Prologue and global Shakespeares
PRIMARY SOURCES
Purchas, Samuel, Hakluytus Posthumus, or Purchas his Pilgrimes, 5 vols (London, 1625).
Rundall, Thomas, Narratives of Voyages towards the North-West, in Search of a Passage to Cathay and India, 1496–1631 (London, 1849).
SECONDARY SOURCES
Barbour, Richmond, The Third Voyage Journals: Writing and Performance in the London East India Company, 1607–10 (New York, 2009).
Bate, Jonathan, The Genius of Shakespeare (London, 1997).
*Bishop, Tom and Alexander C. Y. Huang (eds), The Shakespeare International Yearbook 11: Special Issue, Placing Michael Neill – Issues of Place in Shakespeare and Early Modern Culture (Burlington, VT, 2011).
Brusberg-Kiermeier, Stefani and Jörg Helbig (eds), Shakespeare in the Media: From the Globe Theatre to the World Wide Web (Frankfurt-am-Main, 2004).
Chaudhuri, Sukanta and Chee Seng Lim (eds), Shakespeare Without English: The Reception of Shakespeare in Non-Anglophone Countries (New Delhi, 2006).
Cunningham, Vanessa, Shakespeare and Garrick (Cambridge, 2008).
*Desmet, Christy and Robert Sawyer (eds), Shakespeare and Appropriation (London, 1999).
Dionne, Craig and Parmita Kapadia, Native Shakespeares: Indigenous Appropriations on a Global Stage (Aldershot, 2008).
Dobson, Michael, The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769 (Oxford, 1992).
——, Shakespeare and Amateur Performance: A Cultural History (Cambridge, 2011).
Donaldson, Peter, “‘All Which it Inherit”: Shakespeare, Globes and Global Media’, Shakespeare Survey 52 (1999), 183–200.
Edmondson, Paul, Paul Prescott and Erin Sullivan (eds), A Year of Shakespeare: Reliving the World Shakespeare Festival (London, 2013).
Gillies, John, Shakespeare and the Geography of Difference (Cambridge, 1994).
*Hadfield, Andrew and Paul Hammond (eds), Shakespeare and Renaissance Europe (London, 2005).
Hair, P. E. H., ‘Hamlet in an Afro-Portuguese Setting: New Perspectives on Sierra Leone in 1607’, History in Africa 5 (1978), 21–42.
Hoenselaars, Ton (ed.), Shakespeare and the Language of Translation (London, 2004).
Holderness, Graham and Bryan Loughrey, ‘Arabesque: Shakespeare and Globalisation’, in S. Smith (ed.), Globalization and its Discontents: Writing the Global Culture (Cambridge, 2006), 24–46.
*Huang, Alexander C. Y., ‘Global Shakespeares as Methodology’, Shakespeare 9 (2013), 273–90.
*Hulme, Peter and William H. Sherman (eds), ‘The Tempest’ and its Travels (Philadelphia, 2000).
Joughin, John J. (ed), Shakespeare and National Culture (Manchester, 1997).
Kennedy, Dennis, Foreign Shakespeare: Contemporary Performance (Cambridge, 1993).·
Kerr, Heather, Robin Eaden and Madge Mitton (eds), Shakespeare: World Views (Newark, DE, 1996).
Kliman, Bernice W., ‘At Sea about Hamlet at Sea: A Detective Story’, Shakespeare Quarterly 62 (2011), 180–204.
*Loomba, Ania, Shakespeare, Race and Colonialism (Oxford, 2002).
Loomba, Ania and Martin Orkin (eds), Post-Colonial Shakespeares (London, 1998).
Maquerlot, Jean-Pierre and Michèle Willems (eds), Travel and Drama in Shakespeare’s Time (Cambridge, 1996).
Marshall, Gail, Shakespeare in the Nineteenth Century (Cambridge, 2012).
*Massai, Sonia (ed.), World-Wide Shakespeares: Local Appropriations in Film and Performance (London, 2005).
Prescott, Paul and Erin Sullivan (eds), Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year (London, 2015).
