by Jeffrey Ford
One early evening out on the walkway, we sat in the twilight with our backs to the dome. The sky was growing dark, but the last rays of sunlight streaked the silver, setting it on fire. She held my hand in her lap, and the serenity of that moment made me feel as if she had always been with me.
“I want to talk to you about the future, Cley,” she said.
“I thought you specialized in the present,” I said.
“I want you to know that it is all right if you must leave me.”
“Nonsense,” I said. “Where am I going?”
“Back to the place where you have a past.”
“I’ve forgotten it,” I said, and realized that those words might be truer than I ever could have imagined.
“What about the antidote we were trying to find?”
“We did our best. Now I am going to concentrate on being with you. That is my antidote,” I said.
“Won’t people die without it?”
“People will die anyway.”
“What if we never find a way off this ocean?”
“We’ll make this our home,” I said.
“How am I your antidote?”
“You help me to forget the past, and the future is so perfectly uncertain. My guilt falls away behind me, and there is no responsibility to tomorrow. With you I am in the present. The present is a kind of paradise.”
She leaned her head on my shoulder. “I long for the past,” she said.
“The island?” I asked. “You miss your friends?”
“I miss them terribly, but what I meant was, I don’t think I was ever a child. I can’t see my mother’s face or even remember a favorite toy.”
“We can create a past for you,” I told her. “Even people who remember their mother, father, toys, the house they were born in create the past for themselves. Memories can be a record of how things were, but they can also be a record of your desire for the way things should have been.”
She was quiet for some time, and I could tell she was thinking about what I had said. When darkness fell, we went back inside the dome in order to find the moment, our third heated search that day.
When I wasn’t conjuring phantoms from the past at the behest of the beauty or reflecting on the enigma of Anotine’s dual nature, I watched the ocean. Hours upon hours were spent staring down into the billowing spectacle of Below’s life. Although the plot eluded me, there were more than a few revelations I managed to glean from my time on the walkway.
I witnessed the death of his sister. She had been a child with bangs and plump cheeks, and then, through various fractured scenes, I saw her grow frail and painfully thin. I will never forget the tableau of Below as a boy of thirteen, kneeling on the floor before a fireplace, crying into his hands.
I did not tell Anotine, but I also spotted Hellman, Nunnly, and Brisden playing their small parts in the silver theater. Apparently, they had all been actual figures in Below’s real life. Hellman was the doctor who tried to heal the young girl. I saw him sitting at her bedside, dozing off in a rocking chair, his hand moving through his beard. Nunnly appeared to have been a schoolmaster, and I caught sight of Brisden, sitting at a table, drinking and talking, having done in Below’s life exactly the same thing he was to do later in the mnemonic world. As the vanishing depiction of the philosopher passed beneath the dome, I thought I saw him wave to me. Why the Master had, after so many years, chosen these people to symbolize certain ideas remained a mystery.
In addition to the three gentlemen of the floating island, I came across myself quite a few times—scenes from my days of the Physiognomy. These made me cringe. I also spotted Silencio, the monkey, lying on a table with his chest open and wires attached to inner organs. Below stood beside him, dressed in an operating gown, laughing uproariously. There was Corporal Matters of the day watch from the island of Doralice, Calloo as a mechanized gladiator, Ea and Arla, Greta Sykes, Winsome Graves, Pierce Deemer, and so many more I was both familiar with and ignorant of. By the end of that second day, the dizzying cavalcade of persons and places made me tear myself away from the edge of the walkway for fear that I would literally vomit with gorging myself on the past. I went in search of Anotine, hoping again to reach that special state of amnesia.
On the second night of those lost days, after making love to her, I sat in the dark at the center of the dome and again stared up at the stars. The beauty swam through my bloodstream, making me wonderfully weary and light. To my great joy, I heard Wood bark behind me, and I turned to stare into the shadows. Anotine was fast asleep, so I called to the dog.
“Come, boy,” I whispered, but his silhouette stood its ground. I got up and walked over to where I thought I had seen his figure. He was nowhere to be found, but instead I discovered the hourglass I had rescued in our dash to the top of the Panopticon. I had forgotten all about it in the face of my intense involvement with Anotine. It lay on its side, a one-foot wooden frame securing the glass figure eight. Inside, gathered into one of the clear compartments, was an hour’s worth of bleached sand. I sat down next to it and stood the object upright with the sand at the bottom. Out of the fog of the past came a memory of the scrap of paper I had found in the Master’s laboratory bearing its likeness, showing it as equivalent to an eye. “Harrow’s hindquarters,” I thought, “another buzzing dung heap of mystical pretension.” The comedy of it all was exaggerated by the influence of the beauty, and I laughed till I cried.
“Let me mark this hour,” I said. I lifted the timepiece and flipped it over. The grains began to fall, bleached atoms dribbling three or four at a time into an empty, other world. It was the first instance of my registering the passage of time since we had entered the dome of the Panopticon. There was something alluring about the phenomenon, and I could understand how Misrix must have felt when, being born into humanity, the light of the Beyond went out in his head and he initially became aware of himself.
