Don't Wear Polka-Dot Underwear with White Pants: (And Other Lessons I've Learned)

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Don't Wear Polka-Dot Underwear with White Pants: (And Other Lessons I've Learned) Page 5

by Allison Gutknecht


  I turn toward the Packles’ house next door. The Packles are still on vacation, I know, because Mom keeps sending me to pick up their mail, so their house will be empty and I can use their bathroom. And maybe, just for a minute or two, I can pretend that it is my new place and I can make believe that their furniture is periwinkle.

  I know where they keep their extra key. It is under a frog statue on their front porch, which seems like a pretty silly place to keep a key, if you ask me.

  Carefully, I use the steps I carved to climb down from Magic Mountain Wonderland, and I walk over to the Packles’ house, shaking off as much dirt as I can on the way. I walk onto their front porch, and right there, under the frog where I knew it would be, is their spare key. I lift it up, walk to their front door, and try to stick the key into the slot.

  Nothing.

  I jingle and jangle the key to try to make it fit, and it doesn’t.

  Now, I am not so good at opening locked things, so I do not know what I am supposed to do to make this work. I turn the key upside down, right-side up, to the left, to the right, and every which way in between. And the Packles’ front door will not open.

  My script, which I put right next to the frog so I could concentrate, is blowing in the breeze, and I am afraid it is going to fly away, so I stick it under the frog. Then I return to the door, and I again try to put the key into the hole this way and that way.

  “What are you doing, Amanda?!” I jump so high that I am surprised my head does not hit the ceiling of the Packles’ porch. I turn around to find Dad’s car in the street, Dad hanging halfway out of the driver’s side window, staring at me.

  “Nothing,” I answer.

  “Nothing?”

  “Just checking on the frog,” I say, which sounds like a dumb reason for being on the Packles’ porch, even to me. I make sure to keep my hands—my dirty hands holding the Packles’ key—behind my back so Dad cannot see.

  “Get home right now,” Dad says. “I want to talk to you.”

  I pull my script out from under the frog and put the key back. Then I stomp over to my house and follow Dad through the garage.

  “It is too loud in our house.” I say each word like it is its own sentence, because I have decided that whatever I am going to be in trouble for is not my fault. It is Mom’s fault and Timmy’s fault and the twins’ fault for being too loud, and since it is not Dad’s fault yet, I need to explain this to him.

  Dad turns and looks at me. “How did you get so dirty?”

  “It is too loud in our house,” I repeat, because Dad is not listening to my problem.

  “Too loud for what?”

  “I cannot practice my lines for the Presidential Pageant,” I whine. “It’s too loud, so I climbed on top of Magic Mountain Wonderland to practice my lines. But then I could not see them because my script had dirt on it. So I was going to the Packles’ house to clean up. Because they are on vacation. I know this because Mom sent me to get their mail every day this week.”

  Dad looks at me with no words for a few seconds, because I have stumped him, I guess.

  “You were going to break into their house?” Dad asks.

  “No, I had a key,” I say. “They keep it under their frog.”

  “You cannot go around the neighborhood breaking into people’s houses, Amanda,” Dad says.

  “I wasn’t breaking in—”

  “Tim? Is that you?” Mom’s head pokes out of the door. Dad’s name is Tim, like Timmy without the “my.” Although sometimes Grandmom calls Dad “Timmy” too, which I think is a silly name to call a grown-up.

  “Be right in,” Dad says. “Just finishing talking to Amanda.” And he does not tattletale to Mom about the dirt and the Packles’ frog and key, so that is something.

  Mom goes back inside, and I cross my arms. Dad stares at me, and neither of us moves.

  “Come here,” Dad says, and we walk to the side of the house where the unhooked-up hose is. Dad screws the nozzle back onto the waterspout. “Put your script down somewhere safe,” he says. I run and place my script by the bottom of my Magic Mountain Wonderland and return to Dad.

  “Hold out your arms,” he instructs. I do, and he squirts water from the hose right onto my hands and elbows. The water is pretty cold, but I do not say anything. Dad pours some water onto his own hands and dabs them across my cheeks, wiping off the dirt.