Rebellato, Dan, Theatre and Globalization (Basingstoke, 2009).
Robins, Nick, The Corporation that Changed the World: How the East India Company Shaped the Modern Multinational (London, 2006).
Shapiro, James, Shakespeare and the Jews (New York, 1996).
Taylor, Gary, ‘Hamlet in Africa 1607’, in Ivo Kamps and Jyotsna Singh (eds), Travel Knowledge: European ‘Discoveries’ in the Early Modern Period (London, 2001).
——, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (New York, 1989).
Trivedi, Poonam and Minami Ryuta (eds), Re-playing Shakespeare in Asia (London, 2010).
Poland and Germany
PRIMARY SOURCES
Bate, Jonathan (ed.), The Romantics on Shakespeare (Harmondsworth, 1992).
Freiligrath, Ferdinand, Freiligraths Werke in Einem Band, ed. Werner Ilberg (Berlin, 1980).
Goethe, Johann Wolfgang von, Early Verse Drama and Prose Plays, ed. Cyrus Hamlin and Frank Ryder (Princeton, NJ, 1995).
——, Faust I and II, trans. Stuart Atkins (Princeton, NJ, 1994).
——, Goethe on Shakespeare, trans. Michael Hofmann and David Constantine (London, 2010).
——, The Sorrows of Young Werther, trans. David Constantine (Oxford, 2012).
——, Verse Plays and Epic, ed. Cyrus Hamlin and Frank Ryder (Princeton, NJ, 1994).
——, Wilhelm Meister, trans. Thomas Carlyle, 2 vols (London, 1894).
Halliday, Andrew, ‘Shakespeare-Mad’, All the Year Round, 11 (21 May 1864), 345–51.
Jones, Henry Arthur, Shakespeare and Germany: Written During the Battle of Verdun (London, 1916).
Le Winter, Oswald (ed.), Shakespeare in Europe: Selections from Lessing, Voltaire, Goethe, etc. (Harmondsworth, 1970).
Moryson, Fynes, Shakespeare’s Europe: Unpublished Chapters of Fynes Moryson’s Itinerary, ed. Charles Hughes (London, 1903).
Müller, Heiner, ‘Die Hamletmaschine’, in Adaptations of Shakespeare: A Critical Anthology of Plays, ed. Daniel Fischlin and Mark Fortier (London, 2000), 208–15.
——, Heiner Müller After Shakespeare: Macbeth and Anatomy of Titus – Fall of Rome, ed. Carl Weber (New York, 2012).
Schiller, Friedrich, Five Plays, trans. Robert David MacDonald (London, 1998).
SECONDARY SOURCES
Barnett, David, ‘Resisting the Revolution: Heiner Müller’s Hamlet/Machine at the Deutsches Theater, Berlin, March 1990’, Theatre Research International 31 (2006), 188–200.
Bate, Jonathan, ‘The Politics of Romantic Shakespearean Criticism: Germany, England, France’, European Romantic Review 1 (1990), 1–26.
Bonnell, Andrew G., Shylock in Germany: Antisemitism and the German Theatre from the Enlightenment to the Nazis (London, 2008).
Boyle, Nicholas and John Guthrie (eds), Goethe and the English-Speaking World: A Cambridge Symposium for his 250th Anniversary (Columbia, SC, 2001).
Cohn, Alfred, Shakespeare in Germany in the Sixteenth and Seventeenth Centuries (London and Berlin, 1865).
*Foulkes, Richard, The Shakespeare Tercentenary of 1864 (London, 1984).
Gadberry, Glen W. (ed.), Theatre in the Third Reich, the Prewar Years: Essays on Theatre in Nazi Germany (Westport, CT, 1995).
Habicht, Werner, ‘Shakespeare Celebrations in Time of War’, Shakespeare Quarterly 52 (2001), 441–55.
*——, ‘Shakespeare in Nineteenth-Century Germany: The Making of a Myth’, in Nineteenth-Century Germany: A Symposium, ed. Modris Eksteins and Hildegard Hammerschmidt (Tübingen, 1983), 141–57.
