Dialogues of the Dead

by Reginald Hill

  91 'We'll need to wait for the PM results, but the preliminary exam didn't turn up signs of sexual interference in any quarter. Sir, these shoes ...' 'Mules, lad. Wordman must have put 'em back on. Ergo, he touched them. And they've not been dusted for prints, have they?' He was right. Every other likely surface in the flat bore a light scattering of powder. 'I'll see they get done,' said Pascoe. 'Here's Bowler now.' The young DC came hurrying into the flat but stopped short when he saw Dalziel. 'You look like you've just remembered somewhere else you ought to be, lad,' said the Fat Man. 'That this Dialogue thing drooping in your hand or are you just sorry to see me?' 'Yes, sir. The Dialogue, sir,' stuttered Bowler. He handed it over in its transparent plastic folder. Dalziel scanned through it then passed it to Pascoe. 'Right, young Bowels,' he said. 'Let's you and I have a look around, to see if she kept a notebook or a diary.' He observed the DC closely for signs of a guilty start as he said this but got nothing, or maybe the youngster's expression was already too unhappy for anything else to show. When the Fat Man found a small appointments book, he tossed it to Pascoe as if afraid that Hat would snatch it from his hand and try to eat it, then said, 'Right, lad. Why don't you pop down stairs and tell those grave robbers out there that the late Ms Ripley is ready for removal to the mortuary?' When he'd gone. Dalziel turned to Pascoe, who'd been rifling through the pages of the book, and said, 'Anything?' 'Relevant to the murder? Not that I can see, sir.' 'Relevant to who's been leaking this stuff,' snarled the Fat Man. 'Looking back, there's a significant number of appointments with someone or something designated as GP,' said Pascoe. 'GP? What's that? Her sodding doctor?' 'Whatever it is, I can't see how you could turn it into DC Bowler. Initial E. Nickname Hat.' 'Code, mebbe,' said Dalziel, disgruntled. He turned away and Pascoe rolled his eyes upward. 'Don't roll your eyes at me, lad,' said Dalziel without even looking. 'I'm just thinking, shouldn't we concentrate a little harder on solving this case, sir, rather than finding out who the mole is?' 'Nay, that's down to you, Pete. This is one of them clever-cuts cases. Old-fashioned bugger like me's right out of his depth. I'll fade into the background and let you call the shots on this one.' Oh yes? thought Pascoe sceptically. Previous experience had taught him that having the Fat Man in the background tended to block out the light. He continued his examination of the appointments book and said, 'That solves one mystery.' 'What one's that?' 'Why she went public last night. She must have known that she was going to have us down on her like a ton of bricks and probably scare off her police contact forever. But it was a risk worth taking. She's got. .. she would have had an interview with BBC News in London on Monday. And a big story like this a couple of days before wouldn't have done her chances any harm, I reckon. That's probably why she tried to sensationalize it.' 'Well, she's certainly succeeded now,' said Dalziel as the mortuary men came in accompanied by Bowler and started preparing the corpse for removal. The three policemen watched in silence, not broken till the men bore their sad burden out of the apartment. 'Lesson to us all there,' said Dalziel. 'What's that, sir?' said Pascoe. 'Ambition,' said the Fat Man. 'It can be a killer. Right, I'm off. Keep me posted.' Hat watched him go with unconcealed relief. Pascoe said, 'Hat, I looked at the report you did for Mr Headingley. It was good. Really gave the indicators there was something nasty going off. Tragic it had to be confirmed like this, but no one's going to be able to say we weren't on the ball. Well done.' 'Yes, sir, thank you,' said Hat, recognizing the DCI's kindness in so reassuring him and feeling all the worse for it. 'Sir, there's something else, just occurred to me now really .. . that guy Roote you've had me watching .. .' He had Pascoe's full attention.

