“Yes, I believe you are. Well, I am going to ask a favor of you. I would like to go and see Miss Lavendar if she will let me. Will you ask her if I may come?”
Would she not? Oh, indeed she would! Yes, this was romance, the very, the real thing, with all the charm of rhyme and story and dream. It was a little belated, perhaps, like a rose blooming in October which should have bloomed in June; but none the less a rose, all sweetness and fragrance, with the gleam of gold in its heart. Never did Anne’s feet bear her on a more willing errand than on that walk through the beechwoods to Grafton the next morning. She found Miss Lavendar in the garden. Anne was fearfully excited. Her hands grew cold and her voice trembled.
“Miss Lavendar, I have something to tell you . . . something very important. Can you guess what it is?”
Anne never supposed that Miss Lavendar could GUESS; but Miss Lavendar’s face grew very pale and Miss Lavendar said in a quiet, still voice, from which all the color and sparkle that Miss Lavendar’s voice usually suggested had faded.
“Stephen Irving is home?”
“How did you know? Who told you?” cried Anne disappointedly, vexed that her great revelation had been anticipated.
“Nobody. I knew that must be it, just from the way you spoke.”
“He wants to come and see you,” said Anne. “May I send him word that he may?”
“Yes, of course,” fluttered Miss Lavendar. “There is no reason why he shouldn’t. He is only coming as any old friend might.”
Anne had her own opinion about that as she hastened into the house to write a note at Miss Lavendar’s desk.
“Oh, it’s delightful to be living in a storybook,” she thought gaily. “It will come out all right of course . . . it must . . . and Paul will have a mother after his own heart and everybody will be happy. But Mr. Irving will take Miss Lavendar away . . . and dear knows what will happen to the little stone house . . . and so there are two sides to it, as there seems to be to everything in this world.” The important note was written and Anne herself carried it to the Grafton post office, where she waylaid the mail carrier and asked him to leave it at the Avonlea office.
“It’s so very important,” Anne assured him anxiously. The mail carrier was a rather grumpy old personage who did not at all look the part of a messenger of Cupid; and Anne was none too certain that his memory was to be trusted. But he said he would do his best to remember and she had to be contented with that.
Charlotta the Fourth felt that some mystery pervaded the stone house that afternoon . . . a mystery from which she was excluded. Miss Lavendar roamed about the garden in a distracted fashion. Anne, too, seemed possessed by a demon of unrest, and walked to and fro and went up and down. Charlotta the Fourth endured it till patience ceased to be a virtue; then she confronted Anne on the occasion of that romantic young person’s third aimless peregrination through the kitchen.
“Please, Miss Shirley, ma’am,” said Charlotta the Fourth, with an indignant toss of her very blue bows, “it’s plain to be seen you and Miss Lavendar have got a secret and I think, begging your pardon if I’m too forward, Miss Shirley, ma’am, that it’s real mean not to tell me when we’ve all been such chums.”
“Oh, Charlotta dear, I’d have told you all about it if it were my secret . . . but it’s Miss Lavendar’s, you see. However, I’ll tell you this much . . . and if nothing comes of it you must never breathe a word about it to a living soul. You see, Prince Charming is coming tonight. He came long ago, but in a foolish moment went away and wandered afar and forgot the secret of the magic pathway to the enchanted castle, where the princess was weeping her faithful heart out for him. But at last he remembered it again and the princess is waiting still. . . because nobody but her own dear prince could carry her off.”
“Oh, Miss Shirley, ma’am, what is that in prose?” gasped the mystified Charlotta.
Anne laughed.
“In prose, an old friend of Miss Lavendar’s is coming to see her tonight.”
“Do you mean an old beau of hers?” demanded the literal Charlotta.
“That is probably what I do mean . . . in prose,” answered Anne gravely. “It is Paul’s father . . . Stephen Irving. And goodness knows what will come of it, but let us hope for the best, Charlotta.”