——,‘Topoi of the Shakespeare Cult in Germany’, in Literature and its Cults: An Anthropological Approach, ed. Péter Dávidházi and Judit Karafíath (Budapest, 1994), 47–65.
*Hortmann, Wilhelm, Shakespeare on the German Stage: The Twentieth Century (Cambridge, 1998).
Howard, Tony, Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction (Cambridge, 2007).
*Jansohn, Christa (ed.), German Shakespeare Studies at the Turn of the Twenty-First Century (Newark, DE, 2006).
Korte, Barbara and Christina Spittel, ‘Shakespeare under Different Flags: The Bard in German Classrooms from Hitler to Honecker’, Journal of Contemporary History 44 (2009), 267–86.
Larson, Kenneth E., ‘The Origins of the Schlegel-Tieck Shakespeare in the 1820s’, The German Quar
terly 60 (1987), 19–37.
*Limon, Jerzy, Gentlemen of a Company: English Players in Central and Eastern Europe, 1590–1660 (Cambridge, 1985).
London, John, Theatre Under the Nazis (Manchester, 2000).
Longerich, Peter, Goebbels: A Biography (London, 2015).
Makaryk, Irena R. and Marissa McHugh (eds), Shakespeare and the Second World War: Memory, Culture, Identity (Toronto, 2012).
Murphy, Andrew, Shakespeare for the People: Working-Class Readers, 1800–1900 (Cambridge, 2008).
Pascal, Roy, Shakespeare in Germany, 1740–1815 (Cambridge, 1937).
*Paulin, Roger (ed.), The Critical Reception of Shakespeare in Germany, 1682–1914: Native Literature and Foreign Genius (Hildesheim, 2003).
——, Great Shakespeareans: Voltaire, Goethe, Schlegel, Coleridge (London, 2010).
Pfister, Manfred, ‘Germany is Hamlet: The History of a Political Interpretation’, New Comparison 2 (1986), 106–26.
——, ‘Hamlets Made in Germany, East and West’, in Shakespeare in the New Europe, ed. Michael Hattaway et al. (Sheffield, 1994) 76–91.
Sillars, Stuart, Shakespeare and the Victorians (Oxford, 2013).
Stříbrný, Zdeněk, Shakespeare and Eastern Europe (Oxford, 2000).
Strobl, Gerwin, The Swastika and the Stage: German Theatre and Society, 1933–45 (Cambridge, 2007).
Stroedel, Wolfgang, ‘90th Anniversary Celebration of the Deutsche Shakespeare-Gesellschaft’, Shakespeare Quarterly 5 (1954), 317–22.
Symington, Rodney, The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich (Lewiston, NY, 2005).
*Williams, Simon, Shakespeare on the German Stage: 1586–1914 (Cambridge, 1990).
FILMS
Hamlet: Ein Rachedrama, dir. Sven Gade (Germany, 1921).
United States
PRIMARY SOURCES
Borthwick, J. D., Three Years in California (Edinburgh, 1857).
Emerson, Ralph Waldo, Essays and Poems, ed. Joel Porte, Harold Bloom and Paul Kane (New York, 1996).
Leman, Walter, Memories of an Old Actor (San Francisco, 1886).
Ludlow, Noah, Dramatic Life as I Found It (St Louis, MO, 1880).
Nelson, Richard, How Shakespeare Won the West (New York, 2010).
Shapiro, James (ed.), Shakespeare in America: An Anthology from the Revolution to Now (New York, 2014).
Smiley, Jane, A Thousand Acres (New York, 1991).
Smith, Solomon Franklin, Theatrical Management in the West and South for Thirty Years (New York, 1868).
Tocqueville, Alexis de, Democracy in America, trans. Harvey Claflin Mansfield and Delba Winthrop (Chicago, 2000).
The True Tragedie of Richard the Third (London, 1594).
SECONDARY SOURCES
Ashley, Mabel Celeste, ‘Gold Rush Theatre in Nevada City, California’, unpublished MA thesis, Stanford University (1967).
Berson, Misha, The San Francisco Stage: From Gold Rush to Golden Spike, 1849–69 (San Francisco, 1989).