  “Good,” Dad says. “Now run into the garage and take your shoes and clothes off so you don’t track any mulch into the house. Close the garage door so the neighbors won’t see. I’ll meet you in your room.” I run to pick up my script and then into the garage. I press the button to close the door, and then I pull my shoes and pants and shirt off and leave them in a heap on the ground. I open the door to our house and run up the stairs in my underwear, which is not polka dot because I do not wear polka-dot underwear anymore.

  I put on my purple nightgown, which is not quite periwinkle, but it is the closest I have. I sit on my bed and wait for Dad to come punish me. I do not even know what the big deal is, because this does not seem nearly as bad as the time that I threw Mom’s keys in the oven because I did not want to go to the grocery store. The oven was not on or anything, but I still got into big-time trouble.

  And plus, I wasn’t going to take anything from the Packles’ house. I only wanted a place to clean up, so I do not understand why Dad is flipping out.

  I never even got inside, anyway, so I could not make believe that it was my own place, and that is the real tragedy.

  Dad comes into my room many minutes later. I know it is many minutes because I have eaten most of my bag of gummy bears, and I am mad because I will not have lots left if he keeps me up here much longer.

  “Did you think about why you cannot try to get into people’s houses without asking?” Dad asks.

  “Yes,” I say, even though I have not.

  “Good,” he says. “It’s been tough around here these past few months with the twins, huh?”

  I nod.

  “It’ll get better when they’re a little older, you know,” Dad says. “They are going to adore you.”

  I nod again, because I think I am getting out of trouble. But not because I want the twins to adore me, because I do not care what the twins like.

  “Do you want to finish practicing your lines for the assembly with me, right now before dinner?” Dad asks.

  “Yes,” I say. I think about giving Dad some gummy bears so he can eat them while I read, but it is probably not a good idea to let him know that they are in here.

  “Let’s hear it,” Dad says, and he snuggles next to me on my bed, and I am happy for a little bit. I make it through half of my lines, and Dad laughs, and everything is great and dandy.

  And then Dad rests his head on my pillow and hears the gummy bear bag crinkle underneath him. And this is a disaster, because Dad says, “You can’t spoil your dinner with this candy” and takes the whole bag away.

  And then nothing is great and dandy anymore.

  CHAPTER 9

  Teachers Old and New

  MRS. SPANGLE IS PRETTY OLD, I think. I did not know this at first, because she has glasses, so I cannot really see if her eyes are crinkly. And her porcupine hair is very red—super-duper red like a clown’s—so I cannot tell if it is white underneath like Grandmom’s.

  But today Mrs. Spangle tells us, “When I was born, John Kennedy was our president,” and I am positive that John Kennedy was president a very, very long time ago.

  “Wow, that was like one hundred years ago,” I say, and Mrs. Spangle gives me a “This is your warning” look. But I do not know for certain if she is unhappy because I said she is one hundred years old or because I called out.

  I clamp one hand over my mouth and raise the other one in the air.

  “Yes, Mandy?” Mrs. Spangle calls on me.

  “John Kennedy was president a hundred years ago, right?” I ask.

  “He was president during the 1960s, not one hundred years ago,” M
rs. Spangle says. “Boy, Mandy, you sure know how to make a teacher feel good.”

  And I do not know for sure, but I think Mrs. Spangle is kidding with me then.

  Mrs. Spangle takes us to the cafeteria to practice the Presidential Pageant on the stage for the first time. She calls it a “dress rehearsal,” which I think is silly because nobody is wearing a dress since it is Gym Day. She says that “dress rehearsal” just means that we will practice like we are performing the show for real. Everybody who has a prop as part of their costume is allowed to bring it, so Natalie grabs an old suit jacket and Dennis places a fake black mustache on his lip. They do not even have their real costumes on yet, and I am already upset. Mrs. Spangle had told all my classmates to dress up on the day of the assembly however they think their president would have looked.

