cover
THE
SCIENCE FICTION
HALL OF FAME
Volume Two B
The Greatest Science Fiction Novellas of All Time
Chosen by the Members of
The Science Fiction Writers of America
Edited by Ben Bova
TOR*
A Tom Doherty Associates Book New York
This is a work of fiction. All of the characters, organizations, and events portrayed in these novellas are either products of the authors' imaginations or are used fictitiously.
THE SCIENCE FICTION HALL OF FAME: VOLUME TWO B
Copyright © 1973 by The Science Fiction Writers of America
Originally published by Doubleday & Company, Inc.
All rights reserved, including the right to reproduce this book, or portions thereof, in
any form.
A Tor Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010
www.tor.com
Tor® is a registered trademark of Tom Doherty Associates, LLC.
ISBN-13: 978-0-7653-0532-9 ISBN-10: 0-7653-0532-1
First Tor Edition: May 2008
Printed in the United States of America
098765 43 2 1
An ebookman scan.
ACKNOWLEDGMENTS
The Martian Way, by Isaac Asimov, copyright © 1952 by Galaxy Publishing Corporation. Reprinted by permission of the author.
Earthman, Come Home, by James Blish, copyright © 1953 by Street & Smith Publications, Inc. Reprinted by permission of the author and his agent, Robert P. Mills, Ltd.
Rogue Moon, by Algis Budrys, copyright © 1960 by Algis Budrys. Reprinted by permission of the author and his agent, the Lantz-Donadio Literary Agency.
The Spectre General, by Theodore Cogswell, copyright © 1952 by Street & Smith Publications, Inc. Reprinted by permission of the author.
The Machine Stops, by E. M. Forster, from The Eternal Moment and Other Stories by E. M. Forster, copyright © 1928 by Harcourt Brace Jovanovich, Inc.; copyright renewed 1956 by E. M. Forster. Reprinted by permission of Harcourt Brace Jovanovich, Inc.
The Midas Plague, by Frederik Pohl, copyright © 1954 by Galaxy Publishing Corporation. Reprinted by permission of the author.
The Witches of Karres, by James H. Schmitz, copyright © 1949 by Street & Smith Publications, Inc. Reprinted by permission of the author and his agents, Scott Meredith Literary Agency, Inc.
E for Effort, by T. L. Sherred, copyright © 1947 by Street & Smith Publications, Inc., copyright © 1972 by T. L. Sherred as part of the collection, First Person Peculiar. Reprinted by permission of the author and his agent, Virginia Kidd.
In Hiding, by Wilmar H. Shiras, copyright © 1948 by Street & Smith Publications, Inc. Reprinted by permission of the author.
The Big Front Yard, by Clifford D. Simak, copyright © 1958 by Street & Smith Publications, Inc. Reprinted by permission of the author and his agent, Robert P. Mills, Ltd.
The Moon Moth, by Jack Vance, copyright © 1961 by Galaxy Publishing Corporation. Reprinted by permission of the author and his agents, Scott Meredith Literary Agency, Inc.
CONTENTS
cover
INTRODUCTION by Ben Bova
THE MARTIAN WAY by Isaac Asimov
1
2
3
4
5
6
7
8
9
10
11
EARTHMAN, COME HOME by James Blish
I
II
III
IV
ROGUE MOON by Algis Budrys
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
THE SPECTRE GENERAL by Theodore Cogswell
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XV
THE MACHINE STOPS by E. M. Forster
Part I THE AIR-SHIP
Part II THE MENDING APPARATUS
Part III THE HOMELESS
THE MIDAS PLAGUE by Frederik Pohl
THE WITCHES OF KARRES by James H. Schmitz
I
II
III
VI.
E FOR EFFORT by T.L. Sherred
IN HIDING by Wilmar H. Shiras
THE BIG FRONT YARD by Clifford D. Simak
THE MOON MOTH by Jack Vance
Back cover
INTRODUCTION by Ben Bova
This two-book set is the second volume of the Science Fiction Hall of Fame, and consists of stories of longer lengths than those published in the highly acclaimed Volume One.
