Nothing happened, and I took a deep breath and disassembled the vise-jaws.
Then with triumph in my voice, I called out, "George!" and he came running.
"Get a screwdriver and a wrench," I told him. "We're going to take it apart and—well, there's that big hole in the yard. We'll put it in there and fill up the hole. Tomorrow you'll have to get yourself a new Linotype, but I guess you can afford that."
He looked at the couple of parts on the floor that I'd already taken off, and he said, "Thank God," and went to the workbench for tools.
I walked over with him, and I suddenly discovered that I was so dog tired I'd have to rest a minute first, and I sank down into the chair and George came over and stood by me. He said, "And now, Walter, how did you do it?" There was awe and respect in his voice.
I grinned at him. "That pimple business gave me the idea, George. The pimple of Buddha. That and the fact that the Linotype reacted in a big way to what it learned. See, George? It was a virgin mind, except for what we fed it. It sets books on labor relations and it goes on strike. It sets love pulp mags, and it wants another Linotype put in—“
"So I fed it Buddhism, George. I got every damn book on Buddhism in the library and the bookstore."
"Buddhism? Walter, what on earth has—"
I stood up and pointed at Etaoin Shrdlu. "See, George? It believes what it sets. So I fed it a religion that convinced it of the utter futility of all effort and action and the desirability of nothingness. Om Mani padme hum, George.
"Look—it doesn't care what happens to it and it doesn't even know we're here. It's achieved Nirvana, and it's sitting there contemplating its cam stud!"
ARMAGEDDON
It happened-of all places-in Cincinnati. Not that there is anything wrong with Cincinnati, save that it is not the center of the Universe, nor even of the State of Ohio. It's a nice old town and, in its way, second to none. But even its Chamber of Commerce would admit that it lacks cosmic significance. It must have been mere coincidence that Gerber the Great-what a name!-was playing Cincinnati when things slipped elsewhere.
Of course, if the episode had become known, Cincinnati would be the most famous city of the world, and little Herbie would be hailed as a modern St. George and get more acclaim than a quiz kid. But no member of that audience in the Bijou Theater remembers a thing about it. Not even little Herbie Westerman, although he had the water pistol to show for it.
He wasn't thinking about the water pistol in his pocket as he sat looking up at the prestidigitator on the other side of the footlights. It was a new water pistol, bought en route to the theater when he'd inveigled his parents into a side trip into the five-and-dime on Vine Street, but at the moment, Herbie was much more interested in what went on upon the stage.
His expression registered qualified approval. The front-and-back palm was no mystery to Herbie. He could do it himself. True, he had to use pony-sized cards that came with his magic set and were just right for his nine-year-old hands. And true, anyone watching could see the card flutter from the front-palm position to the back as he turned his hand. But that was a detail.
He knew, though, that front-and-back palming seven cards at a time required great finger strength as well as dexterity, and that was what Gerber the Great was doing. There wasn't a telltale click in the shift, either, and Herbie nodded approbation. Then he remembered what was coming next.
He nudged his mother and said, "Ma, ask Pop if he's gotta extra handkerchief."
Out of the corner of his eyes, Herbie saw his mother turn her head and in less time than it would take to say, "Presto," Herbie was out of his seat and skinning down the aisle. It had been, he felt, a beautiful piece of misdirection and his timing had been perfect.
It was at this stage of the performance-which Herbie had seen before, alone-that Gerber the Great asked if some little boy from the audience would step to the stage. He was asking it now.
Herbie Westerman had jumped the gun. He was well in motion before the magician had asked the question. At the previous performance, he'd been a bad tenth in reaching the steps from aisle to stage. This time he'd been ready, and he, hadn't taken any chances with parental restraint. Perhaps his mother would have let him go and perhaps not; it had seemed wiser to see that she was looking the other way. You couldn't trust parents on things like that. They had funny ideas sometimes.
"-will please step up on the stage?" And Herbie's foot touched the first of the steps upward right smack on the interrogation point of that sentence. He heard the disappointed scuffle of other feet behind him, and grinned smugly as he went on up across the footlights.
It was the three-pigeon trick, Herbie knew from the previous performance that required an assistant from the audience. It was almost the only trick he hadn't been able to figure out. There must, he knew, have been a concealed compartment somewhere in that box, but where it could be he couldn't even guess. But this time he'd be holding the box himself. If from that range he couldn't spot the gimmick, he'd better go back to stamp collecting.
He grinned confidently up at the magician. Not that he, Herbie, would give him away. He was a magician, too, and he understood that there was a freemasonry among magicians and that one never gave away the tricks of another.
He felt a little chilled, though, and the grin faded as he caught the magician's eyes. Gerber the Great, at close range, seemed much older than he had seemed from the other side of the footlights. And somehow different. Much taller, for one thing.
Anyway, here came the box for the pigeon trick. Gerber's regular assistant was bringing it in on a tray. Herbie looked away from the magician's eyes and he felt better. He remembered, even, his reason for being on the stage. The servant limped. Herbie ducked his head to catch a glimpse of the underside of the tray, just in case. Nothing there.
