by Simon Callow
Margetson, Arthur, ‘Orson Welles and I’ (unpublished)
Ryan, Susan, ‘Context for an Unfinished Text’, Persistence of Vision, Number 7. Film Faculty of University of New York, 1989.
Stam, Robert, ‘Orson Welles, Brazil and the Power of Blackness’, Persistence of Vision, Number 7. Film Faculty of University of New York, 1989.
Thomas, François, ‘Orson Welles’ Turn from Live Recording to Post-Synchronization: A Technical and Aesthetic Evolution’, in Philip Brody (ed.), Cinesonic: Cinema and the Sound of Music. Australian Film, Television and Radio School, North Ryde, 2000. ‘Mésaventures d’un Bande Sonore’. Positif,
Interviews
Tynan, Kathleen. Unpublished.
‘Les mésaventures d’une bande sonore: les deux Macbeth d’Orson Welles’, Cinémathèque, Number 6, Autumn 1994. Interview with Jeanette Nolan, Positif, Number 449–450, July/August 1998.
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Copyright © Simon Callow, 2006
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Use of the works of and rights pertaining to Orson Welles have been granted through a special licence from his daughter, Beatrice Welles. All rights reserved. Beatrice Welles, c/o Thomas A. White, 8671 Wilshire Boulevard, Suite 718, Beverley Hills, California 90211-2915, USA. Tel (310) 657-9831; Fax (310) 657-6455
First published in Great Britain in 2006 by Jonathan Cape
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