by John Cheever
Mrs. Pastern undertook the work of going from house to house with the thoughtless resignation of an honest and traditional laborer. It was her destiny; it was her life. Her mother had done it before her, and even her old grandmother had collected money for smallpox and unwed mothers. Mrs. Pastern had telephoned most of her neighbors in advance, and most of them were ready for her. She experienced none of the suspense of some poor stranger selling encyclopedias. Here and there she stayed to visit and drink a glass of sherry. The contributions were ahead of what she had got the previous year, and while the money, of course, was not hers, it excited her to stuff her kit with big checks. She stopped at the Surcliffes' after dusk, and had a Scotch and soda. She stayed too late, and when she left it was dark and time to go home and cook supper for her husband. "I got a hundred and sixty dollars for the hepatitis fund," she said excitedly when he walked in. "I did everybody on my list but the Blevins and the Flannagans. I want to get my kit in tomorrow morning—would you mind doing them while I cook the dinner?"
"But I don't know the Flannagans," Charlie Pastern said.
"Nobody does, but they gave me ten last year."
He was tired, he had his business worries, and the sight of his wife arranging pork chops in the broiler only seemed like an extension of a boring day. He was happy enough to take the convertible and race up the hill to the Blevins', thinking that they might give him a drink. But the Blevins were away; their maid gave him an envelope with a check in it and shut the door. Turning in at the Flannagans' driveway, he tried to remember if he had ever met them. The name encouraged him, because he always felt that he could handle the Irish. There was a glass pane in the front door, and through this he could see into a hallway where a plump woman with red hair was arranging flowers.
"Infectious hepatitis," he shouted heartily.
She took a good look at herself in the mirror before she turned and, walking with very small steps, started toward the door. "Oh, please come in," she said. The girlish voice was nearly a whisper. She was not a girl, he could see. Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight. "Your wife just called," she said, separating one word from another, exactly like a child. "And I am not sure that I have any cash—any money, that is—but if you will wait just a minute I will write you out a check if I can find my checkbook. Won't you step into the living room, where it's cozier?"
A fire had just been lighted, he saw, and things had been set out for drinks, and, like any stray, his response to these comforts was instantaneous. Where was Mr. Flannagan? he wondered. Traveling home on a late train? Changing his clothes upstairs? Taking a shower? At the end of the room there was a desk heaped with papers, and she began to riffle these, making sighs and noises of girlish exasperation. "I am terribly sorry to keep you waiting," she said, "but won't you make yourself a little drink while you wait? Everything's on the table."
"What train does Mr. Flannagan come out on?"
"Mr. Flannagan is away," she said. Her voice dropped. "Mr. Flannagan has been away for six weeks."
"I'll have a drink, then, if you'll have one with me."
"If you will promise to make it weak."
"Sit down," he said, "and enjoy your drink and look for your checkbook later. The only way to find things is to relax."
All in all, they had six drinks. She described herself and her circumstances unhesitatingly. Mr. Flannagan manufactured plastic tongue depressors. He traveled all over the world. She didn't like to travel. Planes made her feel faint, and in Tokyo, where she had gone that summer, she had been given raw fish for breakfast and so she had come straight home. She and her husband had formerly lived in New York, where she had many friends, but Mr. Flannagan thought the country would be safer in case of war. She would rather live in danger than die of loneliness and boredom. She had no children; she had made no friends. "I've seen you, though, before," she said with enormous coyness, patting his knee. "I've seen you walking your dogs on Sunday and driving by in the convertible."
The thought of this lonely woman sitting at her window touched him, although he was even more touched by her plumpness. Sheer plumpness, he knew, is not a vital part of the body and has no procreative functions. It serves merely as an excess cushion for the rest of the carcass. And knowing its humble place in the scale of things, why did he, at this time of life, seem almost ready to sell his soul for plumpness? The remarks she made about the sufferings of a lonely woman seemed so broad at first that he didn't know what to make of them, but after the sixth drink he put his arm around her and suggested that they go upstairs and look for her checkbook there.