  93 'I think he was ... I mean, he certainly was eating at the Taverna the night David Pitman was killed . ..' And now Peter Pascoe was looking at him with no kindness whatsoever in his eyes. Chapter Twelve

  The good thing about Pascoe was that he didn't nurse grudges, or at least didn't seem to, which might of course be the bad thing about Pascoe. Hat had volunteered to go and interview Roote about his visit to the Taverna but the DCI had said no, and then, as was usual with him though unusual in most senior officers, gone on to explain his reasoning. 'Roote doesn't know your face - unless you've alerted him?' 'No way, sir,' said Hat confidently. 'Let's keep it that way then. I'll send Sergeant Wield to do the interview. He is, of us all, the most ... how shall I put it? ... unreadable. If anyone can convince Roote he's just a possible witness like everyone else who dined at the Taverna, then it's Wield. Of course, that's all that Roote probably really is. A possible witness.' Oh yes, thought Hat. But you're hoping like mad he's a lot more than that! 'Meanwhile,' said Pascoe, 'you get yourself round to the Gazette. Ripley was killed late last night. Unless the Dialogue was written in advance, and it certainly doesn't read like that, it must have got into the bag some time in the ten hours before nine this morning when it was found. I want to know how. I'll double check the library end. Meet me there when you're done. And, Hat, play it cool, eh? All hell's going to break loose when the press get on to this story. Let's stretch out the calm before as long as we can!'

  Hat's visit to the Gazette office didn't last long. Pascoe's hopes for a breathing space proved vain. News of the latest Dialogue had already reached here, and Mary Agnew was more interested

  95 in trying to get information than in giving it. Eager to be out of her reach, Hat stonewalled stubbornly till he got what he'd come for. It wasn't very helpful. Friday night was always hectic with preparation for the Saturday edition, and Jax Ripley's broadcast had made it even more so, giving Mary Agnew a last-minute lead story she couldn't ignore. This meant that no one had noticed a secondary effect of Ripley's revelations which was that for some reason they seemed to have reinforced her reminder of the closing date for entries to the story competition. Early next morning the post-boy who, having better things to do than watch television on a Friday night, remained blissfully ignorant of all the excitements, discovered the dozen or more late entries, shoved them into the sack with all the others which had turned up during the day on Friday and, glad to see the end of what he found a very tedious task, delivered them post haste to the Centre. Mary Agnew, who'd naturally checked everything in the sack after watching Ripley's show, was furious when she now realized for the first time that more had been added later and Hat sneaked away under cover of the fire and fury she was raining on the post-boy's bewildered head. As he reached the Centre, which was only a couple of minutes' walk away, he saw the DCI's lean and rangy figure pushing through the glass doors and hurried to catch up with him. 'You've been quick,' said Pascoe accusingly. Hat, who'd been expecting compliments for his speed, gave what he thought was a very professional almost Wield-like sum mation of his findings, but found insult added to injury when Pascoe seemed inclined to believe he must have let the cat out of the bag about the Dialogue. He defended himself vigorously but it turned out unnecessarily, for when they entered the Reference, evidence that Agnew already knew everything was there in the shape of the spare, stooping nicotine-impregnated figure of Sammy Ruddlesdin, the Gazette's senior reporter. He was in the middle of what seemed a heated exchange with Percy Follows and a short stocky man wearing a check suit bright enough to embarrass a bookie and a ponytail like a donkey's pizzle. Standing to one side like adjudicators at a livestock show were Dick Dee and Rye. Dee, noting their arrival first, said, 'Visitors, Percy,' in a quiet voice which somehow had sufficient force to cut through the debate. The three men looked towards the newcomers. Follows' mouth stretched into a smile almost too broad for his small face and with an equine toss of his luxuriant mane he made a beeline for Pascoe, thwarting the attempts of ponytail to interpose his own body, but unable to prevent the man from interposing his own voice which was astonishingly deep and resonant, as if issuing from the depths of a cavern. 'DCI Pascoe, isn't it? I have the pleasure of your wife's acquaintance, sir. Ambrose Bird. This is a dreadful business. Dreadful.' So this was Ambrose Bird, the Last of the Actor-Managers. Hat recalled what Rye had said about the rivalry betwe
en Bird and Follows for the proposed overall directorship of the Centre. This, it became clear, was the reason for his presence. As news of the murder and the Dialogue had run round the building (no prizes for guessing its source, thought Hat, looking at the still vainly chirruping librarian), Bird had decided that his self-assumed status as Director Apparent if not yet Elect would be enhanced by appearing as the Centre spokesperson to the media. He was probably the one who'd picked up the phone and tipped off the Gazette. Pascoe, with a diplomatic ease that Hat could only admire and hope to learn, quickly relegated the trio to the public area of the reference library while Hat ushered Rye Pomona and Dick Dee into the office. Pascoe closed the door, checked on the trio of men through the glass panel, then murmured to Hat, 'Keep your eye on that lot. Any of them come close, especially Sammy, get out there and break their legs.' The office had a hved-in feel about it. Coffee machine, tin of biscuits, one old armchair that didn't look like municipal issue, a square of Oriental carpet the same, and the walls crowded with pictures, some prints, some photos, all of men. Maybe Dee was gay, thought Hat hopefully. But he didn't feel gay, though this was a dangerous touchstone to be applied by anyone who worked with Edgar Wield. Looking for evidence that the librarian was a family man, he spotted on the desk a silver-framed photo of three schoolboys. The one on the right looked like it might be Dee junior. Or perhaps, indeed, Dee senior when junior. Also on the

