ITSUKUSHIMA-JINJA TREASURY 厳島神社宝物館
Location: Precinct of the Itsukushima-Jinja Shrine, Miyajima Island, Hiroshima prefecture
Contents: Painting, arms and armor, and other treasures owned by the shrine.
KAMAKURA KOKUHO-KWAN
• Museum Kamakura Museum 鎌倉国宝館
Location: Precinct of the Tsurugaoka Hachiman-gu Shrine, 2-1-1 Yukinoshita, Kamakura, Kanagawa Prefecture
Contents: Loan collection of painting, sculpture, and industrial fine arts owned by the Shinto shrines and minor arts owned by the Shinto shrines and Buddhist temples in Kamakura and vicinity. Many of them are enrolled as national treasures.
KANAZAWA-BUNKO MUSEUM 金沢文庫
Location: 142 Kanazawa-cho, Kanazawa-ku, Yokohama, Kanagawa Prefecture
Contents: Buddhist statues, paintings, and minor arts owned by the Shomyo-ji monastery. They belong mostly to the Kamakura or Muromachi periods.
KOTOHIRA-GŪ TREASURY 金刀比羅宮宝物館
Location: Precinct of the Kotohira-gū Shrine, 892-1 Kotohira-cho, Nakatado-gun, Kagawa prefecture
Contents: Buddhist paintings and sculpture and arms and armor.
Note: On the sliding screens in the rooms of the historical buildings annexed to the office of the shrine, are famous landscape pictures painted by Ōkyo, the founder of Shijō School in the eighteenth century.
KŌYASAN REIHŌ-KAN MUSEUM 高野山霊宝館
Contents: Buddhist painting, sculpture, and implements borrowed from the monasteries on Mount Kōya.
KUNŌSAN-TŌSHŌGŪ MUSEUM 久能山東照宮博物館
Location: Precinct of the Kunōsan-Tōshōgū Shrine, 390 Negoya, Suruga-ku, Shizuoka, Shizuoka prefecture
Contents: Arms and armor mostly those worn by the Shoguns of the Tokugawa family.
MINOBUSAN TREASURY 身延山宝物館
Location: Kuon-ji monastery, 3567 Minobu-cho Minobu, Minami-Koma-gun, Yamanashi prefecture
Contents: Painting and Buddhist antiques
MOTOYAMA SHŌIN-DŌ MUSEUM 本山松陰堂陳列所
Contents: Japanese neolithic implements and arms and armor.
MURAYAMA COLLECTION
• Kosetsu Museum Of Art 香雪美術館
Location: 285 Aza-ishino, Mikage-Gunge, Higashi-Nada-ku, Kobe, Hyogo prefecture Contents: Japanese painting and industrial arts.
NAGAO COLLECTION 長尾欽弥氏蔵品
Contents: Japanese and Chinese porcelain, metal work, and textiles.
NARA NATIONAL MUSEUM 奈良国立博物館
Location: Nara Park, 50 Noborioji-cho, Nara, Nara prefecture
Contents: Painting, sculpture, and industrial fine arts borrowed mostly from Buddhist monasteries in Nara and vicinity.
NIKKO TŌSHŌ-GŪ TREASURY 日光東照宮宝物館
Location: Precinct of the Nikko Tosho-gu Shrine, 2280 Sannai, Nikko, Tochigi prefecture
Contents: Weapons, costumes, and minor arts of the Yedo Period.
ŌYAMATSUMI-JINJA TREASURY 大山祇神社宝物館
Location: Ōmishima Island, Ehime prefecture
Contents: A large collection of arms and armor of the Kamakura and Muromachi periods.
SANDA MUSEUM 三田博物館
Location: Closed in 1941.
Contents: Pottery, painting, and sculpture of different ages.
UENO COLLECTION 上野精一氏蔵品
Location: Private collection of Mr. Seiichi Ueno
Contents: Japanese and Chinese painting and pottery, and tea-utensils.
UESUGI-JINJA TREASURY 上杉神社稽照殿
Contents: Weapons and old Buddhist paintings.
ZENTSŪ-JI TREASURY 善通寺宝物館
Location: 3-3-1 Zentsuji-cho, Zentsuji, Kagawa prefecture
Contents: Painting, sculpture, and other objects of art, owned by the Zentsū-ji monastery.
