Complete Nonsense

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Complete Nonsense Page 4

by Mervyn Peake


  This precipice was for this cataract made.

  Twelve thousand fathoms from this verge it is

  To where below me spread the plains of Phiz.

  The sunset tinges my fair growth and I

  Am almost crumpled up with ecstasy.

  (early 1930s)

  You Before Me

  You before me

  Except after tea

  Is my creed and my motto

  (My wife calls me Otto)

  (early 1930s)

  Although I Love Him

  Although I love him and could never find

  It in my heart to chasten him, I see

  No way to comprehend him, nor am blind

  To his ungainly posturings at tea

  (early 1930s)

  From Figures of Speech. The Key to the drawing is on p. 234.

  Practically Poetry

  He must be an artist…

  Look at his shirt!

  He must be a genius…

  Look at the dirt!

  My deah! How too thrilling!

  My deah! What a shriek!!

  His work must be brilliant…

  Just look at his beard…

  So to speak.

  (December 1934)

  Ode to a Bowler

  Oh, Hat that cows the spirit!

  …If any spirit be…

  First cousin to the Black Cap

  And sign of slavery!

  Funereal and horrible…

  But this at least I owe it;

  It matches to a nicety

  The Face that Sits Below It!

  (December 1934)

  Raft Song of the Conger Eel

  Strangul’m, scragle’m

  Scrunch’m

  One – two and away.

  Batter’m, shatter’m

  Gut’m and groans

  Red of the blood in the spray.

  One – two,

  And away.

  Throttle’m, bottle’m

  Cut’m a rip

  Three – four and away.

  Plunder’m, thunder’m

  Into a ship

  Red of the blood in the spray.

  Five – six,

  And away.

  (c. 1933–6)

  From Figures of Speech. The Key to the drawing is on p. 234.

  From Figures of Speech. The Key to the drawing is on p. 234.

  The Dwarf of Battersea

  Ye olde Ballade concerning ye yellow dwarfe of Battersea being a

  true and tru∫tworthy account of hi∫ death

  at ye hand of ye repul∫ive artift Master Mervyn Peake when

  defending ye gloriously beautiful and beguiling charmer Maeve in

  the year of Our Lord 1937.

  For ye benefit of pre∫ent-day readers, ye famouse olde Ballade

  has been re-spel∫t according to modern fa∫sion.

  Please turn over

  1

  There lived a dwarf in Battersea

  (O lend me a tanner!)

  There lived a dwarf in Battersea

  Whose hands were white with leprosy

  (Sing you-O, to me-O)

  And the river runs away.

  2

  At dead of night he crept to see

  (O lend me a tanner!)

  At dead of night he crept to see

  What he could see at 163!

  (Sing you-O, to me-O)

  And the river rolls away.

  3

  And there he saw a maiden fair

  (O lend me a tanner!)

  And there he saw a maiden fair

  With tawny eyes and tawny hair

  (Sing you-O, to me-O)

  And the river runs away.

  4

  Then through the letterbox he crept

  (O lend me a tanner!)

  Then through the letterbox he crept

  To where the golden lady slept

  (Sing you-O, for me-O)

  And the river rolls away.

  5

  He gave a most disgusting croak

  (O lend me a tanner!)

  He gave a most disgusting croak

  At which the sleeping one awoke.

  (Sing you-O, for me-O)

  And the river runs away.

  6

  The dwarf hissed through his pointed teeth

  (O lend me a tanner!)

  The dwarf hissed through his pointed teeth

  And drew a skewer from its sheath

  (Sing you-O, to me-O)

  And the river rolls away.

  7

  But look! A creature high above

  (O lend me a tanner!)

  But see! A creature high above

  Has singed the yellow wall with love!

  (Sing you-O, to me-O)

  And the river runs away.

  8

  And like the story tales of yore

  (O lend me a tanner!)

  And like the story tales of yore

  This creature leaps upon the floor

  (Sing you-O, to me-O)

  And the river rolls away.

  9

  O he came sailing through the air

  (O lend me a tanner!)

  O he came sailing through the air

  For what man dareth he will dare

  (Sing you-O, to me-O)

  And the river runs away.

  10

  His hair was dark his lips were fat

  (O lend me a tanner!)

  His hair was dark his lips were fat

  He wore a greeny yellow hat

  (Sing you-O, to me-O)

  And the river rolls away.