I heard someone speak, and thinking it was Anotine, I looked away from the hourglass. From where I sat, I could see that she was still sleeping. I turned in the other direction, and there I saw someone coming toward me out of the shadows. As he moved across the floor, he dragged behind him an unfolding light. Inside this light I saw a room with wallpaper and furniture, and it blossomed outward, quickly replacing the shadows of the dome and obliterating my view of the stars above. It happened so quickly, I could do nothing but stare.
I realized that the young man approaching me was unaware of my presence.
“Watch out,” I said, but he ignored my warning and continued on his course, passing through me as if I wasn’t there at all.
He stopped and turned around, and I saw his face. No more than twenty, and strikingly handsome with his dark hair and piercing eyes, it was Below, I immediately knew, in his youth.
“Please, Anotine,” he said, as if addressing someone behind me. I looked around, first noticing that I was no longer in the dome but rather in some room in a house, and then I saw her, sitting on a pink chair, dressed in the very yellow dress she had worn when I first met her on the island. Her long hair was in ringlets, and she wore an ironic smile.
25
The hourglass proved to be the repository of jumbled scraps of memories I was able to splice together into a love story of sorts involving the Master and my Anotine. A series of scenes melted one into the next around me, out of order but each completely convincing in its reality. I remained an invisible presence through the course of their unfolding, and though I could no more affect the outcome as stir with my phantom breath the flame of a candle within the tale, I found I had a clear omniscience about everything that transpired. This ability that came with the hallucination allowed me to automatically rearrange the events into a chronology. The beauty released me from its embrace at precisely the end of the hour, and I found myself sitting on the floor of the darkened dome, the moon and stars overhead. I woke Anotine and told her everything.
In the summer of his thirteenth year, after the death of his youn
ger sister, Below left home never to return. Being an exceedingly sensitive child, the girl’s passing so frightened and confused him that he fled from the very thought of it. He traveled as far as he could on the small amount of money he had been able to put away. It took him as far as the seacoast to a town called Merithae. The winter was coming on and he found himself in dire straits. Without so much as a scrap of bread, he was forced to hire himself out as a servant to an old man by the name of Scarfinati.
Although Below had never heard of him, Scarfinati was famous throughout much of the realm for possessing a limitless imagination and the ability to bring his dreams to life. His specialty was a kind of technomancy, and he dabbled in those regions where science and magic mingled. Through his wealth, acquired from work for various patrons—political, military, artistic, religious—he had been able to amass an impressive fortune. With this money, he had a palatial house built out at the tip of a spit of land that jutted into the ocean a mile south of Merithae. It was to this place he called Reparata (named for Scarfinati’s own sister), he brought the young Drachton Below.
There were many rooms in the house, and Scarfinati hated dust. Below worked from early in the morning to late at night continually dusting books, furniture, scientific gadgetry, glass, primitive sculpture. When he finished every room, he was instructed to begin again. Scarfinati, though old, was large in stature and stern in his demeanor. During the first month of Below’s employment, his existence was barely recognized. He was fed well, paid a modest sum, and had a comfortable bed to sleep in. There was one day off a week, and he had access to the books in the libraries granted he returned them to their precise locations. When the snows came, he decided he had better stay until the spring.
At the end of his first week at Reparata, Below saw a girl his age cooking at the kitchen stove. He tried to speak to her, but she completely ignored him. When he realized she wasn’t going to speak, he sat down and watched her work. He would have stayed there all afternoon if Scarfinati hadn’t come through and warned him to get back to his dusting. As the days passed, he learned the girl’s name was Anotine. He also began to see that she was not just a cook, but also a kind of student. Occasionally, Below would enter to dust a room already being shared by the old man and the girl. He would eavesdrop on their conversations. For the most part, she listened and he spoke, instructing her in processes that Below had no understanding of. He often found them in the basement laboratory, working together over a small fire with glass beakers and golden tongs.
Through the long winter, the mysterious nature of his employer and the huge house were enough to keep away memories of his sister and the tragedy of her death. When spring arrived, young Below decided he would again take up his traveling now that he had saved some more money. This time he found himself fleeing not death but love. He had become completely enamored of Anotine, even though she had not said one word to him or cast a single glance in his direction. The situation, as it was, had become sheer torture, as he planned out entire days to try to get as little as a mere glimpse of her.
One day, when the snow had all but melted, Scarfinati entered one of the libraries where Below was dusting. The young man cleared his voice and explained to his employer that he would soon be moving on. Scarfinati said he was very sorry to hear that, because he had had it in his mind all along to request that Below become one of his students. Below most likely would have declined the invitation had it not been for Anotine, but he saw the old man’s offer as a way to get closer to her. He agreed to become an apprentice—of what, he wasn’t exactly sure.
A week later, he retired his feather duster and rags and joined Scarfinati and Anotine in the basement laboratory for his first lesson, the production of a chemical ice that could not melt. In the beginning his ignorance was always evident, and his inability to grasp the concepts the other two discussed fluently made him physically clumsy. He broke equipment, burned himself, and dribbled a highly corrosive acid onto the toe of Scarfinati’s boot. The old man had a great deal of tolerance for his ineptitude, but the girl was impatient, rolling her eyes and calling him a fool.