——, The San Francisco Stage: From Golden Spike to Great Earthquake, 1869–1906 (San Francisco, 1992).
Bristol, Michael D., Shakespeare’s America, America’s Shakespeare (London, 1990).
Burnett, Mark Thornton, ‘Parodying with Richard’, in Sarah Hatchuel and Nathalie Vienne-Guerrin (eds), Shakespeare on Screen: Richard III (Rouen, 2005), 91–112.
Carrell, Jennifer Lee, ‘How the Bard Won the West’, Smithsonian 29/5 (August, 1998), 99–107.
Cliff, Nigel, The Shakespeare Riots: Revenge, Drama and Death in Nineteenth-Century America (New York, 2007).
Curry, Jane Kathleen, Nineteenth-Century American Women Theatre Managers (Westport, CN, 1994).
Davidson, Levette J., ‘Shakespeare in the Rockies’, Shakespeare Quarterly 4 (1953), 39–49.
Dawson, Giles E., History of the Folger Shakespeare Library, 1932–68, unpublished typescript (1994).
Dunn, Esther Cloudman, Shakespeare in America (New York, 1939).
Engler, Balz, ‘Shakespeare, Washington, Lincoln: The Folger Library and the American Appropriation of the Bard’ [https://shine.unibas.ch/shine_folger.htm].
Ferington, Esther (ed.), Infinite Variety: Exploring the Folger Shakespeare Library (Washington DC, 2002).
Grant, Stephen H., Collecting Shakespeare: The Story of Henry and Emily Folger (Baltimore, 2014).
Johnson, Susan Lee, Roaring Camp: The Social World of the California Gold Rush (New York, 2000).
Kimmel, Stanley, The Mad Booths of Maryland (New York, 1940).
Koon, Helene Wickham, Gold Rush Performers: A Biographical Dictionary of Actors, Singers, Dancers … (Jefferson, NC, 1994).
*——, How Shakespeare Won the West: Players and Performances in America’s Gold Rush, 1849–65 (Jefferson, NC, 1989).
Lanier, Douglas, Shakespeare and Modern Popular Culture (Oxford, 2002).
*Levine, Lawrence W., Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA, 1988).
Mazer, Carey M. (ed.), Great Shakespeareans: Poel, Granville Barker, Guthrie, Wanamaker (London, 2013).
Rawlings, Peter (ed.), Great Shakespeareans: Emerson, Melville, James, Berryman (London, 2011).
San Francisco Theatre Research (18 vols), various authors and editors (San Francisco, 1938–42).
Scully, Christopher, ‘Constructed Places: Shakespeare’s American Playhouses’, unpublished PhD thesis, Tufts University (2008).
Shapiro, James, Contested Will: Who Wrote Shakespeare? (New York, 2010).
*Shattuck, Charles H., Shakespeare on the American Stage: From the Hallams to Edwin Booth (Washington DC, 1976).
Smith, Steven Escar, “‘The Eternal Verities Verified”: Charlton Hinman and the Roots of Mechanical Collation’, Studies in Bibliography 53 (2000), 129–61.
*Sturgess, Kim C., Shakespeare and the American Nation (Cambridge, 2004).
Teague, Frances, Shakespeare and the American Popular Stage (Cambridge, 2006).
Thorndike, Ashley Horace, Shakespeare in America (London, 1927).
*Vaughan, Alden T. and Virginia Mason Vaughan, Shakespeare in America (Oxford, 2012).
——, Shakespeare in American Life (Washington DC, 2007).
Willoughby, Edwin Eliott, ‘The Reading of Shakespeare in Colonial America’, Papers of the Bibliographical Society of America 31 (1937), 45–56.
Woods, Alan, ‘Frederick B. Warde: America’s Greatest Forgotten Tragedian’, Educational Theatre Journal 29 (1977), 333–44.
FILMS AND TELEVISION SERIES
As You Like It, dir. Kenneth Branagh (UK/USA, 2006).
As You Like It, dir. Paul Czinner (UK, 1936).
