'Almost midnight in Shanghai. Let's go. Maybe we'll have better luck with Sergei Orel, pharmacist's mate off the Vorga. Don't look so scared. It was only murder. Go girl. Jaunte! ' Robin gasped. He saw that she was staring over his shoulder with an expression of incredulity. Foyle turned: A flaming figure loomed on the beach, a huge man with burning clothes and a hideously tattooed face. It was himself.
'Christ!' Foyle exclaimed. He took a step towards his burning image, and abruptly it was gone.
He turned to Robin, ashen and trembling. 'Did you see that?'
'Yes, 'What was it?'
'You.'
'For God's sake! Me? How's that possible? How -'
'It was you.'
'But ' he faltered, the strength and furious possession drained out of him. 'Was it illusion? Hallucination?'
'I don't know. I saw it too.'
'Christ Almighty! To see yourself... face to face.,. The clothes were on fire. Did you see that? What in God's name was it?'
'It was Gully Foyle,' Robin said, 'burning in hell.'
'All right,' Foyle burst out angrily. 'It was me in hell, but I'm still going through with it. If I burn in hell Vorga'll burn with me.'
He pounded his palms together, stinging himself back to strength and purpose.
'I'm still going through with it, by God! Shanghai next. Jaunte'
CHAPTER TEN
'At the Costume Ball in Shanghai, Fourmyle of Ceres electrified society by appearing as Death in Durer's 'Death And The Maiden' with a dazzling creature clad in transparent veils. A Victorian society which stifled its women in purdah, and which regarded the 1920 gowns of the Peenemunde clan as excessively daring, was shocked. But when Fourmyle revealed that the female was a magnificent android, there was an instant reversal of opinion in his favor. Society was delighted with the deception. The naked body, shameful in humans, was merely a sexless curiosity in androids.
At midnight, Fourmyle auctioned off the android to the gentlemen of the ball.
'The money to go to charity, Fourmyle?'
'Certainly not. You know my slogan: Not one cent for entropy. Do I hear a hundred credits for this expensive and lovely creature? One hundred, gentlemen? She's all beauty and highly adaptable. Two? Thank you. Three and a half? Thank you. I'm bid - Five? Eight? Thank you. Any more bids for this remarkable product of the resident genius of the Four-Mile Circus? She walks. She talks. She adapts. She has been conditioned to respond to the highest bidder. Nine? Do I hear any more bids? Are you all done? Are you all through? Sold, to Lord Yale for nine hundred credits.'
Tumultuous applause and appalled ciphering: 'Good God! An android like that must have cost ninety thousand! How can he afford it?'
'Will you turn the money over to the android, Lord Yale? She will respond suitably. Until we meet again in Rome, ladies and gentlemen . . . The Borghese Palace at midnight. Happy New Year.'
Fourmyle had already departed when Lord Yale discovered, to the delight of himself and the other bachelors, that a double deception had been perpetrated. The android was, in fact, a living, human creature, all beauty and highly adaptable. She responded magnificently to nine hundred credits. The trick was the smoking-room story of the year. The stags waited eagerly to congratulate Fourmyle.
But Foyle and Robin Wednesbury were passing under a sign that read: DOUBLE YOUR JAUNTING OR DOUBLE YOUR MONEY BACK in seven languages, and entering the emporium Of DR SERGI OREL, CELESTIAL ENLARGER OF CRANIAL CAPABILITIES.
The waiting-room was decorated with lurid brain charts demonstrating how Dr Orel poulticed, cupped, balsamed and electrolysed the brain into double its capacity or double your money back. He also doubled your memory with anti-febrile purgatives, magnified your morals with tonic roborants, and adjusted all anguished psyches with Orel's Epulotic Vulnerary.
The waiting-room was empty. Foyle opened a door at a venture. He and Robin had a glimpse of along hospital ward: Foyle grunted in disgust.
'A Snow Joint. Might have known he'd be running a dive for hop-heads too.'
This joint catered to Disease Collectors, the most hopeless of neurotic-addicts. They lay in their hospital beds, suffering mildly from illegally induced para-measles, para-flu, para-malaria; devotedly attended by nurses in starched white uniforms, and avidly enjoying their illegal illness and the attention it brought.
'Look at them,' Foyle said contemptuously. 'Disgusting. If there's anything filthier than a religion-junkie, it's a disease-bird.'