"I've never done this before," she said later, when he was arranging himself to leave. Her voice shook with feeling, and he thought it lovely. He didn't doubt her truthfulness, although he had heard the words a hundred times. "I've never done this before," they always said, shaking their dresses down over their white shoulders. "I've never done this before," they always said, waiting for the elevator in the hotel corridor. "I've never done this before," they always said, pouring another whiskey. "I've never done this before," they always said, putting on their stockings. On ships at sea, on railroad trains, in summer hotels with mountain views, they always said, "I've never done this before."
"Where have you been?" Mrs. Pastern asked sadly, when he came in. "It's after eleven."
"I had a drink with the Flannagans."
"She told me he was in Germany."
"He came home unexpectedly."
Charlie ate some supper in the kitchen and went into the TV room to hear the news. "Bomb them!" he shouted. "Throw a little nuclear hardware at them! Show them who's boss!" But in bed he had trouble sleeping. He thought first of his son and daughter, away at college. He loved them. It was the only meaning of the word that he had ever known. Then he played nine imaginary holes of golf, choosing his handicap, his irons, his stance, his opponents, and his weather in detail, but the green of the links seemed faded in the light of his business worries. His money was tied up in a Nassau hotel, an Ohio pottery works, and a detergent for window washing, and luck had been running against him. His worries harried him up out of bed, and he lighted a cigarette and went to the window. In the starlight he could see the trees stripped of their leaves. During the summer he had tried to repair some of his losses at the track, and the bare trees reminded him that his pari-mutuel tickets would still be lying, like leaves, in the gutters near Belmont and Saratoga. Maple and ash, beech and elm, one hundred to win on Three in the fourth, fifty to win on Six in the third, one hundred to win on Two in the eighth. Children walking home from school would scuff through what seemed to be his foliage. Then, getting back into bed, he thought unashamedly of Mrs. Flannagan, planning where they would next meet and what they would do. There are, he thought, so few true means of forgetfulness in this life that why should he shun the medicine even when the medicine seemed, as it did, a little crude?
A new conquest always had a wonderful effect on Charlie. He became overnight generous, understanding, inexhaustibly good-humored, relaxed, kind to cats, dogs, and strangers, expansive, and compassionate. There was, of course, the reproachful figure of Mrs. Pastern waiting for him in the evenings, but he had served her well, he thought, for twenty-five years, and if he were to touch her tenderly these days she would likely say, "Ouch. That's where I bruised myself in the garden." On the evenings that they spent together, she seemed to choose to display the roughest angles of her personality; to grind her ax. "You know," she said, "Mary Quested cheats at cards." Her remarks fell a good deal short of where he sat. If these were indirect expressions of disappointment, it was a disappointment that no longer touched him.
He met Mrs. Flannagan for lunch in the city, and they spent the afternoon together. Leaving the hotel, Mrs. Flannagan stopped at a display of perfume. She said that she liked perfume, worked her shoulders, and called him "Monkey." Considering
her girlishness and her claims to fidelity, there was, he thought, a distinct atmosphere of practice about her request, but he bought her a bottle of perfume. The second time they met, she admired a peignoir in a store window and he bought this. On their third meeting, she got a silk umbrella. Waiting for her in the restaurant for their fourth meeting, he hoped that she wasn't going to ask for jewelry, because his reserves of cash were low. She had promised to meet him at one, and he basked in his circumstances and the smells of sauce, gin, and red floor carpets. She was always late, and at half past one he ordered a second drink. At a quarter to two, he saw his waiter whispering to another waiter—whispering, laughing, and nodding his head in Charlie's direction. It was his first intimation of the chance that she might stand him up. But who was she—who did she think she was that she could do this to him? She was nothing but a lonely housewife; she was nothing but that. At two, he ordered his lunch. He was crushed. What had his emotional life been these last years but a series of sometimes shabby one-night stands, but without them his life would be unendurable.
