Mystery Writers of America Presents the Prosecution Rests

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Mystery Writers of America Presents the Prosecution Rests Page 26

by Inc. Mystery Writers of America


  ____

  FRIDAY NIGHT. LINCOLN Road, barred to traffic, is jammed with bodies. The restaurants are full, and the shops and the coffee bars and nightclubs. Candles flicker on outdoor tables. There are languages I don’t recognize. Gay men holding hands. Long-legged girls in hot pants. Purebred dogs on leashes. Street musicians with their guitar cases open for tips. A woman on roller skates bumps my shoulder as she veers around me. The heat of bodies presses in on me as I wait at Meridian for the light to change. A white limo floats by. South Beach smells of the ocean, of incense, of money and power.

  I have been thinking about personal-injury law. My chances of getting into a top firm are, let’s face it, pretty remote, but I can rent a space and build my own practice. I don’t want rich clients. They’re a pain in the ass. I’d rather work for normal people. They trust me, and I relate well to them. I could be making half a million dollars a year by the time I’m forty. I’d have a family. Jack Porter gave good advice about not settling for just any woman. But I haven’t dated since I got here. I’m an ordinary guy, average build, short brown hair, brown eyes. On the surface, nothing special. Sad fact: women like a man with cash in his pocket and a nice car. They judge you on those terms. Tell a woman you’re a lawyer, or even in law school, and her eyes light up.

  The nightclubs are all glitter and noise, and inside them I see the beautiful girls leaning on the men. Some of them are prostitutes, no doubt. How much would a woman cost? It would have to depend on what you want from her. I could get cash on my mother’s ATM card. She never checks the balance. Could I do that? No. I am, as Rita said, a decent guy.

  My aimless stroll takes me to Ocean Drive and over to Washington Avenue, the crowds even more dense here. With no breeze the heat is stifling. I go into a bar to cool off, have a beer, and watch the people. When I come out, a light rain is falling. What time is it? Late. Up the street I notice a tall, well-built man with a blond woman hanging off his arm. The way he walks, a swagger, reminds me of someone. Is that Jack Porter? The girl laughs, her mouth wide open, her hair swinging across her bare shoulders. She’s pretty. And she’s drunk. Then I recognize her: she works at the firm. She was the girl in the library. Ashley, Courtney, Traci, I can’t remember.

  Trust Jack Porter to pick her up. If it is him. I’m not sure. They vanish among the crowd, then appear again walking toward Drexel, and I follow. The man has his arm around her. She stumbles, and her laughter echoes off the dark buildings. This area is almost deserted. It’s late, and the clubs are closing. They turn the corner, and I catch up in time to see their shadows slide into the alley behind a row of closed stores.

  The rain has turned to mist, shining on the pavement, dripping off the heavy foliage. I stand beneath an awning where the light can’t reach me and listen. Voices murmur. The girl laughs again. There is nothing for a while, then she says, “Don’t! Stop it!” Then I hear some grunting noises, a thud. More thuds. And then nothing. Nothing. My heart feels like a rope is around it, twisting, squeezing. Sweat runs down my back, my sides. I am frozen.

  Footsteps move quickly away.

  Stiffly, slowly, I force myself into the alley. The girl is lying on the cracked, filthy asphalt. Bare legs are sprawled, a shoe is off, and palms turn upward like pale flowers. Her hair is over her face. I wait for her to breathe, but her chest doesn’t move. I lean closer and see the marks on her neck.

  Stumbling, I catch myself, then run out the other end of the alley looking for him, but he’s gone. I fumble open my cell phone to call for help, then slam it shut. They can trace my number, and they will ask me why I was in the alley. What would I say? I was following an associate from my law firm?

  I find a pay phone and call 911, using a false name. And then I blend into the crowd and watch as the police cars and an ambulance scream past. I shield my eyes against the pulsing lights.

  ____

  ON MONDAY EVERYONE is talking about her. Courtney Benson. That was her name. Courtney. The other girls at the firm are in shock, or crying, or blaming her for being careless. Her friends went home, she wanted to keep partying. Nobody at the club saw her leave with anyone. The police have no clues, no witnesses, nothing.

  My insides are twisted. I can’t think what to do. Should I accuse a man I have come to like and admire? A man I didn’t see clearly? Who would believe me?