On a rainy afternoon in late spring, as they all sat quietly having tea in the library on the third floor, Scarfinati, by mumbling and tossing a pinch of blue powder onto the carpet, conjured for Below the spirit of his sister. The little girl walked out of thin air and up to her brother. His immediate reaction was to bolt from the room, but the old man commanded that he return and stay seated. With this, he found he couldn’t move. “Is there something you wanted to say to your brother?” asked Anotine of the spirit. The little girl nodded. “Drachton, your mind is in a fist with the thought of my death. If you love me, you will relax it, so that I may travel over into the next world. Release me and open yourself to possibility.” The girl vanished then, and Below broke down in tears.
From that time on, his ability to learn seemed to grow exponentially. The lessons that had seemed so obscure to him just a week earlier, mathematics and the properties of chemicals, all began to fall into place in his mind. He began to notice that with every procedure he was able to accomplish in the lab without spilling the contents of the beaker, every complex problem he was able to solve without benefit of pencil and paper, Anotine began to grow more interested in him. This extra incentive charged his newly discovered intelligence.
As the years progressed, he learned at an alarming rate all of the secrets that had made Scarfinati rich and powerful. The old man had become like a father to him, but Below saw the girl as anything but a sister. Things began between them with a conversation one day in which she instructed him in some terms that would help him to discuss that area of study where magic and science merged. From that purely innocent conversation grew a friendship, which led, after months of talk, to a kiss, and then quickly to a secret rendezvous in the middle of the night while the old man slept.
Things continued in that fashion for quite a few years, until the time both Anotine and Below turned twenty. It was then that Scarfinati announced that they would no longer take their lessons from him together. He told them that Below would continue on his course of alchemy, philosophy, and mathematics, whereas Anotine would be taught the memory book. A flare of jealousy leaped to life within Below, for he knew that the memory book was the last step, the most important element in one’s progress toward becoming an adept.
Both Below and Anotine had been lectured in how to understand and utilize mnemonic systems. Each had built in his own mind a kind of crude memory palace, and used it in order to store information. Scarfinati had always stressed, though, that this was only the first step, and that the ultimate achievement of the mnemonics was to turn the memory into an engine of creativity. In order to do this, he said, “You must introduce life into it. The elements of it must continue to interact, commune, intermingle, even when your attention is elsewhere. This way new ideas are forever being born, and all you need do is harvest them.”
The memory book contained lists of symbols and their values. Scarfinati had told them that those symbols, for some reason, could not be stored as a list within the memory palace itself. Whenever he tried to hide them in the mnemonic structure, they would disappear, so the physical existence of the book would always be necessary. He also revealed that in order to introduce life into a mnemonic system, one had to learn how to manipulate the symbols from the book in one’s mind. The correct juxtaposition of symbols would create an environment that was conducive to mnemonic life, and where this was achieved, imagination would surely grow. It was also a certainty that if you tried to use the symbols and did not know how, it could result in serious damage to the memory and the mind in general.
Knowing all of this, Below felt slighted that he had not been chosen to learn the book. From the time Scarfinati and Anotine began their private lessons concerning the text, the young man tried to get her to talk about what she had learned. They would still meet at night and would discover the moment, but even in the throes of passion, or the dreamy time
that followed, Anotine never uttered a word about the book. She told him flatly one day that if he were to keep interrogating her about it, she would have to stop seeing him. At her words the secret knowledge he was being left out of became in Below’s mind almost like a secret lover whom Anotine was surreptitiously seeing.
Scarfinati noticed the young man’s new sullenness and confronted him about it. Below asked why he was not also chosen to learn the book. The great adept told him he was not ready. “You have made great strides in the acquisition of knowledge, but that is only the beginning. I am leaving you an incredible legacy in what I am teaching you, and I don’t want it squandered by impatience and immaturity.” “But I’m ready,” he told Scarfinati. “The very fact that you say that means you are not,” said the old man.
Below tried to ignore the issue of the book and dedicate himself to his studies. He neither asked Anotine nor Scarfinati about it, but went through his lessons with a false smile and an exaggerated show of determination. Still, the book always worked its way back into his thoughts, and it began to drive him insane. It was his belief that when Anotine had finished with the special course of study, she would be so superior that she would no longer notice him. Then it struck him that Scarfinati had been planning all along to make her his wife. Such machinations led Below to one overriding desire: he must see the book.
He sneaked into Scarfinati’s private study one night when the others were asleep and found the book setting on the table, where it had been left from the day’s lesson. The cover was fashioned from stiff leather boards with only three straps of leather serving as the spine. Upon opening it, Below saw that the pages were not sewn together as with a bound book, but were merely placed between the covers. There were no numbers in the corners or on the bottoms of the pages, and he wondered how Scarfinati kept track of their arrangement. The text was handwritten in black ink, rows of symbols (stars, circles, squares, florets, depictions of animal paw prints, a water droplet, the sun, etc.) followed by equal signs and either other symbols or numbers. He carefully perused each page, bringing all his vast knowledge to bear on the system, but in the end found it meant nothing to him.