'Good evening,' a voice spoke behind them.
Foyle shut the door and turned. Dr Sergei Orel bowed. The good doctor was crisp and sterile in the classic white cap, gown and surgical mask of the medical clans, to which he belonged by fraudulent assertion only. He was short, swarthy, and olive-eyed, recognizably Russian by his name alone. More than a century of jaunting had so mingled the many populations of the world that racial types were disappearing.
'Didn't expect to find you open for business on New Year's Eve,' Foyle said.
'Our Russian New Year comes two weeks later,' Dr Orel answered. 'Step this way, please.'
He pointed to a door and disappeared with a 'pop'. The door revealed a long flight of stairs. As Foyle and Robin started up the stairs, Dr Orel appeared above them. 'This way, please. Oh . . . one moment.'
He disappeared and appeared again behind them. 'You forgot to close the door.'
He shut the door and jaunted again. This time he reappeared high at the head of the stairs. 'In here, please.'
'Showing off,' Foyle muttered: 'Double your jaunting or double your money back. All the same, he's pretty fast. I'll have to be faster.'
They entered the consultation-room. It was a glass-roofed penthouse. The walls were lined with gaudy but antiquated medical apparatus: a sedative bath-medicine, an electric chair for administering shock treatment to schizophrenics, an E.K.G. analyzer for tracing psychotic patterns, old optical and electronic microscopes.
The quack waited for them behind his desk. He jaunted to the door, closed it, jaunted back to his desk, bowed, indicated chairs, jaunted behind Robin's and held it for her, jaunted to the window and adjusted the shade, jaunted to the light switch and adjusted the lights, then reappeared behind his desk.
'One year ago,' he smiled, 'I could not jaunte at all. Then I discovered the secret, the Salutiferous Abstersive which. .'
Foyle touched the tongue to the switchboard wired into the nerve-endings of his teeth. He accelerated. He arose without haste, stepped to the slow-motion figure 'Bloc-hwoo-fwaamawwing' behind the desk, took out a heavy sap and scientifically smote Orel across the brow, concussing the frontal lobes and stunning the jaunte centre. He picked the quack up and strapped him into the electric chair. All this took approximately five seconds. To Robin Wednesbury it was a blur of motion.
Foyle decelerated. The quack opened his eyes, stirred, discovered where he was, and started in anger and perplexity.
'You're Sergei Orel, pharmacist's mate off the Vorga,' Foyle said quietly. 'You were aboard the Vorga on September 16th. 2336.
The anger and perplexity turned to terror.
'On September sixteen you passed a wreck. Out near the asteroid belt. It was the wreck of the Nomad. She signaled for help and Vorga passed her by. You left her to drift and die. Why?'
Orel rolled his eyes but did not answer.
'Who gave the order to pass me by? Who was willing to let me rot and die?'
Orel began to gibber.
'Who was aboard Vorga? Who shipped with you? Who was in command? I'm going to get an answer. Don't think I'm not,' Foyle said with calm ferocity. 'I'll buy it or tear it out of you. Why was I left to die? Who told you to let me die?'
Orel screamed. 'I can't talk abou - Wait I'll tell -' He sagged.
Foyle examined the body. 'Dead,' he muttered. 'Just when he was ready to talk. Just like Forrest.'
'Murdered.'
'No. I never touched him. It was suicide.' Foyle cackled without humor.
'You're insane.'
'What nonsense is this?'
'They've been given Sympathetic Blocks. You know about S.B.s, girl? Intelligence uses them for espionage agents. Take a certain body of information you don't want told. Link it with the sympathetic nervous system that controls automatic respiration and heart beat. As soon as the subject tries to reveal that information, the block comes down, the heart and lungs stop, the man dies, your secret's kept. An agent doesn't have to worry about killing himself to avoid torture; it's been done for him.'
'It was done to these men?'
'Obviously.'
'But why?'
'How do I know. Refugee Running isn't the answer. Vorga must have been operating worse rackets than that to take this precaution. But we've got a problem. Our last lead is Poggi in Rome. Angelo Poggi, chef's assistant off the Vorga. How are we going to get information out of him without -' He broke off.
His image stood before him, silent, ominous, face burning blood-red, clothes flaming.
Foyle was paralyzed. He took a breath and spoke in a shaking voice. 'Who are you? What do you -' The image disappeared.