  97 desk was a box containing small plastic tiles with letters and numbers on, plus three wooden tile racks, standing on a large folded board. Presumably this was Paro-whatsit, the crazy word game Rye had told him about. He caught her eye and risked a smile. She didn't smile back. Pascoe took her and Dee through the events of the morning with clinical precision while Hat took notes, glancing through the panel from time to time to make sure the journalist was keeping a safe distance. When she said that the first thing she picked out of the open sack had been Charley Penn's translation of one of Heine's poems, Hat felt yet another pang of this silly jealousy. 'So Mr Penn was in the library already when you arrived?' 'Oh yes.' 'And saw everything?' 'Mr Penn doesn't miss much,' said Rye carefully. 'I didn't notice him when we arrived just now,' said Pascoe. 'No,' intervened Dee. 'Charley said that there would probably be so much fuss in the library that he'd be better off working at home.' >From the faint smile that accompanied this, Hat guessed it was a paraphrase of what Penn had actually said. 'And home is where?' Dee stumbled over the address and Rye came in and recited it correctly. Did this mean she'd actually been there? wondered Hat, jealousy once more bubbling up, without, he hoped, showing on his face. She'd already picked up he was jealous of her fondness for Dee. Let her get the impression he was some kind of possessive nut and that could really fuck up his prospects. Finally Pascoe was satisfied. Leaving the two librarians in the office, he moved out with Hat. Near the library door, Bird and Follows were continuing their running row while Ruddlesdin, chewing on an unlit cigarette, spectated with world-weary indifference. The dispute stopped when Pascoe called, 'Gentlemen!' and all three moved to join him. He stepped aside to usher them into the office. 'I'm finished here,' he said. 'Thank you for waiting so patiently.' Then, to Hat's delight and admiration, he gently closed the door behind them and moved towards the exit at a pace which stopped just short of running. Ruddlesdin caught up with them just before the door of the car-park lift closed. 'Quote, Pete,' he gasped. 'Give us a quote.' 'Smoking can seriously damage your health,' said Pascoe. 'Where are we going, sir?' asked Hat as they got into the car. 'To talk to Charley Penn, of course,' said Pascoe. Penn's flat was on the top floor of a converted Edwardian townhouse which was corralled in scaffolding and resonant with the shouts, crashes, clangs and radio music which proclaim to the world that the British workman is earning his pay. They found Penn on his way out. With a resentful glower, he turned round and led them back into his apartment, saying, 'Would you bloody believe it, I fled the library, thinking it was soon going to be echoing to the heavy plod of constabulary feet, making it impossible to work, and came back to this hell?' 'But you must have known that work was going on,' said Pascoe. 'They hadn't started when I left and I thought, Saturday morning, maybe the buggers refuse to get out of their pits unless they get quadruple time.' 'So what are they doing?' 'My landlord's tarring the building up, reckons he can get five times what he paid for it a couple of years back if he sells it as a single dwelling.' The writer showed his uneven teeth in a canine grin. 'But he's got to get shut of me first, hasn't he?' While these pleasantries were being exchanged, Hat took a look around. The flat, so far as he could work out without being too obvious, consisted of a bedroom, bathroom, kitchen and the room they were in. High-ceilinged and with a deep bay window which gave a good view (even framed in scaffolding) over the interesting roofscape of the older part of town, it had a sense of spaciousness which not even the detritus of a determined bookman could disguise. There was a huge desk in the bay, its surface completely hidden by papers and books which overflowed on to the floor a couple of metres in all directions. At the other side of the room stood a green-baized antique card table with a rotatable top on