Gerber took the box. The servant limped away and Herbie's eyes followed him suspiciously. Was the limp genuine or was it a piece of misdirection?
The box folded out flat as the proverbial pancake. All four sides hinged to the bottom, the top hinged to one of the sides. There were little brass catches.
Herbie took a quick step back so he could see behind it while the front was displayed to the audience. Yes, he saw it now. A triangular compartment built against one side of the lid, mirror-covered, angles calculated to achieve invisibility. Old stuff. Herbie felt a little disappointed.
The prestidigitator folded the box, mirror-concealed compartment inside. He turned slightly. "Now, my fine young man-"
What happened in Tibet wasn't the only factor; it was merely the final link of a chain.
The Tibetan weather had been unusual that week, highly unusual. It had been warm. More snow succumbed to the gentle warmth than had melted in more years than man could count. The streams ran high, they ran wide and fast.
Along the streams some prayer wheels whirled faster than they had ever whirled. Others, submerged, stopped altogether. The priests, knee-deep in the cold water, worked frantically, moving the wheels nearer to shore where again the rushing torrent would turn them.
There was one small wheel, a very old one that had revolved without cease for longer than any man knew. So long had it been there that no living lama recalled what had been inscribed upon its prayer plate, nor what had been the purpose of that prayer.
The rushing water had neared its axle when the lama Klarath reached for it to move it to safety. Just too late. His foot slid in the slippery mud and the back of his hand touched the wheel as he fell. Knocked loose from its moorings, it swirled down with the flood, rolling along the bottom of the stream, into deeper and deeper waters.
While it rolled, all was well.
The lama rose, shivering from his momentary immersion, and went after other of the spinning wheels. What, he thought, could one small wheel matter? He didn't know that-now that other links had broken-only that tiny thing stood between Earth and Armageddon.
The prayer wheel of Wangur Ul rolled on, and on, until-a mile farther down-it
struck a ledge, and stopped. That was the moment.
"And now, my fine young man-"
***
Herbie Westerman-we're back in Cincinnati now-looked up, wondering why the prestidigitator had stopped in mid-sentence. He saw the face of Gerber the Great contorted as though by a great shock. Without moving, without changing, his face began to change. Without appearing different, it became different.
Quietly, then, the magician began to chuckle. In the overtones of that soft laughter was all of evil. No one who heard it could have doubted who he was. No one did doubt. The audience, every member of it, knew in that awful moment who stood before them, knew it-even the most skeptical among them-beyond shadow of doubt.
No one moved, no one spoke, none drew a shuddering breath. There are things beyond fear. Only uncertainty causes fear, and the Bijou Theater was filled, then, with a dreadful certainty.
The laughter grew. Crescendo, it reverberated into the far dusty corners of the gallery. Nothing-not a fly on the ceiling-moved.
Satan spoke.
"I thank you for your kind attention to a poor magician." He bowed, ironically low. "The performance is ended." He smiled. "All performances are ended."
Somehow the theater seemed to darken, although the electric lights still burned. In dead silence, there seemed to be the sound of wings, leathery wings, as though invisible Things were gathering.
On the stage was a dim red radiance. From the head and from each shoulder of the tall figure of the magician there sprang a tiny flame. A naked flame.
There were other flames. They flickered along the proscenium of the stage, along the footlights. One sprang from the lid of the folded box little Herbie Westerman still held in his hands.
Herbie dropped the box.
Did I mention that Herbie Westerman was a Safety Cadet? It was purely a reflex action. A boy of nine doesn't know much about things like Armageddon, but Herbie Westerman should have known that water would never have put out that fire.
But, as I said, it was purely a reflex action. He yanked out his new water pistol and squirted it at the box of the pigeon trick. And the fire did vanish, even as a spray from the stream of water ricocheted and dampened the trouser leg of Gerber the Great, who had been facing the other way.
There was a sudden, brief hissing sound. The lights were growing bright again, and all the other flames were dying, and the sound of wings faded, blended into another sound-rustling of the audience.
The eyes of the prestidigitator were closed. His voice sounded strangely strained as he said: "This much power I retain. None of you will remember this."
Then, slowly, he turned and picked up the fallen box. He held it out to Herbie Westerman. "You must be more careful, boy," he said. "Now hold it so."
He tapped the top lightly with his wand. The door fell open. Three white pigeons flew out of the box. The rustle of their wings was not leathery.
Herbie Westerman's father came down the stairs and, with a purposeful air, took his razor strop off the hook on the kitchen wall.
Mrs. Westerman looked up from stirring the soup on the stove. "Why, Henry," she asked, "are you really going to punish him with that-just for squirting a little water out of the window of the car on the way borne?"
Her husband shook his head grimly. "Not for that, Marge. But don't you remember we bought him that water gun on the way downtown, and that he wasn't near a water faucet after that? Where do you think he filled it?"
He didn't wait for an answer. "When we stopped in at the cathedral to talk to Father Ryan about his confirmation, that's when the little brat filled it. Out of the baptismal font! Holy water he uses in his water pistol!"