House of Cards, written by Andrew Davies and Michael Dobbs, dir. Paul Seed (UK, 1990).
House of Cards, exec. prod. David Fincher, Kevin Spacey, Beau Willimon et al. (USA, 2013–).
The Life and Death of King Richard III, dir. André Calmettes and James Keane (USA, 1912).
Looking for Richard, dir. Al Pacino (USA/France, 1996).
Shakespearean Spinach, dir. Dave Fleischer and Roland Crandall (USA, 1940).
Ten Things I Hate About You, dir. Gil Junger (USA, 1999).
India
PRIMARY SOURCES
Dutt, Utpal, Towards a Revolutionary Theatre (Calcutta, 1982).
Hansen, Kathryn (ed.), Stages of Life: Indian Theatre Autobiographies (London, 2011).
Kendal, Geoffrey with Clare Colvin, The Shakespeare Wallah (London, 1986).
Littledale, Harold, ‘Cymbeline in a Hindoo Playhouse’, Macmillan’s Magazine 42 (May–Oct, 1880), 65–68.
The Mahabharata, trans. and abridged J. D. Smith (London, 2009).
Ramanathan, Ramu, Shakespeare and She, unpublished play (2008).
The Ramayana: A Modern Translation, trans. Ramesh Menon (New Delhi, 2003).
‘Report of the Select Committee of the House of Lords on Colonisation from Ireland, Together with the Minutes of Evidence, 1847’, The Edinburgh Review 91 (January, 1850), 1–62.
Tagore, Rabi
ndranath, Selected Writings on Literature and Language, ed. Sukanta Chaudhuri, Sankha Ghosha and Sisir Kumar Das (New Delhi, 2001).
SECONDARY SOURCES
Banerji, Arnab, ‘Rehearsals for a Revolution: The Political Theatre of Utpal Dutt’, Southeast Review of Asian Studies 34 (2012), 222–30.
Bharucha, Rustom, Theatre and the World: Performance and the Politics of Culture (London, 1993).
Bhatia, Nandi, ‘Different Othello(s) and Contentious Spectators: Changing Responses in India’, Gramma 15 (2007), 155–74.
——, ‘Shakespeare and the Codes of Empire in India’, Alif: Journal of Comparative Poetics 18 (1998), 96–126.
*Bishop, Tom and Alexander C. Y. Huang (eds), Shakespeare International Yearbook 12: Special Section, Shakespeare in India (Burlington, VT, 2012).
Bose, Mihir, Bollywood: A History (Stroud, 2006).
Burnett, Mark Thornton, Shakespeare and World Cinema (Cambridge, 2013).
Chatterjee, Sudipto and Jyotsna Singh, ‘Moor or Less? The Surveillance of Othello, Calcutta 1848’, in Christy Desmet and Robert Sawyer (eds), Shakespeare and Appropriation (London, 1999), 65–84.
Dionne, Craig and Parmita Kapadia (eds), Bollywood Shakespeares (New York, 2014).
De, Esha Niyogi, ‘Modern Shakespeares in Popular Bombay Cinema: Translation, Subjectivity and Community’, Screen 43 (2002), 19–40.
Gandhi, L., ‘Unmasking Shakespeare: the Uses of English in Colonial and Postcolonial India’, in Philip Mead and Marion Campbell (eds), Shakespeare’s Books: Contemporary Cultural Politics and the Persistence of Empire (Melbourne, 1993), 81–97.
Gunawardana, A. J., ‘Theatre as a Weapon: An Interview with Utpal Dutt’, The Drama Review 15 (1971), 224–37.
*Gupt, Somnath, The Parsi Theatre: Its Origins and Development, trans. Kathryn Hansen (Calcutta, 2005).
Hansen, Kathryn, ‘Parsi Theatre and the City: Location, Patrons, Audiences’, Sarai Reader 2002: The Cities of Every day Life [http://archive.sarai.net/files/original/5d3bed5cd962dd90f66e4847f03237a3.pdf].
*Lal, Ananda (ed.), The Oxford Companion to Indian Theatre (Oxford, 2004).
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