  99 which very neatly laid out was a large board in the shape of a five-pointed star, marked in squares, some coloured, some bearing strange symbols, flanked by a dish full of letter tiles and three wooden tile racks. They really must enjoy this game, him and Dee, thought Hat. A board each! Maybe there were more. Presumably there'd be one in Dee's home too, and God knows where else. Then his attention was diverted to the wall directly behind the table on which hung a framed photograph. It showed three boys standing close together, arms round each other. It was the same picture he'd seen on Dick Dee's desk, except that this print was much larger. The enlarging had exaggerated the mzziness caused by the poor focus to produce a strange otherwordly effect, so that the boys appeared like figures seen in a dream. They were standing on grass and in the background were trees and a tall castellated building, like a castle in a misty forest. The two outer boys were almost of a height, one perhaps two or three inches taller than the other, but they were both a good six inches taller than the boy in the centre. He had a mop of curly blond hair and a round cherubic face which was smiling with undisguised delight at the camera. The shorter of the other two, the one who looked like Dee, was smiling also, but a more inward-looking, secretively amused kind of smile, while the third wore an unambiguous scowl which Hat saw again as a voice snarled, 'Having a good poke around, are you?' and he turned to look at Charley Penn. 'Sorry, it was just the game,' he said, indicating the board. 'Rye - Miss Pomona, mentioned it ... some funny name ... para something. ..' 'Paronomania,' said Penn, regarding him closely. 'So Ms Pomona mentioned it, did she? Yes, I recall her taking an interest when she saw me and Dick playing one day. But I told her that like all the best games, only two could play.' He smiled salaciously, his gaze fixed on Hat, who felt his face flush. 'Some kind of Scrabble, is it?' said Pascoe. 'Oh yes. Like chess is some kind of draughts,' sneered Penn. 'Fascinating. My young daughter loves board games,' mur mured Pascoe. 'But we mustn't detain you any longer than necessary, Mr Penn. Just a couple of questions . ..' But before he could begin there was a loud knock at the outer door. Penn left them and a moment later they heard the outbreak of a loud and increasingly acrimonious discussion between the writer and the foreman of the renovators, who required access to the windows ofPenn's flat and seemed to think some written instruction from his employer gave him a legal right to this. Pascoe moved across to a tall bureau and examined the books on the shelves. All of Perm's Harry Hacker series were there. 'Read any of these, Hat?' enquired Pascoe. 'No, sir. Better things to do.' Pascoe regarded him curiously then said, 'Maybe you should. You can learn a lot about a writer from his books.' He reached up and took from a shelf not a book but one of two leather-cased files marked SKULKER. Opening it, he found bound inside copies of a magazine with that name. It was clearly an amateur production, though well organized and laid out. He opened a page at random.