He clumped heavily up the stairs, strop in hand.
Rhythmic thwacks and wails of pain floated down the staircase. Herbie-who had saved the world-was having his reward.
EXPERIMENT
"The first time machine, gentlemen," Professor Johnson proudly informed his two colleagues. "True, it is a small-scale experimental model. It will operate only on objects weighing less than three pounds, five ounces and for distances into the past and future of twelve minutes or less. But it works."
The small-scale model looked like a small scale—a postage scale—except for two dials in the part under the platform.
Professor Johnson held up a small metal cube. "Our experimental object," he said, "is a brass cube weighing one pound, two point, three ounces. First, I shall send it five minutes into the future."
He leaned forward and set one of the dials on the time machine. "Look at your watches," he said.
They looked at their watches, Professor Johnson placed the cube gently on the machine's platform. It vanished.
Five minutes later, to the second, it reappeared.
Professor Johnson picked it up. "Now five minutes into the past." He set the other dial. Holding the cube in his hand he looked at his watch. "It is six minutes before three o'clock. I shall now activate the mechanism—by placing the cube on the platform—at exactly three o'clock. Therefore, the cube should, at five minutes before three, vanish from my hand and appear on the platform, five minutes before I place it there."
"How can you place it there, then?" asked one of his colleagues.
"It will, as my hand approaches, vanish from the platform and appear in my hand to be placed there. Three o'clock. Notice, please."
The cube vanished from his hand.
It appeared on the platform of the time machine.
"See? Five minutes before I shall place it there, it is there!"
His other colleague frowned at the cube. "But," he said, "what if, now that it has already appeared five minutes before you place it there, you should change your mind about doing so and not place it there at three o'clock? Wouldn't there be a paradox of some sort involved?"
"An interesting idea," Professor Johnson said. "I had not thought of it, and it will be interesting to try. Very well, I shall not . . .
There was no paradox at all. The cube remained.
But the entire rest of the Universe, professors and all, vanished.
THE SHORT HAPPY LIVES OF…
…EUSTACE WEAVER I
When Eustace Weaver invented his time machine he was a very happy man. He knew that he had the world by the tail on a downhill pull, as long as he kept his invention a secret. He could become the richest man in the world, wealthy beyond the dreams of avarice. All he had to do was to take short trips into the future to learn what stocks had gone up and which horses had won races, then come back to the present and buy those stocks or bet on those horses.
The races would come first of course because he would need a lot of capital to play the market, whereas, at a track, he could start with a two-dollar bet and quickly parlay it into the thousands. But it would have to be at a track; he'd too quickly break any bookie he played with, and besides he didn't know any bookies. Unfortunately the only tracks operating at the present were in Southern California and in Florida, about equidistant and about a hundred dollars' worth of plane fare away. He didn't have a fraction of that sum, and it would take him weeks to save that much out of his salary as stock clerk at a supermarket. It would be horrible to have to wait that long, even to start getting rich.
Suddenly he remembered the safe at the supermarket where he worked—an afternoon-evening shift from one o'clock until the market closed at nine. There'd be at least a thousand dollars in that safe, and it had a time lock. What could be better than a time machine to beat a time lock?
When he went to work that day he took his machine with him; it was quite compact and he'd designed it to fit into a camera case he already had so there was no difficulty involved in bringing it into the store, and when he put his coat and hat into his locker he put the time machine there too.
He worked his shift as usual until a few minutes before closing time. Then he hid behind a pile of cartons in the stock room. He felt sure that in the general exodus he wouldn't be missed, and he wasn't. Just the same he waited in his hi
ding place almost a full hour to make sure everyone else had left. Then he emerged, got his time machine from the locker, and went to the safe. The safe was set to unlock itself automatically in another eleven hours; he set his time machine for just that length of time.
He took a good grip on the safe's handle—he'd learned by an experiment or two that anything he wore, carried, or hung onto traveled with him in time-and pressed the stud.
He felt no transition, but suddenly he heard the safe's mechanism click open—but at the same moment heard gasps and excited voices behind him. And he whirled, suddenly realizing the mistake he'd made; it was nine o'clock the next morning and the store's employees—those on the early shift—were already there, had missed the safe and had been standing in a wondering semi-circle about the spot where it had stood—when the safe and Eustace Weaver had suddenly appeared.
Luckily he still had the time machine in his hand. Quickly he turned the dial to zero—which he had calibrated to be the exact moment when he had completed it—and pressed the stud.
And, of course, he was back before he had started and ...
…EUSTACE WEAVER II
When Eustace Weaver invented his time machine he knew that he had the world by the tail on a downhill pull, as long as he kept his invention a secret. To become rich all he had to do was take short trips into the future to see what horses were going to win and what stocks were going up, then come back and bet the horses or buy the stocks.
The horses came first because they would require less capital —but he didn't have even two dollars to make a bet, let alone plane fare to the nearest track where horses were running.
He thought of the safe in the supermarket where he worked as a stock clerk. That safe had at least a thousand dollars in it, and it had a time lock. A time lock should be duck soup for a time machine.
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