There is something universal about being stood up in a city restaurant between one and two—a spiritual no-man's-land, whose blasted trees, entrenchments, and rat-holes we all share, disarmed by the gullibility of our hearts. The waiter knew, and the laughter and light-hearted conversations at the tables around Charlie honed his feelings. He seemed to be helplessly elevated on his disappointment like a flagpole sitter, his aloneness looming larger and larger in the crowded room. Then he saw his own swollen image in a mirror, his gray hair clinging to his pate like the remains of a romantic landscape, his heavy body shaped a little like a firehouse Santa Claus, the paunch enlarged by one or two of Mrs. Kelly's second-best sofa cushions. He pushed his table away and started for a telephone booth in the hall.
"Is there anything wrong with your lunch, monsieur?" the waiter asked.
She answered the phone, and in her most girlish voice said, "We cannot go on like this. I have thought it over, and we cannot go on. It is not because I do not want to, because you are a very virile man, but my conscience will not let me."
"Can I stop by tonight and talk it over?"
"Well..." she said.
"I'll come straight up from the station."
"If you'll do me a favor."
"What?"
"I will tell you when I see you tonight. But please park your car behind the house and come in the back door. I do not want to give these old gossips here anything to talk about. You must remember that I have never done this before."
Of course she was right, he thought. She had her self-esteem to maintain. Her pride, he thought, was so childish, so sterling! Sometimes, driving through a New Hampshire mill town late in the day, he thought, you will see in some alley or driveway, down by the river, a child dressed in a tablecloth, sitting on a broken stool, waving her scepter over a kingdom of weeds and cinders and a few skinny chickens. It is the purity and the irony of their pride that touches one; and he felt that way about Mrs. Flannagan.
She let him in at the back door that night, but in the living room the scene was the same. The fire was burning, she made him a drink, and in her company he felt as if he had just worked his shoulders free of a heavy pack. But she was coy, in and out of his arms, tickling him and then tripping across the room to look at herself in the mirror. "I want my favor first," she said.
"What is it?"
"Guess."
"I can't give you money. I'm not rich, you know."
"Oh, I wouldn't think of taking money." She was indignant.
"Then what is it?"
"Something you wear."
"But my watch is worthless, my cuff links are brass."
"Something else."
"But what?"
"I won't tell you unless you promise to give it to me."
He pushed her away from him then, knowing that he could easily be made a fool of. "I can't make a promise unless I know what it is you want."
"It's something very small."
"How small?"
"Tiny. Weeny."
"Please tell me what it is." Then he seized her in his arms, and this was the moment he felt most like himself: solemn, virile, wise, and imperturbable.
"I won't tell you unless you promise."
"But I can't promise."
"Then go away," she said. "Go away and never, never, come back." She was too childish to give the command much force, and yet it was not wasted on him. Could he go back to his own house, empty but for his wife, who would be grinding her ax? Go there and wait until time and chance turned up another friend?
"Please tell me."
"Promise."
"I promise."
"I want," she said, "a key to your bomb shelter."
The demand struck at him like a sledge-hammer blow, and suddenly he felt in all his parts the enormous weight of chagrin. All his gentle speculations on her person—the mill-town girl ruling her chickens—backfired bitterly. This must have been on her mind from the beginning, when she first lit the fire, lost her checkbook, and gave him a drink. The demand abraded his lust, but only for a moment, for now she was back in his arms, marching her fingers up and down his rib cage, saying, "Creepy, creepy, creepy mouse, come to live in Charlie's house." His need for her was crippling; it seemed like a cruel blow at the back of his knees. And yet in some chamber of his thick head he could see the foolishness and the obsolescence of his hankering skin. But how could he reform his bone and muscle to suit this new world; instruct his meandering and greedy flesh in politics, geography, holocausts, and cataclysms? Her front was round, fragrant, and soft, and he took the key off its ring—a piece of metal one and one-half inches long, warmed by the warmth of his hands, a genuine talisman of salvation, a defense against the end of the world—and dropped it into the neck of her dress.
