Burning Daylight

Home > Other > Burning Daylight > Page 33
Burning Daylight Page 33

by London, Jack


  CHAPTER XXVII

  But there came the day, one year, in early April, when Dede sat in an easy chair on the porch, sewing on certain small garments, while Daylight read aloud to her. It was in the afternoon, and a bright sun was shining down on a world of new green. Along the irrigation channels of the vegetable garden streams of water were flowing, and now and again Daylight broke off from his reading to run out and change the flow of water. Also, he was teasingly interested in the certain small garments on which Dede worked, while she was radiantly happy over them, though at times, when his tender fun was too insistent, she was rosily confused or affectionately resentful.

  From where they sat they could look out over the world. Like the curve of a skirting blade, the Valley of the Moon stretched before them, dotted with farm-houses and varied by pasture-lands, hay-fields, and vineyards. Beyond rose the wall of the valley, every crease and wrinkle of which Dede and Daylight knew, and at one place, where the sun struck squarely, the white dump of the abandoned mine burned like a jewel. In the foreground, in the paddock by the barn, was Mab, full of pretty anxieties for the early spring foal that staggered about her on tottery legs. The air shimmered with heat, and altogether it was a lazy, basking day. Quail whistled to their young from the thicketed hillside behind the house. There was a gentle cooing of pigeons, and from the green depths of the big canon arose the sobbing wood note of a mourning dove. Once, there was a warning chorus from the foraging hens and a wild rush for cover, as a hawk, high in the blue, cast its drifting shadow along the ground.

  It was this, perhaps, that aroused old hunting memories in Wolf. At any rate, Dede and Daylight became aware of excitement in the paddock, and saw harmlessly reenacted a grim old tragedy of the Younger World. Curiously eager, velvet-footed and silent as a ghost, sliding and gliding and crouching, the dog that was mere domesticated wolf stalked the enticing bit of young life that Mab had brought so recently into the world. And the mare, her own ancient instincts aroused and quivering, circled ever between the foal and this menace of the wild young days when all her ancestry had known fear of him and his hunting brethren. Once, she whirled and tried to kick him, but usually she strove to strike him with her fore-hoofs, or rushed upon him with open mouth and ears laid back in an effort to crunch his backbone between her teeth. And the wolf-dog, with ears flattened down and crouching, would slide silkily away, only to circle up to the foal from the other side and give cause to the mare for new alarm. Then Daylight, urged on by Dede's solicitude, uttered a low threatening cry; and Wolf, drooping and sagging in all the body of him in token of his instant return to man's allegiance, slunk off behind the barn.

  It was a few minutes later that Daylight, breaking off from his reading to change the streams of irrigation, found that the water had ceased flowing. He shouldered a pick and shovel, took a hammer and a pipe-wrench from the tool-house, and returned to Dede on the porch.

  "I reckon I'll have to go down and dig the pipe out," he told her. "It's that slide that's threatened all winter. I guess she's come down at last."

  "Don't you read ahead, now," he warned, as he passed around the house and took the trail that led down the wall of the canon.

  Halfway down the trail, he came upon the slide. It was a small affair, only a few tons of earth and crumbling rock; but, starting from fifty feet above, it had struck the water pipe with force sufficient to break it at a connection. Before proceeding to work, he glanced up the path of the slide, and he glanced with the eye of the earth-trained miner. And he saw what made his eyes startle and cease for the moment from questing farther.

  "Hello," he communed aloud, "look who's here."

  His glance moved on up the steep broken surface, and across it from side to side. Here and there, in places, small twisted manzanitas were rooted precariously, but in the main, save for weeds and grass, that portion of the canon was bare. There were signs of a surface that had shifted often as the rains poured a flow of rich eroded soil from above over the lip of the canon.

  "A true fissure vein, or I never saw one," he proclaimed softly.