APPENDIX 2
References for Foreword
Brandt, Kim. 2007. Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan. Durham and London: Duke University Press.
Cohen, Warren 1.1992. East Asian Art and American Culture. New York: Columbia UniversityPress.
Conant, Ellen P., ed. 2006. Challenging the Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art. Honolulu: University of Hawai'i Press.
Conant, Ellen P. et al. 1995. Nihonga Transcending the Past: Japanese-Style Painting 1868-1968. Saint Louis: The Saint Louis Art Museum and the Japan Foundation.
Fujitani, T. 1996. Splendid Monarchy: Power and Pageantry in Modern Japan. Berkeley: University of California Press.
Doak, Kevin M. 1996. "Ethnic Nationalism and Romanticism in Early Twentieth-Century Japan." Journal of Japanese Studies 22/1 (Winter): 77-103.
Fenollosa, Ernest. 1963. Epochs of Chinese and Japanese Art. New York: Dover Publications.
First published in 1912.
Gluck, Carol. 1985. Japan's Modern Myths: Ideology in the Late Meiji Period. Princeton: Princeton University Press.
Gonse, Louis. 1891. Japanese Art. Chicago: Morrill, Higgins and Co. Graham, Patricia J. 2007. Faith and Power in Japanese Buddhist Art, 1600-2005. Honolulu: University of Hawai'i Press.
Guth, Christine M. E. 1993. Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle. Princeton, N.J.: Princeton University Press.
Guth, Christine M. E. 1996-1997. "Kokuhō: From Dynastic to Artistic Treasure." Cahiers d'Extreme-Asie 9: 312-322.
Guth, Christine M. E. 1997. "Some Reflections on the Formation of the Meiji Artistic
Canon." In New Directions in the Study of Meiji Japan, ed. Helen Hardacre. Leiden: Brill, 35-41.
Harada, Jirō. 1937. A Glimpse of Japanese Ideals; Lectures on Japanese Art ad Culture.
Tokyo: Kokusai Bunka Shinkōkai.
Hoopes, Thomas T 1930. "Recent Acquisitions of Japanese Arms and Armor in the Metropolitan Museum." Metropolitan Museum Studies 2/2 (May): 221-235. Isozaki, Arata et al. 2004. Katsura Imperial Villa. Milan: Electa Architecture. The Japan Advertiser 1927. "Buddha Explained for Asia Society." Tokyo: April 21. The Japan Advertiser 1928. "History of Japan Held That of Japan." Tokyo: October 31. Jewell, Edward Alden. 1936. "The Artists of Japan, Two Stimulating Guides to their Work." New York Times, October 4.
Kokusai Bunka Shinkōkai, ed. 1939. Catalogue of Japanese Art in the Palace of Fine and Decorative Arts at the Golden Gate International Exposition on Treasure Island, San Francisco, Calfornia, 1939. Tokyo: Kokusai Bunka Shinkōkai.
Museum of Fine Arts, Boston. 1936. Illustrated Catalogue of a Special Loan Exhibition of Art Treasures from Japan, Held in Conjunction with the Tercentenary Celebration of Harvard University, September-October, 1936. Boston: Museum of Fine Arts.
Nakagawa, Koichi. 1998. "Prewar Tourism Promotion by Japanese Government Railways." Japan Railway and Transport Review, March: 22-27.
Notehelfer, E G. 1990. "On Idealism and Realism in the Thought of Okakura Tenshin." Journal of Japanese Studies 16/2 (Summer): 309-355.
Okakura, Kakuzō. 1903. The Ideals of the East. New York: Dutton.
Okakura, Kakuzō. 1904. The Awakening of Japan. New York: The Century Co.
Okakura, Kakuzō. 1906. The Book of Tea. New York: Putnam's Sons.
Reynolds, Jonathan M. 2001. "Ise Shrine and a Modernist Construction of Japanese Tradition." The Art Bulletin 83/2 (June): 316-341.
Rosenfield, John M. 1998, "Japanese Art Studies in America Since 1945." In The Postwar Development of Japanese Studies in the United States, ed. Helen Hardacre. Leiden: Brill, pp. 161-194.