Foyle turned to Robin, moistening his lips. 'Did you see it?'
Her expression answered him.
'Was it real?'
She pointed to Sergei Orel's desk, alongside which the image had stood. Papers on the desk had caught fire and were burning briskly. Foyle backed away, still frightened and bewildered. He passed a hand across his face. It came away wet.
Robin rushed to the desk and tried to beat out the flames. She picked up wads of papers and letters and slammed helplessly. Foyle did not move.
'I can't stop it,' she gasped at last. 'We've got to get out of here.'
Foyle nodded, then pulled himself together with power and resolution. 'Rome,' he croaked. 'We jaunte to Rome. There's got to be some explanation for this. I'll find it, by God! And in the meantime I'm not quitting. Rome. Go, girl! Jaunte!'
Since the Middle Ages the Spanish Stairs have been the centre of corruption in Rome. Rising from the Piazza di Spagna to the gardens of the Villa Borghese in a broad long sweep, the Spanish Stairs are, have been, and always will be swarming with vice. Pimps lounge on the stairs, whores, perverts, lesbians, catamites. Insolent and arrogant, they display themselves and jeer at the respectables who sometimes pass.
The Spanish Stairs were destroyed in the fission wars of the late twentieth century. They were rebuilt and destroyed again in the war of the World Restoration in the twenty-first century. Once more they were rebuilt and this time covered over with blast-proof crystal, turning the stairs into a stepped Galleria. The dome of the Galleria cut off the view from the death chamber in Keats's house. No longer would visitors peep through the narrow window and see the last sight that met the dying poet's eyes. Now they saw the smoky dome of the Spanish Stairs, and through it the distorted figures of Sodom and Gomorrah below.
The Galleria of the Stairs was illuminated at night, and this New Year's Eve was chaotic. For a thousand years Rome has welcomed the New Year with a bombardment . . . fire-crackers, rockets, torpedoes, gunshots, bottles, shoes, old pots and pans. Romans save junk for months to be hurled out of top-floor windows when midnight strikes. The roar of fireworks inside the Stairs, and the clatter of debris clashing on the Galleria roof was deafening as Foyle and Robin Wednesbury climbed down from the carnival in the Borghese Palace.
They were still in costume; Foyle in the livid crimson-and-black tights and doublet of Cesare Borgia, Robin wearing the silver encrusted gown of Lucrezia Borgia. They wore grotesque velvet masks. The contrast between their Renaissance costume and the modern clothes around them brought forth jeers and catcalls. Even the Lobos who frequented the Spanish Stairs, the unfortunate habitual criminals who had had a quarter of their brains burned out by prefrontal lobotomy, were aroused from their dreary apathy to stare. The mob seethed around the couple as they descended the Galleria.
'Poggi,' Foyle called quietly. 'Angelo Poggi?'
A bawd bellowed anatomical adjurations at him.
'Poggi? Angelo Poggi?' Foyle was impassive. 'I'm told he can be found on the Stairs at night. Angelo Poggi?'
A whore maligned his mother.
'Angelo Poggi? Ten credits to anyone who brings me to him.'
Foyle was ringed with extended hands, some filthy, some scented, all greedy. He shook his head. 'Show me, first.'
Roman rage crackled around him.
'Poggi? Angelo Poggi? After six weeks of loitering on the Spanish Stairs, Captain Peter Y'ang-Yeovil at last heard the words he had hoped to hear. Six weeks of tedious assumption of the identity of one, Angelo Poggi, chef's assistant off the Vorga, long dead, was finally paying off. It had been a gamble, first risked when Intelligence had brought the news to Captain Y'ang-Yeovil that someone was making cautious inquiries about the crew of the Presteign Vorga, and paying heavily for information.
'It's a long-shot,' Y'ang-Yeovil had said, 'but Gully Foyle, AS-128/127:006 did make that lunatic attempt to blow up Vorga. And twenty pounds of PyrE is worth a long-shot.'
Now he waddled up the stairs towards the man in the Renaissance costume and mask. He had put on forty pounds weight with glandular shots. He had darkened his complexion with diet manipulation. His features, never of an Oriental cast but cut more along the hawk-like lines of the ancient American Indian, easily fell into an unreliable pattern with a little muscular-control.
The Intelligence man waddled up the Spanish Stairs, a gross cook with a larcenous countenance. He extended a package of soiled envelopes towards Foyle.