“I hope that he’ll marry Miss Lavendar,” was Charlotta’s unequivocal response. “Some women’s intended from the start to be old maids, and I’m afraid I’m one of them, Miss Shirley, ma’am, because I’ve awful little patience with the men. But Miss Lavendar never was. And I’ve been awful worried, thinking what on earth she’d do when I got so big I’d HAVE to go to Boston. There ain’t any more girls in our family and dear knows what she’d do if she got some stranger that might laugh at her pretendings and leave things lying round out of their place and not be willing to be called Charlotta the Fifth. She might get someone who wouldn’t be as unlucky as me in breaking dishes but she’d never get anyone who’d love her better.”
And the faithful little handmaiden dashed to the oven door with a sniff.
They went through the form of having tea as usual that night at Echo Lodge; but nobody really ate anything. After tea Miss Lavendar went to her room and put on her new forget-me-not organdy, while Anne did her hair for her. Both were dreadfully excited; but Miss Lavendar pretended to be very calm and indifferent.
“I must really mend that rent in the curtain tomorrow,” she said anxiously, inspecting it as if it were the only thing of any importance just then. “Those curtains have not worn as well as they should, considering the price I paid. Dear me, Charlotta has forgotten to dust the stair railing AGAIN. I really MUST speak to her about it.”
Anne was sitting on the porch steps when Stephen Irving came down the lane and across the garden.
“This is the one place where time stands still,” he said, looking around him with delighted eyes. “There is nothing changed about this house or garden since I was here twenty-five years ago. It makes me feel young again.”
“You know time always does stand still in an enchanted palace,” said Anne seriously. “It is only when the prince comes that things begin to happen.”
Mr. Irving smiled a little sadly into her uplifted face, all astar with its youth and promise.
“Sometimes the prince comes too late,” he said. He did not ask Anne to translate her remark into prose. Like all kindred spirits he “understood.”
“Oh, no, not if he is the real prince coming to the true princess,” said Anne, shaking her red head decidedly, as she opened the parlor door. When he had gone in she shut it tightly behind him and turned to confront Charlotta the Fourth, who was in the hall, all “nods and becks and wreathed smiles.”
“Oh, Miss Shirley, ma’am,” she breathed, “I peeked from the kitchen window . . . and he’s awful handsome . . . and just the right age for Miss Lavendar. And oh, Miss Shirley, ma’am, do you think it would be much harm to listen at the door?”
“It would be dreadful, Charlotta,” said Anne firmly, “so just you come away with me out of the reach of temptation.”
“I can’t do anything, and it’s awful to hang round just waiting,” sighed Charlotta. “What if he don’t propose after all, Miss Shirley, ma’am? You can never be sure of them men. My older sister, Charlotta the First, thought she was engaged to one once. But it turned out HE had a different opinion and she says she’ll never trust one of them again. And I heard of another case where a man thought he wanted one girl awful bad when it was really her sister he wanted all the time. When a man don’t know his own mind, Miss Shirley, ma’am, how’s a poor woman going to be sure of it?”
“We’ll go to the kitchen and clean the silver spoons,” said Anne. “That’s a task which won’t require much thinking fortunately . . . for I COULDN’T think tonight. And it will pass the time.”
It passed an hour. Then, just as Anne laid down the last shining spoon, t
hey heard the front door shut. Both sought comfort fearfully in each other’s eyes.
“Oh, Miss Shirley, ma’am,” gasped Charlotta, “if he’s going away this early there’s nothing into it and never will be.” They flew to the window. Mr. Irving had no intention of going away. He and Miss Lavendar were strolling slowly down the middle path to the stone bench.
“Oh, Miss Shirley, ma’am, he’s got his arm around her waist,” whispered Charlotta the Fourth delightedly. “He must have proposed to her or she’d never allow it.”
Anne caught Charlotta the Fourth by her own plump waist and danced her around the kitchen until they were both out of breath.
“Oh, Charlotta,” she cried gaily, “I’m neither a prophetess nor the daughter of a prophetess but I’m going to make a prediction. There’ll be a wedding in this old stone house before the maple leaves are red. Do you want that translated into prose, Charlotta?”
“No, I can understand that,” said Charlotta. “A wedding ain’t poetry. Why, Miss Shirley, ma’am, you’re crying! What for?”
