"But what about-"
"I have the dogs. Oh, please, just don't stand there, for the love of Christ, go!"
He found himself running out the back. Lucy said something to Magog, who dashed out after him. Lucy and Gog went out onto the porch. She sat in the rocker and placed the dog next to her, talking to him gently. He was whining continuously and his back hairs bristled.
There were three of them in a dirty green Ford pickup truck. Someone she didn't recognize was driving it. The two passengers were Wayne and Earl Cade.
They parked at the foot of the driveway, where it joined the access road. It was twenty yards away, but the wind was right and she could hear what they were saying.
The driver said, "Goddamnit, Wayne, we ain't got time for this."
"Henry, you listen here. I'm gonna shoot that dog there, grab up the girl, and blow up that house. It won't take but a minute. Just set here and I'll be right back."
Wayne walked toward the house. He was walking slowly and carefully, she observed, with a somewhat bowlegged gait. He had a large revolver in his hand.
He stopped in front of the porch steps. "Well, honey, here's what's gonna happen now. I'm gonna gut-shoot that dog of yourn, then I'm gonna take you and your dog back to my home place, and I'm gonna cook it on a slow fire and skin it while it's still alive. Then I'm gonna-"
"It's not my dog," she said.
"What?"
"No, this is my mother's dog. That's my dog." She pointed.
Wayne heard the sound of running claws behind him and a shout from Earl. He whipped the upper part of his body around to his right, his gun hand extended.
Magog was already airborne, but easily made a slight midcourse correction. She knew Wayne from before, knew he was a bad actor who would not, for some reason, learn his lesson, and so when she clamped her jaws down on his forearm just behind the wrist, she gave him the full twenty-six hundred foot-pounds. The pistol went flying; so did Wayne. As the other two Cade boys scrabbled in the cab of the truck to grab their weapons, Lucy called the dogs to her and disappeared into the house.
Giancarlo had just caught a largemouth bass that must have weighed a pound and a half. He detached it from the hook and ran to call his brother, who he knew was sitting in the deer blind waiting for a target for the rat rifle. He approached the tulip tree where the blind was and was all set to shout when he heard heavy, running footsteps and the voices of men in loud conversation. He stopped and remained still, the fish held in his hand.
Two men came around the curve of the trail. One held a shotgun, the other a pistol. Giancarlo heard Dan Heeney call his name from the direction of the pond. The men heard it, too. They looked up and saw Giancarlo. The man with the shotgun raised it and pointed it at him. Still clutching his fish, Giancarlo dived into the laurel. Earl fired both barrels.
Up in the blind, Zak had seen this happen, and without thinking he laid the crosshairs of his scope on Earl Cade's head and pulled the trigger.
"Oww! Goddamnit! Oww!"
"What in hell is wrong with you?" Henry Cade cried. His cousin Earl had dropped his shotgun and was doubled over holding his hand to the left side of his head.
"Something bit me or stuck me. Goddamnit, that hurts!"
"Lemme see it," said Henry, and pushed Earl's hand away. A small, round wound an inch above his left ear was bleeding slightly. Henry laughed. "Looks like a pellet hit from your own gun. Must've ricocheted off've somethin' and hit you in the head."
"Ah, shit, Henry, that never happened to me before. How in hell could a thing like that happen?"
"Well, you prob'ly never shot no little boy before neither," said Henry sagely. "C'mon, let's get ol' Wayne put together and get shut of this place. I swear, between the two of you…"
"We all're still gonna blow up that house," said Earl, kneeling down carefully to retrieve his shotgun.
"Yeah, and you better be quick about it, 'cause I think I hear sirens."
Magog sniffed him out in the laurel hell. When Lucy went in, following the dog, she found him lying on his back with his eyes closed. For a glad instant she thought that he was kidding, pretending to be asleep, but he did not stir at her voice or touch, and when she shrieked and clutched him to her, she found that he was all soaked with blood from the crown of his head to the backs of his knees.