  And as the old hunting instincts had aroused that day in the wolf-dog, so in him recrudesced all the old hot desire of gold-hunting. Dropping the hammer and pipe-wrench, but retaining pick and shovel, he climbed up the slide to where a vague line of outputting but mostly soil-covered rock could be seen. It was all but indiscernible, but his practised eye had sketched the hidden formation which it signified. Here and there, along this wall of the vein, he attacked the crumbling rock with the pick and shoveled the encumbering soil away. Several times he examined this rock. So soft was some of it that he could break it in his fingers. Shifting a dozen feet higher up, he again attacked with pick and shovel. And this time, when he rubbed the soil from a chunk of rock and looked, he straightened up suddenly, gasping with delight. And then, like a deer at a drinking pool in fear of its enemies, he flung a quick glance around to see if any eye were gazing upon him. He grinned at his own foolishness and returned to his examination of the chunk. A slant of sunlight fell on it, and it was all aglitter with tiny specks of unmistakable free gold.

  "From the grass roots down," he muttered in an awestricken voice, as he swung his pick into the yielding surface.

  He seemed to undergo a transformation. No quart of cocktails had ever put such a flame in his cheeks nor such a fire in his eyes. As he worked, he was caught up in the old passion that had ruled most of his life. A frenzy seized him that markedly increased from moment to moment. He worked like a madman, till he panted from his exertions and the sweat dripped from his face to the ground. He quested across the face of the slide to the opposite wall of the vein and back again. And, midway, he dug down through the red volcanic earth that had washed from the disintegrating hill above, until he uncovered quartz, rotten quartz, that broke and crumbled in his hands and showed to be alive with free gold.

  Sometimes he started small slides of earth that covered up his work and compelled him to dig again. Once, he was swept fifty feet down the canon-side; but he floundered and scrambled up again without pausing for breath. He hit upon quartz that was so rotten that it was almost like clay, and here the gold was richer than ever. It was a veritable treasure chamber. For a hundred feet up and down he traced the walls of the vein. He even climbed over the canon-lip to look along the brow of the hill for signs of the outcrop. But that could wait, and he hurried back to his find.

  He toiled on in the same mad haste, until exhaustion and an intolerable ache in his back compelled him to pause. He straightened up with even a richer piece of gold-laden quartz. Stooping, the sweat from his forehead had fallen to the ground. It now ran into his eyes, blinding him. He wiped it from him with the back of his hand and returned to a scrutiny of the gold.

  It would run thirty thousand to the ton, fifty thousand, anything—he knew that. And as he gazed upon the yellow lure, and panted for air, and wiped the sweat away, his quick vision leaped and set to work. He saw the spur-track that must run up from the valley and across the upland pastures, and he ran the grades and built the bridge that would span the canon, until it was real before his eyes. Across the canon was the place for the mill, and there he erected it; and he erected, also, the endless chain of buckets, suspended from a cable and operated by gravity, that would carry the ore across the canon to the quartz-crusher. Likewise, the whole mine grew before him and beneath him-tunnels, shafts, and galleries, and hoisting plants. The blasts of the miners were in his ears, and from across the canon he could hear the roar of the stamps. The hand that held the lump of quartz was trembling, and there was a tired, nervous palpitation apparently in the pit of his stomach. It came to him abruptly that what he wanted was a drink—whiskey, cocktails, anything, a drink. And even then, with this new hot yearning for the alcohol upon him, he heard, faint and far, drifting down the green abyss of the canon, Dede's voice, crying:—

  "Here, chick, chick, chick, chick, chick! Here, chick, chick, chick!"

  He was astounded at the lapse of
time. She had left her sewing on the porch and was feeding the chickens preparatory to getting supper. The afternoon was gone. He could not conceive that he had been away that long.

  Again came the call: "Here, chick, chick, chick, chick, chick! Here, chick, chick, chick!"

  It was the way she always called—first five, and then three. He had long since noticed it. And from these thoughts of her arose other thoughts that caused a great fear slowly to grow in his face. For it seemed to him that he had almost lost her. Not once had he thought of her in those frenzied hours, and for that much, at least, had she truly been lost to him.

  He dropped the piece of quartz, slid down the slide, and started up the trail, running heavily. At the edge of the clearing he eased down and almost crept to a point of vantage whence he could peer out, himself unseen. She was feeding the chickens, tossing to them handfuls of grain and laughing at their antics.