“Oh, because it’s all so beautiful . . . and story bookish . . . and romantic . . . and sad,” said Anne, winking the tears out of her eyes. “It’s all perfectly lovely . . . but there’s a little sadness mixed up in it too, somehow.”
“Oh, of course there’s a resk in marrying anybody,” conceded Charlotta the Fourth, “but, when all’s said and done, Miss Shirley, ma’am, there’s many a worse thing than a husband.”
CHAPTER XXIX. Poetry and Prose
For the next month Anne lived in what, for Avonlea, might be called a whirl of excitement. The preparation of her own modest outfit for Redmond was of secondary importance. Miss Lavendar was getting ready to be married and the stone house was the scene of endless consultations and plannings and discussions, with Charlotta the Fourth hovering on the outskirts of things in agitated delight and wonder. Then the dressmaker came, and there was the rapture and wretchedness of choosing fashions and being fitted. Anne and Diana spent half their time at Echo Lodge and there were nights when Anne could not sleep for wondering whether she had done right in advising Miss Lavendar to select brown rather than navy blue for her traveling dress, and to have her gray silk made princess.
Everybody concerned in Miss Lavendar’s story was very happy. Paul Irving rushed to Green Gables to talk the news over with Anne as soon as his father had told him.
“I knew I could trust father to pick me out a nice little second mother,” he said proudly. “It’s a fine thing to have a father you can depend on, teacher. I just love Miss Lavendar. Grandma is pleased, too. She says she’s real glad father didn’t pick out an American for his second wife, because, although it turned out all right the first time, such a thing wouldn’t be likely to happen twice. Mrs. Lynde says she thoroughly approves of the match and thinks its likely Miss Lavendar will give up her queer notions and be like other people, now that she’s going to be married. But I hope she won’t give her queer notions up, teacher, because I like them. And I don’t want her to be like other people. There are too many other people around as it is. YOU know, teacher.”
Charlotta the Fourth was another radiant person.
“Oh, Miss Shirley, ma’am, it has all turned out so beautiful. When Mr. Irving and Miss Lavendar come back from their tower I’m to go up to Boston and live with them . . . and me only fifteen, and the other girls never went till they were sixteen. Ain’t Mr. Irving splendid? He just worships the ground she treads on and it makes me feel so queer sometimes to see the look in his eyes when he’s watching her. It beggars description, Miss Shirley, ma’am. I’m awful thankful they’re so fond of each other. It’s the best way, when all’s said and done, though some folks can get along without it. I’ve got an aunt who has been married three times and says she married the first time for love and the last two times for strictly business, and was happy with all three except at the times of the funerals. But I think she took a resk, Miss Shirley, ma’am.”
“Oh, it’s all so romantic,” breathed Anne to Marilla that night. “If I hadn’t taken the wrong path that day we went to Mr. Kimball’s I’d never have known Miss Lavendar; and if I hadn’t met her I’d never have taken Paul there . . . and he’d never have written to his father about visiting Miss Lavendar just as Mr. Irving was starting for San Francisco. Mr. Irving says whenever he got that letter he made up his mind to send his partner to San Francisco and come here instead. He hadn’t heard anything of Miss Lavendar for fifteen years. Somebody had told him then that she was to be married and he thought she was and never asked anybody anything about her. And now everything has come right. And I had a hand in bringing it about. Perhaps, as Mrs. Lynde says, everything is foreordained and it was bound to happen anyway. But even so, it’s nice to think one was an instrument used by predestination. Yes indeed, it’s very romantic.”
“I can’t see that it’s so terribly romantic at all,” said Marilla rather crisply. Marilla thought Anne was too worked up about it and had plenty to do with getting ready for college without “traipsing” to Echo Lodge two days out of three helping Miss Lavendar. “In the first place two young fools quarrel and turn sulky; then Steve Irving goes to the States and after a spell gets married up there and is perfectly happy from all accounts. Then his wife dies and after a decent interval he thinks he’ll come home and see if his first fancy’ll have him. Meanwhile, she’s been living single, probably because nobody nice enough came along to want her, and they meet and agree to be married after all. Now, where is the romance in all that?”
