The breeze had picked up a bit and the fog blew along with rolling clouds of dust and fine debris.
“Nothing anywhere,” Howard said after he returned from checking the rooms. “Not a scrap of food. Not a bleeding thing.”
Creel found a lantern on a hook, half-filled with oil. “We’ll have some light if we need it,” he said.
Jameson started up the creaking stairs to the upper floor and stopped, grimy hand on the rail.
There was a sound from up there.
Like something dragged over a floor. Something heavy.
Standing there in his dirty greatcoat, dented steel helmet, and mud-caked trench boots, he looked like some little boy playing Army with his father’s old uniform. His face was dirty, though unlined and impossibly smooth like it had been pressed. His eyes were huge and white and he looked like he belonged anywhere but where he was.
Just a sound, that’s all it was, but it stopped everyone like they were standing in quick-set concrete.
The only thing alive about Creel at that moment was the cigarette in his lips: it was trembling. He felt a sharp stab of fear in his belly that kept cutting deeper, making a darkness that was toxic and oily spread through his vitals. It was not the fear of war. Of bullets and bombs and bayonets bisecting his stomach, nothing man-made. This was ancient. A formless, crawling terror that moved through him.
Jameson’s voice, when it came, was dry as a crackling corn husk: “There’s…there’s something up there, Sarge.”
Brilliant deduction, kid.
Kirk looked over to Creel and for the first time Creel saw that it was alive inside the man: fear and indecision. It was infesting him to the point that he was nearly unrecognizable. No more stiff upper lip or confident eyes or hard set to his mouth…no, his face was greasy with sweat and smudged with dirt like a chimney sweep. Eyes red-rimmed and bulging from their sockets, lips pressed tight to stop his teeth from chattering. Something had just given in him and he was now a dirty, hunched-over, chinless, scraggly trench rat, a middle-aged man who had no business in this war.
“We better go have a look, hadn’t we?” Creel said.
Jameson and Howard nodded. Kirk did not move so Creel went over to him, patted him on the back and slid the Webley revolver from the sergeant’s holster.
Poor guy had frozen right up.
He led them on a wild run through the living dead and did not bat an eye, and now…a simple noise from a shuttered room above was enough to suck the blood right out of him. It got like that sometimes in combat, Creel knew. You charged a trench and gored three enemy soldiers with your bayonet, you shot down another, skipped about on a merry lark avoiding machine-gun fire, bullets zipping around you, just so you could get close enough to toss a belt of Mill’s bombs into a trench mortar emplacement. You did your duty and you didn’t think twice about it. You made it through, got back with your mates…then you saw a bullet hole in your helmet that miraculously missed your skull and you fold up, start sobbing and can’t seem to stop.
There’s a breaking point to all.
His was last night when that living dead hag called his name and earlier today in the dugout when that…whatever that was…called his name again. Something broke loose inside and he was no good. Now he could feel the blood in his veins again and the wind in his lungs and he brushed past Jameson with a catty wink, looked back at Howard and the still immobile Sergeant Kirk. He did not feel betrayed by Kirk’s momentary weakness. In fact, he felt stronger and his respect for the sergeant increased.