Rosenfield, John M. 2001. "Nihonga and Its Resistence to 'the Scorching Drought of Modern Vulgarity."' In Births and Rebirths in Japanese Art, ed. Nicole Coolidge Rousmaniere. Leiden: Hotei Publishing.
Tanaka, Stefan. 1993. Japan's Orient: Rendering Pasts into History. Berkeley: University of California Press.
Taut, Bruno. 1936. Fundamentals of Japanese Architecture. Tokyo, Kokusai Bunka Shinkōkai,
Taut, Bruno. 1937. Hou
ses and Peoples of Japan. Tokyo: Sanseidō.
Tseng, Alice. 2008. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle and London: University of Washington Press.
Tsuda, Noritake, 1923-1929, Office of the Secretary of Records, The Metropolitan Museum of Art Archives.
Tsuda, Noritake, 1917-1929, Department of Arms and Armor Archives, The Metropolitan Museum of Art.
Yanagi, Soetsu. 1936. Folk-Crafts in Japan. Tokyo: Kokusai Bunka Shinkōkai.
Patricia Graham gratefully acknowledges the assistance and advice of Ellen P. Conant, Joseph Seubert, Heinz Kress, Christine Guth, Greg Irvine, and two staff members at the Metropolitan Museum of Art: Donald La Rocca, Curator of Arms and Armor, and Melissa Bowling, Assistant Archivist, in preparation of the foreword.
Patricia J. Graham, a former professor of Japanese art and culture, and museum curator, is an independent scholar and Asian art consultant based in Lawrence, Kansas. Among her many publications are two book: Tea of the Sages: The Art of Sencha (University of Hawaii Press, 1998) and Faith and Power in Japanese Buddhist Art: 1600-2005 (University of Hawaii Press, 2007).
APPENDIX 3
Bibliography of Noritake Tsuda
Known Publications And Manuscripts By Noritake Tsuda 津田敬武 (as of December 2008)
Compiled by Patricia Graham and Joseph Seubert from a variety of internet databases and library catalogues in the U.S. and Japan. Because of the obscurity of many of these references, the majority of the materials listed were not examined first hand, so readers are cautioned that citations may contain errors.
1908 - Treatise on the Art of Lacquering in Japan. Unpublished manuscript, known as the "Tsuda Manuscript." Three handwritten, slightly different copies of this manuscript in English are known so far, as well as one typewritten German language translation. All versions are signed simply with "N. Tsuda," but it is generally assumed this document is by Tsuda Noritake. Differences in their dates reflect dates of revisions:
Titled: Japanese Lacquerware, dated 21.10.1908 but with revisions in different handwriting dated to 13.12.1909. Owned by Heinz and Else Kress, Finland, formerly in the possession of Kurt Herberts.
Titled: Treatise on the Art of Lacquering in Japan, dated 13.12.1909, with revisions and corrections in handwriting perhaps two times. Owned by the Metropolitan Museum of Art, N.Y. Accompanying this manuscript is a letter dated 22.01.1925, from an unknown person to Mr. Robinson, assumed to be Edward Robinson (1858-1931), assistant director of the Metropolitan Museum of Art, stating "Mr. Tsuda our Japanese assistant has brought over the manuscript of a publication on Japanese lacquer which he wrote but which was never published"....On the advice of a Mr. Mansfield, assumed to be Howard Mansfield (1849-1938), "unofficial" curator at the Metropolitan Museum of Art, the letter writer proposes that Mr. Tsuda be paid $150 for the manuscript.
Date and title unknown. Owned by the University of Bonn, Germany, Japanologisches Seminar.
Titled: Tsuda - Manuskript, Über die Lackkunst Japans, 1908, N. Tsuda, Tokyo, in der Karl Mannstaedt - Übersetzung. Typewritten German language translation of the English language manuscript formerly owned by Kurt Herberts (#1 above). Translated by Karl Mannstaedt, Lübeck, Germany, in 1941. Owned by Heinz Kress, Finland. This typewritten edition was bound in book form in 1986, with the following information on the title page: N. TSUDA - MANUSCRIPT, In der Mannstaedt Übersetzung. Englisches Original aus dem Jahre 1908. Im Auftrag von Heinz Kress übertragen nach einer maschinengeschriebenen Kopie der deutschen Übersetzung im Jahre 1986. (N. Tsuda Manuscript, translated by Mannstaedt. After an English original from 1908. Transcribed from a type-written copy of the German translation in 1986 on behalf of Heinz Kress).
