Heliopause

Home > Other > Heliopause > Page 1
Heliopause Page 1

by Heather Christle




  Heliopause

  ▪ Wesleyan Poetry

  Heliopause

  HEATHER CHRISTLE

  Wesleyan University Press ▸

  ▾ Middletown, Connecticut

  Wesleyan University Press

  Middletown CT 06459

  www.wesleyan.edu/wespress

  © 2015 Heather Christle

  All rights reserved

  Manufactured in the United States of America

  Designed and typeset in Whitman

  by Eric M. Brooks

  This project is supported in part by an award from the National Endowment for the Arts

  Wesleyan University Press is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper.

  Library of Congress

  Cataloging-in-Publication Data

  Christle, Heather, 1980–

  [Poems. Selections]

  Heliopause / Heather Christle.

  pages; cm. — (Wesleyan poetry series)

  ISBN 978-0-8195-7529-6 (hardcover) —

  ISBN 978-0-8195-7530-2 (ebook)

  I. Title.

  PS3603.H755A6 2015

  811'.6 — dc23 2014044266

  5 4 3 2 1

  Cover illustration: Aerolith by Andy Gilmore.

  ▪ for Harriet

  What is the language using us for?

  It uses us all and in its dark

  Of dark actions selections differ.

  I am not making a fool of myself

  For you. What I am making is

  A place for language in my life

  Which I want to be a real place

  Seeing I have to put up with it

  Anyhow.

  ▴ W. S. Graham

  Contents

  A Perfect Catastrophe 1

  ▴

  Disintegration Loop 1.1 5

  ▴

  Vernon Street 21

  Summer 23

  Realistic Flowers 25

  I Am Glad of Your Arrival 26

  It’s an Empire Out There 27

  ▴

  Elegy for Neil Armstrong 29

  ▴

  And This Too Comes Apart 39

  Hatch 41

  Such and Such a Time at Such and Such a Palace 42

  Me and My Head as Pieces of Wood 43

  Flowers Are Also Letters 44

  Nature Poem 45

  They Are Leaving You a Message 47

  Drapes 48

  Uncloudy 49

  Not Much More Room in the Cemetery 50

  As If No Light Could Warm You 51

  ▴

  How Long Is the Heliopause 53

  ▴

  Some Glamorous Country 61

  In the Dumps 62

  Pursuits 63

  Aesthetics of Crying 64

  Keep in Shape 65

  Optioned 66

  Annual 67

  Ecumene 68

  ▴

  Dear Seth 69

  ▴

  Poem for Bill Cassidy 87

  ▴

  Notes and Acknowledgments 93

  Heliopause

  A Perfect Catastrophe

  To have stood midfield among the vast and livid green

  and never heard the grasses take their vow of silence

  is experience, not evidence, and meanwhile clouds descend

  and buffer light. When did I arrive? I recall it came on

  slowly as a fever as a poem is a communicable please.

  What’s in charge here is the scattered light all over

  and how it pulls my very blood into my hands

  until they graph a fat what the sun likes holding

  and some dumb mutter good and nails me to the bone.