  11

  He thrust a paintbrush through the dwarf

  (O lend me a tanner!)

  He thrust a paintbrush through the dwarf

  And shouted with a grisly larf…

  (Sing you-O, to me-O)

  And the river rolls away.

  12

  ‘Get in this tin of linseed oil!’

  (O lend me a tanner!)

  ‘Get in this tin of linseed oil

  Before I put it on to boil!’

  (Sing you-O, to me-O)

  And the river runs away.

  13

  The dwarf turned white but did as bid

  (O lend me a tanner!)

  The dwarf turned white but did as bid

  And then they fastened down the lid

  (Sing you-O, to me-O)

  And the river runs away.

  14

  They danced a tango up and down

  (O lend me a tanner!)

  They danced a tango up and down

  Until the yellow dwarf went brown

  (Sing you-O, to me-O)

  And the river rolls away.

  15

  Until the yellow dwarf went black

  (O lend me a tanner!)

  Until the yellow dwarf went black

  And then they laid him on his back

  (Sing you-O, to me-O)

  And the river runs away.

  16

  Until the yellow dwarf went red

  (O lend me a tanner!)

  Until the yellow dwarf went red

  And then they stood him on his head!

  (Sing you-O, to me-O)

  And the river rolls away.

  17

  And sent him down the Thames afloat

  (O lend me a tanner!)

  And sent him down the Thames afloat

  Within a papier-maché boat

  (Sing you-O, to me-O)

  And the river rolls away.

  18

  So one and all beware who wish

  (O lend me a tanner!)

  So one and all beware who wish

  Within the sacred pool to fish!

  (Sing you-O, to me-O)

  And the river runs away.

  19

  And all beware who wish to see

  (O lend me a tanner!)

  And all beware who hope to see

  The golden light of
163

  (Sing you-O, to me-O)

  And the river rolls away!

  20

  There lived a dwarf in Battersea

  (O lend me a tanner!)

  There lived a dwarf in Battersea

  But he has now passed over see

  And where is he? O don’t ask me!

  (Sing you-O, to me-O)

  And the river rolls away

  A way

  And the river rolls away.

  (1937)

  Thank God for a Tadpole

  Thank God for a tadpole!

  At a time like this

  Thank God for a tadpole

  That loses its tail,

  But never its head

  On the foul river bed

  It wiggles its tail

  (But never its head)

  Not a crab or a dog

  Or an indian hog

  But a beautiful frog

  (28 August 1939)

  About My Ebb and Flow-ziness

  About my ebb and flow-ziness

  I must conserve my brain

  And live in warmth and cosiness

  Until I feel the pain.

  Why irritate the present tense

  The past is over now!

  The future hasn’t come! Have sense

  And let the taffrail go.

  (c. 1939)

  A Fair Amount of Doziness

  A fair amount of doziness

  Is exquisite to me

  My sister’s paltry nosiness

  About my ebb and floziness

  Of consciousness

  Is obvious-

  Ly arrant jealousy.

  (c. 1939)

  Ancient Root O Ancient Root

  Ancient Root O Ancient Root

  What a wild barbaric loot

  Is this I claim, in finding Thee

  The King of Horrible Fantasy

  Ancient One, O Ancient One

  Lives there aught beneath the Sun

  So wrinkled, hideous, and so

  Entirely unabashed, as thou?

  (c. 1939)

  The Frivolous Cake

  A freckled and frivolous cake there was

  That sailed on a pointless sea,

  Or any lugubrious lake there was

  In a manner emphatic and free.

  How jointlessly, and how jointlessly

  The frivolous cake sailed by

  On the waves of the ocean that pointlessly

  Threw fish to the lilac sky.

  Oh, plenty and plenty of hake there was

  Of a glory beyond compare,

  And every conceivable make there was

  Was tossed through the lilac air.

  Up the smooth billows and over the crests

  Of the cumbersome combers flew

  The frivolous cake with a knife in the wake

  Of herself and her curranty crew.

  Like a swordfish grim it would bounce and skim

  (This dinner knife fierce and blue),

  And the frivolous cake was filled to the brim

  With the fun of her curranty crew.

  Oh, plenty and plenty of hake there was

  Of a glory beyond compare –

  And every conceivable make there was

  Was tossed through the lilac air.