1909 - "Shigure no kura to raden no soshoku ni tsuite" 時雨の鞍と螺鈿の装飾に就いて(Concerning the saddle decorated with ivy and poems in mother-of-pearl) Kōkokai 考古界 8/11.
1910 - "Ancient costumes from the Tokio Imperial Museum" Internationales Archiv fur Ethnographie 19: 212-225.
1910 - "Bukkyō jidai ni okeru Indo no geijutsu 仏教時代における印度の芸術 (The arts of India in the age of Buddhism. Kōkogaku zasshi 考古学雑誌 1/3 (April).
1911 - "Designs of the old Japanese paper money." Tokyo: Separat-Abdruck aus Internationales Archiv fur Ethnographie.
1911 - Co-authored with Imaizumi Yūsaku 今泉雄作 (1850-1931). Shaka zō no kenkyū 釈迦像の研究 (A study of images of Shakyamuni). Tōkyō: Shūseidō. Reprinted in 1922 by Genseisha Shoten, Tokyo, with the title: "Shakazo no geijutsushi teki kenkyū" 釈迦像の藝史的研究 (An art historical study of the images of Shakyamuni).
1913 - "Sanbyakunen mae ni okeru Nichi-Boku tsūshō danhan" 三百年前に於ける日墨通商談判 (Three hundred years of Japanese-Mexican trade negotiations). Tokyo Asahi Shinbun. December 29.
1914 - "Esukimo - jinshi no genshi seikatsu" エスキモ－人種の原始生活 (The primitive life of the Eskimo race). Tokyo: Chūō shidan 中央史檀 6/1.
1914 - "Buki ni arawaretaru yamato bishi no shukyō shisō" 武器に現はれたる大和武士の宗教思想 (Religious thought of Yamato warriors as seen in weaponry). Shin bukkyō 新仏教 15/11 (November).
1914-1915 - "Beiträge zur Geschichte der Japanischen Lackkunst" (Contributions to the history of Japanese lacquer art). Based on English notes supplied by the author. Explanations and corrections in the footnotes added by O.K. [Otto Kümmel]. Ostasiatische Zeitschrift, (East-Asian Journal), Dritter Jahrgang (vol. 3): 29-33.
1915 - "Maikyō no fushu to sono tetsuri" 埋経の風習と其哲理 (The custom of burying sutras and its philosophy). Shin bukkyō 新仏教 16/1.
1915 - "Tenpyō Fujiwara no jidai no shakyō awaretaru shinkō" 天平藤原の時代の寫経に現はれたる信仰 (Religious beliefs as seen in hand-copied sutras of the Tenpyō and Fujiwara Periods). Shin bukkyō 新仏教 16/7.
1915 - "Genshiteki shukyō shisō yori mitaru iwashi no atama" 原始的宗教思想より見たる鰯の頭 (Primitive religious thought as seen in sardine heads). Shin bukkyō 新仏教 16/5 (May).
1915 - "Jinja to Esen" 神社と絵銭 (Shrines and coins with pictures). Kōkogaku zasshi 考古学雑誌 5/9(May).
1915 - "Kei no kenkyū" 磬の研究 (A study of the Qing [rack of stone tablets hung by rope and rung with a mallet]). Kōkogaku zasshi 考古学雑誌 5/12 (August).
1916 - "Kofun hakkutsu no shoi shinjyūkyō o ronjite bukkyō torai izen no shūkyō shisō ni oyobu" 古墳発掘の所謂神獣鏡を論じて仏教渡来以前の宗教思想に及ぶ (Discussing so-called divine animals mirrors unearthed from burial mounds touching on religious thought before the arrival of Buddhism). Kōkogaku zasshi 考古学雑誌 6/5 (January).
1917 - "Wagakuni shoki no Butsuzō yori mitaru toji no shinkō" 我国初期の仏像より見たる当時の信仰 (Contemporary beliefs as seen in early Buddhist images in our country). Shūkyō kenkyū 宗教研究 2/5.