These stories have been selected by the members of the Science Fiction Writers of America (SFWA), the organization of some four hundred professional science fiction writers. Thus, the Science Fiction Hall of Fame is the definitive anthology in this field, the collective choice of the practitioners of the science fiction art themselves.
Founded in 1965, each year since 1966 SFWA has given achievement awards for the best stories of the year. The awards are called Nebulas, and are chosen on the basis of a vote by SFWA's members. The purpose of the Science Fiction Hall of Fame anthologies is to bestow a similar recognition on stories that were published prior to 1966, and thus never had a chance to earn a Nebula.
Like the annual Nebula awards themselves, election to the Hall of Fame anthology is based on a poll of SFWA's members. Volume One was restricted to short stories; Volume Two is devoted to novelettes and novellas.
The voting procedure began with recommendations. For nearly a full year, SFWA members sent in suggestions for stories that were worthy of inclusion in the Hall of Fame. As editor, I quickly began to see that it was going to be a heartbreaking job to rule out any of these fine tales. Almost every title recommended brought back a powerful memory of the first time I had read that particular piece. And the authors! H. G. Wells, John W. Campbell, Jr., Robert Heinlein, Cyril Kornbluth . . . how could any of them be ruled out?
A ballot was finally prepared, consisting of seventy-six recommended stories. The SFWA members were asked to vote for ten stories out of the seventy-six. Since many authors had more than one story on the ballot, and we didn't want any individual author to be represented more than once in the anthology, the members were further asked to vote for only one story per author.
Many of the ballots came back with screams of despair and frustration scribbled over them. "How can I pick only ten of 'em?" was the typical cry. Most of the members wanted most of the recommended stories to go into the final anthology.
When the votes were counted, the top ten stories were: WHO GOES THERE? by John W. Campbell, Jr. A CANTICLE FOR LEIBOWITZ by Walter M. Miller, Jr. WITH FOLDED HANDS by Jack Williamson THE TIME MACHINE by H. G. Wells BABY is THREE by Theodore Sturgeon VINTAGE SEASON by Henry Kuttner and C. L. Moore THE MARCHING MORONS by C. M. Kornbluth UNIVERSE by Robert A. Heinlein BY HIS BOOTSTRAPS by Robert A. Heinlein NERVES by Lester del Rey
Since several authors had more than one story on the ballot, and thus were in the unhappy position of competing with themselves, I sliced the pie in the other direction, too, and looked for the ten most popular authors: Robert A. Heinlein Theodore Sturgeon John W. Campbell, Jr. Walter M. Miller, Jr. Lester del Rey C. M. Kornbluth Jack Williamson H. G. Wells Pou
l Anderson Henry Kuttner and C. L. Moore
The procedure for picking the stories to go into the anthology, then, was fairly straightforward, since most of the top authors were also represented among the most popular stories. I prepared a list of stories that included the highest vote-getters among the stories and the most popular authors. For any individual author, I picked the story of his that had received the most votes.
It was much easier to start the list than end it. There was always the temptation to sneak in just one more story—after all, I would tell myself, this one's really too good to be left out. I ended with a list of twenty-two stories, totaling more than 400,000 words. Far too much for a single book.
I took my problem to Larry Ashmead, the editorial mastermind who presides over Doubleday's science fiction publications. It was a shameful dereliction of duty, but I didn't have the heart to cut out any of those twenty-two stories. Thankfully, neither did Larry. After one look at the list, he suggested making a two-book set so that all the stories could be included.
Unfortunately, two of the stories—Miller's A Canticle for Leibowitz, and Ray Bradbury's The Fireman—were unavailable for this anthology. Both are currently available in book form, however.