  Disintegration Loop 1.1

  ▪ for William Basinski

  In seeking to resolve a conflict

  between two parties

  one can assume

  each believes it is acting

  in good faith

  just as the hopeful

  gravel waits for your rough step

  ▴

  The only way to be truly alone

  is for there to be nothing

  not even myself

  ▴

  In looping you rephrase after listening

  to what the person has to say

  what the person had to say

  and having the new words affirmed

  you wait and listen again

  ▴

  Myself the eager magnet

  for another to address

  ▴

  Maybe I should think this a spiral

  a loop that gets closer

  a loop that will not close

  ▴

  To make nothing

  draw a circle

  around what isn’t there

  ▴

  I found a note I left in the corner

  of a part of the poem we rarely used

  If you ever feel trapped

  it said

  this is where to escape

  ▴

  But legally I owe you nothing

  I owe you at least that much

  ▴

  Like being haunted by the spirit of the letter

  ▴

  I remember my teacher’s story

  of two teenagers who died in a blizzard

  trying to stay warm

  and the tailpipe

  blocked with snow

  so I always check

  but it still happens

  just yesterday

  a man’s young son in what the paper

  called one awful story

  ▴

  The light switch has a beautiful feeling

  when a person reaches out to make it change

  and the warm quadrangles of sun

  on the carpet are beautiful too

  and red berries on the gray bush

  and the mail as long as it lasts

  and beauty is what beauty does to you

  ▴

  Like trying to say a seagull

  inscribing a circle

  over what land

  the day has thought

  to provide

  ▴

  to enter into agreement with yourself

  to lie but only out of love

  for the verblessness of buildings

  They do not rise except once

  and then nothing

  how being is nothing

  and if there were a word after

  it would be a slow decay

  ▴

  I will love across any distance

  you think this has made to occur

  ▴

  Nothing so ruthless as a life

  ▴

  The day hangs low overhead

  and soon enough the new grass will emerge

  through the gravel

  They have big plans to meet

  in the middle

  and in so doing

  to phase all this out

  ▴

  I go on

  say enough and it will blur

  off into sound

  look up and see that night

  has nearly settled in and darkness

  and hope that if I look into it

  long enough and keep my mouth

  quiet

  when I look down again I’ll find

  a settled word

  to which nothing

  is attached

  ▴

  Re: the day

  someone said

  what doesn’t kill you makes it longer

  ▴

  It’s like footsteps toward you

  that sound for all the world like

  they forever move away

  ▴<
br />
  I keep forgetting I’m the smoke

  not the camera

  Then I see my dark

  joining sky to what’s below

  ▴

  Like watching someone

  from across a river

  on such a clear day

  that you can see her teeth

  and at such

  a distance

  that you can’t hear the sound

  so while you know

  it must be screaming

  it is possible

  to imagine her faraway mouth

  which you can see but not save

  has opened—is open—to sing

  ▴

  After the collapse and before

  the dust settles

  the darkness billows

  and grows

  like it’s describing

  itself to the sky

  this it says

  this and much bigger

  but the sky

  in its sorrow

  has had to turn away

  ▴

  to expect praise for the beautiful apology

  ▴

  to imagine something other than again

  ▴

  Whether it is falling

  from a ship

  or plane or a building

  the human body starts its drop

  at roughly one rate

  ▴

  The book said legally

  thought the captain

  of the slave ship Zong

  to throw the people overboard

  instead of letting them starve

  would ensure compensation

  for his loss

  ▴

  And another has made

  the words to decay

  until what remains

  is

  loss loss

  ▴

  When I go to the video

  it is paused close to darkness

  the place

  where I had last stopped

  and as I drag the cursor backward

  so it can start again

  I’m reversing

  into morning what was night

  ▴

  The three buildings in the corner

  begin a hypotenuse

  the dark clouds

  —diligent—complete

  ▴

  The subsection of sympathy cards

  labeled words fail me

  on which we pen

  sorry for your loss

  ▴

  The lights that come on last—

  what were they resisting?

  Or do they not notice

  as sometimes can happen

  while the hours carry in

  the new-fallen dark

  ▴

  They say we have fallen

  a long way

  to the cold

  and planetary light

  ▴

  They say the bomb is a flower

  ▴

  A body falls much faster

  than the night

  ▴

  You will forgive me won’t you

  for the lines

  I’m copying in

  I do not want to be alone here

  despite what I have said

  ▴

  And I have forgotten

  to mention the music

  though it has this whole time

  been mentioning me

  I will say it is the sound of a clock

  which has had all of its hours removed

  ▴

  The screen is dark enough now

  that it can perfectly reflect

  the facing window

  a corner of morning

  ▴

  And some of the lights

  they tremble

  trying to decide

  whether they can go on

  ▴

  Lights like pronouns for the buildings

  ▴

  to remove to go through to withdraw

  to slowly walk into another room

  ▴

  What is legally an hour?