1911-1918 - Articles in English for The Japan Magazine, Tokyo: Japan Magazine Co.
"Designs on Old Japanese Paper Money." 2/7 (November 1911): 396-401.
"Some Highly Wrought Designs from the Golden Age of Japanese Art." 2/10 (February 1912): 586-590.
"Japanese Beaten Metal Work." 2/11 (March 1912): 624-627.
"Tea and Incense Ceremonies." 3/1 (May 1912): 55-59.
"The Eradication of Christianity' 3/2 (June 1912): 95-100.
"The Gods and War." 5/10 ( February, 1915): 561-567.
"Origin of the Japanese Syllabary." 6/3 (July 1915): 229-234.
"Some Buddhist Musical Instruments." 6/5 ( September, 1915): 289-292.
"Shakyo." 6/6 (October 1915): 337-340.
"Yamabushi." 6/6 (October 1915): 351-354.
"Tortoise-shell Divination." 6/7 (November 1915): 381-382.
"Sacred Deer of Nara." 6/8 (December 1915): 457-459.
"The Tegai-ye Ceremony at the Nara Hachiman-gu." 6/9 (January 1916): 527-529.
"Prehistoric Relics of Religion." 6/11 (Marc
h 1916): 627-631.
"Iconography of Dainichi Buddhism." 6/12 (April 1916): 719-722.
"Postures of Buddha." 7/1 (May 1916): 3-5.
"Itabi Stupah." 7/2 (June 1916): 1-3-104.
"Dengyo and his Philosophy." 7/3 (July 1916): 139-140.
"Jizo Bosatsu." 7/4 (August 1916): 235-236.
"Religion of the First Emperor." 7/5 (September 1916): 265-266.
"Fudo Myo-o Philosophy." 7/6 (October 1916): 343-344.
"Aizen Myo-o." 7/7 (November 1916): 401-402.
"Monju Bosatsu." 7/8 (December 1916): 477-478.
"The Emperor Kimmei and Korea." 7/10 (February 1917): 617-618.
"The Shiten-no." 7/11 (March 1917): 685-686.
"Oldest Buddhist Site in Japan." 7/12 (April 1917): 743-744.
"Representations of Kwannon." 8/1 ( May 1917): 19-22.
"The Buddhist Messiah." 8/2 (June 1917): 71-72.
"Thirteen Hundred Years Old." 8/4 (August 1917): 193-194.
"Buddhist Family Shrines." 8/5 (September 1917): 250-252.
"Early Japanese Printing." 8/6 (October 1917): 319-322.
"Some Prehistoric Swords." 8/7 (November, 1917): 381-383.
"The River Uji and Phoenix Hall." 8/8 (December 1917): 445-446.
"Old Izumo." 9/5 (September 1918): 269-270.
1918 - "Gyobutsu kondō yonjuhachi tai Butsu no keisho oyobi sono geijutsu teki ryūha" 御物金銅四拾八體佛の形相及び其藝術的流派 (The expressions of the forty-eight images of Buddha in the Imperial collection and their artistic school). Kōkogaku zasshi 考古学雑誌 8/8 (April).
1918 - "Kōwa 5 nen no kyōzutsu" 康和五年の経筒 (Sutra container dated to 1103). Kōkogaku zasshi 考古学雑誌 8/10 (June).
1919 - "Bungaku hakase Katō Genchishi shincho 'waga kokutai to Shintō' o yomu" 文学博士加藤玄智氏新著「我が国体と神道」を読む (A reading of our country's national polity and Shinto by Katō Genchi, Dr. of Literature). Rekishi chiri 歴史地理 34/3 (September).
1919 - "Bukkyō toraimae ni okeru kokka soshiki to Shintō no seiritsu" 仏教渡来前に於ける国家組織と神道の成立 (National organizations and the formation of Shinto before the introduction of Buddhism). In Meiji seitoku kinen gakkai kiyō 明治聖徳記念学会紀要. 12 (October). Tokyo: Meiji Seitoku Kinen Gakkai 明治聖徳記念学会
A History of Japanese Art Page 37