  ____

  ERIKA MULLOY LOOKS at her watch. “It’s nine fifteen, Mr. Kemble.”

  “Sorry. There was a line for the printer. I worked on the documents all weekend.”

  “I should give you a medal?” She uses the nail on her forefinger to flip through the report. “This earns a C-minus, but we’re on the meter. It will have to do.”

  It’s perfect. She knows it’s perfect, she just wants to torture me for some irrational purpose that I can’t comprehend. She points to a stack of banker’s boxes by her door. “This came in response to our amended demand for discovery. I need the review completed by Wednesday. Flag the relevant sections. Color-coded, please.”

  “Wednesday. What time?”

  “Nine o’clock. You have a problem with that?”

  “No, ma’am.”

  She waves me out. “Chop-chop.”

  I want to hide in the storeroom and lean against the wall with the lights off. Instead, I get a cart and wheel the boxes down to 14, take a turn past the library, and then another turn until I get to Jack Porter’s office. He has a view of the ocean. Law books are open on his desk. His cuffs are rolled up. He wears a Rolex, what else? His hands and arms show no marks of a struggle. He raises his eyes and looks at me, and a sudden chill makes my chest quiver.

  He twirls his gold pen. “What can I do for you, Kemble?”

  I reach for a plausible excuse to be here. “Erika. You’re pretty tight with her. Could you give me some advice how to stop her from wanting to strangle me?” I chuckle to cover my bad choice of words.

  Jack Porter glances past me to make sure no one is in the corridor. “I’ll tell you what the bitch needs.” His hand drops behind the desk and he pretends to grab his crotch. “A piece of this.” He grins. “Hey, man, lighten up.”

  I back out of his office and flee with the boxes of documents. I veer into the men’s room and lock myself in a stall. How could Jack Porter make jokes? Like he doesn’t care that one of our own was murdered over the weekend. But why should he care? He probably didn’t even know who she was. If he had killed her, it would show. Unless he’s a sociopath. The hiring committee would have picked up on that, wouldn’t they? Unless they’re all sociopaths, a concept that does not seem totally irrational.

  To calm my nerves I walk two laps of the entire law firm, going up and down the circular stairs that connect the main lobby on 15 with the library on 14 and the partners’ meeting room on 16. On the way to the Pits I stop by the break room for a soda. I drop my quarters in the machine. Robert is wiping down the coffee spills on the counter.

  “Hey, Warren.”

  “What’s up, Robert?” My hands shake getting the can open.

  “Not much.” He squints at me. “Are you okay?”

  “Sure.” I take a gulp of cola. “That Jack Porter. What an asshole.”

  “Who?”

  “The new associate. Jack Porter. He was just hired. Harvard.”

  Robert nods. “Right. Why do you hate him?”

  “I don’t hate him, I just…” And I realize that there is nothing I can say about Jack Porter. In this law firm there is nothing unusual about him. “Harvard. La-de-da. I go to Ohio Southern College of Law. Ever hear of it? I’ll be lucky to get a job with the Bumfuck, Arkansas, public defender’s office making thirty grand a year.”

  “That’s okay, Warren. You’ll be a good lawyer, I know you will, because you care.”

  I toss the can in the trash and wheel the boxes of documents to my desk in the Pits.

  Missing lunch, I work all day on Erika’s fricking document review. It is mindless. It is excruciating. It is worth $300 per hour to so
mebody, and the clients, like sheep, believe it. I keep my head down and put yellow or orange or blue sticky flags on the pages.

  Around six o’clock, Mike comes back from a meeting, and he and Denise start talking about Louis Penniman. I scoot over so I can see around my computer monitor.

  “What did you say?”

  Mike rocks back in his chair. “You didn’t hear about it? Penniman’s retiring.”

  “You’re kidding.”

  “And guess who’s going to be our new managing partner.” Denise swings her immense tote bag over her shoulder and unfolds her sunglasses.

  “Who?” we say in unison.

  “Erika Mulloy.”

  “Oh fucking A.” Mike drops his face into his hands. “Just shoot me now.”

  Denise frowns at him. “Erika is a strong and capable woman. Does that bother you?”