17
Having been married to Marlene Ciampi for a long time, Karp had been exposed to more small-arms fire than the average attorney. Thus he had known instantly that it was the popping not of fireworks coming from the direction of the jail but of automatic weapons; hence the sound of a jailbreak. Halfway down the stairway, this impression was confirmed by an explosion that shook the courthouse and brought a blizzard of plaster dust upon him as he raced along. When he arrived at the door that led from the courthouse to the jail proper, he paused. No shots. A sound of flowing water. Shouts. A thin cry for help. He went through, down the flight of stairs, and into the dark and smoky wreckage of what had once been the jail's front desk and reception area. A figure approached through the gloom. Karp saw that it was a man wearing a blackened and torn county deputy's uniform, one of the jail guards. Peagram?
"Peagram! What happened?"
The man stared at him uncomprehendingly. "Sheriff's dead. They shot him dead."
The man swayed. Karp grabbed him before he fell and helped him sit against the wall.
"Who shot him?"
"They had machine guns. Sheriff come out with his pistol, told 'em to get outa his jail, and they just blew him away." The man put his face in his hands and started to sob.
Crashing noises. Through the murk poked a shotgun, followed by the comforting form of Trooper Blake, accompanied by a pair of McCullensburg volunteer firemen in yellow reefer coats. They moved around, looking for survivors, making a lot of noise.
"What the hell happened?" Karp asked the trooper.
"We don't exactly know, sir. Some folks out there said it was the Cades. Three truckloads of them. I guess the prisoners are gone."
"That would be my bet. Where's Captain Hendricks?"
"Chasing a couple of their trucks, I think. I was in my cruiser when I heard the shots and the explosion, so I just took a look and headed for the smoke. One of the deputies told me that Captain grabbed up all the men he could find, troopers and detectives and all, and went off after two of the trucks. They were headed north out of town on 130, probably making for Burnt Peak."
Karp felt his gut wrench. "The other truck went east on 119, didn't it?"
"Yessir, but I don't think anyone went after them. Almost all of our people are back on regular duty. We put it out on the radio-"
"They're after my daughter. Come on!"
Karp ran out of the jail, sidestepping and stumbling over wreckage, passing a stream of firemen and paramedics coming in. When he reached the street entry, he was happy to find Blake right behind him, shotgun at high port. They pushed through the growing crowd to Blake's cruiser and got in. Blake hit the lights and siren. In two minutes they were at the junction of 130 and 119, and Blake was screeching into a tight left turn, accelerating to ninety on the two-lane blacktop. Karp looked at his hands. They were filthy with plaster and soot. Blood, too, from Peagram's uniform. They were shaking. From somewhere ahead came the boom of an explosion.
They could see the column of dust and smoke through the trees as they sped up the access road in a shower of gravel. Karp leaped from the car while it was still rolling and ran toward the house. Half of it was gone, a tumble of smoking wreckage. The kitchen range sat scorched in a flower bed. The front door was lying flat on the porch. A piece of paper fluttered from a splinter of the shattered doorframe. Karp snatched it up and read: "Dad: We're going to the hospital. All safe except GC, badly shot. Earl, Wayne, another Cade, first two wounded. L."
He read it twice more, but it kept saying the same thing.
Two pictures on the wall of the waiting room, one a print of a kitten hanging by its claws ("Hang in There, Baby!") a
nd the other the familiar Rockwell of a boy getting a needle in the butt. Cheery, but Karp was not cheered. The room was small, carpeted in blood-colored industrial, and furnished with plastic chairs, orange and white, a white couch in tatty vinyl, and a white Formica table, with two ragged People and a week-old local paper strewn on it. It was lit by three long fluorescents, one dim, one flickering. Karp was not a great believer in hell, but thought that, if it existed, hell might be like this.
Zak was asleep in his arms, a fitful sleep from which he awoke often with a cry and looked wildly about. Then Karp tried to comfort him, unsuccessfully he knew, because the only real comfort would be to tell him that it had been a bad dream, that his brother was not being operated upon by unknown doctors in this mingy little hospital. Karp shifted his burden and looked at his watch. Eight thirty-five. The last time he'd looked, about an hour ago, it had been 8:28.