'Filthy pictures, Signore? Cellar-Christians, kneeling, praying, singing psalms, kissing cross? Very naughty. Very smutty, Signore. Entertain your friends . . . Excite the ladies.'
'No,' Foyle brushed the pornography aside. 'I'm looking for Angelo Poggi.'
Y'ang-Yeovil signaled microscopically. His crew on the stairs began photographing and recording the interview without ceasing its pimping and whoring. The Secret Speech of the Intelligence Tong of the Inner Planets Armed Forces wigwagged around Foyle and Robin in a hail of tiny tics, sniffs, gestures, attitudes, motions. It was the ancient Chinese sign-language of eyelids, eyebrows, fingertips and infinitesimal body motions.
'Signore?' Y'ang Yeovil wheezed.
'Angelo Poggi?'
'Si, Signore. I am Angelo Poggi.'
'Chef's assistant off the Vorga?'
Expecting the same start of terror manifested by Forrest and Orel, which he at last understood, Foyle shot out a hand and grabbed Y'ang-Yeovil's elbow.
'Yes?'
'Si, Signore,' Y'ang-Yeovil replied tranquilly. 'How can I serve your worship?'
'Maybe this one can come through,' Foyle murmured to Robin. 'He's not scared. Maybe he knows a way round the Block.'
'I want information from you, Poggi. I want to buy all you've got. Anything you've got. Name your price.'
'But, Signore! I am a man full of years and experience. I am not to be bought in wholesale lots. I must be paid item by item. Make your selection and I will name the price. What do you want?'
'You were aboard Vorga on September 16th 2336?'
'The cost of that item is Cr 10.'
Foyle smiled mirthlessly and paid.
'I was, Signore.'
'I want to know about a ship you passed out near the asteroid belt. The wreck of the Nomad. You passed her on September sixteen. Nomad signaled for help and Vorga passed her by. Who gave the order?'
'Ah, Signore!'
'Who gave that order, and why?'
'Why do you ask, Signore?'
'Never mind why I ask. Name the price and talk.'
'I must know why a question is asked before I answer, Signore. 'Y'ang-Yeovil smiled greasily. 'And I will pay for my caution by cutting the price. Why are you interested in Vorga and Nomad and this shocking abandonment in space? Were you, perhaps, the unfortunate who was so cruelly treated?'
'He's not
Italian! His accent's perfect, but, the speech pattern's all wrong. No Italian would frame sentences like that.' Robin prompted.
Foyle stiffened in alarm, Y'ang-Yeovil's eyes, sharpened to detect and deduce from minutiae, caught the change in attitude. He realized at once that he had slipped somehow. He signaled to his crew urgently.
A white-hot brawl broke out on the Spanish Stairs. In an instant, Foyle and Robin were caught up in a screaming, struggling mob. The crews of the Intelligence Tong were past masters of this OP-I maneuver, designed to outwit a jaunting world. Their split-second timing could knock any man off balance and strip him for identification. Their success was based on the simple fact that between unexpected assault and defensive response there must always be a recognition lag. Within the space of that lag, the Intelligence Tong guaranteed to prevent any man from saving himself.
In three-fifths of a second Foyle was battered, kneed, hammered across the forehead, dropped to the steps and spread-eagled. The mask was plucked from his face, portions of his clothes torn away, and he was ripe and helpless for the rape of the identification cameras. Then, for the first time in the history of the tong, their schedule was interrupted.
A man appeared, straddling Foyle's body . . . a huge man with a hideously tattooed face and clothes that smoked and flamed. The apparition was so appalling that the crew stopped dead and stared. A howl went up from the crowd on the Stairs at the dreadful spectacle.
'The Burning Man! Look! The Burning Man!'
'But that's Foyle,' Y'ang-Yeovil whispered.
For perhaps a quarter of a minute the apparition stood, silent, burning, staring with blind eyes. Then it disappeared. The man spread-eagled on the ground disappeared too. He turned into a lightning blur of action that whipped through the crew, locating and destroying cameras, recorders, all identification apparatus. Then the blur seized the girl in the Renaissance gown and vanished.
The Spanish Stairs came to life again, painfully, as though struggling out of a nightmare. The bewildered Intelligence crew clustered around Y'ang-Yeovil.
'What in God's name was that, Yeo?'
The Stars My Destination Page 14