  Around the shores of the Elegant Isles

  Where the cat-fish bask and purr

  And lick their paws with adhesive smiles

  And wriggle their fins of fur,

  They fly and fly ’neath the lilac sky –

  The frivolous cake, and the knife

  Who winketh his glamorous indigo eye

  In the wake of his future wife.

  The crumbs blow free down the pointless sea

  To the beat of a cakey heart

  And the sensitive steel of the knife can feel

  That love is a race apart.

  In the speed of the lingering light are blown

  The crumbs to the hake above,

  And the tropical air vibrates to the drone

  Of a cake in the throes of love.

  (c. 1939)

  From Figures of Speech. The Key to the drawing is on p. 234.

  Simple, Seldom and Sad

  Simple, seldom and sad

  We are

  Alone on the Halibut Hills

  Afar

  With sweet mad Expressions

  Of old

  Strangely beautiful,

  So we’re told

  By the Creatures that Move

  In the sky

  And Die

  On the night when the Dead Trees

  Prance and Cry.

  Sensitive, seldom, and sad –

  Sensitive, seldom, and sad –

  Simple, seldom and sad

  Are we

  When we take our path

  To the purple sea –

  With mad, sweet Expressions

  Of Yore,

  Strangely beautiful,

  Yea, and More

  On the Night of all Nights

  When the sky

  Streams by

  In rags, while the Dead Trees

  Prance and Die.

  Sensitive, seldom, and sad –

  Sensitive, seldom, and sad.

  (c. 1939)

  Linger Now with Me, Thou Beauty

  Linger now with me, thou Beauty,

  On the sharp archaic shore.

  Surely ’tis a wastrel’s duty

  And the gods could ask no more.

  If thou lingerest when I linger,

  If thou tread’st the stones I tread,

  Thou wilt stay my spirit’s hunger

  And dispel the dreams I dread.

  Come thou, love, my own, my only,

  Through the battlements of Groan;

  Lingering becomes so lonely

  When one lingers on one’s own.

  I have lingered in the cloisters

  Of the Northern Wing at night,

  As the sky unclasped its oysters

  On the midnight pearls of light.

  For the long remorseless shadows

  Chilled me with exquisite fear.

  I have lingered in cold meadows

  Through a month of rain, my dear.

  Come, my Love, my sweet, my Only,

  Through the parapets of Groan.

  Lingering can be very lonely

  When one lingers on one’s own.

  In dark alcoves I have lingered

  Conscious of dead dynasties.

  I have lingered in blue cellars

  And in hollow trunks of trees.

  Many a traveller through moonlight

  Passing by a winding stair

  Or a cold and crumbling archway

  Has been shocked to see me there.

  I have longed for thee, my Only,

  Hark! the footsteps of the Groan!

  Lingering is so very lonely

  When one lingers all alone.

  Will you come with me, and linger?

  And discourse with me of those

  Secret things the mystic finger

  Points to, but will not disclose?

  When I’m all alone, my glory,

  Always fades, because I find

  Being lonely drives the splendour

  Of my vision from my mind.

  Come, oh come, my own! my Only!

  Through the Gormenghast of Groan.

  Lingering has become so lonely

  As I linger all alone!

  (October 1940)

  I Married Her in Green

  I married her in green

  I married her in pink

  And when it came to yellow

  I knew just what to think

  I murdered her in blue

  I murdered her in red

  And when I came to yellow

  I found that she was dead.

  I buried her in black

  I buried her in white

  But when it came to yellow

  I k
new that I was right

  I found a horse of leaves

  With skin as bright as gorse

  And when the leaves were gone

  There wasn’t any horse

  I laugh until I’m fat

  I laugh until I’m thin

  And then I find a bottle

  To put my dentures in

  (October 1940)

  From Figures of Speech. The Key to the drawing is on p. 234.

  From Figures of Speech. The Key to the drawing is on p. 234.

  Swelter’s Song

  Give me food ’n’ drink ’n’ fun

  ’N’ flamingoesh of gweat pwishe,

  Marshing round me eff’ry one

  Of their fevvers pwink ’n’ nishe.

  Give me an emblashoned waishtcoat

  Flowered ’n’ shtarred in gween ’n’ bwown

  ’N’ a small shea-worthy pashte-boat

  I can shtick to, when I dwown.

  Give me theshe, cold fwend, and calloush!

  They will help me wif my pwide.

 

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