The Knowledge Stone

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The Knowledge Stone Page 40

by Jack McGinnigle


  When evil is projected by the owner/possessors and reflected back, the perpetrators are seriously afflicted by their own evil. The effect of this is to discourage, diminish and destroy evil. The stories of Kati and Julian were illustrations of this. However, there is also a wonderfully positive dimension available to such people. Those like Kati and Julian are offered the real possibility of restitution; by understanding the purpose of the Stones, the why, they can be redeemed and saved by changes of their own hearts. By learning love.

  Conversely, when good is projected it not only is reflected back to the possessor but also acts powerfully in the recipients to awaken or re-awaken their own goodness. Consequently, love, the true spirit of goodness, is strengthened and made anew. This is how the lives of Joachim, Malik, Maretta and Giana were transformed. Love begets love. The effect is as the ripples from a stone dropped in a pool of water, ever widening to infinity.

  This is the purpose of the Power’s intervention. The strategy is perfect. The effect is awesome.

  And the Knowledge Stones are waiting.

  Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.

  And now these three remain; faith, hope and love. But the greatest of these is love.

  1 Corinthians Chapter 13 Verses 6-7, 13.

  The Holy Bible, New International Version (The Bible Society, 1973)

  Copyright

  Copyright © Jack McGinnigle 2012

  The moral right of Jack McGinnigle to be identified as the Author of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988.

  First published in Great Britain by Piquant Fiction in 2012. PiquantFiction is an imprint of Piquant.

  PO Box 83, Carlisle, CA3 9GR, UK

  www.piquanteditions.com

  Print - 978-1-903689-82-0

  Epub - 978-1-903689-97-4

  Mobi - 978-1-903689-81-3

  All characters, entities and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, or to any entities, is purely coincidental.

  All Rights Reserved.

  No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the publisher or a licence permitting restricted copying. In the UK such licences are issued by the Copyright Licensing Agency Ltd – www.cla.co.uk

  Cover design and typesetting by ProjectLuz.com

 

 

 


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