“Oh, there isn’t any, when you put it that way,” gasped Anne, rather as if somebody had thrown cold water over her. “I suppose that’s how it looks in prose. But it’s very different if you look at it through poetry . . . and I think it’s nicer . . .” Anne recovered herself and her eyes shone and her cheeks flushed . . . “to look at it through poetry.”
Marilla glanced at the radiant young face and refrained from further sarcastic comments. Perhaps some realization came to her that after all it was better to have, like Anne, “the vision and the faculty divine” . . . that gift which the world cannot bestow or take away, of looking at life through some transfiguring . . . or revealing? . . . medium, whereby everything seemed apparelled in celestial light, wearing a glory and a freshness not visible to those who, like herself and Charlotta the Fourth, looked at things only through prose.
“When’s the wedding to be?” she asked after a pause.
“The last Wednesday in August. They are to be married in the garden under the honeysuckle trellis . . . the very spot where Mr. Irving proposed to her twenty-five years ago. Marilla, that IS romantic, even in prose. There’s to be nobody there except Mrs. Irving and Paul and Gilbert and Diana and I, and Miss Lavendar’s cousins. And they will leave on the six o’clock train for a trip to the Pacific coast. When they come back in the fall Paul and Charlotta the Fourth are to go up to Boston to live with them. But Echo Lodge is to be left just as it is. . . only of course they’ll sell the hens and cow, and board up the windows . . . and every summer they’re coming down to live in it. I’m so glad. It would have hurt me dreadfully next winter at Redmond to think of that dear stone house all stripped and deserted, with empty rooms . . . or far worse still, with other people living in it. But I can think of it now, just as I’ve always seen it, waiting happily for the summer to bring life and laughter back to it again.”
There was more romance in the world than that which had fallen to the share of the middle-aged lovers of the stone house. Anne stumbled suddenly on it one evening when she went over to Orchard Slope by the wood cut and came out into the Barry garden. Diana Barry and Fred Wright were standing together under the big willow. Diana was leaning against the gray trunk, her lashes cast down on very crimson cheeks. One hand was held by Fred, who stood with his face bent toward her, stammering something in low earnest tones. There were no other people in the world except their two selves at tha
t magic moment; so neither of them saw Anne, who, after one dazed glance of comprehension, turned and sped noiselessly back through the spruce wood, never stopping till she gained her own gable room, where she sat breathlessly down by her window and tried to collect her scattered wits.
“Diana and Fred are in love with each other,” she gasped. “Oh, it does seem so . . . so . . . so HOPELESSLY grown up.”
Anne, of late, had not been without her suspicions that Diana was proving false to the melancholy Byronic hero of her early dreams. But as “things seen are mightier than things heard,” or suspected, the realization that it was actually so came to her with almost the shock of perfect surprise. This was succeeded by a queer, little lonely feeling . . . as if, somehow, Diana had gone forward into a new world, shutting a gate behind her, leaving Anne on the outside.
“Things are changing so fast it almost frightens me,” Anne thought, a little sadly. “And I’m afraid that this can’t help making some difference between Diana and me. I’m sure I can’t tell her all my secrets after this . . . she might tell Fred. And what CAN she see in Fred? He’s very nice and jolly . . . but he’s just Fred Wright.”
It is always a very puzzling question . . . what can somebody see in somebody else? But how fortunate after all that it is so, for if everybody saw alike . . . well, in that case, as the old Indian said, “Everybody would want my squaw.” It was plain that Diana DID see something in Fred Wright, however Anne’s eyes might be holden. Diana came to Green Gables the next evening, a pensive, shy young lady, and told Anne the whole story in the dusky seclusion of the east gable. Both girls cried and kissed and laughed.
“I’m so happy,” said Diana, “but it does seem ridiculous to think of me being engaged.”
“What is it really like to be engaged?” asked Anne curiously.
“Well, that all depends on who you’re engaged to,” answered Diana, with that maddening air of superior wisdom always assumed by those who are engaged over those who are not. “It’s perfectly lovely to be engaged to Fred . . . but I think it would be simply horrid to be engaged to anyone else.”
The Classic Children's Literature Collection: 39 Classic Novels Page 367