  The sight of her seemed to relieve the panic fear into which he had been flung, and he turned and ran back down the trail. Again he climbed the slide, but this time he climbed higher, carrying the pick and shovel with him. And again he toiled frenziedly, but this time with a different purpose. He worked artfully, loosing slide after slide of the red soil and sending it streaming down and covering up all he had uncovered, hiding from the light of day the treasure he had discovered. He even went into the woods and scooped armfuls of last year's fallen leaves which he scattered over the slide. But this he gave up as a vain task; and he sent more slides of soil down upon the scene of his labor, until no sign remained of the out-jutting walls of the vein.

  Next he repaired the broken pipe, gathered his tools together, and started up the trail. He walked slowly, feeling a great weariness, as of a man who had passed through a frightful crisis.

  He put the tools away, took a great drink of the water that again flowed through the pipes, and sat down on the bench by the open kitchen door. Dede was inside, preparing supper, and the sound of her footsteps gave him a vast content.

  He breathed the balmy mountain air in great gulps, like a diver fresh-risen from the sea. And, as he drank in the air, he gazed with all his eyes at the clouds and sky and valley, as if he were drinking in that, too, along with the air.

  Dede did not know he had come back, and at times he turned his head and stole glances in at her—at her efficient hands, at the bronze of her brown hair that smouldered with fire when she crossed the path of sunshine that streamed through the window, at the promise of her figure that shot through him a pang most strangely sweet and sweetly dear. He heard her approaching the door, and kept his head turned resolutely toward the valley. And next, he thrilled, as he had always thrilled, when he felt the caressing gentleness of her fingers through his hair.

  "I didn't know you were back," she said. "Was it serious?"

  "Pretty bad, that slide," he answered, still gazing away and thrilling to her touch. "More serious than I reckoned. But I've got the plan. Do you know what I'm going to do?—I'm going to plant eucalyptus all over it. They'll hold it. I'll plant them thick as grass, so that even a hungry rabbit can't squeeze between them; and when they get their roots agoing, nothing in creation will ever move that dirt again."

  "Why, is it as bad as that?"

  He shook his head.

  "Nothing exciting. But I'd sure like to see any blamed old slide get the best of me, that's all. I'm going to seal that slide down so that it'll stay there for a million years. And when the last trump sounds, and Sonoma Mountain and all the other mountains pass into nothingness, that old slide will be still a-standing there, held up by the roots."

  He passed his arm around her and pulled her down on his knees.

  "Say, little woman, you sure miss a lot by living here on the ranch—music, and theatres, and such things. Don't you ever have a hankering to drop it all and go back?"

  So great was his anxiety that he dared not look at her, and when she laughed and shook her head he was aware of a great relief. Also, he noted the undiminished youth that rang through that same old-time boyish laugh of hers.

  "Say," he said, with sudden fierceness, "don't you go fooling around that slide until after I get the trees in and rooted. It's mighty dangerous, and I sure can't afford to lose you now."

  He drew her lips to his and kissed her hungrily and passionately.

  "What a lover!" she said; and pride in him and in her own womanhood was in her voice.

  "Look at that, Dede." He removed one encircling arm and swept it in a wide gesture over the valley and the mountains beyond. "The Valley of the Moon—a good name, a good name. Do you know, when I look out over it all, and think of you and of all it means, it kind of makes me ache in the throat, and I have things in my heart I can't find the words to say, and I have a feeling that I can almost understand Browning and those other high-flying poet-fellows. Look at Hood Mountain there, just where the sun's striking. It was down in that crease that we found the spring."

  "And that was the night you didn't milk the cows till ten o'clock," she laughed. "And if you keep me here much longer, supper won't be any earlier than it was that night."

  Both arose from the bench, and Daylight caught up the milk-pail from the nail by the door. He paused a moment longer to look out over the valley.

  "It's sure grand," he said.

  "It's sure grand," she echoed, laughing joyously at him and with him and herself and all the world, as she passed in through the door.

  And Daylight, like the old man he once had met, himself went down the hill through the fires of sunset with a milk pail on his arm.

  End of the Project Gutenberg EBook of Burning Daylight, by Jack London

  *** END OF THIS PROJECT GUTENBERG EBOOK BURNING DAYLIGHT ***

  ***** This file should be named 746-h.htm or 746-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/7/4/746/

  Produced by John Bean. HTML version by Al Haines.

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Proj
ect Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

 

‹ Prev