So here is the second volume of the Science Fiction Hall of Fame. It represents the best that science fiction has to offer, by some of the best writers working in this or any field of literature.
One final note of acknowledgment and thanks. Much of the onerous work of tracking down publication dates and magazines, toting up wordage lengths, and finding copies of the original stories, was done by Anthony R. Lewis. Without his aid, this volume might still be little more than an unfulfilled promise.
THE MARTIAN WAY by Isaac Asimov
1
From the doorway of the short corridor between the only two rooms in the travel-head of the spaceship, Mario Esteban Rioz watched sourly as Ted Long adjusted the video dials painstakingly. Long tried a touch clockwise, then a touch counter. The picture was lousy.
Rioz knew it would stay lousy. They were too far from Earth and at a bad position facing the Sun. But then Long would not be expected to know that. Rioz remained standing in the doorway for an additional moment, head bent to clear the upper lintel, body turned half side-wise to fit the narrow opening. Then he jerked into the galley like a cork popping out of a bottle.
"What are you after?" he asked.
"I thought I'd get Hilder," said Long.
Rioz propped his rump on the corner of a table shelf. He lifted a conical can of milk from the companion shelf just above his head. Its point popped under pressure. He swirled it gently as he waited for it to warm.
"What for?" he said. He upended the cone and sucked noisily.
"Thought I'd listen."
"I think it's a waste of power."
Long looked up, frowning. "It's customary to allow free use of personal video sets."
"Within reason," retorted Rioz.
Their eyes met challengingly. Rioz had the rangy body, the gaunt, cheek-sunken face that was almost the hallmark of the Martian Scavenger, those Spacers who patiently haunted the space routes between Earth and Mars. Pale blue eyes were set keenly in the brown, lined face which, in turn, stood darkly out against the white surrounding syntho-fur that lined the up-turned collar of his leathtic space jacket.
Long was altogether paler and softer. He bore some of the marks of the Grounder, although no second-generation Martian could be a Grounder in the sense that Earthmen were. His own collar was thrown back and his dark brown hair freely exposed.
"What do you call within reason?" demanded Long.
Rioz's thin lips grew thinner. He said, "Considering that we're not even going to make expenses this trip, the way it looks, any power drain at all is outside reason."
Long said, "If we're losing money, hadn't you better get back to your post? It's your watch."
Rioz grunted and ran a thumb and forefinger over the stubble on his chin. He got up and trudged to the door, his soft, heavy boots muting the sound of his steps. He paused to look at the thermostat, then turned with a flare of fury.
"I thought it was hot. Where do you think you are?"
Long said, "Forty degrees isn't excessive."
"For you it isn't, maybe. But this is space, not a heated office at the iron mines." Rioz swung the thermostat control down to minimum with a quick thumb movement. "Sun's warm enough."
"The galley isn't on Sunside."
"It'll percolate through, damn it."
Rioz stepped through the door and Long stared after him for a long moment, then turned back to the video. He did not turn up the thermostat.
The picture was still flickering badly, but it would have to do. Long folded a chair down out of the wall. He leaned forward, waiting through the formal announcement, the momentary pause before the slow dissolution of the curtain, the spotlight picking out the well-known bearded figure which grew as it was brought forward until it filled the screen.
The voice, impressive even through the flutings and croakings induced by the electron storms of twenty millions of miles, began:
"Friends! My fellow citizens of Earth. . ."
2
Rioz's eye caught the flash of the radio signal as he stepped into the pilot room. For one moment, the palms of his hands grew clammy when it seemed to him that it was a radar pip; but that was only his guilt speaking. He should not have left the pilot room while on duty theoretically, though all Scavengers did it. Still, it was the standard nightmare, this business of a strike turning up during just those five minutes when one knocked off for a quick coffee because it seemed certain that space was clear. And the nightmare had been known to happen, too.
Rioz threw in the multi-scanner. It was a waste of power, but while he was thinking about it, he might as well make sure.