  “No, Denise. It does not. What bothers me is, she wants to reduce payroll. That could mean you.”

  “No, Michael. You’re wrong. She’s looking to merge with another law firm. We have a bunch of empty offices on this floor. She won’t cut back.”

  “We’re top-heavy with partners. I think Erika will try to get rid of some of the less profitable divisions, like probate.”

  They argue pointlessly, and I return to my desk in the corner. I am breathless. I can’t talk to Rita. She hates me now. I can’t talk to Jack Porter. He would laugh at my petty problems. I push a stack of documents out of the way and leave the Pits. I take the elevator up to 16 and walk straight to Penniman’s office.

  He tells me it’s not entirely true. He’s not leaving, just switching to counsel status and a smaller office. “I’m sixty-five years old. I’ve had two heart bypasses, and I want to spend some time traveling with my wife and playing golf before I check out.”

  “Erika’s going to fire me.”

  “Nonsense. There’s too much work right now. But you go back to school in January, don’t you? The minute you graduate, I want you to come see me, all right?”

  I go back to the Pits and call Mom to let her know I’ll be working late. I work on the documents until early morning, until the words blur on the page and the muscles in my neck are on fire. She will have this report before Wednesday.

  ____

  TUESDAY EVENING A shape appears through the security screen on the front door. The louvers rattle. “Hello-o-o?”

  “I’ll get it, Ma.”

  Mrs. Perlstein holds a casserole dish with a glass lid. She looks into the living room, trying to see around me. “I brought Georgette some chicken noodle soup. It’s still warm.”

  “That’s very thoughtful of you, Mrs. Perlstein. She’s napping right now.” I take the dish. “I’m sure she’ll like it.”

  “Well. I’ll come back some other time. Tell her I asked about her.”

  “I will. And Mrs. P.? Mom said to thank you for the cake you brought last week.”

  In her room my mother is working a crossword puzzle. Her glasses reflect the black-and-white squares. The TV is tuned to Animal Planet. Tigers of Nepal.

  “Look. Mrs. Perlstein brought over some chicken soup.”

  “Jew food.”

  “Don’t talk like that. Aren’t you hungry?”

  “You were late getting home. I ate leftovers.”

  I take the soup into the kitchen and pour it down the drain. I open the freezer and pull out a meatloaf-and-mashed-potatoes dinner. Seven minutes. The numbers on the microwave count backward.

  The phone rings. It’s my sister, Diane. “How’s Ma? I’ve called five times in the last week. She never picks up.”

  I don’t tell her the truth: that our mother doesn’t want to talk to her. I say, “She sleeps a lot. But don’t worry. She’s fine.”

  “She’s fine. Great. She’s still pissed off that I didn’t come down for her operation, but I couldn’t. The kids, Steve, my fucking job—”

  “I know, Diane. I know.”

  “This is ridiculous. Put her on, Warren. I want to talk to her now.”

  “Okay. Hang on.” I walk down the hall to our mother’s room and open the door. Cold air rushes out. I shout so Diane can hear me. “Ma, it’s Diane on the phone.”

  She pencils in a word on her crossword puzzle. “I’m not here. I’m shopping at Neiman Marcus.”

  I go back to the kitchen. “Sorry, Diane. She’s in one of her moods. She said to tell you she went shopping.”

  My sister sighs. “She’s so stubborn. I thought this, you know, brush-with-death thing might have made her aware.”

  “Afraid not.”

  “What are your plans? I guess you’re not going back to school next month.”

  “I can’t. I have Mother to think about.”

  “Do I hear blame in your tone?”

  “No, Diane. You’ve done all you can. I appreciate the check you sent, by the way. I don’t mind being here. I didn’t visit her much after I started law school, so I’m making up for it now.”

  This seems to cheer her up. What Diane doesn’t want is for me to say she has to fly down to Miami, or pay for a nursing home, or cram her kids into one bedroom to make room for our mother in her house, God forbid. She wishes me well and signs off.

  I look in on Mother. She’s dozing again. I turn the TV down and leave her a note: Ma, I’m at the office.

  ____

  IT’S NEARLY TWO o’clock in the morning when I type the last keystroke on the report. Eighty-six pages come off the printer. I bind them into a folder and put the folder into a big envelope with Erika’s name on the front. I turn out the lights, go downstairs, and wave at the security guard in the lobby.