He had made the call earlier. After he had passed the doleful news, blurted it out, there had been no curse, no cry of alarm, from his wife, just a silence so long that he thought that the line had gone dead. I'll be there as soon as I can, she had said, and then the line really had gone dead. He wondered vaguely how long that would be, even if she left the Island immediately. The surgeon's name was Small. Karp knew nothing about him; for example, that Small had lost his license for drunken slicing in another state. There wasn't any time to find out. No one had come to talk to him or tell him what was going on. Not a Jewish doctor, either. Bigotry, he knew, but there it was. Lucy was gone, he did not know where; she had run out of the place after they had watched the draped, still, intubated figure of Giancarlo being wheeled out of the ER toward the elevator. But he could guess.
Every time the brushed-steel doors of the elevator across the hall slid open, he looked up. Those doors had swallowed his son and they were taking their time about giving him back, or producing some messenger from the medical gods in whose hands he lay; that would be good, too.
He checked again. Eight thirty-seven.
Lucy was running along the street, Third Street, wiping the tears away every few strides. It was twelve blocks, she had been told, from the medical center to Holy Family. She didn't trust herself to drive. Also her Toyota was smeared with blood, as she was herself; it was all over her hands and arms, and on her shirt and shorts. She'd never worn shorts into church before, a mark of respect, although she knew people came to church in anything nowadays. What does God care what you're wearing? But they'd howl if the priest wore a skirt.
Here was the church, a squat, sooty-brick building in an eclectic style, a little Gothic, a little Romanesque, a little Baroque, ill-assorted and ugly as nearly all Catholic parish churches in America were. It always made her a little sad that the organization that had sponsored the greatest architecture in Europe had given up on beauty in that department. The great front doors were for show, but a side entrance was open. She crossed herself with the water from the font and went inside.
Dark and empty, lit by small sconces on the walls and by evening light coming through stained-glass windows, crudely done in sentimental nineteenth-century style. The Good Shepherd. The eponymous Family. A crucifixion, Christ taking a little nap in a somewhat uncomfortable position. It had been Vatican Two'd, however: the altar, a carved wooden table that looked as if it had been made for a coal baron's dining room, was squarely in the center, with dark wooden chairs arranged around it on four sides. A Mary chapel; a St. Joseph chapel; a glass case with a dusty doll in it-the Infant of Prague. The sanctuary was where the old altar had been, in a deep niche in the east wall. She went there, bowing to the altar as she crossed the aisle.
Prie-dieux in four rows faced a cylindrical brass tabernacle, highly polished, with late-Victorian embellishments of angels. She knelt, pulled a jet rosary from her bag, and cranked it up. Praying at God, this was called, letting the familiar automatic words send you into a kind of trance, pushing out the distractions of the selfish self, opening the heart. You were supposed to contemplate the words as well, envision the various mysteries, although Lucy did not do that now. She wanted only to clear the page so that she could inscribe on a virgin surface a message, or receive one.
The outgoing message was simple. Whatever you want, take it all; stupid to say that really, it's all from you anyway, but take it back. The languages, poetry, music, sex, not that I've ever had any really, but take that too. Dan and any other Dans lurking in the future, happiness… wrap it up and ship it out, make me mute, stupid, paralyzed, I'm already ugly, take it, but just, and I know you don't like bargaining, we're supposed to love whatever you do to us because you're good, that's the whole point, isn't it? But this is too much, even you'll agree, this good and sweet little kid, have mercy, have mercy.
Talking to God, this is called. Lucy had been doing it for as long as she could remember, and for as long as she could remember, God had talked back. There had been actual visions, voices, to the extent that her priest, a sensible and pragmatic fellow, had become a little concerned, for the Church has never been entirely comfortable with that sort of thing. But he had thought it would fade with age, and it had. Two years and more had now passed without Lucy's receiving what is technically known as a consolation. Now, instead, she was receiving a desolation. To those serious about religion, these are even more to be prized than the gaudier epiphanies, and Lucy knew this very well, but her present pain had pushed this knowledge from her mind. She wanted comfort; she had always had comfort; she was getting none now, and she was beginning to grow cross. She was quite terribly spoiled, in fact, and when one is spoiled by Omnipotence, one is spoiled indeed.