Space was clear except for the far-distant echoes from the neighboring ships on the scavenging line.
He hooked up the radio circuit, and the blond, long-nosed head of Richard Swenson, copilot of the next ship on the Marsward side, filled it.
"Hey, Mario," said Swenson.
"Hi. What's new?"
There was a second and a fraction of pause between that and Swen-son's next comment, since the speed of electromagnetic radiation is not infinite.
"What a day I've had."
"Something happened?" Rioz asked.
"I had a strike."
"Well, good."
"Sure, if I'd roped it in," said Swenson morosely.
"What happened?"
"Damn it, I headed in the wrong direction."
Rioz knew better than to laugh. He said, "How did you do that?"
"It wasn't my fault. The trouble was the shell was moving way out of the ecliptic. Can you imagine the stupidity of a pilot that can't work the release maneuver decently? How was I to know? I got the distance of the shell and let it go at that. I just assumed its orbit was in the usual trajectory family. Wouldn't you? I started along what I thought was a good line of intersection and it was five minutes before I noticed the distance was still going up. The pips were taking their sweet time returning. So then I took the angular projections of the thing, and it was too late to catch up with it."
"Any of the other boys getting it?"
"No. It's 'way out of the ecliptic and'll keep on going forever. That's not what bothers me so much. It was only an inner shell.
But I hate to tell you how many tons of propulsion I wasted getting up speed and then getting back to station. You should have heard Canute."
Canute was Richard Swenson's brother and partner.
"Mad, huh?" said Rioz.
"Mad? Like to have killed me! But then we've been out five months now and it's getting kind of sticky. You know."
"I know."
"How are you doing, Mario?"
Rioz made a spitting gesture. "About that much this trip. Two shells in the last two weeks and I had to chase each one for six hours."
"Big ones?"
/> "Are you kidding? I could have scaled them down to Phobos by hand. This is the worst trip I've ever had."
"How much longer are you staying?"
"For my part, we can quit tomorrow. We've only been out two months and it's got so I'm chewing Long out all the time."
There was a pause over and above the electromagnetic lag.
Swenson said, "What's he like, anyway? Long, I mean."
Rioz looked over his shoulder. He could hear the soft, crackly mutter of the video in the galley. "I can't make him out. He says to me about a week after the start of the trip, 'Mario, why are you a Scavenger?' I just look at him and say, 'To make a living. Why do you suppose?' I mean, what the hell kind of a question is that? Why is anyone a Scavenger?
"Anyway, he says, 'That's not it, Mario.' He's telling me, you see. He says, 'You're a Scavenger because this is part of the Martian way.'"
Swenson said, "And what did he mean by that?"
Rioz shrugged. "I never asked him. Right now he's sitting in there listening to the ultra-microwave from Earth. He's listening to some Grounder called Hilder."
"Hilder? A Grounder politician, an Assemblyman or something, isn't he?"
"That's right. At least, I think that's right. Long is always doing things like that. He brought about fifteen pounds of books with him, all about Earth. Just plain dead weight, you know."
"Well, he's your partner. And talking about partners, I think I'll get back on the job. If I miss another strike, there'll be murder around here."
He was gone and Rioz leaned back. He watched the even green line that was the pulse scanner. He tried the multi-scanner a moment Space was still clear.
He felt a little better. A bad spell is always worse if the Scavengers all about you are pulling in shell after shell; if the shells go spiraling down to the Phobos scrap forges with everyone's brand welded on except your own. Then, too, he had managed to work off some of his resentment toward Long.
It was a mistake teaming up with Long. It was always a mistake to team up with a tenderfoot. They thought what you wanted was conversation, especially Long, with his eternal theories about Mars and its great new role in human progress. That was the way he said it-Human Progress: the Martian Way; the New Creative Minority. And all the time what Rioz wanted wasn't talk, but a strike, a few shells to call their own.
The SF Hall of Fame Volume Two B Page 1