The Pasterns' bomb shelter had been completed that spring. They would have liked to keep it a secret; would have liked at least to soft-pedal its existence; but the trucks and bulldozers going in and out of their driveway had informed everyone. It had cost thirty-two thousand dollars, and it had two chemical toilets, an oxygen supply, and a library, compiled by a Columbia professor, consisting of books meant to inspire hopefulness, humor, and tranquility. There were stores of survival food to last three months, and several cases of hard liquor. Mrs. Pastern had bought the plaster-of-Paris ducks, the birdbath, and the gnomes in an attempt to give the lump in her garden a look of innocence; to make it acceptable—at least to herself. For, hulking as it did in so pretty and domestic a scene and signifying as it must the death of at least half the world's population, she had found it, with its grassy cover, impossible to reconcile with the blue sky and the white clouds. She liked to keep the curtains drawn at that side of the house, and they were drawn the next afternoon, when she served gin to the bishop.
The bishop had come unexpectedly. Her minister had telephoned and said that the bishop was in the neighborhood and would like to thank her for her services to the church, and could he bring the bishop over now? She threw together some things for tea, changed her dress, and came down into the hall just as they rang the bell.
"How do you do, Your Grace," she said. "Won't you come in, Your Grace? Would you like some tea, Your Grace—or would you sooner have a drink, Your Grace?"
"I would like a Martini," said the bishop.
He had the gift of a clear and carrying voice. He was a well-built man, with hair as black as dye, firm and sallow skin deeply creased around a wide mouth, and eyes as glittering and haggard, she thought, as someone drugged. "If you'll excuse me, Your Grace."
This request for a cocktail confused her; Charlie always mixed the drinks. She dropped ice on the pantry floor, poured a pint or so of gin into the shaker, and tried to correct what appeared to her to be a lethal drink with more vermouth.
"Mr. Ludgate here has been telling me how indispensable you are to the life of the parish," the bishop said, taking his drink.
"I do try," said Mrs. Paster
n.
"You have two children."
"Yes. Sally's at Smith. Carkie's at Colgate. The house seems so empty now. They were confirmed by the old bishop. Bishop Tomlinson."
"Ah, yes," the bishop said. "Oh, yes."
The presence of the bishop made her nervous. She wished she could give the call a more natural air; she wished at least to make her presence in her own parlor seem real. She was suffering from an intense discomfort that sometimes attacked her during committee meetings, when the parliamentary atmosphere had a disintegrating effect on her personality. She would, sitting in her folding chair, seem to go around the room on her hands and knees, gathering the fragments of herself and cementing them together with some virtue, such as, I am a Good Mother, or, I am a Patient Wife.
"Are you two old friends?" she asked the bishop.
"No!" the bishop exclaimed.
"The bishop was just driving through," the minister said weakly.
"Could I see your garden?" the bishop asked.
Taking his Martini glass with him, he followed her out the side door onto the terrace. Mrs. Pastern was an ardent gardener, but the scene was disappointing. The abundant cycle of bloom was nearly over; there was nothing to see but chrysanthemums. "I wish you could see it in the spring, especially in the late spring," she said, "The star magnolia is the first to bloom. Then we have the flowering cherries and plums. Just as they finish, we have the azalea, the laurel, and the hybrid rhododendron. I have bronze tulips under the wisteria. The lilac is white."
"I see that you have a shelter," the bishop said.
"Yes." She had been betrayed by her ducks and gnomes. "Yes, we have, but it's really nothing to see. This bed is all lily of the valley, all this bed. I feel that roses make a better cutting than an ornamental garden, so I keep the roses behind the house. The border is fraises des bois. So sweet, so winy."
"Have you had the shelter long?"
"We had it built in the spring," said Mrs. Pastern. "That hedge is flowering quince. Over there is our little salad garden. Lettuce and herbs. That sort of thing."