  “What costume should I wear?” I had asked, and I had raised my hand and everything.

  Mrs. Spangle had told me, “You can wear whatever you like, Mandy,” which is not the answer I wanted to hear.

  I think it is only fair that if everybody else gets to wear a costume like they are going trick-or-treating, I should get to wear one too.

  I told Mom that I wanted to wear my Rainbow Sparkle costume from last Halloween, but she said that she does not think that is what Mrs. Spangle meant when she said I could wear whatever I want.

  Natalie puts on her dad’s suit jacket and pulls her dark hair into a low ponytail, and she does not look like George Washington one bit.

  “Where is your white hair?” I ask. “You cannot be George Washington with no white hair.”

  “My mom is making me a wig out of felt,” Natalie answers. “But it’s not ready yet.” And I do not say anything then because I would like to have a wig made out of felt too.

  I would also like to have a fake mustache like Dennis, even though Dennis cannot keep his mustache on his lip. If I could wear a fake mustache, I would know how to keep it on, but Dennis’s is always on the ground, and I think this is a waste of a good mustache.

  We get to practice with a microphone for the first time, and that is pretty exciting because I love microphones. I had a toy microphone once, but then Dad hid it because he said he was getting a headache.

  Mrs. Spangle has placed metal folding chairs in a line across the stage for us to sit on until it is our turn. Luckily, it is my turn a lot, so I do not have to sit too much. Also, I get to speak first, even though I am not George Washington, so I am pretty happy about that, too.

  When I step up to the microphone for the first time, I put my mouth real close to it. “Four score and—”

  “Step back, Mandy,” Mrs. Spangle interrupts me, which I do not think you are supposed to do during a dress rehearsal.

  I take a step back and then lean my face forward until my mouth is super close to the microphone again.

  “Four score and—”

  “Move your face away from the microphone, Mandy.”

  I move back, even though I do not think Mrs. Spangle knows how to use a microphone right.

  “Four score and—”

  “Perfect.”

  Natalie’s part is right after my opening, which is not fun because this means she has to sit next to me onstage and we have nothing to talk about. Mrs. Spangle says we should not be talking onstage anyway, and I do not get a warning from her once during our dress rehearsal because Natalie is excellent at not getting in trouble.

  What Natalie is not excellent at doing is exclaiming, so she reads her George Washington lines like a robot, even though she has memorized her whole part and gets every word correct. When she finishes and returns to her seat next to me, I do not tell her that she did a good job because she didn’t.

  The rest of our dress rehearsal goes pretty well—although Dennis’s mustache falls to the ground three more times, so that is not great.

  I think that it will be a good assembly, but I think it could be even better if Mrs. Spangle would let me stand closer to the microphone.

  CHAPTER 10

  Hail to Mandy

  IT IS THE DAY OF the big Second-Grade Presidential Pageant, and I am a bit nervous. After all, Mrs. Spangle said that I have the most important part in the whole show.

  Mom bought me a new outfit to wear for the assembly, but she will not let me see it until right before I get dressed. I think this is a bad idea, because what if I hate it? But Mom says that it is a surprise.

  “You won’t hate it, Amanda,” she says, but I do not know how she knows this for sure.

  I wake up early because I feel very jumpy. I decide to practice all my lines one more time so that I will say them extra good at the assembly. I guess I am saying them super loud, though, because Mom barges in my room real fast when I am not even halfway through the show.

  “It’s good that you are practicing one more time,” she says. “But maybe you could do it a little quieter so you don’t wake your brothers and sister.”

  And I do not know how she thinks I am going to read with expression when I have to be quiet, but I try my best anyway, because Mom stays in my room to watch me.

  “You are going to do a great job today,” Mom says. “Dad and I can’t wait to see you.”

  “And no twins, right?” I want to make sure.

  “Nope, Grandmom is coming over to watch them, so it will just be us.”

  “Good.” I nod real hard so she knows that I mean it.

  “Are you ready to see your new outfit?” Mom asks.

  “Does it have fancy-dancy periwinkle sunglasses?”