She threw claims into the scales: her time on her knees, her many good works, her self-denial, her faith… Nothing. She felt nothing, except the muscle stiffness and a stuffiness in her head. She was talking to someone who wasn't there; from this commonplace it was only a short jump to thinking: talking to someone who doesn't exist. She felt a chill. An explanation presented itself: she was crazy, just like Mom, a fanatic, always had been. There was no one there. Maybe there had been once-who knew?-but it was gone. Giancarlo would die or not, according to chance and the skill of his doctors. That tabernacle was remarkably ugly. I've lost my faith, she said to herself, amazed. It was just here in my purse and now it's gone. Her chest felt tight. She had to… what? Hide? From God? But there wasn't any.
She stood up, feeling light-headed. Dan Heeney was standing outside the sanctuary.
"I thought you'd be here. Are you okay?"
"Yeah, fine. Just, you know, praying." For the very first time she felt embarrassment at saying this.
"Uh-huh. I stopped by the hospital. He's still in the OR." She looked different, he thought, diminished in some way. He attributed it to the catastrophe. She was not looking at him. "What's that thing?" he asked, pointing to the tabernacle. "It looks like an espresso machine."
"It is an espresso machine," said Lucy, sliding toward hysteria. "It's the very espresso machine that Saint Paul got a double tall latte out of just before he hit the road to Damascus. You're very fortunate to have it here in McCullensburg." She had to get out of the church or she was going to do something awful. She walked rapidly out, not pausing at the altar as she always did. In the small lobby she stopped with the feeling that she had forgotten something. Wallet, bag, sunglasses, keys, all there, what was it?
"You okay, Lucy?"
"Yeah, just a little…"
"You have dirt and blood on your face."
"Do I?" She checked her image in the glass of the church notice board. Then she pulled out a bandanna, dipped it in the font, and wiped the stains from her face.
"Can you do that? I thought that was holy."
"It doesn't matter." She walked out of the church.
He had a motorcycle, a canary-colored Suzuki dirt bike. "Get on. I'll take you back to the hospital."
"I didn't know you had a bike."
"I don't. It's Emmett's. After you left, he picked me up at the hospital and drove me b
ack to the house. We took some of the good stuff out of the ruins. The garage fell on my mom's car. I guess it's my car now. Or was. This was out behind the garage. Not a scratch on it." He threw a leg over the machine and started it, the sound startling on the quiet street. Crows flew from the neighboring trees, complaining.
Suddenly she felt deep shame. "You've lost everything. Oh, Danny, I'm so sorry."
"Yeah, well, what can you do? Cry? I didn't lose my computer, though. And I still have the family pictures. They threw the dynamite into the kitchen, and the appliances and the sink took a lot of the blast. Get on now and hold tight."
She did and did, pressing the side of her face flat against his back. She thought she could hear his heart beat over the roar of the engine. He was real at least. No, don't stop at the hospital, just drive, just drive, we'll give up everything for love, have a life together, we'll worship each other, like pagans, like Americans… no, she thought, I'm not good enough for him.
As they rode up the drive to the hospital parking lot, they heard a roaring that nearly drowned out the sound of the motorcycle. A small helicopter was coming in for a landing atop the six-story building's roof. Dan switched off his engine and they watched it land.
"That'll be Mom," said Lucy, and felt a peculiar and perverse pride. I'm like her, now. Took a while. Will she be pleased? Lucy found she didn't much care.
"Should I come in?" Dan asked.
"No, I don't think…" She saw his face fall. "No, I need to…" She had lost the ability to talk to him. She wanted him to go away now. He saw this. He shrugged, nodded, turned away.
Zak was now stretched full-length on a vinyl-covered couch with his face on Karp's jacket. A number of people had come by to see Karp. The lawyer Poole, to express his condolences. Cheryl Oggert, to express the governor's. Besides that, Oggert wanted Karp to talk about the legal situation regarding Floyd and Weames, angling to see if something could be pulled out of this disaster. Karp was polite, monosyllabic; she soon left.
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