  The time it takes the king

  to fall asleep

  the melting

  of a candle in the snow

  ▴

  Hour like a jar in Tennessee

  ▴

  And yes I am afraid

  to be with minutes

  They have completely confused me

  ▴

  The buildings are a sort

  of interference

  how they stand

  and complicate the sky

  but nothing interferes

  with the hour

  it is

  as they say

  a law

  unto itself

  ▴

  Maybe I should say that

  I am sitting

  in a room

  different from

  the one you are in now

  and I am sitting at a distance

  from the screen

  so that the hour

  goes on

  and there is nothing

  that I can undo

  ▴

  Every morning the diminishing returns

  ▴

  And now the smoke echoes the roundness

  of the one building with a dome

  the smoke in love and unable

  to do anything more than repeat

  the words of another

  so after I would sooner be dead

  than let you touch me

  it cries hopeless

  touch me

  touch me

  and then even that sound

  that shape

  drifts away

  ▴

  If I could get closer I could see

  the river

  reflecting back

  the buildings’ light

  but I am placed here

  at this fixed distance

  and the lights are fixed there

  in the permanently imminent night

  ▴

  I know there are other cities

  other hours

  where you can watch the lights

  copying themselves

  all neoned and strobe-hearted

  ▴

  I know all our yesterdays have lighted fools

  the way to dusky death

  ▴

  Today the reflected window

  seems stupid

  and too bright

  replacing smoke with the pale sky

  and the tree

  its bare branches

  a cracking explosion

  no eye could resist

  ▴

  to justify desires with omens

  ▴

  to walk away before the morning ends

  ▴

  I’m counting my life

  I’m counting the buildings

  one one two

  ▴

  If you are in the center it means

  every edge you can imagine

  is the very same distance away

  ▴

  If this is my home

  If this is my screen

  If these are my books

  imagined companions

  ▴

  This is the city

  I can describe it

  black

  with power

  an electricity

  forced into light

  Vernon Street

  At that time they made

  the telephone in order

  to say

  Come here

  I need you

  and nothing

  has changed except

  here now you are

  and I

  in order in

  the order

  that’s arranged this child

  who passes now

  and answers

  an unheard question

  It means

  when your life is bad
r />   and you are dying

  you are running down a hill

  going

  and then the boy screams

  Next time I will live

  my life in alphabetical order

  Come here I need you

  There are ways

  to settle down

  There’s an accidental light

  the grass is showing

  and my cat

  is so sad

  that the house right now

  divides us

  He is in

  the window crying

  but I am needed outside

  where I have

  ordered myself

  where I half

  expect your voice

  to turn me over

  and up

  there the quiet sky the plane

  is bringing noise to

  above my head and in it

  I need to show

  you this

  Come here come here

  Summer

  Today you find yourself guilty

  as the rim you split

  an egg against

  You press charges

  You spell out your name

  like the letters are medals

  for good conduct in a bad war

  The night moves in with you

  into your room

  until even your sleep

  is not your own

  Through the window

  the grass tells you

  to give up

  and you are trying

  but on the other hand

  things keep you:

  the moon, the cars, cars

  You undress yourself

  more deeply down

  like this is the way

  to get to the future

  You let the darkness

  medically examine you

  So much can’t be

  put back together

  To burn the house down

  to burn the house up

  It’s the same problem

  in any direction

  You’re matter

  You turn on the light

  Realistic Flowers

  At the dollar store I bought

  a bouquet of fake flowers

  and what could have been

  but somehow (incredibly) wasn’t

  It only cost $2 but still

  that did not help

  I planted

  the flowers among actual flowers

  b/c what else can you do

  I was so happy I could have

  torn your head apart

  I Am Glad of Your Arrival

  Addressing the morning I say

  it was good of you to come

  as if

  it were the sole visitor amidst scandal

  when in fact

  it has been endless

  with the trees and grass and cars

  and the cowbell someone’s using

  as a wind chime

  in the winds

  just remnants of the storm

  that wouldn’t stay

  I have thought

  to run away from what I own

  Who hasn’t

  but what else do I have

 

‹ Prev