  I plan to drop the envelope on her doorstep. I’ve looked up her address, a house in Coral Gables near the University of Miami, whose law school I could not get into in a million years.

  Banyan trees arch over the quiet streets and block the streetlights. There is no traffic at this hour. I am not sure which house is hers, exactly, so I park in the law school lot and walk. There are only a few other cars there, students working late in the library. As I get to the end of the lot, I see a black Porsche parked in the shadows under some trees. I notice the sticker for the parking garage in our building. It’s Jack Porter’s car. That’s odd. He lives on the Beach.

  I walk three blocks to Erika’s street. Number 5206 is set back behind a low coral rock wall. A porch light is on. Crickets are chirping, and something rustles through the bushes. A small gray lizard darts across the sidewalk.

  Her Mercedes is parked under the portico to my right. A light shines through a window at the other end of the house. I should drop the envelope on her porch and go, but I wonder whether she’s working late or entertaining someone. Erika is divorced, but she’s over fifty, and the idea of her in bed naked with a lover, pounding the headboard against the wall—I stifle a laugh and move silently forward across the yard. Her windows are closed against the summer heat. The curtains are drawn. I can’t see past them.

  The light goes out at the same moment I hear a crash.

  Then nothing. No sound at all. What to do? Maybe she’s having a heart attack, a stroke. I could save her. Not that she’d be grateful. Even so, I can’t just leave her, can I?

  Looking for a way in, I run around the house. I leap over a fallen palm frond and shove my way through a hedge. In the backyard, the light from the swimming pool paints the trees pale turquoise. I stop at the edge of the terrace. The sliding door is open. I can make out the kitchen, a dim light from a stainless-steel range hood, a hallway beyond.

  An instant later a black silhouette appears in the doorway. He looks around and moves silently across the terrace toward the portico. He dodges around an umbrella table, rounds the corner, and disappears.

  I shrink farther into the shadows, nearly trip when I collide with a tree. My breath claws at my throat. I can’t go into her house. There aren’t any pay phones here. I feel sick. The envelope has fallen to the terrace. I pick it up and run.

  When I reach the la
w school parking lot, I notice that the Porsche is gone.

  ____

  AT THE FIRM the next day, people gather in the break room, in the corridors, the library, talking about the murder of Erika Mulloy. She was strangled, no signs of a breakin. Detectives from the Miami Beach police have set up shop in two of the conference rooms. The phone lines buzz with inquiries from clients. Denise is crying. Mike and the other clerks jam into our office and discuss what will happen now. They are more interested in their jobs than in Erika Mulloy’s demise. None of them is sorry she’s gone, which I find appalling. Show some sympathy, or at least pretend to, so other people in the office don’t see you for the assholes you are.

  My thoughts keep going down the hall to Jack Porter’s office. My legs twitch. I have to get up. I leave the Pits and walk around the corner, past his open door, glancing quickly inside. I turn and come back the other way. He is writing notes in a file, working as if nothing had happened. He wears a white shirt, and the sun through the window makes a blaze of light. It shines on his hair and dances on his gold pen. I am so tense my vision blurs. I lean against the wall outside his office.

  My mind is a spinning compass needle. Jack Porter is guilty. No, he isn’t. I have no evidence. I didn’t see him. But I saw his car. Can you prove you saw his car? If I point them toward Jack Porter, why should they believe me? Jack will hire Frank Delgado, and he’ll get away with it, just like Frank’s other clients get away with it. Jack Porter will come for me next.

  “Warren? Is that you out there?”

  My mouth is dry. I can’t speak. I slide over and look around the doorjamb.

  Jack Porter puts down his pen. “What do you want?”

  “Nothing. The police are here.”

  “And?”

  “And nothing. They’re talking to everyone… about Erika Mulloy. What happened to her.”

  “Okay. So?”

  “Just thought I’d tell you.”

  “Fine. You told me.” He keeps staring at me, through me. He knows. He knows that I saw him. He will come after me if I tell. We are friends, goddamn it,and I am afraid he will kill me. I will be his third victim. The law firm has hired a psycho, and there’s no one I can tell.

 

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