  “You can’t wear sunglasses at your Presidential Pageant, even if you are a star,” Mom says. “Let me go get it.” She pops out of the room and comes back with a hanger dripping in plastic. I rip the plastic off as fast as I can, and there it is: the most perfect, gorgeous periwinkle dress I have ever seen.

  “Wahoo!” I throw my arms around Mom’s neck tightly. “Best dress ever.”

  “And real periwinkle, right?” Mom says. She looks pretty happy with herself.

  “Yep.” I run to my box of 152 crayons and pull out the periwinkle one just to be sure. This crayon is the shortest in the box because I use it so much. I hold it up to the dress, and it matches exactly, and I have never been so happy in my life.

  Mom helps me put the dress on because it has a lot of snaggy zippers and finger-pinching buttons. She brushes my hair real straight, and I think it is still a little bit shiny from the sugar.

  “Can I wear my Rainbow Sparkle headband?” I ask. It is a white headband with purple gemstones on it, and it matches my dress like a pair of mittens match each other. It is not a pair of fancy-dancy periwinkle sunglasses, but it is pretty close, I think.

  “I don’t see why not,” Mom says, and I push my hair back with the headband. I look at myself in the mirror, and I am almost perfect.

  “I’m going to make you a big breakfast,” Mom says, “so you’ll have lots of strength for your performance.” She shuffles out of my room quietly, and I pull open my underwear drawer as soon as she leaves. As quickly as possible, I change out of my white underwear and into my favorite polka-dot pair, even though I said that I would never wear them again. I am pretty sure you cannot see through my periwinkle dress, so I will be safe. And also, they will bring me good luck, I think.

  Now I look perfect, and I do not even feel so nervous and jumpy anymore.

  . . .

  Anya does not say one thing about my dress when she sees me at school, so I have to say, “Don’t you love my dress?” so she knows she is supposed to. She says that she does, and I tell her I like hers, too, even though it is white and I hate white dresses. I am very polite, I think.

  Everyone looks pretty excited, and even Mrs. Spangle looks like she is not one hundred years old. The only person who looks miserable is Natalie.

  Natalie looks like she is going to throw up, actually. And I can’t have her throwing up on my new periwinkle dress when we are onstage. No way! I will need to put a stop to this throwing-up face right away.r />
  “Here is a rule: No throwing up on my dress,” I say to Natalie, and she clamps her lips together like she is a fish and looks at me like I have a monkey head.

  “Huh?” I do not know why she can’t understand what I am saying because I am very clear about the “No throwing up” rule.

  “If you are going to throw up onstage, turn away from my dress, please,” I repeat. “It is new.”

  “I’m not going to throw up,” Natalie says.

  “You look like you are wearing a throw-up face,” I tell her. Her cheeks are as white as her George Washington wig, which I kind of want to try on, but I know Natalie will not let me because she never lets me try on her glasses.

  Natalie shakes her head. “I just feel . . . ,” She does not finish, which should not be allowed, because I do not know if she feels like she is going to be sick on my dress any minute.

  “Feel what?”

  “I’m nervous,” Natalie tells me. And this is a big surprise to me, because Natalie does not seem like the jumpy type. “Aren’t you nervous? You have so many lines.”

  “I’m not nervous,” I tell her. “You want to know why?”

  “Why?”

  I lean in close to Natalie’s ear and pull up one side of her George Washington wig, just to make sure she can hear me real good. “I am wearing my polka-dot underwear,” I confess. And Natalie’s eyes get real big then, like I have told her something ridiculous.

  And then Natalie starts laughing very loud, which startles me so much that I jump way up in the air because I have never, ever heard Natalie laugh.

  “They are good luck, I think,” I tell her. “Because I was nervous like you this morning, but now I am not.” And this makes Natalie laugh even more, which I would think was rude if I did not like to hear her laughing. Natalie thinks I am funny, which is kind of fantastic because Natalie is not a giggly person at all.

  “So if you get scared onstage, just look at me,” I tell Natalie. “And you will know what I am thinking about.”

 

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